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How A Fantasy Box Office Bomb Lost $200 Million In Theaters, And Suddenly Became A Streaming Hit

By Jonathan Klotz
| Published

For the last decade as streaming has taken off in homes around the world, it’s become possible for films that lost historical amounts of money in theaters to find success, even if it might be the post-Mystery Science Theater 3000 trend of “so bad it’s good.” That’s why a massive flop, for example say, Morbius, and films that slightly missed the mark like The Fall Guy can turn it around and become a streaming success.

What’s even more impressive is the amazing turnaround of 2013’s Jack the Giant Slayer, which lost Legendary Pictures an alleged $200 million, only to end up topping streaming charts in 2025. 

The Classic Fairy Tale With A Twist

Everyone knows the story of Jack and the Beanstalk, the classic fairy tale about selling a horse for magic beans and climbing a beanstalk to find a giant living in the clouds.  It’s simple, contains multiple morals, and can be easily adjusted to turn Jack into the villain, but Jack the Giant Slayer instead asks, “What if there was no moral, and instead of one giant, there was an entire army of evil giants?” The movie is the classic story, as you’ve never seen it before, and it almost works. 

Nicholas Hoult plays Jack, the young man who finds himself trading his horse to a monk in exchange for beans that he can’t allow to get wet, ever. Like the rules in Gremlins, it’s not long before Jack accidentally gets the beans wet and a beanstalk grows under his house with the princess, Isabell (Eleanor Tomlinson), trapped inside as it grows into the sky. All the king’s men gather to rescue the princess, including Lord Roderick (Stanley Tucci), who, thankfully, Jack the Giant Slayer makes obvious is very evil, very quickly. 

It’s up to Jack, Isabell, and the loyal Knight, Elmont (Ewan McGregor) to save the kingdom and stop the invasion of giants led by Roderick and the giant two-headed General Fallon (Bill Nighy). If there’s one thing Jack the Giant Slayer does better than every other adaptation, it’s the third act featuring a full-blown war between humans and giants, with a touch of humor and absurdity. Watching a giant toss a windmill like the glaive from Krull is the perfect amount of off-beat to distract from a surprising amount of body horror in both the giant’s designs and Fallon’s ultimate fate. 

A Movie For No One

Jack the Giant Slayer looks too good, and the star-studded cast is having way too much fun for it to be a truly bad movie. The problem is that the pacing is off: it takes a little too long to get to the good stuff, then it feels a little too rushed, and though it is a fun adventure, it’s also, like the source material, simplistic. It’s not like the movie wasn’t watched in theaters; it made $197 million worldwide, which would be a great haul except it cost $185 million to make, and that’s not including the extensive marketing campaign.

The push and pull of director Bryan Singer’s vision of a dark take on the fable, complete with actual people-eating on screen, and the sanitized version that hit theaters, which was still too dark for children, since the film is surprisingly rated PG-13, meant it ended up being a film for no one. The Rotten Tomatoes ratings, of 52 percent from critics and 55 percent from the audience, are proof that the final product is not great, but not bad; it’s a movie that will keep you watching for a few hours and then leave no lasting impression. These days, Lionsgate and Sony wish they’d release a movie that is that well-received, as even Jack the Giant Slayer looks like a masterpiece compared to Borderlands or Kraven the Hunter.

Streaming is the perfect home for Jack the Giant Slayer, and 10 years later, it no longer matters that the movie lost hundreds of millions in theaters. It finally gets to stand on its own as a fun, if unremarkable, fantasy adventure.


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Red Drink for Juneteenth

Red Drink for Juneteenth

Amber Mayfield Hewett loves a good party. Not “good” in the sense that there were enough chairs and everyone liked the dip (though a killer dip and a place to sit definitely don’t hurt). To Amber, a good party is one where everyone in the room feels like they belong — no one feels like a plus-one or wonders if they should’ve stayed home. “In my early twenties, I was living in Harlem and working as an assistant at a TV network,” she explains in her new book, Your Turn to Host. “I loved going out, exploring the restaurant scene and private clubs… But something always felt missing. Even though I was surrounded by people all the time, I felt lonely.”

So, Amber started her own supper club, hosting dinners as a way to create community. “The first dinner was 24 people — roommates, co-workers, people I’d met out in the city,” she says. “Everyone walked in as strangers, but as the night went on, they were laughing and swapping stories like old friends.” Her supper club has since grown into a full-time career, and as of this week, a book — a guide to hosting meaningful gatherings of all kinds: Friendsgiving potlucks, Sunday suppers, and of course, cookouts.

