Entertainment
How A Big-Budget Sequel Ruined Two Genres At Once, Nearly Destroying The Best Sci-Fi Franchise
By Chris Snellgrove
| Published
There’s something especially depressing about awful sequels to franchises that used to be great. The best example of this is, of course, Jurassic Park. Steven Spielberg turned that first film into a generational classic, one that energized children all over the world and ushered in the CGI age, all while making dinosaurs cool again. That movie got some comparatively lackluster sequels before the franchise roared back to life many years later with 2015’s Jurassic World.
Relatively speaking, Jurassic World was a decent franchise reboot. It brought us entertaining characters, serious spectacle, and more crazy action scenes than you can shake a fossil at. Unfortunately, it took the revived franchise no time at all to go off the rails because Jurassic World: Fallen Kingdom (2018) was a horrific flop, one which tried to be both an action-adventure movie and (weirdly enough) a horror movie. If you’re ready to see the movie that successfully ruined two completely different genres, it’s easier than ever to watch. All you have to do is stream Jurassic World: Fallen Kingdom on Netflix.
Somehow, The Dinosaurs Returned
The premise of Jurassic World: Fallen Kingdom is that years after the Jurassic World disaster, the dinosaurs on that island are in danger of going extinct yet again, thanks to an upcoming volcanic explosion. The government decides to let them die, after which Owen Grady and Claire Dearing (our two will they, won’t they protagonists from the first movie) get talked into helping relocate some of the dinosaurs, saving them from certain death. Unfortunately, this lands them squarely in the middle of an increasingly bizarre plot involving clones, haunted houses, and an underground auction for weaponized dinosaurs.
The cast of Jurassic World: Fallen Kingdom includes plenty of familiar faces, including Chris Pratt (best known for Guardians of the Galaxy) and Bryce Dallas Howard (best known for Jurassic World: Dominion). We also get the brief return of the popular Jeff Goldblum and his fellow Jurassic Park alumnus BD Wong. The film also features performances from character actor legends James Cromwell (best known for LA Confidential) and Toby Jones (best known for Captain America: The First Avenger), both of whom are giving far better performances than this stinker of a script deserves.
Profit, Uh, Finds A Way
Even though it was hated by both audiences and critics (more on this soon), Jurassic World: Fallen Kingdom made fat stacks of prehistoric cash at the box office. Against a budget as high as $465 million, this disappointing sequel earned $1.310 billion. Making as much as Marvel movies did at their height guaranteed that Fallen Kingdom would get a sequel, and Jurassic World: Dominion came out in 2022. That movie’s chief claim to fame was that it reunited popular characters like Alan Grant, Ellie Satler, and Ian Malcolm. But the writing did not, uh, find a way, and that film ended up being even more of a critical disappointment than Fallen Kingdom.
Part of the magic of the first Jurassic Park film is that it was beloved by audiences and critics alike, all of whom appreciated this slice of genuine movie magic. Jurassic World: Fallen Kingdom is the opposite, though, in that it’s equally hated: it has a 47 percent critical rating on Rotten Tomatoes and a 48 percent audience rating. Fans and reviewers alike dunked on the movie for its sloppy characterization and ramshackle writing. The movie was ultimately a shell of the franchise. As a thrill ride without any thrills, Fallen Kingdom will have you wanting to bail long before the credits roll.
Everything Falls Apart
This is one of those cases where I firmly stand with the critical consensus. While it was far from a masterpiece, the first Jurassic World did a good job bringing the franchise back to life. In the vein of The Force Awakens, it mostly functioned as a slick remake of Jurassic Park that added new characters but didn’t tweak the formula too much. That was arguably the biggest problem with Jurassic World: that it didn’t take enough big, creative swings. By contrast, Fallen Kingdom swings for the fences, but it strikes out each and every time by failing to follow through on any of its half-baked ideas.
For example, the first part of the movie is a lame retread plot that involves going back to the island. On paper, an island full of dinosaurs that’s about to explode would make for a fairly exciting film. But nothing really interesting happens here, which is that much more disappointing because the film takes its sweet time even getting our characters back to this iconic location. Once they are there, all they do in between moving the sluggish plot along is watch dinosaurs die. Thanks, Fallen Kingdom, for giving action-adventure fans what they really want: an excuse to cry over phoned-in CGI creatures.
A Plot That Should Have Gone Extinct
After this, Jurassic World: Fallen Kingdom inexplicably transforms itself into a haunted house movie with dinosaurs in the basement being auctioned off to the highest bidder. You have to seriously suspend your disbelief that nobody in the mansion upstairs can hear the small army of dinosaurs being sold on the dark web. But the part that will turn you into the Joker is the most coveted dino, one that will attack whatever target you paint with your gun-mounted laser sight. This begs the question: if I’m close enough to target my enemy with the laser, wouldn’t it be cheaper and easier on every level to just shoot the guy instead of bringing a 20-ton dinosaur with me and having him do it?
