Entertainment
How The Raunchy College Comedy Was Dismantled By Its Own Lies
Unemployment in the haiku industry is still undefeated.
By Robert Scucci
| Updated
Ever wonder what happened to the raunchy college comedy? Animal House (1978). Road Trip (2000). Van Wilder (2002). The list goes on and on, but then drops off hard around the mid-aughts. As we approached the 2010s, we stopped getting raunchy college party movies, and instead got a wave of films like The Hangover (2009) and its sequels, which are about grown adults acting like college kids in places like Las Vegas. So what happened? The answer is simple. The illusion of carefree college life was shattered during the 2008 recession, and it never recovered.
Starting with Millennials, the idea that college automatically improves your adult life started to fall apart. Unless you’re in a hyper-specialized field that requires formal education, a lot of people on the wrong side of their 30s will tell you the same thing. They’re not working in their field of study, they’re earning far less than a livable wage from a single full-time job, they’ve had to lean on gig work to close the gap, and they’re all thinking some version of, “I could have done this without being buried in debt.”
The Top Gun Parallel
Before getting further into why the raunchy college comedy disappeared, it helps to look at a genre that still works as a measuring stick: military porn.
Films like Top Gun (1986), Saving Private Ryan (1998), Black Hawk Down (2001), Act of Valor (2012), and Lone Survivor (2013) all share something in common. They glorify military life. Yes, they show the horrors of war, but they’re framed through a hero’s journey. Even if you enlist knowing your life is on the line, there’s still a clear upside for people who are built for that lifestyle.
You can be trained in fields like IT or logistics during your service and transition into stable work afterward. There were even reports of U.S. Navy representatives appearing at Top Gun: Maverick (2022) screenings, which coincided with a spike in recruitment interest tied to the film’s portrayal of the lifestyle.
Here’s the difference. Compared to raunchy college comedies, movies like Top Gun are not necessarily selling a lie. Most people understand the risks of military service. But the infrastructure being sold is real. If you complete your service honorably, there is a clear path forward. You can stay within the system or move into the private sector with experience that translates.
You can’t say the same thing about a feminist studies and basket weaving degree from even the most prestigious private university. Last time I checked, unemployment in the haiku industry is still undefeated.
The Lie That Was Sold
Melanie Hanson’s “Average Cost of College & Tuition,” published in February 2026, breaks down tuition across public and private universities, both in-state and out-of-state. The takeaway is straightforward. Many graduates walk away from a bachelor’s program with tens of thousands of dollars in debt, and in some cases much more depending on the school and living situation.
That means kids who can’t legally rent a car, drink alcohol, get a tattoo, or purchase a lottery ticket are encouraged to take on long-term predatory loans and pause their lives for four years. The opportunity cost alone “can ultimately cost upwards of $500,000.”
Most people my age were part of the last wave of kids who were told that a degree guaranteed a better life. We were told it didn’t matter what we studied, as long as we got the degree. We were told that without it, we’d be stuck in menial, low-paying service jobs, as if honest hard work in any industry isn’t just that: honest, hard work. Now, in 2026, I’ve lost count of how many people I know with advanced degrees who are bartending because it pays more than their chosen field of study.
I can’t speak for everyone, but from kindergarten through 12th grade, the messaging was constant. We all remember authority figures pointing to the school janitor or someone wearing a hard hat and saying, “If you don’t go to college, this could be you.” Meanwhile, a lot of blue-collar workers I know who skipped college and went straight into the workforce or military are now in a position to retire early or pivot careers without experiencing total financial collapse.
And we all remember the Education Connection ads. The waitress sings about how a degree would lead to a bigger salary (that’s the rhyme). We also remember decades of raunchy college comedies selling the same dream. Party for four years, then walk into a stable white-collar life.
The Reality, And The Genre’s Downfall
By the early 2000s, most of us knew college wasn’t just toga parties and running from the dean after filling the campus pool with instant mashed potatoes. What we believed was that if we worked hard early, we could relax later.
