Entertainment
The 1980s Thriller So Extreme, It Almost Didn’t Make It Past The Censors
By Robert Scucci
| Published
Most serial killer movies land firmly in the R rated category so they can see a wide theatrical release and score big with horror fans at the box office. 1986’s Henry: Portrait of a Serial Killer, on the other hand, was deemed so extreme when it made its early rounds through the festival circuit that it was slapped with an X rating by the MPAA despite its positive reception. While several versions of the film have circulated over the years in an effort to secure an R rating, the unrated cut is currently streaming for free on Tubi, and it’s easy to see why the censors were all over this one.
By today’s standards, the violence in Henry: Portrait of a Serial Killer feels surprisingly restrained on a practical level. There are still a handful of brutally effective sequences in the second and third acts that will make your skin crawl, but it’s not necessarily the gore that risks putting you off. Much of the violence plays out like crime scene photographs taken after the fact rather than staged acts of carnage. That said, those images alone are more than enough to make you want to wash your eyeballs out with Listerine.
Based loosely on the life of real life serial killer Henry Lee Lucas, who famously claimed responsibility for hundreds of murders, and his associate Ottis Toole, Henry: Portrait of a Serial Killer leans into its depravity with a level of casual confidence that’s far more unsettling than stylized cinematic violence. It’s not the crimes themselves that are most disturbing here, but the people committing them as if it were just another day at work.
Simple Story, Complex Characters
Henry: Portrait of a Serial Killer wastes no time introducing its three principal characters. We first meet Henry (Michael Rooker) as he drifts from town to town, picking up hitchhikers and stopping at diners. These mundane routines are punctuated by shock cuts of the bodies he leaves behind, but we never actually see him commit the murders themselves. This approach tells you everything you need to know about Henry. He’s completely unassuming, and the contrast between his outward normalcy and the devastation he causes makes it clear how easily he blends in with society.
Meanwhile, Otis (Tom Towles), Henry’s former prison mate and current roommate, is returning from the airport with his sister Becky (Tracy Arnold), who will be staying with them for the time being. When Becky presses Henry about his past, he’s forthcoming about murdering his abusive mother, the crime that landed him in prison. Becky doesn’t immediately see Henry as a bad person because she comes from an abusive household herself and understands how desperate circumstances can push people to extreme behavior that they later regret.
As Becky searches for work and tries to get back on her feet with plans to eventually return home, Otis and Henry embark on an increasingly brutal crime spree that steadily escalates. It begins with Henry killing the call girls he and Otis are seeing, but takes a darker turn after they rob a fence and steal his video equipment. Otis quickly develops a sick fascination with filming their crimes and watching the footage back when they return home.
During this stretch, Henry lays out his philosophy for staying ahead of the law, explaining the importance of constantly changing his MO and staying on the move. As the body count rises, Otis’s lack of impulse control begins to clash with Henry’s colder, more methodical approach. Otis is reckless in a way that somehow makes Henry look almost reasonable by comparison, and that growing tension eventually puts the two men at odds.
A Total Punisher In The Best Kind Of Way
Visually and thematically, Henry: Portrait of a Serial Killer is far from an easy watch. As a character study, it remains one of director John McNaughton’s most punishing and effective efforts because it refuses to pull its punches. The violence is disturbing on its own, but what lingers far longer is the sheer indifference behind it. Henry can be polite, patient, and accommodating with Becky, only to turn into a monster without warning.
That duality is the film’s most unsettling quality. One moment he’s helping Becky clean up after dinner. The next, he’s stepping out to murder a call girl with the same emotional investment you’d put into a late night gas station run for cigarettes. The lack of distinction between those two worlds is what makes the film so difficult to shake.
Boasting an 89 percent approval rating on Rotten Tomatoes, Henry: Portrait of a Serial Killer is a certified fresh outing that grapples with subject matter that’s rotten to its core. Whether you can handle it is entirely up to you, but if you’re willing to find out, the unrated version is currently streaming for free on Tubi as of this writing.