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Sonys barely updated Bluetooth turntable is still the perfect record player for beginners

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After seven years — a metric eternity in tech time — Sony has finally ventured back into the world of Bluetooth turntables. This spring, the company released the Sony PS-LX3BT ($399.99) and the Sony PS-LX5BT ($499.99), a pair of replacements for its original PS-LX310BT record player.

These newcomers have big shoes to fill. Long regarded as one of the best beginner-friendly turntables, the PS-LX310BT was a popular, perennial favorite for its easy setup, fully automatic operation, and minimalist look. It also helped that it was easy to find on sale for under $200 in its later years.

Admittedly, I never rode the PS-LX310BT hype train. The record player I’ve used for the past 10-odd years is an entry-level wired, manual turntable that’s served me well for the most part, save for some occasional needle issues. I like it a lot… or at least, I thought I did until I used the new PS-LX3BT for a month (the cheaper option). It made me feel so spoiled that I was genuinely bummed to ship it back at the end of my testing period. If you’re a vinyl novice in the market for a solid plug-and-play turntable, your search still ends with Sony.

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Sony PS-LX3BT review: Setup and hands on

The PS-LX3BT ships in a few parts and looks a little intimidating right out of the box, but assembly wound up being a cinch. You just pop on its aluminum platter, hook a rubber belt around its motor pulley, place a slip mat on top, and snap some hinges onto its plastic dust cover. (You can also use it without the cover.) Sony’s instructions are easy enough to follow, but there are plenty of setup tutorials on YouTube if you need extra guidance.

the Sony PS-LX3BT before it's assembled

Here’s what the Sony PS-LX3BT looks like right out of the box.
Credit: Haley Henschel / Mashable

The PS-LX3BT is a belt-drive turntable, which means its motor is separate from its platter, the plate-shaped thing underneath your record. (They’re connected by the aforementioned belt.) This produces less vibration when the motor is running, preserving audio quality, though the belt can stretch out over time and may need to be replaced eventually. The other kind of turntable you’ll encounter is the direct-drive variety, which has a motor that’s attached to the platter. These are more durable and have more consistent speeds, but they can be noisy. Professional DJs generally prefer direct-drive turntables, but belt-driven ones, which tend to be cheaper, are fine for the rest of us.

I did notice that the PS-LX3BT made a mechanical whirrr sound when it was on, but it was impossible to hear once a record started playing. This will only bother the pickiest audiophiles.

the Sony PS-LX3BT

The Sony PS-LX3BT’s main housing, or plinth, has a dark gray finish.
Credit: Haley Henschel / Mashable

The PS-LX3BT is stupidly simple to use. Hit the “Bluetooth” button on the left-hand side of its base, or plinth, to connect it to a wireless speaker, soundbar, or wireless headphones. An indicator light next to the button glows blue when it’s paired.

You can also hook up the PS-LX3BT to wired speakers if you’re really worried about latency or sound quality. (Bluetooth compresses audio for the trade-off of portability, which, to vinyl purists, defeats the point of listening to analog vinyl.) There’s an attached audio cable and a built-in phono preamp, so you just need to plug in your speakers of choice.

the Sony PS-LX3BT

Two other buttons near the Sony PS-LX3BT’s Start button let you manually stop and raise or lower the tonearm as needed.
Credit: Haley Henschel / Mashable

Once the PS-LX3BT is connected to some kind of audio output device, you just have to press the green “Start” button on the opposite side of its plinth. Your record will start spinning, and the tonearm will automatically move over, drop down, and start playing it from the beginning. When it reaches the end of the record side, the tonearm rises and returns to its cradle. It makes some mechanical clacking noises along the way, which might bug some folks, but it’s great in that it’s completely fuss-free.

