By Jonathan Klotz
| Published 36 seconds ago

Ask anyone on the street to name the greatest movie of all time, and you’ll get a wide range of answers, from Avengers: Endgame to Gone with the Wind, but ask someone to name the greatest sequel ever, and it narrows the field. Star Wars: The Empire Strikes Back is in the conversation, Star Trek II: The Wrath Of Khan is a classic, but nothing compares to The Godfather: Part II, not only is the best sequel ever made, it’s one of the greatest movies in history. Both sequel and prequel, the return of Michael and Vito Corleone pulled off the rare feat of improving on the near-perfection of the original. 

The Godfather Part II Is A Cinematic Masterpiece

The Godfather: Part II splits its narrative along two timelines: first, the rise of Vito Corleone (Robert De Niro) in Italy as he takes his first steps into the Mafia. De Niro’s award-winning performance shows the struggle of the future Don as he tries to do right by his family when life keeps kicking him down. When we first met Vito, as played by Marlon Brando in the original, he was confident and in control, ruling an empire, but as we learn in the sequel, it’s an empire doomed to fall. 

Vito’s sons, Michael (Al Pacino) and Fredo (John Cazale), struggle to hold onto the Corleone’s top spot in the Mafia amid assassination attempts and a traitor from within the family. While Vito’s story is about building an empire, Michael’s is about the struggle to hold onto one, and you can see how the sons of an immigrant are losing touch with their homeland. The Godfather: Part II is, at its heart, a story about the immigrant experience, which also happens to be the movie that defined crime movies for decades. 

Defining A Genre

Impressively, The Godfather Part II earned $93 million worldwide in 1974, which is unadjusted for inflation, which means 50 years later, Francis Ford Coppola’s masterpiece outgrossed Borderlands. At the time of its release, the sequel/prequel was slammed by critics for being overly slow, and no less a critic than Roger Ebert slammed the dual-narrative. It didn’t take long, though, for the film to be rightly recognized as a landmark achievement in movie history, to the point that not even Megalopolis could diminish the legend of Coppola.

Every Mafia movie that has come after The Godfather Part II is standing on the shoulders of a giant. The Sopranos owes it a debt for building off of Michael’s story, Boardwalk Empire contains echoes of Vito’s struggle to build his Empire, and even the legendary Goodfellas pulls from the tragedy of Fredo. Few films are so successful that they define an entire genre, but that’s exactly what Coppola’s magnum opus has achieved.

The luxurious pacing of The Godfather Part II sticks out even more today in the era of rapid-fire mini-climaxes every 20 minutes. It isn’t a weakness, though; it’s a strength, because when you give the film all of your attention, each and every detail, every subtle interaction, every inflection of De Niro and Pacino carries weight and meaning. Francis Ford Coppola is one of the greatest directors in history, The Godfather is one of the greatest films in history, and yet, its sequel is required viewing by everyone who has even a passing interest in crime cinema.

The Godfather Part II is now streaming for free on Pluto TV.

By Chris Snellgrove
| Published 12 seconds ago

Growing up as an ‘80s kid, I had a fairly awesome childhood (thanks, mom and dad!). My nostalgia for that era is quite strong, which is why I’m typing this while surrounded by a small army of GI Joes, Transformers, and Ninja Turtles. It’s no surprise, then, that when friends ask me what movies they should show their children, I typically recommend films from the decade that brought us everything from the Ghostbusters to Big Trouble in Little China.

When a friend recently asked what she should show her two kids, I didn’t hesitate to recommend Labyrinth. Cute songs, wacky muppets, wacky David Bowie, and Jennifer Connelly in a breakout role; what’s not to love? Soon, she reported that her kids were having nightmares about the Goblin King and his monstrous minions. I felt bad for about two seconds before realizing the problem: Jim Henson’s Labyrinth is still a perfect children’s movie. Unfortunately, Hollywood has transformed modern kids’ movies into vibes-based screensavers that no longer allow children to safely explore crunchy concepts like love, death, and even human mortality.

Ziggy Stardust And The Goblins From Mars

After my friend chided me about my recommendation, I had to be honest with myself: Labyrinth is a pretty scary movie. The central plot involves a mysterious man kidnapping a small child, and poor Jennifer Connelly must navigate a world of increasingly nightmarish Muppets in order to rescue him. The titular labyrinth often feels like a prison with no way out, and things like the “Helping Hands” scene and the masked ball are the stuff of fever-dream nightmares. Hovering over all of this is the fact that the Goblin King is a middle-aged menace trying to secure a child bride, one played by a girl who wasn’t even old enough to get her learner’s permit.

