Entertainment
Star Trek’s Coolest Bad Guys Accidentally Created The Franchise’s Worst Episode
By Chris Snellgrove
| Published
Pop quiz, hotshot: what do you think the worst episode of Star Trek is? There are some major contenders, including vintage stinkers from The Original Series like “Spock’s Brain” and later slop like “Code of Honor.” However, most fans agree that the worst offender is “Shades of Gray,” the Season 2 finale of Star Trek: The Next Generation. The reason this episode has such an awful reputation is that it’s Trek’s first and only clip show, one that happens to be just as cheap as it is boring.
Ending on such an awful note seemed particularly weird for TNG, whose second season included such bangers as “Q Who?”, which introduced us to the Borg. As it turns out, though, there is a surprising relationship between these two episodes. If The Next Generation hadn’t introduced the bionic baddies who would become the franchise’s greatest villains, “Shades of Gray” would never have been made!
They’re Taking Our Jabs
Here’s a quick recap (just think of it as the text equivalent of a clip show): “Shades of Gray” is an episode where Riker gets a virus from a plant, and he only has hours to live. In sickbay, Dr. Pulaski hooks him up to a device designed to stimulate his neurons so that he can fight the virus off. Of course, the “stimulating neurons” plot is just an excuse for the episode to turn into a clip show where Riker flashes back on various moments from the first couple of seasons. All of these clips inexplicably help to cure Riker, though they will torment Star Trek fans for the rest of our natural lives.
Again, “Shades of Gray” was the first clip show in Star Trek history, and it was so bad that the franchise never made this mistake again. That leads to a fairly obvious question: why did the producers create this episode in the first place? Even in the ‘80s, clip shows had a reputation for being cheap, lazy, and uninspired. Why, then, would a sophomore series trying to be taken seriously resort to the oldest and most hated trick in television history?
Money Talks, Trek Walks
The answer is, of course, money. It might not exist in the 24th century (at least, for Federation types), but cold, hard cash was still very important in the 20th century. Paramount only had so much money to produce Star Trek: The Next Generation, and some episodes cost more than others. This often involved compromise, so if the network shelled out more money for certain scripts, others would get short shrift. This is basically where bottle episodes come from: having certain episodes that require fewer actors and sets makes big, blockbuster episodes that much more affordable.
“Shades of Gray” is much cheaper than standard episodes, and the reason for this is that the network had already blown through quite a bit of cash earlier in the season. As recorded in Captain’s Logs: The Unauthorized Complete Trek Voyages, episode director Rob Bowman said that “Shades of Gray” was Paramount’s way of saying, “We gave you more money for ‘Elementary, Dear Data’ and the Borg show. Now, do us a favor and give us a three-day show. So that’s what you do. It’s an accepted part of the medium.”
When It Comes To Money, Resistance Is Futile
“Elementary, Dear Data” was the episode in which Data played Sherlock Holmes on the holodeck, running afoul of a Moriarty who managed to endanger the entire ship. That episode was also directed by Rob Bowman, who previously noted how expensive it was for Paramount to create the Victorian-era set for Data’s mystery-solving shenanigans. He estimated the cost to be $200,000, which was a huge investment for what was meant to be a one-off episode.
“The Borg show,” of course, refers to “Q Who,” which introduced the Borg into the franchise. While this episode didn’t require the production crew to recreate 19th-century England, it did require them to create an entirely new bionic race as well as a ship design: the iconic Borg cube. Additionally, the episode had a cool new Cube interior set and action scenes galore. On top of that, “Q, Who” featured the return of John de Lancie, the most beloved guest star in Next Generation history. All of those costs added up, leaving very little money left to create the Season 2 finale.
That’s how we got “Shades of Gray:” after spending so much money bringing the Borg to life, the TNG production crew had to create a clip show on a shoestring budget. It was also shot at a record pace of only three days. For context, most early episodes took eight days to shoot, and Rob Bowman was supremely annoyed that he previously had to shoot “Elementary, Dear Data” in only seven days because he felt so rushed. A three-day shoot was unheard of, and the proverbial need for speed is a big part of why this episode (which only featured three sets) is so colossally bad.