The PS-LX3BT supports standard 12-inch albums or 7-inch singles, and you can play either of them at 33 1/3 or 45 revolutions per minute (RPM). There are knobs that let you switch between the two sizes and speeds on the right-hand side of its plinth. Sony throws in an adapter for 7-inchers, which you can stash in a slot within the plinth.

the back of the Sony PS-LX3BT

You can rip vinyl records onto your laptop using the Sony PS-LX3BT’s USB-B port. Its power cable is removable (right), but its audio cable (left) is not.
Credit: Haley Henschel / Mashable composite

The PS-LX3BT’s rear connectivity includes a USB-B port that lets you rip vinyl tracks onto your laptop. I didn’t have a USB-B cable on hand when I was testing the turntable, so I couldn’t try it myself (it’s sold separately). But this is a cool feature that I would absolutely use to digitize physical-exclusive bonus tracks, B-sides, and vinyl releases that differ from the streaming versions. I can’t be the only one who misses the “Milkshake” sample on Beyoncé’s Renaissance.

For $100 more, the premium PS-LX5BT model nets you a detachable audio cable, a slightly thicker slip mat, and a gold-plated audio jack, which “supports a high-grade wired connection,” according to Sony. (From what I’ve read, it’s mainly a durability thing.) Its plinth is black, while the PS-LX3BT is more of a dark gray.

a closeup of the Sony PS-LX3BT

The Sony PS-LX3BT’s cartridge has a tracking force of 3.5 grams, which puts it on the heavy side.
Credit: Haley Henschel / Mashable

The pricier PS-LX5BT also has a lighter, removable cartridge (the part that houses the needle on the end of its tonearm). Its cartridge has a tracking force of two grams, while the cheaper PS-LX3BT’s cartridge has a tracking force of 3.5 grams. I think this is the biggest advantage of splurging on the PS-LX5BT: Lighter cartridges equal less wear and tear on your vinyl.

A tracking force of one to three grams is generally ideal, which makes the PS-LX3BT’s cartridge a bit heavy. It’s not adjustable, unfortunately, though you might be able to jerry-rig a counterweight yourself if you’re concerned about long-term vinyl damage. Someone on Reddit lightened the tracking force of their PS-LX310BT (Sony’s older turntable) by putting a kneaded eraser on the back end of its tonearm.

Sony PS-LX3BT vs. Sony PS-LX310BT: What’s new?

the Sony PS-LX310BT and the Sony PS-LX3BT

The original Sony PS-LX310BT (top) versus the newer Sony PS-LX3BT (bottom).
Credit: Haley Henschel / Mashable composite

My sister, who lives nearby, happens to own the original PS-LX310BT, so I stopped by her apartment to check it out. There are a couple of small differences between it and the newer PS-LX3BT, but overall, the latter is a pretty iterative update. (My colleagues have said similar things about Sony’s latest XM6 headphones and earbuds. That’s modern consumer tech for you.)

Here’s what sets them apart:

  • The PS-LX3BT adds support for AptX and AptX Adaptive Bluetooth codecs.

  • The PS-LX310BT’s Start, Stop, and Up/Down buttons are flush on the side of its plinth. The same buttons protrude on the surface of the PS-LX3BT.

  • The PS-LX310BT’s record speed and size dials are knobs on the PS-LX3BT.

  • The PS-LX310BT’s dust cover has a smoky gray tint. The PS-LX3BT’s cover is clear.

The PS-LX310BT retailed for $449.99 at launch, though it was often on sale for half that in recent years. I think it’s still worth buying if you can catch it at a very cheap price, but it’s getting tougher to find in stock nowadays.

the Sony PS-LX3BT

The Sony PS-LX3BT’s transparent dust cover lets you see colorful pressings clearly.
Credit: Haley Henschel / Mashable

If you already own the PS-LX310BT, there’s no world in which you’d need to upgrade to the PS-LX3BT. Its design tweaks are minimal, and its tonearm-moving mechanism is exactly the same. In theory, its AptX and AptX Adaptive support translates to better wireless audio quality, but the records I spun on my sister’s PS-LX310BT didn’t sound worse.