“At the core, cookouts are a way for your village to come together,” Amber explains. “I keep an open-door policy for kids and friends of friends. And to me, cookouts are synonymous with freedom because of the holidays typically celebrated with them, including Juneteenth.” In her book, Amber offers a full guide for a Juneteenth cookout — everything from grilling tips to lawn games, as well as her own recipe for traditional Red Drink. “On Juneteenth, it’s customary to serve red foods and beverages,” she says. “Red is a symbol of the profound sacrifice and resilience of African American people.” Amber’s recipe starts with a classic sorrel-syrup base (“You can use the same technique to make other syrups, like lavender or elderflower”) and is spiked with a cup of rum. “You can easily omit the booze if you prefer a non-alcoholic version,” she adds. “The drink is delicious and refreshing on its own.” Here’s how to make it…

Red Drink
Serves 15
From Your Turn to Host by Amber Mayfield Hewett

Sorrel Syrup:
4 cups (1 L) water
1 1/2 cups (300 g) sugar
1 cup (1 1/2 oz/40 g) cut and sifted dried hibiscus flowers
2 cinnamon sticks

Punch:
2 (2 L) bottles club soda
1 cup (240 ml) dark rum
Juice of 2 large lemons
Ice cubes
4 lemons, sliced into wheels and seeded, for garnish

Make the syrup: In a medium pot, combine the water and sugar. Bring to a boil over a medium-high heat, stirring until the sugar has dissolved. Add the hibiscus flowers and cinnamon sticks, and stir until the flowers start to soften. Reduce the heat to medium to maintain a gentle boil. Cook, stirring occasionally, until the syrup is deep red in color and infused with a floral flavor (about 20 minutes). Remove from the heat and let stand for 5 minutes.

Strain the mixture through a fine-mesh sieve into a bowl, pressing on the solids to extract all the liquid; discard the solids. Let the syrup cool completely before using or storing (about 30 minutes). The sorrel syrup can be stored in an airtight container in the refrigerator for up to a week.

Make the punch: In a large punch bowl, stir together the club soda, 1 cup (240 ml) of the sorrel syrup, rum, and lemon juice to combine. (Amber notes: “If you’re skipping the rum, and want a little more flavor, you can add a splash of lemonade or a berry-flavored sparkling water.”) Serve with ice and garnish with lemon wheels.

Amber Mayfield Hewett

Red Drink for Juneteenth

Big thanks to Amber for sharing this recipe with us! You can find TONS of party recipes and hosting tips in her book and newsletter.

P.S. Five easy party foods, and a monochromatic fruit salad.

(Top photo by Xiana Gutierrez. Excerpted from Your Turn to Host by Amber Mayfield Hewett, published by Artisan Books. Copyright © 2026.)

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A Little Help From My Friends

friends driving

friends driving

I was on my fourth radiation session. I was sitting across from my friend Rachel’s husband, Rob. He was holding a paperback, dog-eared copy of The Stories of John Cheever. Rob was my driver that day.

When we’d first arrived at the medical center, Rob found a seat in the waiting room, while I went to the dressing room. I carefully took off my clothes, peeled a rectangle of gauze from my chest, and pulled on a white gown. The Maine Med radiation oncology department is on the basement level, and the cold air felt uncomfortable on my bare arms. But pain had taken on an unanticipated psychological dimension: Feeling it meant I was still here to feel it.

Then I took a photo of myself in the dressing room, smiling. I’d taken one before each session since starting treatment, as a way of marking the weeks. As always, I sent the photo to my husband Dan, and to my friend Rachel. I was here. This happened. Then I left the dressing room to join Rob on the blue chairs.

Two weeks earlier, it was Rachel who had come up with the plan: my radiation buddy system. I’d gone in for my final pre-treatment CT scan, and sitting in my car afterward, I felt my courage abandon me. The aloneness of cancer is existential. You and only you go into the strange room with the beeping machines. You alone wake with a start in the middle of the night, thinking: I have breast cancer. Life will never be the same. I called Rachel from the parking lot and told her: I wasn’t sure I was brave enough to drive to radiation by myself. She paused, then replied, “I’ll figure this out.”

Within a few days, she had. Recruiting four female friends and three of their husbands, Rachel made a schedule of my radiation drivers, all of whom had gladly signed up. Since Rachel’s work schedule wouldn’t allow her to drive me herself, she served as coordinator, and texted me the night before each appointment with the plan. Tomorrow, your driver is Merry. She’ll be there at 9:15 a.m.

On that Monday, four days into treatment, the skin on my breast was already starting to sting. Rob sat across from me, and I asked him about the book he was reading. He told me about finding the paperback at the swap shop at our local dump. I told him I loved Cheever’s stories, too — especially “The Swimmer.” After my session, Rob drove me home, and I got out of the car feeling lighter.

