Entertainment
Modern Star Trek’s So Ugly It Makes The Writing Look Good
By Chris Snellgrove
| Published

When longtime fans complain about NuTrek, they usually focus on the writing, which is understandable; after all, you can only hear so much vulgarity-induced Zoomer slang before you ask why characters hundreds of years in the future all sound like today’s edgy teens and not, you know, competent Starfleet officers. However, the biggest problem facing the franchise today has nothing to do with the writing or even acting.
The worst thing about modern Star Trek is that it has become relentlessly ugly. Despite spending over eight million dollars per episode, the uniforms, ships, and outer space visual effects are the worst in over 60 years of franchise history. If you doubt that, don’t worry: like a good Ferengi, I’ve got all the receipts!
Credit Where Credit Is Due

Let’s start with the uniforms, and in the spirit of fairness, let’s start with what has actually worked well. The uniforms in Strange New Worlds look great, though that was always a given; one of the goals of the show was always to update and modernize the aesthetic of Star Trek: The Original Series. That earlier show’s ‘60s uniforms are still absolutely iconic, and SNW simply updated their look, giving us something akin to the Kelvinverse: a slick redesign of the most timeless uniforms in the entire franchise.
This may be a hot take, but I actually really liked the uniforms in the first two seasons of Star Trek: Discovery. They felt like sleek, modern versions of the blue Away Team jackets worn by Captain Pike and Spock in the first Star Trek: The Original Series pilot episode.

Plus, they fit into existing lore better than most fans think: there have been weird uniform variations in this franchise from the beginning (like different insignias for different ships and variant uniforms for different specialties), and the Golden Age of Trek constantly featured characters using different styles of uniforms (like the mix of TNG and DS9 designs in Generations).
Throw in the fact that the Discovery was an experimental ship seemingly backed by Section 31, and these characters getting snazzy blue uniforms makes perfect sense. However, the crew ditched this killer look once they jumped to the 32nd century. Instead, they embraced brand new uniforms that just had one major problem: they were downright ugly, beginning a decline in Star Trek aesthetics that continues to this day.
It’s About To Get Ugly

In Season 3 of Star Trek: Discovery, our favorite characters get new uniforms that feel like a serious downgrade: those beautiful blue costumes get replaced with soulless gray uniforms whose dreariness is only broken up by a colorful division stripe. The characters looked blander than ever, and it didn’t help that this season’s storytelling was a serious downgrade from Season 2. Adding insult to injury, these drab uniforms looked way too much like what Kirk and crew wore in Star Trek: The Motion Picture, and that movie’s pastel pajamas are widely considered some of the worst uniform designs in the franchise.
Star Trek: Discovery Season 4 tried to correct this terrible design, replacing the blandness of the previous season with uniforms that were bold and colorful. That’s a good idea on paper, but in practice, the new uniform designs looked like what you’d get if you ordered Original Series costumes from Temu.

It’s hard to take any of these characters seriously when the open flap on the bottom of their tunics makes them look like a white-collar boss who felt wild enough to untuck his shirt and unbutton the bottom buttons to celebrate Casual Friday in style.
No, Captain, My Captain

The next Star Trek fashion fail is partially the fault of arguably the most popular living Star Trek actor: Patrick Stewart. When Paramount lured him back for Picard, he was insistent that he didn’t want to wear a Starfleet uniform, which is why his character and his Season 1 crew run around in dark outfits that Stewart might as well have stolen from the set of David Lynch’s Dune. This is a big part of why the first and second seasons are so painful to watch: on top of writing so bad it makes Nemesis look like a masterpiece, the costume design for our series regulars is lazy and completely phoned-in.
The Starfleet uniforms were a bit better than Picard’s crew, but not by much: they alternated between looking like updated TNG Academy uniforms to uniforms that looked like plainer takes on the ones worn in Lower Decks. By Season 3, everyone was just wearing leather jackets with some light Star Trek theming on them.

