Entertainment
Sexy, R-Rated 90s Sci-Fi Thriller Is A Gritty, Female RoboCop
By Robert Scucci
| Published

Not all RoboCop imitations are created equal, but I keep watching them whenever I get the chance because some are a whole lot of fun. Upgrade (2018) takes a classic revenge-thriller approach not unlike the John Wick movies, while films like Nemesis (1992) lean hard into shadow government conspiracies and all-out cybernetic warfare. 1995’s The Demolitionist does some heavy lifting of its own by asking the question we’re all dying to have answered: what if RoboCop was a smoking hot blonde, and every villain was so comically evil that you could fully switch your brain to the off position?
I recently reviewed Future Force (1989), and the biggest problem I had with that film was how unlikeable its protagonist (portrayed by David Carradine) is. He’s a fascist police officer who carries out the “law” as oppressively and aggressively as possible without ever considering the consequences of his actions. The Demolitionist is the exact opposite, which allows it to go as ultra-violent as its $1 million budget can afford, and you never once have to question who you’re rooting for.

It’s a simple good gal versus very bad guy story, and it’s such an enjoyable watch because of how simple it is.
Girl Gets Dead, Pumps Bad Guys With Lead
The Demolitionist kicks off by introducing us to “Mad Dog” Burne (Richard Grieco) and his little brother and right-hand man, “Little Henry” (Randy Vasquez), two street criminals who are comically evil. They escape from death row and kill everybody in their sight on the night of their well-deserved execution and immediately go back to their old tricks, which mostly involve assaulting women and shooting their guns in the air. Working undercover, Alyssa Lloyd (Nicole Eggert), along with her partner Daniel Dupre (Andras Jones), has been trying to take down their gang. When her cover is blown, Mad Dog kills her, and that’s the end of that. Or so he thinks.

What Mad Dog isn’t prepared for, however, is Doctor Jack Crowley’s (Bruce Abbott) Lazarus-style project, which allows Alyssa to come back from the dead with advanced healing powers, superhuman strength, and enhanced reflexes. The project is funded by Mayor Eleanor Grimbaum (Susan Tyrell), who’s also comically evil, though mostly for political reasons. She knows Mad Dog’s antics are tanking her approval ratings, and all she cares about is the upcoming election.
With all of that setup out of the way, The Demolitionist becomes a supremely fun action thriller because the formula is completely locked in. We’ve got the well-meaning but God-playing scientist, the corrupt politician bankrolling his crime-stopping project, the criminal ringleader who’s so blatantly horrible, and finally Alyssa Lloyd, who’s hellbent on revenge and equipped with a brand-new, perfectly form-fitting tactical suit that highlights all of her best physical attributes, along with a bunch of cool future tech to help her along the way.

As Alyssa takes on her new alter ego, The Demolitionist, she actually feels morally conflicted in a way similar hero archetypes in lesser films rarely do. Her arc plays out firmly on the right side of history because the villains she’s fighting are so over-the-top that you never once question her moral compass. When she’s put in compromising positions, though, like having to choose between saving a girl who accidentally picked up a grenade or continuing to chase the bad guy, she chooses the latter, forcing her to wonder if she sold her soul just to help Jack fulfill his primary objective: shoot bad guys.
Low-Budget, Scenery-Chewing, B-Movie Fun
The Demolitionist is not a satire like RoboCop, and it’s not preachy with its messaging. It’s a simple story about a woman who’s killed, turned into a soulless killing machine, and driven by revenge, only for her conscience to occasionally remind her that she’s no longer the person she used to be. That’s all you need to know to enjoy this movie, and that’s all this movie aspires to be.

There are plenty of practical effects holding the action sequences together, and nearly every bad guy you see on screen is somehow cheesier than the one before him. When every villain has names like Boxer, Hammerhead, Skin, Ram, Wolf, or Lipps, you know exactly what kind of leather-jacket-wearing, bandana-sporting, switchblade-wielding, gun-toting maniacs you’re about to deal with.
My favorite bad guy, however, has to be “One Eye” (David Anthony Marshall), yet another Snake Plissken wannabe floating around this subgenre. His finest moment comes after he gets shot in the butt by our hero and dragged back to Mad Dog’s home base, only to learn the bullet contains a tracking device while everybody, including a smiling, uncredited Bruce Campbell, giggles with delight.


If you like your action thrillers hot, violent, and packed with walking, talking stereotypes who shamelessly lean into every single genre trope imaginable, The Demolitionist should be the next thing you watch on Tubi, where it’s currently streaming for free.

