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Tesla sues Calif. DMV after agency called its autopilot deceptive marketing

Elon Musk‘s Tesla is taking the California Department of Motor Vehicles to court, an attempt to win back the right to use the term “autopilot” when advertising its line of cars.

In a case filed Feb. 13, the electric vehicle giant claims that the department “wrongfully and baselessly” labeled Tesla a “false advertiser,” and argues that the department did not effectively prove that customers had been led to believe the vehicles could be operated without human oversight.

Last year, a judge for California’s Office of Administrative Hearings ruled that the company had engaged in deceptive marketing by describing its fleet’s driver assistance systems as “Autopilot” modes. The court argued that Tesla’s Autopilot and “Full Self-Driving Capability” (FSD) did not meet the necessary autonomous driving criteria under NHTSA’s Levels of Automation system — the features are rated by the NHTSA as Level 2 automation, where Level 5 is a fully autonomous vehicle. The decision claims features need to be at least Level 3 to be described as “self-driving.”

In using such terms, Tesla has misled drivers and poses a consumer risk, the decision said. Tesla has faced multiple legal challenges that its self-driving features led to the deaths of multiple people. The company was found partially liable for a fatal, autopilot-related incident in August.

The California ruling went into effect on Jan. 15, and included a 30-day business suspension across the state unless the company ceased using the term in 60 days or changed its systems. Tesla responded in typical fashion: A tongue-in-cheek social post and a claim that sales would not be hit by the decision. Then, in January, the company effectively discontinued Basic Autopilot in the U.S., reshuffling its fleet offering with a standard traffic awareness mode and an option to upgrade your vehicle to FSD, now called “Full Self-Driving (Supervised).”

A few weeks later, the state’s DMV announced Tesla had met its obligations and would not face a suspension of its license, but now the company is fighting back against the decision with more force.

“An Administrative Law Judge found that Tesla broke state law by misleading consumers with the term ‘autopilot.’ Tesla agreed to stop this practice, and now they’re challenging it anyway. DMV is committed to protecting the traveling public and will defend the Administrative Law Judge’s findings and decision in court,” a DMV representative said in a statement to CNBC.

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Entertainment

Warner Bros. Has A New Owner, And It Isn't Netflix

By Jennifer Asencio
| Published

The bidding war over Warner Bros. Discovery is over, and it looks like Paramount has emerged as the victor. Netflix has dropped its bid for the century-old studio and production company, and it is now in the hands of Paramount Skydance. This news has rocked the entertainment industry and sparked speculation about the future of Warner Bros. properties, including HBO, CNN, and the DC Comics cinematic universe, which includes Batman, Superman, and Wonder Woman among its famous superheroes.

The sale of the Warner Brothers movie collection has been a hot-button issue for those who watch the entertainment industry. Netflix announced that it dropped its bid to acquire the catalog, leaving Paramount as the winning bid. It cost Paramount Skydance Studios an estimated $111 billion to secure a catalog going back more than a century.

Three Bidders Enter, One Bidder Leaves

Netflix was counting on Warner Bros.’s history of success in the entertainment industry to boost its own catalogue, given its relative newcomer status in movie production and distribution. So was Paramount, which made a bid for the floundering studio and its assets in September 2025. Warner Bros. formally rejected this offer in October, which enabled both Comcast and Netflix to make their own bid.

Eventually, Comcast dropped out, and as far as anyone could tell, only Netflix was a viable player on the field with an offer approaching $82.7 billion. This rankled WBD stockholder Ancora Alternatives LLC, which held out its vote on February 11, 2026, on the grounds that Paramount’s complaints of favoritism toward Netflix were true. This reopened the bidding and allowed Paramount until February 23, 2026, to make a qualifying “superior offer” for Warner Bros.

Netflix had three days to make a counteroffer and announced on February 26, 2026, that it would not do so.

Warner Bros Has Been A Tax Write Off For Years

The entire deal has been covered in controversy. For a few years, Warner Bros. has been writing off properties for tax purposes, including entire movies and television shows. This included digital properties people had purchased for themselves that suddenly disappeared from their libraries with no explanation. These tax write-offs were also an indication of how much trouble the company was in.

Paramount’s move to make its initial bid was seen as an attempt at a hostile takeover. Warner Bros. and Paramount have been competitors for over a century. Combining their libraries puts a significant amount of cinematic and television history under one umbrella. A successful Netflix bid would have given Netflix the lion’s share of the streaming market, as it currently controls over 19% while Paramount and Warner Bros. each control almost 11%. As it stands, Paramount is poised to control more of the market than Netflix and would be second only to Disney+ and its streaming partners, Hulu and Fubo.