This caused our returning TNG crew to look (embarrassingly enough) like bikers from an AARP-themed motorcycle club. It was like the producers were deathly afraid for this to look or feel like an actual Star Trek show, which is insane for a wildly expensive revival of the show that definitively brought the franchise back to life.
These Students Failed Fashion 101

The latest offender on the Star Trek fashion front is Starfleet Academy, a show that can’t decide exactly what it wants its protagonists to look like. Sometimes, instructors like Jet Reno wear uniforms that look like colorful hourglasses slapped haphazardly on a large expanse of black fabric.

The Doctor is wearing something akin to a monochrome version of his Voyager outfit, and Holly Hunter’s chancellor is wearing something like a monster maroon tunic without any of the flair. Over at the War College, Commander Nelrec is wearing something that looks like somebody tried to draw the Battlestar Galactica reboot duty blues from memory after being hit on the head.

Incredibly, the cadet uniforms are even more stylistically scattered: they mostly wander the campus in drab grey uniforms that look like an even worse version of what everyone wore in Star Trek: Discovery Season 3. Sometimes, though, they unzip that to wear just tight red shirts and black pants (which they adorn with futuristic tactical vests for rousing games of laser tag). Speaking of laser tag, after winning a single game against the War College, they wear letterman jackets, which leaves me wondering if anyone on the writing staff actually played sports in school.
None of these designs is great (minus the inexplicably comfy-looking Starfleet Academy hoodie), and several are downright ugly. That ugliness is made worse by the sheer visual chaos of characters that have more wardrobe changes per episode than most cosplayers do all year. This is symbolic of Starfleet Academy’s biggest problem as a show: it’s trying to be too many different things all at once, ultimately losing its own identity in a frantic rush to please fans of every era.
Clothing Maketh The Spaceman

Believe it or not, this barely scratches the surface of what makes NuTrek so ugly. I haven’t gotten around to forgettable ship designs (quick, draw the Starfleet Academy teaching ship from memory, I dare you!) and lazy outer space effects that make battles increasingly hard to follow. Those battles alternate between being visually boring (like the Battle of the Binary Stars in Discovery) to pathetically lazy (like Riker threatening the Romulans in Picard with an entire fleet of copy/paste ships). After spending more than $8 million per episode, NuTrek gives us space battles with less variety and excitement than Deep Space Nine did in the ‘90s.


The biggest issue is still the clothing, which has just gotten worse since Discovery first aired nearly a decade ago. Star Trek is a franchise with over half a century of cool clothing designs, and The Next Generation is proof that Paramount once knew how to update the designs that made The Original Series into a pop culture phenomenon. If the creators behind NuTrek are completely incapable of making these shows look decent, they will have nobody but themselves to blame when audiences stop watching altogether.
Entertainment
Super Bowl LX performers: Who is singing the anthems
The Super Bowl LX halftime show featuring Bad Bunny and the Super Bowl pre-show featuring Green Day may be taking up all the attention when it comes to Super Bowl performances — and rightfully so! Everyone is looking forward to what the internationally known artists will do or say regarding President Trump and ICE.
However, other musical artists are performing at this year’s Super Bowl as well.
Charlie Puth to sing national anthem
Kicking the show off with the U.S. national anthem “The Star-Spangled Banner” is the Grammy-nominated singer Charlie Puth. Puth’s debut single, “Marvin Gaye,” featuring Meghan Trainor, was a Billboard chart hit upon its 2015 release. Puth has since had other hits, including “We Don’t Talk Anymore (feat. Selena Gomez),” “Attention,” and “Nothing But Trouble.”
Mashable Top Stories
Brandi Carlile to perform patriotic song
Next up, singing “America the Beautiful” is singer-songwriter Brandi Carlile. Carlile has a whopping 11 Grammys and two Emmy awards. Her biggest hit was 2007’s “The Story,” but she is also known for songs like “Broken Horses” and “The Joke.”
Coco Jones to sing Black national anthem
Grammy Award-winning R&B artist Coco Jones will sing “Lift Every Voice and Sing,” also known as the Black national anthem. “Lift Every Voice and Sing” has become a Super Bowl staple since 2021, when Alicia Keys performed it at the event. Singer and actress Ledisi performed the song at last year’s game.
Entertainment
How A Star Wars Set Malfunction Caused A Cast Member To Meet Jesus
By Chris Snellgrove
| Updated

