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Sports Illustrated Swimsuit Model Cosplays As Ugly Misfit In Raunchy 80s Sci-Fi Adventure

By Robert Scucci
| Updated

Back in the 80s, being ugly on screen basically meant throwing a pair of glasses and some baggy clothes on a smokin’ hot babe. The most blatant case of this, at least to my knowledge, is 1988’s Alien from L.A., starring Kathy Ireland, who not only appeared in 13 consecutive Sports Illustrated swimsuit issues, but also landed on the cover three times.

In the movie, which plays like a strange combination of The Wizard of Oz and Journey to the Center of the Earth, our hero sets out to find the lost city of Atlantis, rescue her missing father, overcome her alleged homeliness, and show her surface-dwelling ex-boyfriend what he’s missing out on, all before riding off into the sunset on her new dude’s motorcycle.

Ironically, Alien from L.A., a direct-to-VHS outing, was followed by its straight-to-video sequel, Journey to the Center of the Earth (1989). After watching this one, I don’t think I’ll be watching that one. But it exists, and both titles are streaming on Tubi, so you can do whatever you want with that information.

These Glasses Are Holding Me Back! 

Alien from L.A. 1988

Alien from L.A. is insulting to your intelligence in just about every way. We’re introduced to Wanda Saknussemm (Kathy Ireland), a woman who clearly hits the gym nine days a week, has long, flowing hair, and legs for days. If only it weren’t for those pesky glasses that are supposed to convince the viewer she’s a dud, as if no mortal man has ever fantasized about a sexy librarian. She also speaks in an incredibly squeaky voice that becomes a running joke.

Anyhow, her boyfriend Robbie (Don Michael Paul) dumps her for not being adventurous, whatever that means, and this sends our covert hottie on a soul-searching excursion to Zamboanga, North Africa, in search of her long-lost father, Professor Arnold Saknussemm (Richard Haines). As the legend goes, Arnold disappeared while searching for the lost city of Atlantis, claiming the city is of alien origin.

Alien from L.A. 1988

While digging through her father’s belongings, Wanda falls into a seemingly bottomless pit and eventually ends up in a strange underground society inhabited by miners who have never breached the surface. Though these inhabitants look just like humans, they refer to Wanda as an alien. Soon enough, she learns what’s truly at stake, but only after a bounty is placed on her head for invading their community.

What follows is a series of events involving a miner named Gus (William R. Moses), a shadowy government conspiracy led by General Rykov (Janie Du Plessis) tied to her imprisoned father, a steady stream of jokes about Wanda’s squeaky voice (it’s an affectation, she can stop talking like this whenever she wants), and a hunky rogue agent named Charmin’ (Thom Mathews).

Truly Terrible, But Also Kind Of Fun

After sitting through Alien from L.A., I’m still not sure what to make of it. It’s contrived, overtly campy, and the hero’s journey never fully clicks. When the film finally wraps, Robbie sees Wanda in a bikini and suddenly realizes he was dating a stone cold fox the entire time. Of course, this happens after Wanda wakes up from her “dream” and, in a clear callback to The Wizard of Oz, says as much.

If the movie has anything going for it, it’s the set design, which is actually pretty neat in that kitschy, low-budget way. Think foam rock formations with dry ice pumping behind them, along with some surprisingly fun city shots that give everything a cartoony vibe. Throw in Deep Roy’s Mambino character with the comically long eyelashes that are never explained, and you’ve got a bizarre viewing experience that won’t teach you anything new and might actually make you a little dumber in the process.

As of this writing, you can stream Alien from L.A. and its sequel, Journey to the Center of the Earth, for free on Tubi.


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How Charisma Carpenter's Horrific Childhood Accident Led Buffy The Vampire Slayer To Nearly Kill Her

By Chris Snellgrove
| Published

One of the earliest events in The Empire Strikes Back is Luke Skywalker being attacked by a Wampa on Hoth. It’s a sobering moment signaling a more serious sequel. Even though Luke saved the entire galaxy in the first Star Wars movie, he got nearly taken out by some local wildlife in the second.

