Entertainment
Warner Bros. Secretly Knew Supergirl Would Bomb
By Chris Snellgrove
| Published
Last year’s Superman was a monster hit that proved the DCU was ready and able to compete with Marvel. That movie was directed by James Gunn, the man who brought us amazing superhero cinema like Guardians of the Galaxy and The Suicide Squad. The fact that he’s running the DCU instilled confidence in fans all around the world. That’s why the failure of Supergirl took audiences by surprise. It was the spinoff of last summer’s biggest movie, written and directed by a team hand-chosen by Gunn, so it seemed destined to be another superpowered hit. Instead, the movie was an instant critical and commercial flop, one likely to lose the studio $125 million.
As it turns out, that was a shock to everyone except for the studio. The Hollywood Reporter has exclusively revealed that Supergirl had a troubled production for many months, one that involved creative clashes between Gunn and director Craig Gillespie. Warner Bros. apparently had very little faith in Gillespie, whose movie consistently received middling scores from test audiences. Eventually, the studio created its own cut of the movie, which is actually the version that hit theaters!
A Tale Of Two Cuts
Buckle up, buckaroos: we finally have some answers to why Supergirl bombed, and this is one wild ride. The first sign that the movie was in trouble was when Warner Bros. ordered four different sets of test screenings. Such screenings are often an indicator that the studio isn’t confident in the film they have made. Apparently, they had reason to be worried: one insider told The Hollywood Reporter that the highest the movie ever scored on the initial screenings was a 70. The rest of the insiders insisted that Supergirl’s score never escaped the 60s.
The studio continued to tweak the movie, and in some low screenings, it received scores in the very low 70s. However, Warner Bros. was still nervous, and they took drastic action by creating their own cut of the movie (something that had previously happened with the original Suicide Squad movie). The studio then tested their cut of the film against Craig Gillespie’s. The results were mixed: the new scores were now lower across the board. However, the Warner Bros. cut of Supergirl scored a whopping two points higher. The studio cut of the film is the one that fans ultimately saw in theaters.
Faith No More
This was, of course, the clearest sign that Warner Bros. had lost faith in Gillespie. After they finished testing (where Supergirl received similar scores to Batgirl, a movie the studio ultimately shelved), a source told The Hollywood Reporter that he had to strongly and personally advocate for any changes he wanted to make to the film. Those changes would have been made during the movie’s extensive post-production process. During that time, frequent James Gunn collaborator Jeremy Slater was brought in to write additional scenes, all of which were shot during nine days of additional photography.
How were the two cuts different? Craig Gillespie’s cut was 11 minutes longer and fleshed out the Big Bad, Krem, who is underdeveloped in the final cut. Gillespie and Gunn also had different opinions on how to use music in the film. The studio cut has a cover of Jimmy Eat World’s “The Middle” (made famous by Malcolm in the Middle) during its climactic fight scene, which may have been Gillespie’s idea. An earlier cut used a cover of Cyndi Lauper’s “Girls Just Want to Have Fun,” which was reportedly Gunn’s idea. However, it’s unclear which song Gillespie put in his cut. Aside from added length and possibly different music, it sounds like the two Supergirl cuts were largely similar.
So, the moral of this storyisn’t that there’s a killer, Snyder Cut-like version out there that is dramatically different. No, the moral is that Supergirl was a hot mess from the very beginning, with James Gunn and Craig Gillespie butting heads over major creative decisions. The result was the worst of both worlds, a Gunn-style film but without the charm or the same biting humor. Warner Bros. knew for many months how bad this film was scoring with test audiences, and they ended up overriding Gillespie and forcing their own cut down our throats. Now, they have a box office bomb whose slow death may just take the entire DCU with it.
Entertainment
The '90s Dark Sci-Fi Thriller Cult Classic Saved By Its Director's Cut
By Jason Collins
| Published
The removal of content from streaming, or the absence of definitive versions, underscores the importance of media preservation. That now applies to Dark City, the 1998 neo-noir sci-fi thriller about an amnesiac man trying to recover his identity while hunted for a series of murders. The theatrical cut is available to stream for free, but if you want to watch the superior Director’s Cut, you’ll have to rent or purchase the title on-demand.
A Dystopian City Ruled By The Strangers
Dark City’s narrative is set in a dystopian city that is perpetually shrouded in darkness and controlled by a mysterious group known as the Strangers, beings that possess the ability to alter reality and reshape the city and its inhabitants’ memories at will.