Would you believe that arguably the most recognizable figure in the entire Star Wars franchise once ran into Jesus? This was no Jedi, although it’s admittedly fun to imagine what the Son of God might have had to say to someone else who could come back from the dead as a powerful ghost. No, the Star Wars character in question was R2-D2, and he had an accidental meeting with the divine when a remote control malfunction sent him to the set of Franco Zeffirelli’s Jesus of Nazareth tv movie!
A long time ago (1977, to be precise), in a desert far, far away (Tunisia), two very different filmmakers were working on two very different projects. Franco Zeffirelli (best known for his Oscar-nominated Romeo and Juliet) was working on Jesus of Nazareth, which blended the four Gospels of the biblical New Testament into a single TV movie. Meanwhile, fresh off the success of American Graffiti, rebel filmmaker George Lucas was working on Star Wars, a movie that would effectively define his life while reshaping pop culture history as we know it.
Meeting The Maker

Aside from the involvement of James Earl Jones, these projects didn’t have much in common, and Lucas and Zeffirelli generally stayed out of each other’s way despite their sets neighboring one another. That all changed thanks to a scene requiring R2-D2 to be piloted using a remote control. While actor Kenny Baker was often inside the droid for scenes where R2 had to stay relatively still, there were some scenes in which George Lucas simply needed to move the little astromech from Point A to Point B.
In this case, Lucas intended for R2-D2 to exit a scene by rolling out from behind a sand dune. To do this, they intended to use a remote control, but the unit malfunctioned. Therefore, instead of stopping where the filmmakers intended, R2 just kept going until (as if guided by a higher power) he ended up on the set of Zeffirelli’s Jesus of Nazareth.
Fortunately, the runaway astromech didn’t cause any damage to the set of the Jesus TV movie, something that we can only assume would be some kind of sin. These days, the whole incident has become a bit of amusing trivia for Star Wars fans to share among themselves. At the time, though, R2 encountering a savior from heaven was just one more reason that filming this sci-fi blockbuster had become a living hell.
When Droids Move In Mysterious Ways

Reportedly, this is one of many incidents in which the droids weren’t doing exactly what the filmmakers needed them to do. On top of that, the droids were powered by exotic batteries that were hard to replace, and those batteries were soon drained in the hot Tunisian sun. Making matters worse, the truck storing R2-D2 and other droids once caught fire, damaging valuable props and costing George Lucas money he couldn’t really afford to spend.
Fortunately, it all worked out: after all these onset issues, Star Wars became one of the most successful films ever made. There are many reasons for this, including its perfect cast, killer effects, and charming story. However, we can’t discount the possibility that the movie’s success is a product of divine intervention; after all, his excursion to meet Jesus proves R2-D2 is a droid with friends in very high places!
Entertainment
Who is the Super Bowls Black national anthem singer Coco Jones?
“Lift Every Voice and Sing,” also known as the Black national anthem, has been sung at every Super Bowl since 2021, when Alicia Keys performed the song.
This year, at Super Bowl LX, Coco Jones will perform “Lift Every Voice and Sing.”
So, who is Coco Jones?
Mashable Top Stories
Coco Jones is a Grammy Award-winning R&B artist. In 2024, she was nominated for 5 Grammys and won one award for Best R&B Performance for her platinum-certified song “ICU.” She earned two more Grammy nominations in 2025 and was nominated for Best R&B Album at this year’s award show.
The artist’s father, Mike Jones, is a former pro football player. Jones was an NFL linebacker who played for the New England Patriots, St. Louis Rams, and Tennessee Titans.
If you’re not familiar with Coco Jones as an R&B artist, she might look familiar to you if you watched the Peacock series Bel-Air. Jones is the actor who played Hillary Banks on the drama that reimagined the Will Smith sitcom The Fresh Prince of Bel-Air. As a child actor, she was also a well-known Disney Channel star, appearing in So Random!, Good Luck Charlie, and the Disney Channel Original Movie Let It Shine.