However, that sudden Wampa attack also had an important purpose: it helped provide an in-universe explanation for why our hero’s face looked different. You see, Mark Hamill had gotten into a car accident, and the onscreen attack helped cover up the fact that the Luke Skywalker actor had facial reconstruction surgery.

Using an onscreen incident to explain an actor’s real-life scars is a pretty clever trick. It’s also one that was used in Buffy the Vampire Slayer, though most fans never noticed.

In the episode “Lovers Walk,” Cordelia falls onto a piece of rebar, leaving the character with a nasty scar. A few years back, Cordelia actor Charisma Carpenter revealed that this was a case of art imitating life, as she was impaled by rebar (and subsequently gained her own gnarly scar) at the tender age of five years old!

A Girl Walks Into A Rebar

“Lovers Walk” was a Season 3 episode of Buffy the Vampire Slayer that focused on wacky romantic drama. Spike is trying to use a love spell on Drusilla to make his old girlfriend love him again. Resident witch Willow, meanwhile, is having an emotional affair with Xander, despite the fact that she’s dating Oz and he’s dating Cordelia. After they are kidnapped and believe they will die, Willow and Xander share their first kiss; a horrified Cordelia sees this and runs up some stairs in disgust. Unfortunately, the stairs collapse, and she is impaled on some rebar. She survives, but Sunnydale’s ultimate mean girl is left with a major scar.

When “Lovers Walk” first aired, this seemed like nothing more than a classic case of misdirection. The audience is worried about Willow and Xander dying, and the last thing they expect is for would-be rescuer Cordelia to nearly get killed. But in 2019, Charisma Carpenter revealed that she had suffered a very similar injury when she was a small child. In retrospect, it seems that this very specific event may have happened to Cordelia to explain away Carpenter’s real-life scar in case it ever appears onscreen again.

Giving The Fans What They Want

On X, Carpenter responded to a fan who felt bad about scars on their body. “Hey Kiddo, late 2 this tweet but I want U 2 know I get scar shame. I have a thick, wide scar about 4″ on my belly. I was 5 when I was impaled by a rebar,” she wrote. “My scar is a part of my story, but it’s not who I am. It doesn’t define me. It makes me unique. Just like urs makes U unique.”

It’s a fairly touching response, one that shows just how much this Buffy the Vampire Slayer actor cares about her fans. But it also provided us with an answer to a decades-old fan question: in a show filled with vampires, werewolves, and other nasty demons, why the heck was Cordelia injured by something as simple as some rebar? Now we know that, for whatever reason, the Buffy producers wanted to give the character a scar that corresponded to Carpenter’s own injury.

Even though Charisma Carpenter’s scar didn’t make many more prominent appearances onscreen, the producers were likely thinking ahead. Soon, the actor would be one of the leads in the popular Buffy spinoff Angel, and they had no way of knowing if future episodes would require her to show where she is scarred.

Thanks to the rebar incident in “Lovers Walk,” they didn’t have to worry about covering that old injury up. But they might never have thought to do this if nearly two decades earlier, George Lucas hadn’t thought to explain Mark Hamill’s own scars by having his Luke Skywalker character get injured onscreen!


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This $100 Microsoft Office 2024 deal won’t bill you next month

TL;DR: Microsoft Office 2024 Home and Business includes Word, Excel, PowerPoint, Outlook, and OneNote with a one-time license, now $99.97 (reg. $249.99).


$89.97

$249.99
Save $160.02

 

There’s a good chance you use Microsoft Office more often than you realize — possibly more than some of your go-to apps. There’s also a good chance you’ve been paying for it just as consistently. This Microsoft Office 2024 Home and Business lifetime license offers a one-time alternative, now on sale for $99.97 (reg. $249.99).

For a set of apps you open this frequently, paying month after month can start to feel a bit unnecessary — especially when a one-time license is an option. This version includes Word, Excel, PowerPoint, Outlook, and OneNote, which covers most of what people actually use on a day-to-day basis. It doesn’t come with Teams, but it does integrate with it, so you can still jump into chats, share files, and sit through meetings as needed.

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Office 2024 doesn’t offer drastic differences, but instead builds on what’s already familiar with some useful upgrades along the way. Performance has been improved, particularly in Excel, where handling large datasets and multiple workbooks feels smoother. PowerPoint now supports recording presentations with voice narration and video, including live camera input, which can be useful for remote work or presentations.

