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The Illegal Indiana Jones Remake That's So Spectacular, A Documentary Was Made About It

By Jennifer Asencio
| Published

If you were a child in 1981, odds are high you saw Raiders of the Lost Ark at some point. The blockbuster hit needs little introduction. It famously stars Harrison Ford as Indiana Jones, an archaeologist and antiquities professor who travels the world on adventures for ancient artifacts and gets recruited by the United States government before World War II to find the legendary Ark of the Covenant, the Biblical container of the Ten Commandments. The movie spawned four sequels, two television shows, and myriad knockoffs.

Three imaginative pre-teens named Eric Zala, Chris Strompolos, and Jayson Lamb fell in love with the movie and saw it multiple times in the theater. They decided they wanted to remake the movie themselves and began to take copious notes. Their love letter to Raiders is called Raiders of the Lost Ark: The Adaptation, and it is nearly a shot-by-shot remake made by the three boys and their friends.

The Finest Amateur Hour Ever Documented

Sure, the sets are obviously cardboard, they replace the plane Indy escapes the Hovitos from in the beginning with a boat, and the original version of the film does not include the boxing match with the big German that takes place around a moving plane. Barrel-chested, deep-voiced Sallah is played by a skinny kid named Alan Stenum whose voice hadn’t cracked yet, and some of the sets are really fudged, with the whole thing giving off the impression of being a stage play.

Yet the movie is infinitely watchable and even enjoyable. Strompolos stars as Indy opposite Zala’s smooth and slimy Belloq. Angela Rodriguez co-stars as Marion, and the cast is rounded out by Ted Ross as the sinister Toht, and Michael Bales as Nazi project leader Dietrich. Yes, these are obvious children (by the time the last scenes of the movie were actually filmed, Zala and Strompolos were almost 20) but they all put on amazing performances that carry the film, particularly Zala, who almost out-smarms and out-charms the original Belloq, Paul Freeman.

And those cardboard sets are actually very well-done. They are not only not distracting, but it is obvious a lot of work was put into them, especially the map room in Tanis and the Well of Souls, two of the largest and most complex sets in the original film. Some members of the cast and crew (and everyone who worked on it was both cast and crew) put a lot of effort and thoughtfulness into creating the world of Indiana Jones. The locations are occasionally a bit jarring, being obviously not from the 1930s or Egypt, but viewers will be so wrapped up in the action and creativity that by the time they register the anachronisms, they’re onto the next scene and the next adventure.

Kids Do The Darndest Things

Part of the film’s charm is the noticeable differences, anyway. Viewers are not going to watch Raiders of the Lost Ark: The Adaptation because they want to see the special effects of masters George Lucas and Steven Spielberg. The first time watching this film is entirely for the appreciation of what these kids accomplished over the six-year period during which they produced and made the film.

Strompolos produced and Zala directed, with Lamb handling the cinematography, and the group did an excellent job of doing a top-notch amateur film that audiences will recognize and love as much as the original, but for different reasons. Some of the sets are even real: they shot the exterior submarine shots on a real submarine, and also managed to use a battleship to stand in for Captain Katanga’s freighter.

To top it off, 14 years after the movie was made, it was discovered by none other than Spielberg himself. It received critical acclaim as “the best fan film ever made” from names such as Harry Knowles and boasts a 100 percent on Rotten Tomatoes from critics, with fans agreeing at 88 percent. This caused the group to reunite in 2014 to attempt filming the airplane scene. Zala wrote about the experience of reuniting the cast and crew for the 124-shot scene. It is included in the 2015 documentary about the fan movie, Raiders!: The Story of the Greatest Fan Film Ever Made.

Its Legacy Speaks For Itself

The best part, though, is how Zala and Strompolos continued careers in entertainment. At the time of the filming of the airplane scene, Zala worked for a video game publisher and Strompolos was the Executive Director of Operations at The Gnomon School of Visual FX, Games & Animation in Hollywood, as well as an accomplished musician with an upcoming album. That was a decade ago, but Zala’s article was written in 2023, showing that the pair is still actively creating entertainment. The website for the movie also states that Zala tours campuses and art centers to help inspire other creators to follow their dreams as he did.