Sony PS-LX3BT review: Final thoughts

the Sony PS-LX3BT

I’m a Sony convert if my current record player dies.
Credit: Haley Henschel / Mashable

The PS-LX3BT is a stylish turntable with idiotproof plug-and-play functionality. Its Bluetooth connectivity and automatic operation will turn off vinyl purists, but they’re boons for newbies.

As someone who came to the PS-LX3BT from a wired, manual record player, I can’t deny the appeal of this convenience — and if mine ever gives out, I’ll seriously consider defecting to Sony. I’m precious with my vinyl collection, so I’d go with the nicer PS-LX5BT model for the lighter cartridge.

The PS-LX3BT and PS-LX5BT are both expensive compared to other top-rated turntables, so try to buy them on sale. (I think you’re mostly paying a premium for the Sony name, though I’m inclined to trust its build quality over other random brands you might find at Best Buy or Amazon.) At the time of writing, both models were up to $30 off at major retailers.

$368
at Amazon

$398
Save $30

 

$473
at Amazon

$499.99
Save $26.99

 

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A Little Help From My Friends

friends driving

friends driving

I was on my fourth radiation session. I was sitting across from my friend Rachel’s husband, Rob. He was holding a paperback, dog-eared copy of The Stories of John Cheever. Rob was my driver that day.

When we’d first arrived at the medical center, Rob found a seat in the waiting room, while I went to the dressing room. I carefully took off my clothes, peeled a rectangle of gauze from my chest, and pulled on a white gown. The Maine Med radiation oncology department is on the basement level, and the cold air felt uncomfortable on my bare arms. But pain had taken on an unanticipated psychological dimension: Feeling it meant I was still here to feel it.

Then I took a photo of myself in the dressing room, smiling. I’d taken one before each session since starting treatment, as a way of marking the weeks. As always, I sent the photo to my husband Dan, and to my friend Rachel. I was here. This happened. Then I left the dressing room to join Rob on the blue chairs.

Two weeks earlier, it was Rachel who had come up with the plan: my radiation buddy system. I’d gone in for my final pre-treatment CT scan, and sitting in my car afterward, I felt my courage abandon me. The aloneness of cancer is existential. You and only you go into the strange room with the beeping machines. You alone wake with a start in the middle of the night, thinking: I have breast cancer. Life will never be the same. I called Rachel from the parking lot and told her: I wasn’t sure I was brave enough to drive to radiation by myself. She paused, then replied, “I’ll figure this out.”

Within a few days, she had. Recruiting four female friends and three of their husbands, Rachel made a schedule of my radiation drivers, all of whom had gladly signed up. Since Rachel’s work schedule wouldn’t allow her to drive me herself, she served as coordinator, and texted me the night before each appointment with the plan. Tomorrow, your driver is Merry. She’ll be there at 9:15 a.m.

On that Monday, four days into treatment, the skin on my breast was already starting to sting. Rob sat across from me, and I asked him about the book he was reading. He told me about finding the paperback at the swap shop at our local dump. I told him I loved Cheever’s stories, too — especially “The Swimmer.” After my session, Rob drove me home, and I got out of the car feeling lighter.

When you’re preparing for radiation, the doctors will tell you that you can drive yourself. It’s easy; it’s only 20 minutes. But it’s not easy — and it’s never only 20 minutes. Perhaps I could have managed the actual mechanics of driving, but I know it was those rides from my friends that got me through the treatment.

When my friend Nora brought me to my appointment, she came into the exam room and asked questions. On Leah’s days, we’d have breakfast first at my house — a Dutch baby with raspberries. Emma cried with me when we saw a boy, the same age as my younger son, arriving at the radiation center for treatment. Merry showed up on her driving days with bouquets of flowers from her garden. Surrounded by longtime friends — chatting, the way we’d done for years — I was able to see cancer as only a part of my larger life.

On my last day of radiation, in mid-July, my husband, Dan, brought doughnuts for the radiation team at Maine Med. After my session, everyone gathered and clapped as I rang the cowbell to announce that I was done. When I got home, our older son was standing in the dining room with a Lazy Daisy cake he’d baked, covered with candles.