Totally Worth It
Arguably, though, “Shades of Gray” was worth it, because this episode was such a hot mess of low-budget slop, the producers had enough money to introduce the Borg into the franchise. They quickly became fan-favorite villains, eventually serving as the Big Bads of Star Trek: First Contact, widely considered the best of the TNG films. Later, they served as the main villains of Voyager before popping up to torment the Enterprise crew one last time in the final season of Star Trek: Picard.
Without the Borg, it’s entirely possible that Star Trek wouldn’t have become such a mainstream cultural phenomenon. Fortunately, these ruthless robots supercharged the franchise, giving fans the coolest villain since Khan. In a true bit of cosmic irony, though, we would never have gotten arguably the greatest bad guys in the franchise if it weren’t for the worst Star Trek episode ever made.
Entertainment
BookCon 2026: Authors Rachel Reid, Stephanie Archer talk hockey romance and how it could change the sport for the better
With the fervor of Heated Rivalry, there’s a fierce desire among book readers for even more hockey. On Sunday, April 19, at BookCon, the “You Had Me at Hockey: A Look at One of Sports Romance’s Hottest Genres”, authors Rachel Reid (Heated Rivalry, Game Changer), Emily Rath (Pucking Around), Ngozi Ukazu (Check Please), Stephanie Archer (The Wild Card), and Kate Cochrane (Wake Up, Nat & Darcy) were joined by moderator and fellow author Bal Khabra (Collide) to discuss the rise and continued success of hockey romance.
Khabra kicked off the panel, asking just how hockey became so popular. Ukazu joked that it was as if the genre “escaped containment,” like when the Omegaverse went mainstream, while Reid described the mystery around hockey, saying, “what [the players] are doing seems impossible.” Archer also added that the sport itself is exceptionally hard on the body, and the celebrity around players, especially in Canada, is fun to play with.
But there’s more to the genre’s success than the tropes. “It has to be said,” Rath argued, “that the cornerstone of why this is so popular in publishing is racism.” She went on to say that straight, white women’s voices dominated the romance genre for so long, pointing out that hockey is also the whitest sport. Among major league sports, the NHL is the most predominantly white. In 2022, ESPN reported that 83.6% of league players and staff were white, compared to the NFL, where 25-27% of players are white, or the NBA, where white players make up 17.5% of the league.
Mashable Top Stories
Zooming into the genre, the authors also spoke about the writing process. They dove into the deeper aspects of their work, even the smut. Rath said, “I think the least sexy thing you can ever do is write a sex scene.” A similar sentiment came up during Reid’s Saturday panel, where she described using the sex scenes to further the emotional arc. When readers ask authors if they can skip the spice, Archer says of her own books, “No, you can’t skip the sex scenes. You’re missing so much character development if you don’t go on the journey with them.”
The panel turned to the future, too. Many of the authors write BIPOC and queer representation into their novels, in a genre that often centers on whiteness and homophobia. “We’re writing the world as we want it to be,” Rath said.
Reid has found that there is progress toward a future that these authors and their readers want to see, saying that the NHL is interested in working with them. “People on the inside, they really want to work toward change and want to make this happen.”
With the hockey fandom at an all-time high, there’s a whole team behind these authors ready to drive change.
Entertainment
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Credit: BJ’s Wholesale Club
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Mashable Deals
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Mashable Trend Report
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Entertainment
This $43 bundle quietly upgrades your entire PC experience
TL;DR: This rare Microsoft bundle deal gives you a lifetime license to Microsoft Office Professional 2021 for Windows and Windows 11 Pro for only $42.97 (reg. $418.99) through May 17.
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Looking for an affordable way to make your old PC feel new again? If you don’t have the funds to buy a brand new computer, don’t worry. The Ultimate Microsoft Office Professional 2021 for Windows lifetime license and Windows 11 Pro Bundle is the next best thing, offering your computer a total upgrade for only $42.97 through May 17.
Don’t count out your dusty old PC. This Microsoft bundle is here to give it a total facelift for less than $50. It kicks off with a lifetime license to some of the brand’s most popular tools — Microsoft Office, which you’ll pay for once and enjoy without any subscription fees.
Mashable Deals
You’ll get permanent access to a suite of eight helpful apps with Microsoft Office Professional 2021 for Windows. It includes staples that have been around for decades, like Word, Excel, PowerPoint, and Outlook. You’ll also get newer favorites like Teams, OneNote, Access, and Publisher.
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