By Chris Snellgrove
| Published 54 seconds ago

Right now, it’s fair to say that Disney is a victim of its own success. The House of Mouse decided to get into the streaming game with Disney+, and they made this new platform the home of all things Marvel and Star Wars. They succeeded in containing the world’s two biggest intellectual properties under one roof, but this came at a cost. The MCU began to suffer under its own weight, and fans began to resent many of the new shows on Disney+. The most common complaint is that most of these series felt like annoying “homework” they had to watch just to understand the next big Marvel movie.

Is that criticism fair? That’s debatable. While some Marvel shows on Disney+ stand alone, some are basically required viewing if you want to follow along with the newest films. However, when watching The Mandalorian and Grogu, I couldn’t help but feel like movie writer Dave Filoni was trying to avoid comparisons to Marvel by creating a movie that required no homework whatsoever. He succeeded in making a movie that fans could enjoy even if they’ve ignored Star Wars for the last two decades. This approach backfired, though. While the latest Star Wars is amazingly accessible, it’s so disconnected from the franchise that it feels completely meaningless. 

Way Too Much Homework

Complaints about Marvel TV shows feeling like homework are tied to broader debates about what, exactly, a movie should be. Many like the idea of a film as being a self-contained unit of entertainment unto itself. This is one (admittedly, of many) problem that certain Star Wars fans had with the Prequel Trilogy and the Sequel Trilogy: interesting characters like Count Dooku and Snoke are placed onscreen with no real introduction or fanfare. The assumption made by those in charge of Star Wars (George Lucas and, later, Disney) is that fans could simply get these characters’ backstories in various books and comics and didn’t need to see it onscreen.

The Marvel Cinematic Universe took this idea and made it much, much worse. You had to watch entire films (like the solo Iron Man, Thor, and Captain America movies) to really understand big team-ups like The Avengers. Later, Disney+ became home to shows you had to watch ahead of movies. Doctor Strange and the Multiverse of Madness makes no sense without watching WandaVision, for example, and The Marvels makes no sense without watching Ms. Marvel. This led to widespread fan complaints that Disney had basically assigned homework and that we’d need to watch eight hours of a TV show just to understand a movie. 

No Homework (And No Meaning)

Initially, this wasn’t really a problem with Star Wars because The Rise of Skywalker was so bad that we went seven years before seeing a new film in the franchise. That meant that various Disney+ shows in a galaxy far, far away could mostly stand on their own. But The Mandalorian and Grogu finally brought Star Wars back to theaters, and we’ll be getting more franchise films (like Starfighter) in the coming years. Mandalorian and Grogu writer and new Lucasfilm President Dave Filoni seemingly tried to avoid the homework problem by making a movie that requires almost no prior Star Wars viewing whatsoever, a decision that became something of a double-edged sword.

On one hand, Filoni made The Mandalorian and Grogu the most accessible Star Wars film since A New Hope. If someone only vaguely remembers an episode or two of The Mandalorian Season 1, they can follow along. They know the title characters, and Din Djarin even gets a new version of his old ship back. Even if you’re a Star Wars fan who never watched the show at all, it’s easy to follow along with the plot. The Boba Fett-looking man and his Baby Yoda sidekick are the good guys, the Stormtroopers are the bad guys, and all you have to do is turn your brain off and watch. 

Two Hours Of Your Life You’ll Never Get Back

On the other hand, Filoni’s ultra-accessible writing is a big part of why The Mandalorian and Grogu failed. The movie doesn’t touch on or resolve any of the major plot points from The Mandalorian or advance Din Djarin or Grogu’s characters in any meaningful way. It’s such a disposable plot that if The Mandalorian ever gets a Season 4, you could skip the film entirely before watching the new season. If the show doesn’t get another season, though, this movie is the worst kind of finale for these characters because there are no significant payoffs to ongoing mysteries like Grogu’s past or Din Djarin’s future with the Mandalorians and the New Republic.

All of this underscores how cynical The Mandalorian and Grogu really is. Disney didn’t create this movie to provide an emotionally rewarding sendoff, and they obviously didn’t make it because the writers had a great story to tell. No, the House of Mouse just wanted to put Star Wars back in theaters with a film that would wash The Rise of Skywalker out of our mouths. The idea is to prime audiences for more Star Wars films in the coming years, but the effort backfired. If this is the best thing you can put onscreen today, why would anyone spend good money to see the crap you put onscreen tomorrow?

So, congrats, Dave Filoni (and cowriters Jon Favreau and Noah Kloor): you played yourself. You solved the homework problem that has plagued Marvel by creating the most accessible Star Wars film in half a century. But the result is a disconnected mess, one that pisses off fans of The Mandalorian while making everyone else wonder why this film was even made. At least failures like the prequels and the sequels were trying to tell a meaningful and impactful story. All that The Mandalorian and Grogu is telling us is that Yoda’s admonition of Count Dooku applies very much to Clone Wars showrunner Filoni: “much to learn, you still have.”

Today’s NYT Strands hints are easy if you’re dependable.

Strands, the New York Times‘ elevated word-search game, requires the player to perform a twist on the classic word search. Words can be made from linked letters — up, down, left, right, or diagonal, but words can also change direction, resulting in quirky shapes and patterns. Every single letter in the grid will be part of an answer. There’s always a theme linking every solution, along with the “spangram,” a special, word or phrase that sums up that day’s theme, and spans the entire grid horizontally or vertically.