It’s now been almost a year since those appointments, and I still remember them clearly: my breast swelling to the size of a watermelon; my nipple bleeding and my areola peeling off; the instructions coming through the loudspeaker, reminding me to hold my breath and stay still.

But I can’t recall the pain anymore. What I can still feel is my friend Jess’s leg against mine on the waiting-room sofa; the relief that rolled through me when I left the treatment room and found Emma or Rob or Dan waiting for me. More than anything, I feel a deep sense of worthiness. During those five weeks of driving — with conversations about books and teenagers and what goes best on Dutch babies — I learned how it felt to be truly cared for. I realized that love can take on many shapes: flowers, cakes, spreadsheet schedules.

Sometimes it was as simple as a friend in the waiting room holding a paperback, ready to talk about it all the way home.

Caitlin Shetterly is a journalist, editor, and author. Her new novel, The Gulf of Lions, was published in May. She lives in Maine with her husband and two sons.

P.S. “9 life lessons I learned after my cancer diagnosis,” and what does it mean to think about cancer as a battle?

(Photo by Ángela Rober/Stocksy.)

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Khloé Kardashian Says Daughter True Thompson Has an 'Elevated' Way of Wearing Her XO Blue Perfume

Like mother, like daughter! Khloé Kardashian’s new XO Blue perfume has already earned the approval of daughter True Thompson.

Ahead of the launch party in Malibu, California on June 16, The Kardashians star shared that Thompson, 8, is already taking after her in one unexpected way.

Khloé Kardashian/Instagram

“She doesn’t wear fragrance on a daily basis, but she has the Squishmallows fragrance, which is so cute and age-appropriate, and then she has all of mine on her counter, and sometimes she sprays herself, and sometimes she doesn’t, but they’re into scents, these kids,” she explained during a virtual press day.

When Kardashian’s daughter does decide to borrow one of the reality television star’s favorites, she has her own way of doing things.

“I do let her use it, but it’s everything in moderation and she’s so great. She sprays her clothes and not herself, which I’m like, ‘Okay, elevated.’ I love when kids are smarter and more creative than we are. So, she doesn’t spray her body, which I’m fine with.”

Khloé Kardashian/Instagram

It’s a far cry from Kardashian’s own spritzing habits growing up.

“When I was younger, it was Bath and Body Works. … I mean, we doused ourselves in the most potent of stuff.”

These days, though, Kardashian is chasing vacation vibes with her signature scent. 

“XO Blue is very tropical, in my opinion. I think when you put it on, you immediately get this woody coconut. I feel very transported onto a beach with a piña colada. … It’s still something that you can wear, but I just love where it transports me to.”

Khloé Kardashian/Instagram

And for the Khloé In Wonder Land podcast host, the appeal goes beyond an island getaway.

“I just want you to feel the sexiest at your core, and that doesn’t have to be this aesthetic thing.”

“For me, that’s all energetically. I just want you to feel just super sexy and feminine and that you can manhandle anyone and do whatever you want to do, and you’re just that girl. … You want to be in a summer dress or a tank top. It’s so silly that that’s how I feel when I’m wearing it, but I feel like the less clothes, the better.”

Greg Swales

The Khloud founder is just as passionate about what goes into her body as what goes on it.

“I love peptides. I don’t know if that’s a secret. I feel like everyone takes a peptide. … I take injections, which I love, and they just make you feel good and you look good. … I’m also a big vitamin girl and just staying active. There’s not one thing that’s gonna make anything all better.”

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Set Phasers To Fun: The Year Of Star Trek Video Games Is Here

By Chris Snellgrove
| Updated

Star Trek has been entertaining sci-fi fans for 60 years through TV shows, movies, books, and comics. There’s only one entertainment sector where the franchise historically falters: video games. If we’re being honest, there have only ever been a handful of really good Star Trek games, and the best ones came out literally decades ago. Because of that, any Star Trek fans looking to lose themselves in a good video game would be forgiven for giving a Bones-like prognosis to the state of modern Trek titles: “it’s dead, Jim!”

