Entertainment
Star Wars Finally Succeeded By Embracing Its Worst Failure
By Chris Snellgrove
| Updated
Star Wars has been trying to frantically pull itself out of a tailspin for many years now. When did this franchise first start facing major problems, though? Arguably, the beginning of the end was Solo: A Star Wars Story. That movie’s budget had already ballooned once Lucasfilm switched directors, and many fans were already annoyed by The Last Jedi. They ended up voting with their dollars, and Solo ended up becoming the lowest-earning live-action Star Wars movie ever made. That’s a pretty grim achievement, one which was recently surpassed by an even lower-earning franchise film: The Mandalorian and Grogu.
While the Star Wars films continue to flounder, the franchise has found a bit more success on the small screen. Fans have generally loved shows like Andor, Ahsoka, and The Mandalorian (at least, the first two seasons), and that goes double for animated fare like Maul–Shadow Lord and the final season of The Clone Wars. What has made these shows so successful, though? Believe it or not, it all comes from embracing Star Wars’ biggest failure. That is, Lucasfilm finally learned to lean into the best parts of Solo, which audiences are now responding to like they never have before.
See You Later, Space Cowboy
I’ve always had complicated feelings about Solo: A Star Wars Story. On the one hand, I think Lucasfilm made a huge mistake by firing Phil Lord and Christopher Miller as directors. These two went on to create the Spider-Verse movies, and I can’t help but think their more comedic take on a galaxy far, far away would have been awesome enough to change the fate of the franchise for the better. The final cut was directed by Ron Howard, who tried to create a more traditional sci-fi adventure. While I think Lord and Miller’s cut would have been better, Solo is still a great film: it has plenty of action, romance, and characterization, featuring actors who have surprisingly great chemistry.
It might have taken nearly a decade, but both Lucasfilm and the Star Wars fandom have begun belatedly acknowledging how great Solo is. How can you tell? Simple: some of the best TV shows in the franchise have taken their creative cues from that movie. The most obvious example is the recent animated series Maul–Shadow Lord. Part of what has made the show so successful is that audiences love its exploration of the seedier side of Star Wars, including vicious crime syndicates and bloodthirsty characters who would fit right in at the Mos Eisley cantina back in A New Hope.
The Best Shows Came From The Worst Movie
This was, of course, the driving narrative force of Solo: A Star Wars Story, which tracked Han Solo’s increasing involvement with assorted criminals and the vicious Crimson Dawn Syndicate. Back in 2018, fans thought it was weird for this movie to focus on characters who are (at best) morally grey instead of upstanding, morally upright heroes. Now, though, the most beloved Star Wars shows focus on these kinds of characters, and audiences just can’t get enough of them. This includes Andor, which showed how the Rebellion could never have thrived without characters who are willing to make hard decisions and even harder compromises in the name of the greater good.
Of course, part of what makes Cassian Andor a compelling protagonist is that, while he’s rough around the edges, he is determined to do the right thing. Arguably, this is another major inspiration from Solo: A Star Wars Story. In that film, Han Solo is the archetypal outlaw with a heart of gold. Aside from Andor, other popular characters were made in that mold, including Din Djarin from The Mandalorian, Boba Fett from The Book of Boba Fett, and Jod Na Nawood in Skeleton Crew.
Found Families And Dark Mentors
How else did Star Wars TV take its cues from Solo? Like that movie, there are multiple shows that emphasize the importance of found family. The core of The Mandalorian is the relationship between the titular character and the little baby Jedi that he adopts. Ahsoka, like Rebels before it, emphasizes how Ezra and Sabine are like siblings to each other. Incidentally, Ahsoka also borrows Solo’s use of a dark mentor character to demonstrate the relationship between Baylan Skoll and Shin Hati. For all its faults, The Acolyte also followed this trope when Osha rejected the Jedi and decided to train under Dark Side user Qmir.
The similarities go on, really. The Mandalorian, The Book of Boba Fett, and Andor all focused more on the ordinary people of the galaxy, something that arguably started with Solo. Additionally, Andor, Obi-Wan Kenobi, and The Book of Boba Fett expanded our knowledge of a familiar character, just like Solo did. Long story short? Solo wasn’t a perfect movie, but it’s far better than its reputation. If you need any proof, just look at the most ambitious TV shows in which Lucasfilm has spent nearly a decade creating new things from the creative building blocks of a box office disaster.