The protagonist, John Murdoch (Rufus Sewell), wakes up with no memories and finds himself accused of murder, which sets him on a quest to uncover his past and the city’s darkest secrets and horrifying truths about his reality and Strangers’ manipulations.
Dark City Was Doomed At The Box Office
Dark City’s theatrical release was marred by studio interference from New Line Cinema, which diluted its thematic complexity and sense of mystery. Most notably, the studio insisted on an opening narration that prematurely explained many of the film’s biggest reveals, undercutting its suspense and intrigue.
Coupled with a marketing campaign that failed to convey the film’s unique blend of noir and sci-fi accurately, these interventions contributed to its initial lack of success among critics and audiences.
How The Director’s Cut Saved The Film
Something similar happened with Highlander II: The Quickening, which was also nearly completely ruined by its production studio, investors, and completion bond company. However, similar to Highlander II, Dark City was also saved by its Director’s Cut edition by removing the opening narration and restoring the film’s intended sense of mystery. The added scenes also deepened character development and clarified the narrative further, which significantly improved the audiences’ perception of the movie.
The added changes to the film transformed Dark City from a misunderstood gem into a cult classic that’s now appreciated for its bold narrative and visuals. Not to mention that some of its themes, such as the loss of individuality and the manipulation of reality, have become more relevant with time, particularly now, with the rising concerns about technology and privacy.
Without The Director’s Cut, It Might As Well Be Radio
The improvement introduced with the Director’s Cut propelled Dark City into a Certified Fresh rating on Rotten Tomatoes. As of this writing, the film has a 78 percent critical score against an 85 percent approval rating on the Popcornmeter.
Yet, despite its acclaim, the definitive version remains relatively inaccessible. While the theatrical cut is available to stream for free on Tubi, the superior Director’s Cut is still locked behind on-demand purchases, making the film’s best version harder for casual viewers to discover.
Despite its immense quality, Dark City continues to elude many viewers because the version most deserving of its cult reputation isn’t the one most people are likely to stumble across.
Entertainment
The 2000s Sci-Fi Space Adventure Epic That Destroyed An Entire Studio
By Charlene Badasie
| Published
Titan A.E. is an animated sci-fi action adventure directed by Don Bluth and Gary Goldman. Released in 2000, it was a major project for Fox Animation Studios. But despite its ambitious scope and visual appeal, the film was a commercial failure, earning $36.8 million at the box office against a budget of almost $90 million. So, the studio closed its doors, and the movie became infamous as a result.
Leaving In The Titan
Titan A.E. tells the story of a young man named Cale Tucker (Matt Damon) who is tasked with saving humanity after a hostile alien species destroys Earth. The movie begins in 3028 when The Titan Project becomes the target of a hostile alien race called the Drej. Made of pure energy, the aliens fear that the ambitious Earthly undertaking will allow humans to challenge their power.
The Drej eventually launch a massive attack on Earth, forcing humans to evacuate the planet. Amid the chaos, Professor Sam Tucker (Ron Perlman) leaves his son Cale with his alien friend Tek (Tone Loc).
Before leaving in the Titan spaceship, Sam gives Cale a gold ring and tells him that as long as he wears it, there will be hope for humanity. Over a decade later, Titan A.E. finds the surviving humans living as refugees without a home planet.
Meanwhile, Cale has become jaded and works in a space station salvage yard. Former military officer and trusted companion of Cale’s father, Joseph Korso (Bill Pullman), finds Cale and reveals that the whereabouts of the Titan are hidden in his ring.
Becoming Fast Friends
Upon activating it, a holographic map opens. Korso asks Cale to accompany his crew to Valkyrie so they can search for the Titan together. Cale agrees and becomes fast friends with pilot Akima Kunimoto (Drew Barrymore) and three alien crew members, including first mate Preed (Nathan Lane), weapons officer Stith (Janeane Garofalo), and scientist Gune (John Leguizamo).
Using Cale’s map, they reach the planet Sesharrim, where the Gaoul reveals the Titan’s location. But everything is not as it seems in Titan A.E., as the map often changes. The crew of the Valkyrie is also faced with various challenges, including a kidnapping and a shocking betrayal that takes the story to a new level.
The Deathblow To Fox Animation Studios
Originally planned as a live-action movie named “Planet Ice,” Titan A.E. was brought to life as an animated feature due to the high costs of the visuals.