Even then, college comedies still leaned into feel-good endings. Road Trip wraps with everyone’s lives improving. Accepted (2006) ends with personal growth and forward momentum. The illusion was still there, just softened. Expectations were already shifting, and the tone reflected that.
Then the 2008 recession hit.
Speaking from experience, the economy collapsed while I was deciding whether to matriculate as a Junior. I doubled down and finished my degree. I lived at home, worked full-time, and commuted to a state university. I still ended up over $80,000 in debt, with payments starting before my diploma even arrived in the mail.
Six months after graduating, I was paying $700 a month and still making $12.50 an hour flipping burgers.
This situation wasn’t unique to me, and it felt like it was becoming the new expectation. I eventually landed a corporate job, but it required a three-hour round-trip commute that cost about $10,000 a year in gas and maintenance. The job paid $30,000, before taxes. This was considered by many to be gainful, post-grad, white-collar work. Meanwhile, my bartending friends made more money, had nicer things, and zero debt. They could afford to live alone.
Since then, the raunchy college comedy didn’t disappear overnight. It mutated. The behavior is still there, but it shifted to older characters. Neighbors (2014) is technically college adjacent, but the frat house is framed as a nuisance. The main character isn’t aspiring to that lifestyle. He’s disgusted by it.
Movies like The Package (2018) picked up some of the slack, but the setting changed. The antics happen at home during spring break for a bunch of college-bound teenagers, not on campus. Everybody still lives with their parents. It feels like Hollywood recognized that the traditional college fantasy no longer landed the same way, even though some of the humor from those films still did.
When the audience stops believing in the premise, the genre has to adapt.
Lower Your Expectations, And You’ll Never Be Disappointed
So is college worth it? Maybe. That’s a personal decision you have to figure out for yourself.
As a parent with two kids under eight, I think about this constantly. I don’t want to set them up for failure or lock them into decades of loan payments that limit their options to live a meaningful life. There are other paths. Starting a business. Taking a risk on a startup. Learning a trade.
Right now, I’m neck deep in gig work because most job listings, according to LinkedIn, require a Master’s degree for entry-level roles, pay what my first corporate job paid 16 years ago, offer no benefits, and still expect you to show up on site and play dressup. I’ve told recruitors that if I ended up working for them, it would set me back, while simultaneously destroying my work/life balance. In so many words, they agreed with me.
Imagine spending eight years in higher education just to land there.
At that point, movies like Van Wilder stop feeling aspirational and start feeling like a joke, while something like Top Gun suddenly looks like a more honest pitch.
Entertainment
Sports Illustrated Swimsuit Model Cosplays As Ugly Misfit In Raunchy 80s Sci-Fi Adventure
By Robert Scucci
| Updated
Back in the 80s, being ugly on screen basically meant throwing a pair of glasses and some baggy clothes on a smokin’ hot babe. The most blatant case of this, at least to my knowledge, is 1988’s Alien from L.A., starring Kathy Ireland, who not only appeared in 13 consecutive Sports Illustrated swimsuit issues, but also landed on the cover three times.
In the movie, which plays like a strange combination of The Wizard of Oz and Journey to the Center of the Earth, our hero sets out to find the lost city of Atlantis, rescue her missing father, overcome her alleged homeliness, and show her surface-dwelling ex-boyfriend what he’s missing out on, all before riding off into the sunset on her new dude’s motorcycle.
Ironically, Alien from L.A., a direct-to-VHS outing, was followed by its straight-to-video sequel, Journey to the Center of the Earth (1989). After watching this one, I don’t think I’ll be watching that one. But it exists, and both titles are streaming on Tubi, so you can do whatever you want with that information.
These Glasses Are Holding Me Back!
