Entertainment
Evil Dead Director's Upcoming Haunt Breathes New Life Into Ancient Monster
By Jennifer Asencio
| Published
For the past few decades, mummies have been featured monsters in movies that are more action-oriented than horror. The last time a mummy was featured as a horror monster in a mainstream film was in 1987’s The Monster Squad. One could be forgiven for thinking of mummies in terms of Brendan Fraser or Tom Cruise, because zombies were introduced, and typical mummies are just zombies wrapped up in bandages … right?
An Ancient Dread For A Modern Audience
In the latest take on the monster, horror master Lee Cronin reminds audiences that mummies have a mystique that is steeped in ancient pagan ritual and occult practices. Millenia before there were zombies, the restless dead were said to have walked the earth, and the only way anyone knew to prevent such affliction was mummification. Early horror iterations called “The Mummy” often asked the question, “what if mummification wasn’t enough to contain the restless dead?” Even the action films tackle this query.
Cronin’s official trailer for The Mummy, which dropped on April 1, 2026, is no joke. It does seem to veer off into a strange direction from normal mummy movies; rather than digging up a 3,000-year-old corpse that then terrorizes the neighborhood, the mummy is a young child who has been missing for almost a decade and is found in a sealed sarcophagus of that ancient age, and it is she who terrorizes the neighborhood. Her distraught parents are both shocked and horrified to find her alive but unaged, and she seems to have returned with a ravenous appetite for fear, if not human flesh.
Cronin Knows How To Make Kids Creepy
Lee Cronin excels at simultaneously creating creepy evil children and making audiences extremely anxious on behalf of the protagonist children who are often their victims. His debut feature, The Hole in the Ground, is an excellent exercise in such dramatic tension, offering a child and a changeling imitating him and spending much of the movie not allowing audiences to know which child was which.
Evil Dead Rise, the first Evil Dead movie that I did not enjoy, still delivered on this theme by taking place among the family of a single mom rather than a group of college students. This is not why I wasn’t fond of the film, but rather that Cronin’s talents lie in his own IPs rather than in contributing to someone else’s. Plus, he’s backed this time by horror studio Blumhouse and their production partner, James Wan’s Atomic Monster.
Natalie Grace And Her Million Dollar Face
The Mummy thus seems to be a return to form for him, even as it borrows from another IP. The Evil Dead franchise has very narrow rules it operates by, while mummies and their cinematic lore have much broader leeway in what can be done with them. There is certainly room for Cronin to explore themes surrounding the horror of being a parent by connecting one of the most terrifying experiences a parent can have, a missing child, to an ancient Egyptian mummy. Coupled with his trademark chiaroscuro lighting in Gothic settings whose antiquity oozes from the very walls, the Irish director seems poised to reinforce his solid reputation in the horror genre.
The Hole in the Ground cast doubt upon whether the boy in it was real or his doppelganger, but The Mummy makes no obfuscation in showing that its creepy little girl, played by the odd-looking Natalie Grace and unnamed on IMDb, is definitely not who she was when she disappeared. The only doubt lies in whether this monster is riding around in their daughter’s actual body, or if it is simply disguising itself as her to prey upon them. Grace’s exotic eye shape lends itself mightily to her makeup and her uncanny and sinister behavior, and her youthful appearance makes her believable as she crawls around in her white nighty exuding evil with unconcealed glee.
Even if Grace’s performance turns out to be poor, her unique facial structure is enough to keep her employed for years, and her apparent emotional range, indicated by “before” scenes of the character with her family, hints that she will be great in this breakout role.
Lee Cronin’s The Mummy comes out in theaters on April 17, 2026. Check it out and prepare for a new twist on a very old monster.
Entertainment
One dashboard, 20+ AI models — get ChatGPT, Claude, Gemini, and more for $79
TL;DR: Pay $79 once (reg. $619) for ChatPlayground AI Unlimited Lifetime and compare 20+ leading AI models side by side, chat with PDFs and images, and generate AI art.
Credit: ChatPlayground AI
If you’ve ever copied the same prompt into three different AI tools just to see which one gives the best answer, you’re not alone. Different models excel at different things — but juggling tabs and subscriptions gets old fast.
ChatPlayground AI puts the top AI models in one place, so you can compare responses side by side without the back-and-forth. For a limited time, a lifetime subscription is on sale for $79 (reg. $619).
GPT-4o, Claude Sonnet, Gemini, DeepSeek, Llama, Perplexity, and more — all in one clean interface. It’s built for people who iterate fast, test variations, and actually care about optimizing results.
Beyond comparisons, ChatPlayground AI includes prompt engineering tools to refine outputs, image and PDF chat for context-aware responses, saved chat history for ongoing projects, and AI image generation powered by leading models. There’s even a Chrome extension to integrate it directly into your browsing workflow.
The Unlimited Plan means unlimited messages per month, making it ideal for startups, product teams, marketers, and prompt engineers who run experiments nonstop. You also get priority support and early access to new features and future models.