Entertainment
New Microsoft Defender exploits discovered. How to protect yourself
Microsoft has identified some nasty exploits that could affect your Windows machine if you let them.
Bleeping Computer reported on the exploits, which are specific vulnerabilities in Windows Defender, the built-in anti-malware software in Windows. The company has detailed reports on its security website for both vulnerabilities. While it can be a bit difficult for a layperson to understand what’s going on from those reports, the main thing to know is that vulnerable Windows machines can be subjected to denial-of-service attacks using these exploits.
The good news is that Microsoft has already revealed these exploits, and a fix is in the pipeline. If you have automatic updates for Defender turned on, it should have installed the Malware Protection Engine versions 1.1.26040.8 and 4.18.26040.7 to address these exploits.
Mashable Light Speed
Bleeping Computer also included a helpful set of instructions for making sure these updates are turned on:
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Open Windows Security
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Select “Virus and threat protection”
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Click “Protection Updates” and then “Check for updates”
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Select “Settings” and then “About”
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Check the Anti-malware Client version number and make sure it matches the two numbers above
Hopefully, everything is properly set up, and your machine is good to go.
Topics
Cybersecurity
Microsoft
Entertainment
Spotifys new Reserved feature could make concert ticketing less miserable
These days, scoring concert tickets can feel like entering a digital Hunger Games. Fans log on the second tickets go on sale, only to watch seats disappear instantly — many of them seemingly snapped up by scalpers and resellers before actual fans ever get a chance.
Now, Spotify wants to change that by rewarding the people who stream the most.
Today, May 21, the streaming platform announced Reserved by Spotify, a new ticketing initiative aimed at helping dedicated fans access concert tickets before they go on sale to the general public. The program is launching for Premium subscribers in the U.S. who are 18 or older.

Credit: Spotify
The idea is simple: Instead of forcing fans to battle through chaotic on-sale queues or complete elaborate fan-verification games, Spotify will identify an artist’s most dedicated listeners through streaming activity and reserve tickets specifically for them. Eligible fans will receive a purchase window before the public on-sale begins, with up to two tickets held in their name.
Importantly, Spotify says the reserved tickets will not include additional Spotify service fees.
Mashable Trend Report
The company says the number of fans selected — and the number of tickets available — will vary depending on the artist, tour, and market. But Spotify says allocations are intended to be substantial and to scale with an artist’s fanbase.

Credit: Spotify
The move reflects the growing importance of superfans to the music industry, where artists and platforms alike are increasingly trying to reward the fans who engage most deeply. In recent years, fandom has become one of the most powerful forces shaping touring, chart performance, and even marketing strategies, particularly in pop and K-pop spaces where highly organized fan communities already treat streaming like participation.
Reserved by Spotify also expands the company’s broader ambitions in live music. Spotify says it has already driven more than $1.5 billion in ticket sales through its platform via partnerships with more than 40 ticketing companies, alongside features like Concerts Near You and Venue Search.
The bigger question, though, is whether programs like this can meaningfully combat the frustrations fans increasingly associate with modern ticket-buying in the U.S. As ticket prices continue to climb and resale markets remain difficult to control, many fans have grown cynical about whether fair access to concerts is even possible anymore.
Spotify is betting that listening history — not luck — might be the closest thing to a solution.
Entertainment
The Greatest Action Movie of All Time Is Leaving Streaming Platforms
By Douglas Helm
| Published

There are quite a few action movies that could be considered the “greatest action movie of all time,” and Die Hard is always in the conversation. The classic 1988 film is Bruce Willis and Alan Rickman at their best, and it’s a highly entertaining thrill ride throughout.
If you somehow have missed out on this one, or if you want a rewatch, now may be your last chance to stream it. The movie’s been available on budget streaming platforms like Philo for a while, but it’s leaving in less than two weeks. Once it’s gone, you’ll be forced to pay video-on-demand fees to rent it on Amazon if you want to watch.

Die Hard is directed by John McTiernan from a script by Jeb Stuart and Steven E de Souza based on the Roderick Thorp novel Nothing Lasts Forever. It features a cast that includes a young Bruce Willis alongside Alan Rickman, Alexander Godunov, and Bonnie Bedelia, as well as Reginald VelJohnson, William Atherton, Paul Gleason, and Hart Bochner. The film follows NYC police detective John McClane, who gets caught in an LA skyscraper being taken over by terrorists during a holiday party.

McClane is the quintessential everyman hero, and his scrappy battle to stop the terrorists and save the hostages makes for the perfect action film. Bruce Willis gives a great performance in every scene, and Rickman’s charismatic Hans Gruber is the perfect antagonist. Almost everything has been said about Die Hard, and it’s an easy recommendation for anyone who appreciates a well-directed, well-acted, and well-paced action flick.
Stallone And Schwarzenegger Turned Die Hard Down

Funnily enough, no one expected Die Hard to be such an iconic hit upon its release. First, both Arnold Schwarzenegger and Sylvester Stallone turned down the role of McClane, leading Willis to be offered the role despite being mostly known for TV work. However, he was paid a hefty sum of $5 million, leading to controversy as the film was painted as a bad investment.
Critics Didn’t Get It At First

Leading up to the release of Die Hard, Bruce Willis was largely absent from marketing materials. When the film hit theaters, the reviews were pretty mixed, so it was far from the critically acclaimed film it’s known as today. However, the film overcame these obstacles at the box office, grossing an impressive $140 million and earning four Academy Award nominations.

Of course, we now know that Die Hard is a cinematic treasure and one of the undisputed action movies of all time (along with one of the best Christmas movies, depending on who you ask). It defied expectations and showed that action heroes don’t have to be invincible shining paragons of oiled muscle. It also spawned a ton of sequels that never captured the magic of the original.


In a far cry from the original thoughts critics and industry pros had of Die Hard upon its release, in 2017 the United States Library of Congress deemed the film worthy of being preserved in the National Film Registry. Its preservation and its place in action movie history is well earned, and a film that will forever be one of the peaks of Bruce Willis’ illustrious acting career.