Despite all of that, though, I still think Labyrinth is a great film to share with children. To me, the scary aspects mentioned above are a feature, not a bug. It may be “only” a kids’ movie, but these frightening features infuse Labyrinth with a sense of genuine tension from beginning to end. Tension is, of course, the secret ingredient of any good story because it provides the narrative with real stakes for the characters that we care about. Those characters grow through tension and conflict, but most modern children’s movies have surgically removed everything scary and tense in an effort to make their films less offensive and more palatable.

A Star Is Born

In A Minecraft Movie, for example, no kid thinks the malevolent Malgosha is going to take over the world; they understand the plot is just window dressing for a film trying to squeeze in as many game references as possible into the runtime. Similarly, no youngsters watching Sonic the Hedgehog think Dr. Robotnik will win the day. They’re just here for the in-jokes and slick special effects that precede the inevitable happy ending. Furthermore, no children think Bowser, Jr. is going to conquer the universe in Super Mario Galaxy; they’re just here to appreciate the parade of Nintendo memes onscreen and hope their favorite Smash Bros. characters pop up. 

These movies are not designed to challenge children; instead, they serve as two-hour distractions for parents who need some peace and quiet. Unfortunately, the concerted Hollywood effort to make these films inoffensive has also made them bland and creatively bankrupt. It’s functionally impossible for children to enjoy these works as films: instead, they are designed as just another bit of colorful stimuli for an ADHD generation raised more by their iPads than their parents. But Labyrinth is proof that it doesn’t have to be this way and that we can (and should) be giving our children plenty of substance to go with their spectacle.

The World’s Creepiest Muppets

Why, specifically, do I think children should watch Labyrinth? The first reason is that, at the risk of sounding overly blunt, fear is something that everyone must deal with every single day. Watching a spookier children’s movie allows kids to microdose fear and learn to process it within the context of a story that ultimately offers an inevitably happy ending. You know how some people are so nervous that a loud noise can ruin their entire day? That’s what happens when you lead a sheltered childhood protected from all things scary. Conversely, a regular diet of mildly frightening kids’ movies can help the audience grow into well-adjusted adults.

On a related note, movies like Labyrinth are a safe, controlled way to introduce kids to important real-world topics that might just save their lives. This is a film about child abduction, extortion, power imbalances, and so many other ‘dark’ topics, but it’s all wrapped in a shiny wrapper that includes cute songs and cuter creatures. Take it from a parent: you’ll eventually have to talk with your children about how all of this works in the real world to keep them safe. That conversation will be a lot easier for you (and more believable for them) if they have had time to process these scary ideas within a fictional context.

Teaching Kids Lessons (One Scream At A Time)

Finally, if you actually watch the movie with your kiddo instead of just using the TV as a babysitter, you can help teach them the most elusive skill of all: critical thinking. Every moment that makes them cover their eyes in fright is an opportunity for an open and honest conversation, with leading questions like “why did that scare you?” and “what do you think that character should have done instead?” This teaches children to actually engage with and learn from media, all while improving their self-confidence by helping them get over their fears. Not for nothing, they’ll also feel a sense of pride for emerging from a scary movie, stronger than ever.

Want to teach your own child a few important lessons? Or want to relive the glory days of weird ‘80s cinema? Heck, do you just want to jam out to the Goblin King’s impossibly catchy tunes? No matter your motivation, you’re in luck: Labyrinth is streaming on Netflix today. It’s a scary good time that, regardless of what my friend might tell you, is fun for the whole family. Fair warning, though: you might want to make sure nobody’s around before you start dancing your own magic dance in the living room!

By Robert Scucci
| Published 39 seconds ago

If you’re wondering why speculative, apocalyptic sci-fi thrillers aren’t often presented through a documentary framework centered on real-life world events and public figures, it’s because it leads to disasterpieces like 2073; a film with a clear message that’s delivered to is audience in the most disjointed way possible. As ambitious as this film may be, it’s incredibly difficult to watch, and highlights a unique problem: it’s not allegorical, but rather too real to handle. I wish I was as original as Rotten Tomatoes reviewer Glenn Dunks, who simply referred to this film as “Doomscrolling: The Movie,” because that’s exactly what 2073 is despite the promising thumbnail and synopsis you’ll see when looking to stream the title on Max. 