If you’re already paying for multiple AI tools — or constantly switching between them — this consolidates everything into one streamlined platform.
Mashable Deals
Grab lifetime access to ChatPlayground AI Unlimited for $79 (reg. $619) and stop juggling models for good.
StackSocial prices subject to change.
Topics
Artificial Intelligence
Entertainment
The best Dyson vacuums actually make vacuuming fun: See my favorites for 2026
Read my full review of the Dyson PencilVac.
The Dyson PencilVac Fluffycones takes the small space vacuum to a whole new level. It’s unbelievably slim and lightweight, and seamlessly scoots into tight crevices near furniture that don’t get dusted often enough. If there are certain spots in your home that you avoid cleaning just because it’s too tight of a squeeze, the PencilVac is about to change your life.
“Fluffy” references the ultra-soft material cushioning the four brush rolls, which provide a gloriously glide on hardwood you don’t want to scratch. The PencilVac’s short battery life and limited suction power wouldn’t be ideal in homes with more than just a few rooms or lots of carpeting.
No stick vacuum takes “stick” as literally as the Dyson PencilVac Fluffycones. It doesn’t have a main body with a battery pack, handle, or dustbin like any other traditional cordless vacuum. It’s just a wand and a funky cleaning head with four microfiber cones as brush rolls — the coolest little vacuum that’s truly grab and go.
The whole vacuum can fit just about anywhere, and tight squeezes are even more accessible with a cleaning head that can spin a full 360 degrees. The agile design led me to so many awkward dusty spots that other cordless vacuums can’t comfortably reach: the small chunks of floor between furniture and the wall, between island and bar stool legs, beside the toilet, or under the low-hanging credenza. The PencilVac had commendable hard floor performance in my apartment, offering near-perfect pickup of daily debris like cat hair and long human hair, kitchen crumbs, multiple types of cat litter, and dust.
Oh yeah, the Fluffycones cleaning head has two dust-detecting lasers. One laser projects out the front to point out the hair and tiny flecks lying ahead, and one laser projects out the back to illuminate anything that you just missed. It’s so satisfying that you’ll accidentally end up cleaning for much longer than you meant to, only to be cut off by the pitiful battery life.
With the precision nozzle wand attached, the PencilVac weighs in at just 2.9 pounds. This uniquely compact design makes cleaning cobwebs out of ceiling corners or dusting baseboards so much less of a pain. The wand’s diameter is just 1.5 inches the entire way down, which made it possible to vacuum behind my dresser without pulling it out a foot from the wall.
Entertainment
RAMageddon is making it harder to find the best Windows laptops. These 10 are actually worth it.
I highly recommend the Acer Swift X 14 for creatives who need a Windows laptop with a discrete GPU for running the most demanding sorts of apps. That includes photo and video editors, graphic designers, and animators.
Most professional creatives need a Windows laptop with a dedicated graphics card to handle their intensive workloads. I like the $2,000 Acer Swift X 14 with a top-end Intel Core Ultra 9 285H CPU and RTX 5070 graphics because it’s super powerful, fairly priced, equipped with a glorious OLED screen, and long-lasting, relatively speaking. You can go with a gaming laptop instead, but most aren’t nearly as compact.
This 14-inch desktop replacement is just as fast as an M5 MacBook Pro when it comes to demanding multi-core scenarios (i.e., most creative tasks). In my testing, its RTX 5070 GPU was more than capable of running graphically taxing games like Cyberpunk 2077 at over 100fps at 1080p resolution without the help of any AI upscaling technology, so it’s very well-suited for the likes of Adobe After Effects and Premiere Pro. (And other AAA games, obviously.)
For what it’s worth, I also tried a $1,700 Acer Swift X 14 AI with an AMD processor and RTX 5060 graphics, and the Intel/RTX 5070 version performed much better. The AMD/RTX 5060 one had 17 percent worse multi-core performance, so it couldn’t compete with the MacBook Pro, and it could barely run Cyberpunk at its 60fps minimum without upscaling tech. It also had a much worse battery life of about 6.5 hours per charge. My go-to RTX 5070 model lasted just over 10 hours, which is fantastic for a laptop with a dedicated GPU.
Note that the Swift X 14 is not a Copilot+ PC, meaning it doesn’t have a super-powerful NPU for running on-device AI tasks. This isn’t a deal-breaker for creatives, but it is for serious machine learning engineers and software developers.
The Swift X 14 comes with plenty of creator-forward ports (like a microSD card slot) as well as a crisp, vivid 120Hz OLED touchscreen. It’s a real attention-getter on an otherwise plain laptop. You can’t draw on it with the included stylus, but you can do so on its haptic trackpad. It functions kind of like a built-in drawing pad.
After 'huge' win, Mariners vie for series win vs. Twins
Padres look to capture series against visiting Giants