However, all of that is changing. We already got Star Trek: Voyager—Across the Unknown, a game that puts us in command of Voyager as the crew tries to make it back home from the Delta Quadrant. Later this year, we’ll be getting a SimCity-style game (Star Trek: Outposts Unknown) as well as a digital, customizable card battler (Star Trek Warp). Next year, Star Trek: Shadow Frontier will put us in control of Ro Laren, with Michelle Forbes reprising her role from The Next Generation. So, what’s the deal with all these games? What are they about, and when can you play them? Keep scrolling to replicate answers to all these questions!

Finally, You Can Kill Tuvix Yourself

The first game to kick off the Star Trek video game renaissance is Star Trek: Voyager—Across the Unknown, and it takes the franchise where it has never gone before. You take control of Voyager after it is zapped into the Delta Quadrant, and like Captain Janeway, you must help everyone find their way back home to the Alpha Quadrant. Much of the game is spent managing finite resources and using your best judgment of which systems to prioritize. Speaking of judgment, you’ll have to make snap calls in several adventures (including recreations of iconic Voyager dilemmas, like whether to kill Tuvix) that can save the day or possibly get everyone killed.

The general consensus on Star Trek: VoyagerAcross the Unknown (which is out now on console and PC) is that it’s good but not great. The most notable thing about it is arguably its sandbox nature and its emphasis on resource management. Historically, many Star Trek games have been shooters, real-time strategy games, and RPGs filled with bonkers puzzles. This was the first game to focus extensively on both resource management and narrative choices, making it arguably the best Starfleet captain simulation since the 2002 title Star Trek: Bridge Commander.

Two More To Beam Up

star trek

Surprisingly enough, we’re going to get two more Star Trek games this year. One of them is Star Trek: Outposts Unknown (which will be released for PC and console sometime this year). This game is designed like SimCity, but with a Trek twist. Basically, you are trying to build, maintain, and defend an outpost on a distant planet. That means exploring strange new worlds, gathering resources, and defending everyone from the planet’s most hostile creatures. While not exactly a cozy game, the Outposts Unknown demo (which is out on Steam) proved surprisingly relaxing, which may be good news for players who don’t like the intensity of games like StarCraft.

The other big Star Trek video game of 2026 is Star Trek Warp. This title is described as a “card battler” that lets players “choose characters from a huge roster of Star Trek legends, heroes, and villains, and deploy them at iconic locations like Ten-Forward and the Warp Core.” With seven virtual lanes to defend, this game is designed to keep you on your toes; the title also features both PvE and PvP modes. Overall, Warp sounds like the weird lovechild of League of Legends (what with the lane defense) and the old Star Trek Customizable Card Game. That might just help it appeal to both young fans and older fans.

A New Strategy And An Old Legend

The most exciting new Star Trek game won’t be coming out until next year. Star Trek: Shadow Frontier is a survival horror title where a Starfleet officer must survive on a mysterious planet. The twist? That officer is Ro Laren, who once left the Enterprise-D to join the Maquis before making her way back to Starfleet. Since her surprise appearance in Picard, fans have been wondering how she went from being a principled rebel to being a good, rule-abiding officer. Shadow Frontier may very well give us that explanation. If nothing else, it will give us something unique: a Silent Hill-type game set in the Star Trek universe.

So, what’s up with this sudden influx of Star Trek video games? The smart money is that Paramount is continuing to throw everything at the wall with this franchise to see what sticks. No Star Trek show is currently in development, and the only definitive thing on the horizon is a movie intended to give this universe its second huge reboot. Trek games (particularly those featuring characters like Ro Laren and Tuvok) are a way of appealing to older fans who like the IP and younger fans who just like gaming. By seeing what sells, Paramount can finally get to the bottom of a decades-old question: what the heck Star Trek fans actually want.


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