Alien from L.A. is insulting to your intelligence in just about every way. We’re introduced to Wanda Saknussemm (Kathy Ireland), a woman who clearly hits the gym nine days a week, has long, flowing hair, and legs for days. If only it weren’t for those pesky glasses that are supposed to convince the viewer she’s a dud, as if no mortal man has ever fantasized about a sexy librarian. She also speaks in an incredibly squeaky voice that becomes a running joke.
Anyhow, her boyfriend Robbie (Don Michael Paul) dumps her for not being adventurous, whatever that means, and this sends our covert hottie on a soul-searching excursion to Zamboanga, North Africa, in search of her long-lost father, Professor Arnold Saknussemm (Richard Haines). As the legend goes, Arnold disappeared while searching for the lost city of Atlantis, claiming the city is of alien origin.
While digging through her father’s belongings, Wanda falls into a seemingly bottomless pit and eventually ends up in a strange underground society inhabited by miners who have never breached the surface. Though these inhabitants look just like humans, they refer to Wanda as an alien. Soon enough, she learns what’s truly at stake, but only after a bounty is placed on her head for invading their community.
What follows is a series of events involving a miner named Gus (William R. Moses), a shadowy government conspiracy led by General Rykov (Janie Du Plessis) tied to her imprisoned father, a steady stream of jokes about Wanda’s squeaky voice (it’s an affectation, she can stop talking like this whenever she wants), and a hunky rogue agent named Charmin’ (Thom Mathews).
Truly Terrible, But Also Kind Of Fun
After sitting through Alien from L.A., I’m still not sure what to make of it. It’s contrived, overtly campy, and the hero’s journey never fully clicks. When the film finally wraps, Robbie sees Wanda in a bikini and suddenly realizes he was dating a stone cold fox the entire time. Of course, this happens after Wanda wakes up from her “dream” and, in a clear callback to The Wizard of Oz, says as much.
If the movie has anything going for it, it’s the set design, which is actually pretty neat in that kitschy, low-budget way. Think foam rock formations with dry ice pumping behind them, along with some surprisingly fun city shots that give everything a cartoony vibe. Throw in Deep Roy’s Mambino character with the comically long eyelashes that are never explained, and you’ve got a bizarre viewing experience that won’t teach you anything new and might actually make you a little dumber in the process.
As of this writing, you can stream Alien from L.A. and its sequel, Journey to the Center of the Earth, for free on Tubi.
Entertainment
This $100 Microsoft Office 2024 deal won’t bill you next month
TL;DR: Microsoft Office 2024 Home and Business includes Word, Excel, PowerPoint, Outlook, and OneNote with a one-time license, now $99.97 (reg. $249.99).
$89.97
$249.99
Save $160.02
There’s a good chance you use Microsoft Office more often than you realize — possibly more than some of your go-to apps. There’s also a good chance you’ve been paying for it just as consistently. This Microsoft Office 2024 Home and Business lifetime license offers a one-time alternative, now on sale for $99.97 (reg. $249.99).
For a set of apps you open this frequently, paying month after month can start to feel a bit unnecessary — especially when a one-time license is an option. This version includes Word, Excel, PowerPoint, Outlook, and OneNote, which covers most of what people actually use on a day-to-day basis. It doesn’t come with Teams, but it does integrate with it, so you can still jump into chats, share files, and sit through meetings as needed.
Mashable Deals
Office 2024 doesn’t offer drastic differences, but instead builds on what’s already familiar with some useful upgrades along the way. Performance has been improved, particularly in Excel, where handling large datasets and multiple workbooks feels smoother. PowerPoint now supports recording presentations with voice narration and video, including live camera input, which can be useful for remote work or presentations.
Word also gets a few AI-assisted features, like suggestions for completing sentences and generating content based on context. Across the suite, AI tools can help with formatting, summarizing text, translating content, and pulling out key information.
All in all, this bundle offers the same set of tools most people are familiar with, just with a few updates that make everyday tasks a bit easier.
Mashable Deals
Originally $249.99, you can get Microsoft Office 2024 Home and Business for Mac or PC for $99.97 for a limited time.