Raiders of the Lost Ark: The Adaptation SCORE

Raiders!: The Story of the Greatest Fan Film Ever Made is streaming free on Tubi. Raiders of the Lost Ark: The Adaptation is available to rent, download, or own on DVD or Blu-Ray at Raiders Kids, the official store for the production, and there is even a version that includes the 2014 footage. The movie is reasonably priced and a very worthy addition to the video collection not just of movie buffs and Indiana Jones fans, but anyone who likes movies. It is easily as enjoyable as the original, and shows what a group of determined young creatives can do with a little motivation, ingenuity, and a true passion for the source material.


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Entertainment

New rules for the Oscars: AI actors are out of the race

The Academy won’t be handing over the golden statuette to robots anytime soon.

In new rules announced May 1, the Academy ​of Motion Picture Arts and Sciences has ruled that AI performances are not eligible for an Oscar. Filmmakers can still utilize AI tools in their submitted works, but only human actors and human-authored screenplays will be considered for the body’s highest honors.

The move aligns with AI agreements won during the 2023 Writers’ Guild of America (WGA) and SAG-AFTRA strikes and addresses growing tension over the presence of generative AI tools across artistic industries.

For example, a recent trailer for the upcoming historical adventure film As Deep as the Grave, featuring an entirely AI-generated recreation of the late Val Kilmer, caused widespread furor among fans who recoiled at the on-screen digital likeness. Prior to his death, Kilmer created an AI version of his speaking voice with UK tech company Sonantic. Other celebrities, like Matthew McConaughey and Michael Caine, have worked with AI company ElevenLabs to clone their voices, as well.

But while some celebs are getting ahead of their AI counterparts, others are fighting back against nonconsensual deepfakes writ large. Pop star Taylor Swift recently filed for trademark of her voice and image — including the phrase “Hey, it’s Taylor.” — amid a surge of synthetic AI likenesses of her proliferating across the internet, including ones used in data phishing scams.

The Academy announced additional rule changes for international film and acting categories, generating buzz online after several contentious Oscar campaign races in recent years. For non-English films, a country can now have multiple nominated entries instead of the previous limit of one. Similarly, actors can receive multiple nominations in the same category if their performances rank in the top five.

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Instagram will stop recommending accounts that dont post original content

Serial Instagram reuploaders are about to be hit hard in the algorithm, as the platform announces new content ranking guidelines intended to boost original content creators.

Accounts that primarily aggregate content or repost others’ content without meaningful alterations or additions won’t be recommended to other users, Instagram explained in a recent Creators blog post. The platform announced the same algorithmic guidelines for Reels uploads in 2024. Now they’ll apply to photos and carousel posts, too.

“Original content” is defined as “work that you wholly created or reflects your unique perspective,” Instagram explains. That includes original photos and designs, as well as third-party content that is materially edited by the user. “Some examples include adding unique text on the content itself that provides more context than just describing what’s happening, adding creative graphics that offer new information, or using our remix feature to transform the original,” the blog post reads.

The platform recommends that accounts that frequently reshare content share other users’ posts to their stories, use the repost button, or enable collab posts to avoid being marked ineligible.

Aggregator accounts that are marked ineligible for recommendations under the new guidelines can regain their place in the feed by pivoting to original posts. Instagram says “most” of an account’s posts, carousels, and reels need to feature original content over a 30-day period to have the decision reversed. Users can also remove unoriginal content and appeal the decision.

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Apple discontinues cheaper Mac Mini, now $799

Apple just axed its cheapest Mac Mini option, a compact 256GB desktop brain that previously cost Apple shoppers just $599.

First reported by MacRumors, the tech giant’s new lineup starts with the Mac Mini at the company’s $799, 512GB option. The more expensive model runs on Apple’s M4 chip and offers 16GB of RAM, just like the $599 model, but with twice the storage.

Last week, Apple paused orders of the then sold-out 256GB Mac Mini, hinting at a lineup change. Apple CEO Tim Cook — who recently announced his departure from the company after 14 years — said on a recent earnings call that Mac Mini supply was currently constrained under global manufacturing squeezes and that meeting existing demand may be difficult. Tech companies and AI enthusiasts are weathering a global memory chip shortage, which is expected to worsen over the next year.

Cook himself attributed an increase in Mac Mini orders to the device’s AI capabilities, with the Mac Mini now advertised for its Apple Intelligence processing power. Users have flocked to the portable computer amid a surge in interest in agentic AI after the launch of the open-source AI agent framework OpenClaw (previously known as both Moltbot and Clawdebot).

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