Word also gets a few AI-assisted features, like suggestions for completing sentences and generating content based on context. Across the suite, AI tools can help with formatting, summarizing text, translating content, and pulling out key information.

All in all, this bundle offers the same set of tools most people are familiar with, just with a few updates that make everyday tasks a bit easier.

Originally $249.99, you can get Microsoft Office 2024 Home and Business for Mac or PC for $99.97 for a limited time.

StackSocial prices subject to change.

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New Resident Evil Movie's Trailer Looks Like Generic Horror And Feels Nothing Like Resident Evil

By Jennifer Asencio
| Published

Fans of the Resident Evil franchise have had a slew of video games and several movies to satisfy their craving. The iconic Alice, played by Milla Jovovich, appeared in five movies between 2002 and 2016, and a sixth movie was a prequel that explored the origins of the mansion in which she woke up in the first movie. Now, there’s a new movie in the franchise, and it looks nothing like the others.

The movie is simply titled Resident Evil and will probably cause both itself and the first movie to henceforth be referred to with their years of release included in their titles. According to IMDb, it is about a young courier named Bryan (Austin Abrams) whose cargo is on its way to a mysterious, remote, and deserted location. The teaser trailer was released on May 1, 2026, and promised both action and horror as Bryan’s world suddenly becomes radically different and more dangerous overnight.

The trailer is a short movie of its own, framed around a phone call from Bryan to a nameless girlfriend with whom he had a fight, but is now trying to tell one last time that he loves her. 911 is busy, which is already ominous. Everything is dark, the house is abandoned, and he has had a problem on the road.

All alone, he searches the house for supplies as he finds himself pursued by zombie-like mutants. Forced to get back to the city (is it Raccoon City? The trailer doesn’t say) while surviving a variety of creepy, distorted monsters that perhaps were once human but are no longer, he trudges through the snow, explores cavernous tunnels, and flees from these frightening pursuers down desolate roads until he reaches the urban center. Viewers only get to see one street in the city, but it is raining mutants and zombies as Bryan frantically tries to escape.

There is a lot of criticism of the trailer being “not Resident Evil,” and there is merit to this complaint. The other Resident Evil films were action-horror, while this one looks like straight horror. There are no familiar characters like Alice, Leon Kennedy, Jill Valentine, Chris Redfield, or the STARS team. Even many of the monsters are different from those in the other movies and the games. There is no sign of the licentious Umbrella Corporation.

What IS “Resident Evil” about it is the survival horror aspect. Fans of survival horror movies and games will recognize the foraging and exploring Bryan has to do in the house to collect the items he needs to defend himself and survive. These items include things like car keys, random firearms with handy ammo just lying around, and “healing items” like Band-aids or food. Survival horror fans will thrill over Bryan’s adventures, but the trailer that has been released does not make an obvious connection to the source material, a fact that has annoyed quite a few fans. And they’re not complaining that it’s not a good-looking movie, just that it is not a movie from the famous franchise.

However, the movie has a mark of horror prestige in the form of Zach Cregger, coming freshly from the success of the acclaimed movie Barbarian and the Oscar-winning Weapons. Cregger wrote both those movies in addition to directing them, and, while he has help from writer Shay Hatten, he has definitely proven his own mettle as a great horror director. Hatten’s presence should assuage fans who are worried about it not being an action film, too, since he is the mind behind the last three John Wick sequels, the Wick-adjacent Ballerina, and the Zack Snyder Army of the Dead movies.

So, to people worried that this film doesn’t have the feel of the Resident Evil franchise, I can only say: just wait. Remember that a franchise isn’t just about existing fans; it’s also about drawing in new fans, and to do that, franchises must constantly reinvent themselves, or they become dry and predictable, like the MCU. This is only the first trailer and only represents about two minutes of movie time. Resident Evil is a horror franchise at its core, and I am positive that Zach Cregger is not going to kill his strong momentum by delivering a film that alienates fans, no matter how different this early trailer might seem from the source material.

Resident Evil will be in theaters on September 18, 2026. Catch it before the infection spreads.


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