StackSocial prices subject to change.
Entertainment
New Resident Evil Movie's Trailer Looks Like Generic Horror And Feels Nothing Like Resident Evil
By Jennifer Asencio
| Published
Fans of the Resident Evil franchise have had a slew of video games and several movies to satisfy their craving. The iconic Alice, played by Milla Jovovich, appeared in five movies between 2002 and 2016, and a sixth movie was a prequel that explored the origins of the mansion in which she woke up in the first movie. Now, there’s a new movie in the franchise, and it looks nothing like the others.
The movie is simply titled Resident Evil and will probably cause both itself and the first movie to henceforth be referred to with their years of release included in their titles. According to IMDb, it is about a young courier named Bryan (Austin Abrams) whose cargo is on its way to a mysterious, remote, and deserted location. The teaser trailer was released on May 1, 2026, and promised both action and horror as Bryan’s world suddenly becomes radically different and more dangerous overnight.
The trailer is a short movie of its own, framed around a phone call from Bryan to a nameless girlfriend with whom he had a fight, but is now trying to tell one last time that he loves her. 911 is busy, which is already ominous. Everything is dark, the house is abandoned, and he has had a problem on the road.
All alone, he searches the house for supplies as he finds himself pursued by zombie-like mutants. Forced to get back to the city (is it Raccoon City? The trailer doesn’t say) while surviving a variety of creepy, distorted monsters that perhaps were once human but are no longer, he trudges through the snow, explores cavernous tunnels, and flees from these frightening pursuers down desolate roads until he reaches the urban center. Viewers only get to see one street in the city, but it is raining mutants and zombies as Bryan frantically tries to escape.
There is a lot of criticism of the trailer being “not Resident Evil,” and there is merit to this complaint. The other Resident Evil films were action-horror, while this one looks like straight horror. There are no familiar characters like Alice, Leon Kennedy, Jill Valentine, Chris Redfield, or the STARS team. Even many of the monsters are different from those in the other movies and the games. There is no sign of the licentious Umbrella Corporation.
What IS “Resident Evil” about it is the survival horror aspect. Fans of survival horror movies and games will recognize the foraging and exploring Bryan has to do in the house to collect the items he needs to defend himself and survive. These items include things like car keys, random firearms with handy ammo just lying around, and “healing items” like Band-aids or food. Survival horror fans will thrill over Bryan’s adventures, but the trailer that has been released does not make an obvious connection to the source material, a fact that has annoyed quite a few fans. And they’re not complaining that it’s not a good-looking movie, just that it is not a movie from the famous franchise.
However, the movie has a mark of horror prestige in the form of Zach Cregger, coming freshly from the success of the acclaimed movie Barbarian and the Oscar-winning Weapons. Cregger wrote both those movies in addition to directing them, and, while he has help from writer Shay Hatten, he has definitely proven his own mettle as a great horror director. Hatten’s presence should assuage fans who are worried about it not being an action film, too, since he is the mind behind the last three John Wick sequels, the Wick-adjacent Ballerina, and the Zack Snyder Army of the Dead movies.
So, to people worried that this film doesn’t have the feel of the Resident Evil franchise, I can only say: just wait. Remember that a franchise isn’t just about existing fans; it’s also about drawing in new fans, and to do that, franchises must constantly reinvent themselves, or they become dry and predictable, like the MCU. This is only the first trailer and only represents about two minutes of movie time. Resident Evil is a horror franchise at its core, and I am positive that Zach Cregger is not going to kill his strong momentum by delivering a film that alienates fans, no matter how different this early trailer might seem from the source material.
Resident Evil will be in theaters on September 18, 2026. Catch it before the infection spreads.
Sports Illustrated Swimsuit Model Cosplays As Ugly Misfit In Raunchy 80s Sci-Fi Adventure
Magic F Franz Wagner (calf) ruled out for Game 7
