Entertainment
The Extreme, R-Rated Slasher That Messed Up By Trying To Be A Kid's Movie
By Robert Scucci
| Published
Early 90s slashers are so unhinged that I can’t help but love them. My personal favorite is 1992’s Dr. Giggles because of how committed Larry Drake was to the titular role. Every pre-kill exchange is a cheeky one-liner with some kind of surgical wordplay baked in. It’s the kind of slasher designed to be ridiculous, and you’re not supposed to take it seriously in any capacity. You show up for the body count, the humor, the clever kills, and hope you don’t end up too braindead by the time the credits roll.
1995’s Ice Cream Man follows very similar beats to Dr. Giggles, but makes one fatal mistake: it plays like a young adult movie despite its R rating. Here, we have a killer ice cream man portrayed by Clint Howard, and he carries himself a lot like Dr. Giggles. He’s not all there mentally, he has strange flashbacks tied to the troubled past that led to his present-day rampage, and he does it all while driving around in his ice cream truck abducting children.
The problem is that Dr. Giggles plays like a teen scream that adults can also enjoy. Every protagonist in Ice Cream Man is a child, which means you’re expected to root for them like you would in a kids movie. See the problem? It’s fun watching irresponsible teenagers mess with dark forces and pay the consequences. But when it’s only kids who don’t know better, the humor doesn’t land the same way.
It Starts With A Dog Murder And Gets Worse
Ice Cream Man wastes no time setting up its conflict. We’re introduced to Gregory Tudor (Clint Howard), the local ice cream man. Before handing out treats to neighborhood kids, he was institutionalized at the Wishing Well Sanatorium, where he was subjected to cruel medical experiments. These are vaguely explained at best, but from what I could gather, he had green goo injected into his brain and was fed ice cream to keep him compliant.
With that out of the way, let’s talk about the first murder in Ice Cream Man: his landlord’s dog. He really goes for it here, and it immediately sets the tone. Gregory drives around, and if he has no qualms about killing a dog, then kids should be just as easy. Or so he thinks.
When Gregory abducts Roger (Zachary Benjamin) and Small Paul (Mikey LeBeau), it’s up to Johnny Spodak (Justin Isfeld), Heather Langley (Anndi McAfee), and Tuna Cassera (JoJo Adams), who already suspect their creepy ice cream man is behind the disappearances, to put a stop to him.
Outside of Ice Cream Man’s basic plot, there are a couple things you should know. Gregory makes his own ice cream using body parts from his victims, and his truck doubles as a rolling torture chamber. This is a movie that, as far as I can tell, was meant to appeal to kids.
Is It A Kid’s Movie?
The real trouble I have is figuring out who Ice Cream Man is for. I grew up watching stuff like this all the time, so I’m not generally offended by kids sneaking ridiculous slashers behind their parents’ backs. That’s not the issue. I just don’t understand how this movie was ever supposed to reach its intended audience. It’s rated R and packed with over-the-top gore. It’s perfect for sneaking a watch, but no parent in their right mind is seeking this out for their kids.
What’s even more perplexing is that all the young adult beats are there. The adults are incompetent, and it’s up to the kids to take matters into their own hands. You’re supposed to root for them, but they have no charisma and just go through the motions. They even hop on their bikes to do their sleuthing, and I found myself chuckling while humming the Stranger Things theme every time.
I’m not sure if this was intentional or just a byproduct of the premise and production, but most of Ice Cream Man’s humor comes from how emotionally detached everyone feels. They’re just flatly reading their lines. If that was deliberate, it works. I laughed at the rising body count while the cops casually buy ice cream from the guy they’re pretty sure is responsible for the murders.
Even Gregory, running around with heads on a stick, delivers his lines like he’s reading off a cue card. The whole experience is surreal, and definitely something I’d throw on again around Halloween for the fun of it. When my kids are old enough for slashers, I’ll make them endure it, but only as a primer for the far superior Dr. Giggles.
Ice Cream Man is currently streaming for free on Tubi.
Entertainment
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Credit: BJ’s Wholesale Club
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Mashable Deals
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Mashable Trend Report
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StackSocial prices subject to change.
Entertainment
This $43 bundle quietly upgrades your entire PC experience
TL;DR: This rare Microsoft bundle deal gives you a lifetime license to Microsoft Office Professional 2021 for Windows and Windows 11 Pro for only $42.97 (reg. $418.99) through May 17.