By providing an opaque hint and not providing the word list, Strands creates a brain-teasing game that takes a little longer to play than its other games, like Wordle and Connections.

If you’re feeling stuck or just don’t have 10 or more minutes to figure out today’s puzzle, we’ve got all the NYT Strands hints for today’s puzzle you need to progress at your preferred pace.

NYT Strands hint for today’s theme: We’ll be there

The words are related to traits.

Today’s NYT Strands theme plainly explained

These words describe positive characteristics.

NYT Strands spangram hint: Is it vertical or horizontal?

Today’s NYT Strands spangram is horizontal.

NYT Strands spangram answer today

Today’s spangram is Good Friends.

NYT Strands word list for May 30

• Reliable

• Loyal

• Good Friends

• Helpful

• Caring

• Trustworthy

Looking for other daily online games? Mashable’s Games page has more hints, and if you’re looking for more puzzles, Mashable’s got games now!

Check out our games hub for Mahjong, Sudoku, free crossword, and more.

Not the day you’re after? Here’s the solution to yesterday’s Strands.

By Robert Scucci
| Published 41 seconds ago

Here’s a rhetorical question for you: Who’s the best Batman? That’s right, Michael Keaton. I’ll bet you’re wondering what an article about Frasier has to do with Batman, which forces me to direct your attention to the Season 9 episode, “Wheels of Fortune,” in which we learn that Frasier’s ex-wife Lilith has a disgraced half-brother, Blaine Sternin, portrayed by the best Batman himself. Most conflicts in Frasier come down to an epic battle of the wits, and our favorite titular gasbag certainly meets his match here.

Normally, Frasier and Niles spend their days looking down their noses at everybody else through a lens of self-righteous, tongue-in-cheek pomposity, including their retired cop dad Marty, Frasier’s radio producer Roz Doyle, sports shock jock Bulldog, and just about anybody else who crosses their paths. In “Wheels of Fortune,” however, Frasier comes to intellectual and spiritual blows with Blaine Sternin, a con artist of the highest order who’s working yet another scheme that Frasier sees through immediately while everybody else falls for it hook, line, and sinker.

It’s Michael Keaton at his scummiest, and he’s truly in his element, making for one of the more entertaining episodes this late in the series’ run.

Charm Is The Viscous Grease With Which He Lubricates His Flim-Flam Machine! 

Up to this point in Frasier’s run, we’ve never even heard of Blaine Sternin, and rightfully so. Frasier’s divorce from Lilith before the events of the series has him living on the other side of the country, only seeing his son Frederick during holidays or school breaks. Once Frasier realizes that a run-in with Blaine is imminent, however, we quickly learn why he’s avoided any form of contact with the man for the sake of his own mental health and personal finances.

The episode kicks off with Frasier wrapping up his call-in show at KACL when Roz steps into the booth to let him know that Blaine, who he hasn’t heard from in years, is looking for him. Frasier immediately assumes that his ex-half-brother-in-law is back to his usual tricks, the most egregious involving Blaine stealing his antique salt server years ago. All signs suggest that Blaine wants to reconcile with Frasier, but Frasier wants no part of it because he assumes the worst is about to happen.

Back at his apartment, Frasier warns Niles, Marty, and Daphne about Blaine just before hearing a knock at the door. It’s Blaine, but now he’s confined to a wheelchair and supposedly a Born-Again Christian. He quotes scripture, encourages everybody to say grace before dinner, and reveals his true intentions: he’s starting a career as a preacher and will be speaking in town the following day. He also alludes to being $1,000 short on the room deposit needed to make that happen, though he assures Frasier he’s not asking for a handout.

Frasier, neither impressed nor willing to believe that Blaine is actually paraplegic, remains on high alert while the rest of the group slowly warms up to him. He’s right to be wary because the last time he fell for Blaine’s tricks, he lost a significant amount of money on “Kelp Futures.”

As you would expect, Frasier gets humbled in the worst possible way when he tips Blaine out of his wheelchair during the event before receiving confirmation from the doctor that Blaine is actually crippled. Publicly humiliated, Frasier makes a sizable donation to save face, only to later learn that Blaine was faking the whole thing after all. It’s one of those rare instances where Frasier becomes so obsessive in sizing somebody up that he comes off as irrational and absurd, only to be completely vindicated in the end because you never mess with Batman.

This Isn’t The Only Batman To Frasier Pipeline

“Wheels of Fortune” is a top-tier Frasier episode that would never have landed nearly as well without Keaton’s legendary performance. Going back to his stand-up days, when he made esoteric jokes about Bazooka Joe comics, Keaton has always carried this wry smile and borderline sleazy energy without ever feeling outright sleazy. Something about his smirk always suggests he’s up to something, and he fully leans into that energy in “Wheels of Fortune.”

But the Batman-to-Frasier pipeline doesn’t stop there. In the 2005 sports dramedy Game 6, Keaton’s Nicky Rogan has an extramarital affair with one of his investors, Joanna Bourne, portrayed by Bebe Neuwirth, who of course portrays Lilith in Frasier. In other words, Lilith and her half-brother Blaine are romantically involved in this context, which would absolutely make Frasier’s blood boil if he ever walked in on them getting down to business. Fortunately for the world-weary psychiatrist, these two fictional worlds will never collide because if they did, I don’t think the man would ever recover from it.

Frasier is streaming on Paramount+.