I’m not mad, I’m just disappointed, because even though 2073 is categorized as a documentary and a thriller, it’s, like, 10 percent thriller, if that, and the rest is just the kind of stuff you’ll see while swiping through your Instagram feed in a panic while wondering how close we actually are to the dystopian reality that, according to the film, we’re fast approaching. 

The Future Is A Bleak Place In 2073

2073 starts with promise as it follows the point of view of a lone woman simply known as “Ghost” (Samantha Morton). Living under a long-abandoned shopping mall with other condemned humans, narrations from Ghost explain just how fargone society has become, and aims to tell a story about how humanity arrived at such a bleak destination. In constant fear of getting investigated and silenced (killed) by the government, Ghost dumpster dives for food and supplies when it’s safe to do so, and retreats back underground to her dilapidated compound occupied by other survivors who are equally worse for wear. 

And let me tell you, these post-apocalyptic scenes are absolutely stunning. I wanted to learn more about how society functions in the year 2073, and I would have loved to see more of this. The hierarchy of power, the desire to reeducate the masses so they can overthrow their oppressors, and the state of constant surveillance that society is living through is captivating, to say the least, and this fictional yet unfortunately believable setting is fertile ground for some next-level storytelling about a society in disrepair that hasn’t yet discovered how to pick up the pieces and start the next chapter in our collective human history. 

Well, That Got Dark

The best part about 2073 is the sequences set in the dystopian future that will fill any sensible viewer with an absolute sense of dread, and then suddenly the worst possible thing ever happens: we get a documentary that’s reminiscent of the fear-mongering Zeitgeist film series that did a great job pointing out the dangers of a totalitarian government, but never even tries to reassure audiences by presenting a viable, or even realistic, solution to the problems we face so we can actually make concerted efforts to get on the right side of history and prevent such a bleak future from happening. 

In other words, 2073 is trying to be two different movies: a dystopian sci-fi thriller set in a fictional not-so-distant future, and a documentary using real, archival footage from the present day used to explain how this dystopia was created.

But therein lies the problem. 

While watching the documentary sequences that make up most of 2073’s runtime, I felt like Alex from A Clockwork Orange, who was forced to sit in front of television sets with his eyes pried open so he could take in all of the footage at an alarming rate. This kind of delivery strips the mystique from the more interesting story – the fiction set in 2073 – that could have been used as a vehicle to propose solutions for a society that’s been driven underground by the powers that be. 

Two Different Failed Films In One

While I appreciate what 2073 was trying to accomplish, it left a bad taste in my mouth because it comes off as if it’s preaching to a choir that’s already aware of the current state of affairs, but feels powerless to act in any meaningful ways to prevent things from getting worse.  

We already know that wealth is concentrated in such a way that keeps the working class under its ruler’s thumb. We already know that politicians and tech bros are sweeping humanity under the rug so a select few people in power can explore space while the rest of us suffer. We already know that data mining billionaires and chronically online worry warts are a terrible combination for humanity because it suggests how artificial intelligence will soon control the masses as it finds a way to become smarter than the humans it’s aimed to manipulate. 

That’s all well and good, but what do we do about it? The interesting story – the story I wanted to see – in 2073 is how future humans cope with societal collapse and set their sights toward a brighter future. What we get instead is a rapid-fire news feed of the present day that’s beamed into our eyeballs as if to say “there’s nothing you can do about this,” and “we’re already doomed.”

Streaming 2073 On Max 

If you’re looking for an ultra-condensed rundown of current affairs as told through various news sources that leads to a high-concept depiction of the future that may very well become a reality, then 2073 might pique your interest. But if you’re expecting to see how humanity aims to rise from the ashes through its speculative sci-fi storytelling, you’re going to be gravely disappointed. By juxtaposing real-life, present-day world events with what is by all measures a work of fiction, 2073 misses the mark on both fronts because it’s real, it’s scary, and it offers a disturbing take on how we’re collectively marching down a miserable path at an alarming rate, but never uses the fiction it establishes to meaningfully explore how we’re going to get out of this seemingly unavoidable mess.

2073 gets an A for effort and concept, and an F for execution. If you want to see how messed up the world is, just fire up your news apps, or hop on TikTok or Instagram, to get a crash course because it’s basically the same thing. If you want to just get it over with quickly and move on with your life, you can stream 2073 on Max.