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Looking for an affordable way to make your old PC feel new again? If you don’t have the funds to buy a brand new computer, don’t worry. The Ultimate Microsoft Office Professional 2021 for Windows lifetime license and Windows 11 Pro Bundle is the next best thing, offering your computer a total upgrade for only $42.97 through May 17.
Don’t count out your dusty old PC. This Microsoft bundle is here to give it a total facelift for less than $50. It kicks off with a lifetime license to some of the brand’s most popular tools — Microsoft Office, which you’ll pay for once and enjoy without any subscription fees.
Mashable Deals
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StackSocial prices subject to change.
Entertainment
Star Trek’s First Broadcast Episode Was Very Carefully Chosen, Because It Was Boring
By Chris Snellgrove
| Published
These days, Star Trek is a bona fide pop culture phenomenon. But during the development of The Original Series, there was anxiety that the general public wouldn’t really understand Gene Roddenberry’s mashing up Western tropes with a sci-fi setting. Making matters worse was that the original pilot, “The Cage,” had been rejected by NBC for being too brainy. Fortunately, Roddenberry got a chance to shoot another pilot, one which impressed the network enough to order an entire season worth of episodes.
Several episodes of Star Trek: The Original Series had already been shot when the time came for this new show to make its broadcast premiere. The first episode that the general public saw was “The Man Trap,” which featured a shapeshifting monster that was revealed to be an alien salt vampire. This good-but-not-great episode was an odd choice, and it was one that the cast and crew hated. As it turns out, though, this episode was very carefully selected by executives because it served as an inoffensive, relatively straightforward encapsulation of everything Star Trek had to offer.
It’s A Trap!
Most of the information we have about why “The Man Trap” was selected as Star Trek’s first episode comes from the book Inside Star Trek: The Real Story. Within this impressive reference tome, Robert H. Justman and Herbert F. Solow revealed something surprising: NBC had several other episodes to choose from for the premiere, including “The Corbomite Maneuver,” “Charlie X,” “Mudd’s Women,” “Where No Man Has Gone Before,” and “The Naked Time.” All of them had already been shot and were mostly finished, so it was just a matter of figuring out which episode would serve as the best introduction to Star Trek, a heretofore unknown sci-fi series.
“The Man Trap” won out, mostly because the powers that be worried that other episodes would be off-putting to general audiences in some very specific ways. For example, they worried that audiences would find “Charlie X” a story that was “too gentle” because it focused on an adolescent with special powers. This was probably the right call, in retrospect: when Variety gave a negative review of “The Man Trap” (an episode chosen, in part, because of its relative maturity), they declared that Star Trek: The Original Series was “better suited to the Saturday morning kidvid bloc” (ouch!).
A Monster Hit Of An Episode
“The Corbomite Maneuver” was a great potential choice, but this episode’s impressive special effects were still in post-production, and almost all of its action took place on the ship. “Where No Man Has Gone Before” really outlined the premise of the new show, but it was deemed “expository” for general audiences expecting more action and danger. Justman thought “The Naked Time” was a killer introduction to the crew’s personalities, but the network passed, presumably because of how over-the-top (half-naked, swashbuckling Sulu? Oh, my!) that episode gets. “Mudd’s Women,” meanwhile, was deemed too offensive because the plot involved literally selling women to miners.
Through this process of elimination, executives decided that “The Man Trap” was the best intro to Star Trek. It had cool scenes on both the Enterprise and a distant outpost (a strange new world) and featured a straightforward action plot you didn’t have to be a sci-fi aficionado to understand. Finally, it was all about finding and defeating a creepy monster, which offered thrills to audiences of all ages. The network’s choice paid off, and Star Trek: The Original Series became the most popular sci-fi show in television history, even though the cast (including William Shatner and Leonard Nimoy) thought “The Man Trap” was the worst possible episode they could have chosen.
All of this is a keen reminder of how much thought and work went into putting Star Trek’s best foot forward. It might be a reminder that Paramount’s current upper leadership needs, as Starfleet Academy hit the ground running with the worst episodes of Season 1. The show got better after that, but it didn’t matter because the prospective audience had already been driven away. As it turns out, today’s execs need to learn something that the network execs of the ‘60s had learned very well: series succeed when you give the audience what they want to see and not what you want to show!
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