Adding insult to injury, Jurassic World: Fallen Kingdom has a cool, unexpected ending that the next film never really follows up on. In terms of acting, writing, and even effects, this was already the worst film in the entire trilogy. By having the third movie undo everything neat about the second, the studio reveals this sequel to be a hot mess of superfluous storytelling. The Star Wars metaphor is now complete: if Jurassic World is this franchise’s The Force Awakens, then Fallen Kingdom is most definitely The Last Jedi.
Are you in the mood for a film so bad that it will make you root for a new ice age? Are you looking to torment your friends, or maybe you just want to fry your own brain? Either way, you don’t even have to move from the couch. All you have to do is stream Jurassic World: Fallen Kingdom on Netflix to discover a cinematic disaster 65 million years in the making.
Entertainment
BTS bring Arirang to NYC and break down that chaotic Hooligan lyric
For the past four years, BTS has been something international fans watched from a distance, as the members completed their mandatory military service in South Korea. In the meantime, they pursued solo projects and toured globally as individuals, while the group itself lived on through archived livestreams and social media posts.
On Monday night in New York City, they were back on stage as seven.
By late afternoon, fans had already lined up along the downtown Seaport, bundled in layers and rain ponchos, waiting for BTS to take the stage at Pier 17. The group’s return to the U.S. wasn’t a surprise. It was a moment fans had been tracking, anticipating, and counting down to. Still, the energy felt surreal once it was actually happening.
Just days after their massive live comeback concert drew tens of thousands of fans to central Seoul, BTS arrived in New York for Spotify x BTS: Swimside, an invitation-only event that marked their first public appearance in the U.S. as a full group since 2022. It also doubled as the first time they performed songs from their new album, Arirang, stateside.
The setting did a lot of the work. Pier 17 overlooks the East River, with the Brooklyn Bridge stretching out on one side and lower Manhattan lighting up the other. Even in the cold, with wind cutting across the rooftop and temperatures dropping into the 30s, hundreds of fans packed the space, many selected as top Spotify streamers in the area. Even producer Diplo was spotted in the crowd.
Mashable’s social manager on the ground captured the scene as it unfolded. Fans traded freebies, compared signs, and documented everything in real-time across social media. The night already looked like something built for the timeline. The difference was that everyone was actually there in person.
The event opened with a Q&A moderated by Suki Waterhouse, pulling the group into a more relaxed, conversational mode. BTS spoke about making Arirang together, including the experience of living in the same house again while recording in Los Angeles for two months.
“‘Swim’ is a really special song for us,” Jin said through a translator, describing the lead single as a reminder to keep going through uncertainty. “It’s about not stopping, even when you’re facing tough times and emotional waves, to just keep moving forward like you’re swimming through it all… It reminds us to love our lives and accept whatever comes next, so that’s the message: We want to keep moving forward and not give up.”
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Credit: Kevin Mazur/Getty Images for Spotify
The conversation quickly loosened. RM joked about Jung Kook’s suitcase never leaving the floor during their time living together. “Whenever we entered his room, we always had to step [around] the luggage,” the leader explained. Suga admitted he doesn’t like swimming. (But importantly, he does like “Swim.”) Jimin, answering a question about habits at home, casually told the crowd he’s usually naked when he walks in the door, sending the audience into a frenzy.
The group also shared details from the making of the album, including a standout lyric from “Hooligan” — “ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha, hooligan” — which RM and Suga admitted they hate performing because of its tricky cadence. They broke it down as a rapid-fire “three-three-three” rhythm, then put Jung Kook on the spot to try it himself. He mostly succeeded, as expected from the group’s golden maknea.
The overall Q&A had the tone of a livestream, but louder. Immediate. Unfiltered in a way that only works when thousands of people are reacting at once.
During a short intermission, fans proved just how locked in they were. Arirang had only been out for three days, but the crowd sang along to every track playing over the speakers, lightsticks moving in sync.
When BTS returned to the stage, the focus snapped into place.
The group performed “Swim,” “2.0,” and “Normal,” marking their first live U.S. performances of the new album. The staging was simple, but the response wasn’t. Fans jumped, screamed, ha-ha-ha-ha’d, and waved their Army Bombs with every beat drop. RM, seated with a sprained ankle, delivered his verses from the side as the rest of the group moved through the choreography.
Credit: Kevin Mazur/Getty Images for Spotify
“It’s really an honor for us to do our first stage in America here,” RM told the crowd. “It’s been four years, but now we’re here.”
In the audience, fans held up red signs that read “We Stayed!” A small gesture, but one that carried weight after the group’s hiatus. V spotted them right away, calling out to the crowd in recognition.
By the end of the night, the mood felt less like a one-off event and more like a reset point. BTS are back in the U.S., performing new music, standing in front of fans who never left.
For years, that connection lived mostly online. In streams, clips, and constant updates that filled the gap while the group was apart. At Pier 17, it felt different. Still documented, still destined for the feed, but grounded in something more immediate.