Killer TV shows growing from the corpse of the franchise’s first box office failure? Like Star Wars’ best character might put it, never tell me the odds!
Entertainment
Raunchy 1970s Cult Classic Changed Post-Apocalyptic Sci-Fi Forever
By Jonathan Klotz
| Updated
The 70s was an odd time for sci-fi movies. On the one hand, the genre had broken free of the generic 50s mad scientist/monster movies and a new wave of filmmakers was experimenting with stories that pushed the envelope. On the other hand, those wild experiments sometimes got a little weird. Case in point 1975’s A Boy and His Dog, which follows Vic and his telepathic dog Blood wandering a post-apocalyptic wasteland as they search for food, and more importantly, women. Streaming for free on Tubi and Amazon Prime, it’s an unlikely inspiration for both Fallout and Mad Max, while a time capsule of what sci-fi was like before Star Wars changed everything.
A Boy And His Dog And His Libido
A Boy and His Dog stars Don Johnson as Vic, and Tim McIntire as the voice of Blood. The two constantly bicker as any two male best friends do. Blood’s ability to sniff out women is of incredible importance to the horny and lonely Vic, who after saving one girl, Quilla June (Susanne Benton) from mutants and finally getting laid again, decides to follow her to Downunder, a secret society beneath the surface that’s a near utopia compared to the nuclear blasted wasteland.
Unfortunately, Blood remains on the surface and none of the human characters can match his dry wit. It’s there, in the subterranean version of Topeka, that Vic learns he’ll achieve his dream of copulation thanks to a high “stud rating,” except he’ll be “sent to the farm” after impregnating 35 women. Worse, it’s all done through electrodes, and that more than anything is what spurs Vic to escape Topeka.
A Faithful Adaptation Of A Sci-Fi Legend
It’s a weird plot, but it’s also a rather faithful adaptation of the novella, A Boy and His Dog by the sci-fi icon Harlan Ellison. The biggest change was a few lines of dialogue that make the film more, according to Ellison, misogynistic than his novel ever was. It wasn’t enough to stop the film from becoming an immediate cult classic. It would never, ever be made today. Johnson’s performance, which makes it pretty clear that Vic can be outsmarted by everyone he comes across, goes so far as to start flipping the script.
The influence A Boy and His Dog had on Fallout is immediately clear. Vic calls Blood “Dogmeat,” Downunder is essentially a Vault-Tec experiment, and the complete breakdown of society’s old order explains why something as mundane as bottle caps became currency in the games. Who knew a black sci-fi comedy about a horny survivor would influence one of the best post-apocalyptic series of all time?
A Boy and His Dog bombed in theaters, but once it became a cult classic, work started on a sequel. Instead of Vic, it would follow a female survivor named Spike and of course, Blood, the real hero of the series. Nine years after he brought Vic to life, Don Johnson starred in Miami Vice and changed television forever. If you ever wanted to see Sonny Crockett as a horny scavenger, A Boy and His Dog is your chance.
A Boy and His Dog is streaming for free on Tubi, Amazon Prime Video, Pluto TV, Plex, and YouTube.
Entertainment
Another Major Delay Spells Doom For James Gunn’s DCU
By Chris Snellgrove
| Updated
When James Gunn’s DCU began with a Superman movie, many superhero fans had the same question: when are we going to see a team-up with Batman? Unfortunately, an onscreen collaboration between the World’s Finest seems increasingly farther away. Nobody has been officially cast as the DCU’s Batman, and his first movie doesn’t have a premiere date yet. Weirdly enough, that hasn’t kept Warner Bros. from greenlighting numerous projects focused on the Caped Crusader’s foes, including Clayface (releasing October 23) and a Deathstroke/Bane team-up film. Now, it seems like our odds of seeing Batman in the DCU have gotten worse with the surprise delay of a completely separate project.
Separate from James Gunn’s cinematic universe, Matt Reeves has continued working on the sequel to his 2022 hit film The Batman. The sequel was previously scheduled to be released on October 1, 2027, and fans were counting down the days until they’d see Robert Pattinson kicking butt and taking names once more. Unfortunately, the countdown just got longer: The Batman II has been officially delayed to February 18, 2028. This is actually the second delay for the movie, and one that may effectively endanger the DCU by forcing two different Dark Knights to compete against each other.