Ben Edlund penned the initial script, with John August handling re-writes. With a budget of $55 million and 19 months to complete after $30 million had already been spent on pre-production, much of the animation was computer-generated, with traditional animation used for the main characters. Despite various setbacks, like studio cutbacks and executive changes, the film was released in 2000.
However, the closure of Fox Animation Studios shortly after hindered its promotion and distribution. In fact, cutbacks at the studio during the making of Titan A.E. were largely responsible for the movie underperforming. It kind of all went wrong at once here.
Still, Titan A.E. made almost $9.4 million in its opening weekend, ranking fifth behind other popular films. However, its audience dropped by 60 percent the following weekend.
Streaming Titan A.E.
Titan A.E. received mixed reviews from critics and currently holds a 51 percent approval rating on review aggregator Rotten Tomatoes alongside a 61 percent audience score.
The movie’s DVD release featured extras like commentary by the directors, deleted scenes, and a music video. Titan A.E. is available via various video-on-demand platforms such as YouTube, Apple TV+, Amazon Prime Video, and Fandango at Home.
Entertainment
Im watching the British GP for free this weekend — how to live stream F1 for free
TL;DR: In the UK, Channel 4 will be providing live coverage of the 2026 British Grand Prix for free. In the U.S., sign up for a 7-day free trial of Apple TV+ through Prime Video Channels to watch select F1 races for free.
Watch the British GP for free with a 7-day trial
The Austrian GP offered another thrilling weekend of racing from the best drivers in the world. George Russell came out on top after holding off the advances of Verstappen and Antonelli. Ferrari and McLaren constantly swapped positions just behind in what was one of the most interesting GPs of the season.
Will we get more of the same from the British GP? We certainly hope so.
If you want to watch F1 2026 for free from anywhere in the world, we’ve got all the information you need.
When is the British GP?
The British GP is the ninth race of the 2026 F1 season. Here’s the full schedule from Silverstone:
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Practice 1 — 7:30-8:30 a.m. ET on July 3
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Sprint Qualifying — 11:30 a.m. to 12:14 p.m. ET on July 3
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Sprint — 7-8 a.m. ET on July 4
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Qualifying — 11 a.m to 12 p.m. ET on July 4
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Race — 10 a.m. ET on July 5
Fans can follow all the action from this race weekend without spending anything.
How to watch the British GP for free
It’s important to note that Channel 4 will be providing live coverage of the 2026 British Grand Prix for free in the UK. That’s nice and easy for fans in the UK.
If you’re based in the U.S., you’ll need to take a few additional steps to watch this race weekend for free.
I subscribe to Amazon Prime. I subscribe for the fast shipping, exclusive Prime Day deals, and access to Prime Video. It’s the access to Prime Video that becomes all-important for F1 fans.
It is now possible to sign up for a seven-day free trial of Apple TV+ through Prime Video Channels. F1 is exclusive to Apple TV in the U.S., so by accessing this free trial, you can watch select races for free this season. The subscription costs £9.99 per month after the trial ends, but you can cancel this renewal at any time. By cancelling ahead of the renewal, you can watch the British GP this weekend without spending anything.
Mashable Deals
I understand the argument that I’m not really watching for free because I subscribe to Amazon Prime. I get that, but Amazon Prime does offer a 30-day free trial period if you’re new to the service. By signing up for this free trial and then gaining access to Apple TV through Prime Video Channels, you can truly watch select races for free this season.
If you’ve already used this hack to watch a race this season, there are some alternatives.
My recommendation is to go direct to Apple TV. This popular steaming service comes with a seven-day free trial for new subscribers. Alternatively, Apple One bundles Apple TV with Apple Music, Apple Arcade, Apple Fitness Plus, Apple News Plus, and 50GB of iCloud Storage for $19.95 per month after a one-month free trial.
The best Apple TV free-trial offer comes with purchases of new Apple devices. New subscribers can get three months of Apple TV for free after purchasing any eligible Apple product. If you’re planning on buying something from Apple, you could gain access to Apple TV for a pretty large chunk of this season. You will obviously need to buy something, but if you were already in the market for an upgrade, this method makes a lot of sense.
How to live stream 2026 F1 for free in 2026
Best Apple TV Deal
Apple TV
7-day free trial
Best Apple One Deal
Apple One
30-day free trial
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