Warner Bros. and Paramount also own several news services between them, including CNN and CBS. CBS News has been under fire of its own after the ascension of Bari Weiss as news editor. Social media has been abuzz with viewers who are wary of Weiss potentially controlling CNN because they think she is too friendly to President Trump in her editorial decisions. This is despite Weiss being a centrist who has been critical of Trump in her previous work.

More Content Silos In Our Future?

Another issue is the potential for reducing access to media that is already seeing increased siloing of content. Entertainment companies push out their own apps or merge with other companies to consolidate their smaller catalogs, as the union of Paramount and Warner Bros. is about to do. The Paramount Plus app is notoriously buggy and even failed for some users during the Survivor 50 premiere on Wednesday, February 25. Paramount already excludes much of its content produced before the 1980s, and obtaining a long-standing rival’s library could mean the Warner Bros. and HBO collections get the same treatment.

Paramount’s Destruction Of Beloved Properties

Finally, there is the issue of Paramount practically destroying its own properties. Starfleet Academy has been criticized for poor writing, the destruction of Star Trek lore, and gratuitous inclusion in places where such inclusion makes no sense. Coupled with the trajectory of programs like Survivor, the NCIS and CSI franchises, and endless reboots of Matlock, Hawaii Five-O, and MacGuyver, signs show that the entertainment division is heading in a direction that asks serious questions about what will become of Warner Bros. properties like the Lord of the Rings trilogy, the Harry Potter series, and the DC Universe, among others. HBO Max runs numerous classic Akira Kurosawa movies, like The Hidden Fortress and Rashomon: what will become of them under Paramount’s supervision?

Now that the deal is finalized, the next step is to examine it for any antitrust issues it raises. This will require scrutiny from numerous governments besides the United States, because every country Paramount wants to do business in has a certain amount of input in the proceedings.

Neither Netflix nor Paramount should have been able to buy Warner Bros. All the players involved, including Comcast, represent significant portions of the American and foreign streaming markets, as well as entertainment and news media. It shrinks the pool of major entertainment companies to a mere four.

Now, if the deal passes muster with anti-trust laws, two of the oldest studios in Hollywood are about to join forces, for better or for worse.


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Matthew Lillard reveals how hes back in Scream 7 — through telepathy

For over 30 years, Matthew Lillard has been bringing his signature verve to horror movies, including Scream, Thirteen Ghosts, Five Nights at Freddy’s, and a wide array of silly, spooky Scooby Doo movies. But now he’s back where it all began, returning to the Ghostface-fronted franchise with Scream 7.

Since his casting was announced, Scream fans have been debating how Lillard will come back. Will he reprise the role of Stu Macher, one-half of Scream‘s original killer duo, opposite Billy Loomis (Skeet Ulrich)? Will he be a ghost or delusion — like how Ulrich returned in Scream V & VI? Will Stu have a long-lost evil twin? Well, while Lillard visited our Say More studio to speak with Entertainment Editor Kristy Puchko, he declined to talk spoilers. But he did agree to try to telepathically respond to our favorite fan theories about his return to the frightening film series.

Lillard also talked about how he and Ulrich appreciate the fan theories that Stu and Billy were in love, and defends fans’ rights to make these movies their own. Plus, to kick things off, he shares a ghost story that quite literally hits close to home.

For more from Mashable’s interview with Matthew Lillard, including his thoughts on Thirteen Ghosts, his advice to young actors, what he learned from the Quentin Tarantino incident, and his love of Dungeons and Dragons, check out the full interview on our YouTube channel.

Scream 7 is now in theaters.

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Pokémon Presents February 2026 livestream: Watch live on Pokémon Day

It has been such a busy start to the year for Pokémon. We’ve been inundated with new Pokémon TCG releases, we’ve seen the launch of the first-ever Lego Pokémon sets, and we’ve prepared for nostalgic Pokémon games to make a return. Has Pokémon got anything left to give us? There’s only one way to find out.

The Pokémon Presents video presentation is set to take place on Pokémon Day, providing all the latest Pokémon news. These presentations tend to provide updates on upcoming video games, spinoffs, mobile games, Pokémon TCG collectibles, and animated productions. We don’t know what’s in store from this latest edition, but we expect Pokémon to go big for its 30th anniversary.

When is Pokémon Presents 2026?

The first Pokémon Presents of 2026 will take place on Feb. 27 (Pokémon Day) at 2 p.m. UTC. Here’s the breakdown of start time by timezone:

This year’s livestream is expected to run for 25 minutes.

How to watch Pokémon Presents 2026

Pokémon fans can watch Pokémon Presents February 2026 via a wide range of streaming services. The entire event will be live streamed on The Pokémon Company’s official YouTube, Twitch, Instagram, and TikTok channels.

Alternatively, you can watch everything right here:

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