Dancing With The Delay In The Pale Moonlight
Fans of Matt Reeves’ The Batman are getting all too used to the sequel getting pushed back. Originally, the movie had a release date of October 2, 2026, but the studio delayed it until October 1, 2027, to give Reeves more time for postproduction. Now, it has been delayed until February 18, 2028, which gives the director even more time to polish the sequel. Nonetheless, the repeated delays have concerned some fans who worry that the film is a Supergirl-style stinker Reeves is trying to fix in post. Others worry that even if the film is great, making us wait over half a decade between sequels will kill any momentum the movie could have had.
DC Studios co-CEO James Gunn disagrees, of course. On Threads, he mentioned how several sequels achieved critical and commercial success despite a long wait between films. “7 years between Alien and Aliens. 14 years between Incredibles. 7 years between the first two Terminators. 13 years between Avatars. 36 years between Top Guns. And, of course, six years between Guardians Vol 2 and Vol 3.” While he has a point, it’s worth noting that several of his examples (including Aliens, Terminator 2, and The Incredibles 2) succeeded back before audiences were collectively hooked on the never-ending stream of new content from platforms like TikTok.
Will Audiences Respond To The Next Bat-Signal?
In other words, a huge wait between The Batman and The Batman II might be a turn-off for younger audiences more attuned to movies like Obsession and Backrooms, both of which were created by filmmakers who first achieved success on YouTube. The real elephant in the room, though, is that delaying Matt Reeves’ latest film may end up hurting the eventual Batman DCU film. Rumors have been swirling that Warner Bros. is trying to find the right actor for the role, and the failure of Supergirl may encourage the studio to focus on a new Dark Knight movie sooner rather than focusing on another relatively minor character.
If that happens, the DCU Dark Knight movie (Batman: The Brave and the Bold) could come out very soon after The Batman II; possibly less than a year later. Should this occur, one or both of the films are likely to suffer at the box office. For example, if mainstream audiences know that The Brave and the Bold is coming, they may avoid The Batman II, like audiences avoided Blue Beetle and The Flash when they knew the DCEU was coming to an end. Conversely, if Reeves’ sequel is really great, The Brave and the Bold may suffer from comparison, with fans wondering why the latest DCU film can’t be as good as what came before.
Batman is my absolutely favorite superhero, so I’d love to be wrong about this. In my perfect world, The Batman II will be even better than the original, and Batman: The Brave and the Bold will be the best film in the DCU. But the failure of Supergirl (which had very little to compete with) has underscored how fickle audiences can be when it comes to superhero cinema. Delaying The Batman II for over half a decade may very well sink that movie’s chances at the box office even as it sabotages the next film featuring the Caped Crusader. Forget the Joker: as it turns out, Batman’s greatest enemy may be studio interference!
Entertainment
NYT Strands hints, answers for July 21, 2026
Today’s NYT Strands hints are easy if you’re a good writer.
Strands, the New York Times‘ elevated word-search game, requires the player to perform a twist on the classic word search. Words can be made from linked letters — up, down, left, right, or diagonal, but words can also change direction, resulting in quirky shapes and patterns. Every single letter in the grid will be part of an answer. There’s always a theme linking every solution, along with the “spangram,” a special, word or phrase that sums up that day’s theme, and spans the entire grid horizontally or vertically.
By providing an opaque hint and not providing the word list, Strands creates a brain-teasing game that takes a little longer to play than its other games, like Wordle and Connections.
If you’re feeling stuck or just don’t have 10 or more minutes to figure out today’s puzzle, we’ve got all the NYT Strands hints for today’s puzzle you need to progress at your preferred pace.
NYT Strands hint for today’s theme: Write there
The words are related to paper.
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Today’s NYT Strands theme plainly explained
These words describe writing utensils.
NYT Strands spangram hint: Is it vertical or horizontal?
Today’s NYT Strands spangram is horizontal.
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NYT Strands spangram answer today
Today’s spangram is Stationery.
NYT Strands word list for July 21
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Envelope
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Letterhead
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Stationery
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Notepad
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File
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Card
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Sheet
Looking for other daily online games? Mashable’s Games page has more hints, and if you’re looking for more puzzles, Mashable’s got games now!
Check out our games hub for Mahjong, Sudoku, free crossword, and more.
Not the day you’re after? Here’s the solution to yesterday’s Strands.
Wings' Paige Bueckers out vs. Liberty
Raunchy 1970s Cult Classic Changed Post-Apocalyptic Sci-Fi Forever