Not just something to watch. Something you had to be there for.
Entertainment
Peter Jackson Is Making A New Lord Of The Rings Movie, It's About Tom Bombadil
By Joshua Tyler
| Updated
New Zealand filmmaker Peter Jackson is working on a new Lord of the Rings movie, and to make it, he’s teaming up with talk show host Stephen Colbert. This is not a joke or a drill; it’s happening, and they’re already writing the script.
Stephen Colbert, long known as one of Hollywood’s most obsessive Tolkien fans, is co-writing the film alongside his son, Peter McGee, and returning franchise writer Philippa Boyens. They’re using the working title The Lord of the Rings: Shadow of the Past to refer to the project. It’s not clear yet if that will be the movie’s final title.
Here’s the announcement recorded by Peter Jackson…
The story they’re developing is based on six specific chapters from J.R.R. Tolkien’s Fellowship of the Ring. Those chapters are numbers three through eight, often referred to as “Three Is Company through Fog on the Barrow Downs.” They involve Frodo first leaving the Shire, encountering his first Black Rider, and, most notably of all, encountering Tom Bombadil.
Tolkien fans will no doubt remember that Tom Bombadil was the biggest omission from the original Lord of the Rings movies. Jackson will now remedy that by making an entire, dedicated Tom Bombadil story.
Tom Bombadil is one of the strangest and most mysterious figures in The Lord of the Rings. Living in the Old Forest with his wife Goldberry, in Tolkien’s book, he appears cheerful and harmless, yet possesses immense, unexplained power. He’s so powerful that he’s totally unaffected by the One Ring.
Bombadil rescues the hobbits from multiple dangers, including the Barrow-downs, but exists completely outside the main conflict of Middle-earth, seemingly untouched by its wars, politics, or even its rules.
Peter Jackson is mostly involved in The Lord of the Rings: Shadow of the Past on the production side, reuniting with key members of the original creative team, signaling that this isn’t a reboot but another attempt to mine unused Tolkien material with the same people who built the franchise the first time. This new project is slated for release after Lord of the Rings: Hunt For Gollum, a feature film in production under the direction of Lord of the Rings alum Andy Serkis.
Entertainment
NYT Connections hints today: Clues, answers for March 25, 2026
The NYT Connections puzzle today is not too difficult if you keep up with the news.
Connections is the one of the most popular New York Times word games that’s captured the public’s attention. The game is all about finding the “common threads between words.” And just like Wordle, Connections resets after midnight and each new set of words gets trickier and trickier—so we’ve served up some hints and tips to get you over the hurdle.
If you just want to be told today’s puzzle, you can jump to the end of this article for today’s Connections solution. But if you’d rather solve it yourself, keep reading for some clues, tips, and strategies to assist you.
What is Connections?
The NYT‘s latest daily word game has become a social media hit. The Times credits associate puzzle editor Wyna Liu with helping to create the new word game and bringing it to the publications’ Games section. Connections can be played on both web browsers and mobile devices and require players to group four words that share something in common.
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Each puzzle features 16 words and each grouping of words is split into four categories. These sets could comprise of anything from book titles, software, country names, etc. Even though multiple words will seem like they fit together, there’s only one correct answer.
If a player gets all four words in a set correct, those words are removed from the board. Guess wrong and it counts as a mistake—players get up to four mistakes until the game ends.
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Players can also rearrange and shuffle the board to make spotting connections easier. Additionally, each group is color-coded with yellow being the easiest, followed by green, blue, and purple. Like Wordle, you can share the results with your friends on social media.
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Here’s a hint for today’s Connections categories
Want a hint about the categories without being told the categories? Then give these a try:
Here are today’s Connections categories
Need a little extra help? Today’s connections fall into the following categories:
Looking for Wordle today? Here’s the answer to today’s Wordle.
Ready for the answers? This is your last chance to turn back and solve today’s puzzle before we reveal the solutions.
Drumroll, please!
The solution to today’s Connections #1018 is…
What is the answer to Connections today
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Obfuscate: BLUR, CLOUD, MUDDY, OBSCURE
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Magazines: FORTUNE, PEOPLE, SPIN, TIME
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Payment methods: CASH, CHARGE, CHECK, WIRE
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Units of volume with last letter changed: CUR, GALLOP, PING, QUARK
Don’t feel down if you didn’t manage to guess it this time. There will be new Connections for you to stretch your brain with tomorrow, and we’ll be back again to guide you with more helpful hints.
Are you also playing NYT Strands? Get all the Strands hints you need for today’s puzzle.
If you’re looking for more puzzles, Mashable’s got games now! Check out our games hub for Mahjong, Sudoku, free crossword, and more.
Not the day you’re after? Here’s the solution to yesterday’s Connections.
BTS bring Arirang to NYC and break down that chaotic Hooligan lyric
Lucid Bots raises $20M to keep up with demand for its window-washing drones