When you’re preparing for radiation, the doctors will tell you that you can drive yourself. It’s easy; it’s only 20 minutes. But it’s not easy — and it’s never only 20 minutes. Perhaps I could have managed the actual mechanics of driving, but I know it was those rides from my friends that got me through the treatment.

When my friend Nora brought me to my appointment, she came into the exam room and asked questions. On Leah’s days, we’d have breakfast first at my house — a Dutch baby with raspberries. Emma cried with me when we saw a boy, the same age as my younger son, arriving at the radiation center for treatment. Merry showed up on her driving days with bouquets of flowers from her garden. Surrounded by longtime friends — chatting, the way we’d done for years — I was able to see cancer as only a part of my larger life.

On my last day of radiation, in mid-July, my husband, Dan, brought doughnuts for the radiation team at Maine Med. After my session, everyone gathered and clapped as I rang the cowbell to announce that I was done. When I got home, our older son was standing in the dining room with a Lazy Daisy cake he’d baked, covered with candles.

It’s now been almost a year since those appointments, and I still remember them clearly: my breast swelling to the size of a watermelon; my nipple bleeding and my areola peeling off; the instructions coming through the loudspeaker, reminding me to hold my breath and stay still.

But I can’t recall the pain anymore. What I can still feel is my friend Jess’s leg against mine on the waiting-room sofa; the relief that rolled through me when I left the treatment room and found Emma or Rob or Dan waiting for me. More than anything, I feel a deep sense of worthiness. During those five weeks of driving — with conversations about books and teenagers and what goes best on Dutch babies — I learned how it felt to be truly cared for. I realized that love can take on many shapes: flowers, cakes, spreadsheet schedules.

Sometimes it was as simple as a friend in the waiting room holding a paperback, ready to talk about it all the way home.

Caitlin Shetterly is a journalist, editor, and author. Her new novel, The Gulf of Lions, was published in May. She lives in Maine with her husband and two sons.

P.S. “9 life lessons I learned after my cancer diagnosis,” and what does it mean to think about cancer as a battle?

(Photo by Ángela Rober/Stocksy.)

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Khloé Kardashian Says Daughter True Thompson Has an 'Elevated' Way of Wearing Her XO Blue Perfume

Like mother, like daughter! Khloé Kardashian’s new XO Blue perfume has already earned the approval of daughter True Thompson.

Ahead of the launch party in Malibu, California on June 16, The Kardashians star shared that Thompson, 8, is already taking after her in one unexpected way.

Khloé Kardashian/Instagram

“She doesn’t wear fragrance on a daily basis, but she has the Squishmallows fragrance, which is so cute and age-appropriate, and then she has all of mine on her counter, and sometimes she sprays herself, and sometimes she doesn’t, but they’re into scents, these kids,” she explained during a virtual press day.

When Kardashian’s daughter does decide to borrow one of the reality television star’s favorites, she has her own way of doing things.

“I do let her use it, but it’s everything in moderation and she’s so great. She sprays her clothes and not herself, which I’m like, ‘Okay, elevated.’ I love when kids are smarter and more creative than we are. So, she doesn’t spray her body, which I’m fine with.”

Khloé Kardashian/Instagram

It’s a far cry from Kardashian’s own spritzing habits growing up.

“When I was younger, it was Bath and Body Works. … I mean, we doused ourselves in the most potent of stuff.”

These days, though, Kardashian is chasing vacation vibes with her signature scent. 

“XO Blue is very tropical, in my opinion. I think when you put it on, you immediately get this woody coconut. I feel very transported onto a beach with a piña colada. … It’s still something that you can wear, but I just love where it transports me to.”

Khloé Kardashian/Instagram

And for the Khloé In Wonder Land podcast host, the appeal goes beyond an island getaway.

“I just want you to feel the sexiest at your core, and that doesn’t have to be this aesthetic thing.”

“For me, that’s all energetically. I just want you to feel just super sexy and feminine and that you can manhandle anyone and do whatever you want to do, and you’re just that girl. … You want to be in a summer dress or a tank top. It’s so silly that that’s how I feel when I’m wearing it, but I feel like the less clothes, the better.”

Greg Swales

The Khloud founder is just as passionate about what goes into her body as what goes on it.

“I love peptides. I don’t know if that’s a secret. I feel like everyone takes a peptide. … I take injections, which I love, and they just make you feel good and you look good. … I’m also a big vitamin girl and just staying active. There’s not one thing that’s gonna make anything all better.”

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