Entertainment
Supergirl Earns Rave Reviews, But The Movie Is Still Doomed
By Chris Snellgrove
| Published

Right now, there’s plenty of buzz for Spider-Man: Brand New Day, the new Marvel movie swinging into theaters July 31. But you don’t have to wait that long to watch some superhero shenanigans on the big screen. Supergirl premieres on June 26, and fans are eagerly awaiting the latest film in James Gunn’s growing DCU. Still, skeptics can’t help but wonder if this film will be able to match the epic vibes of Superman (2025) or if DC’s latest girlpower blockbuster will be a dud like Wonder Woman 1984.
Warner Bros. certainly feels confident about the movie. So confident, in fact, that they lifted its social media embargo early, allowing critics and influencers who had watched the film to share their thoughts online. Thus far, the studio’s confidence seems justified: most of the reviewers have been absolutely raving about Supergirl. Unfortunately, that enthusiasm may not be able to save a film that seems doomed to a mediocre box office performance.
Rave Reviews

What are the early impressions of Supergirl looking like? According to Den of Geek, “Supergirl is the superhero movie I’ve missed: a straightforward, poignant story with lots of emotion, especially when we see Kara through little Ruthye’s eyes. Luckily, that’s every action scene. Milly Alcock absolutely owns the role and will change our idea of Supergirl forever.” This sentiment is echoed by Gizmodo, which noted that Supergirl “doesn’t quite have the resonance of Superman…it acts as both a perfect companion and follow-up to that movie with better characters and more complex relationships.” On top of that, “It’s also incredibly emotional, which makes the action hit even harder.”
The emphasis on emotion makes it sound like the movie is a fitting follow-up to Superman, which proudly wore its heart on its sleeve. Despite similar themes and action scenes, though, it sounds like Supergirl is going to have an identity of its very own. According to Mike Ryan, the movie “is not at all what I was expecting. I, too, assumed ‘superhero space movie with needle drops’ would have a similar tone to [Guardians of the Galaxy] or even Superman. Instead, it looks and plays more like a Mad Max movie, with dirty worlds, gross villains, and a self-destructive hero.”
Killer Performances, Mediocre Box Office

One thing that almost everyone agrees on is that Milly Alcock does an amazing job as Supergirl. The same can be said of Jason Momoa, who is receiving nearly unanimous praise for his portrayal of the charismatic antihero Lobo. While this is a star-making turn for Alcock, not everyone thinks the film is worthy of her talents. This includes Discussion Film, who said that, “the film around her takes far too long to step into gear and never quite matches her energy.” These minor critiques aside, though, it seems like Supergirl is going to be a film with mass market appeal.
Does that mean its box office is going to go up, up and away? Sadly, no. Right now, the movie is projected to earn between $45 to $55 million in its opening weekend. That’s not an extremely low amount, but it’s still much, much lower than Superman’s $125 million, which went on to earn $618 million worldwide. If Supergirl’s overall box office is correspondingly low, it could be bad news for the DCU. Deadline reports that the movie will need to make $315 million just to break even. Considering how disappointing the box office for Masters of the Universe and The Mandalorian and Grogu (both lighthearted sci-fi blockbusters, like Supergirl), the Woman of Steel’s feature film debut could be doomed.

Should Supergirl disappoint at the box office, Warner Bros. will have the cold comfort of knowing that it was very well-received by critics. These early impressions make the film sound like it will be an action-packed, emotional thrill ride that lets Milly Alcock and Jason Momoa really stretch their acting chops. With any luck, good word of mouth may (Obsession-style) drive the box office higher than anyone could estimate. Otherwise, though, this movie’s failure will be seen as a failure of the DCU as a whole, cementing Marvel as the dominant superhero cinematic universe, once and for all. We’ll find out together when Supergirl premieres on June 26.
Entertainment
The Jason Statham Sci-Fi Action Gem That Packs A Punch
By Charlene Badasie
| Published

Released in 2001, The One is a science fiction action film starring Jet Li and Jason Statham. Directed by James Wong from a script he co-wrote with Glen Morgan, the film explores a multiverse where alternate versions of the same person exist across countless parallel universes.
The story follows Gabriel Yulaw (Jet Li), a former police officer from an alternate universe who embarks on a mission to eliminate alternate versions of himself from various dimensions. Yulaw believes that by destroying his counterparts, he gains their strength and power, ultimately leading him to become The One. His pursuit of power sparks conflicts with law enforcement agencies across the multiverse.

Agent Harry Rodecker (Delroy Lindo) and his partner, Agent Evan Funsch (Jason Statham), are determined to stop Yulaw’s deadly spree, leading to a tense cat-and-mouse game spanning multiple universes. The One reaches its climax in a showdown between Yulaw and his final counterpart, Gabe Law, at the iconic Los Angeles Coliseum.
An Early Hidden Multiversal Gem
The One garnered mixed reviews from critics following its release. While Jet Li’s performance and the film’s adrenaline-pumping action sequences received praise, critics took issue with the plot’s lack of coherence and depth. However, the special effects were often highlighted as a strength, showcasing the filmmakers’ commitment to bringing the multiverse concept to life.

The One also achieved moderate financial success, grossing approximately $43 million in the United States and around $72 million worldwide. Despite its mixed critical reception, it remains an engaging sci-fi action film that showcases Jet Li’s talents while offering a unique take on parallel universes and the pursuit of ultimate power.
Jet Li and Jason Statham Reunite In The Expendables
Jet Li and Jason Statham would later collaborate again in the popular Expendables film series. This star-studded action franchise pays homage to classic 1980s and 1990s action movies by bringing together an ensemble cast of iconic action stars. Known for its over-the-top violence and witty one-liners, the series serves as both a tribute to the genre and a modern continuation of it.

Directed by Sylvester Stallone, The Expendables introduces viewers to a team of mercenaries led by Barney Ross (Stallone). The cast is a veritable who’s who of action stars, including Jason Statham, Jet Li, Dolph Lundgren, Mickey Rourke, Terry Crews, and more. Jet Li returned for The Expendables 2, while Statham remained a franchise mainstay through all four films, including 2023’s Expend4bles.
Since The One, Jason Statham has cemented himself as one of Hollywood’s most reliable action stars. His impressive catalog includes Lock, Stock and Two Smoking Barrels, Snatch, the Transporter franchise, Crank, The Italian Job, Death Race, Spy, and the Fast & Furious film series. More recently, he has headlined films like The Beekeeper and A Working Man, continuing a career built on hard-hitting action and tough-guy charisma.

As of this writing, The One can be rented or purchased on-demand through YouTube, Apple TV+, Amazon Prime Video, and Fandango at Home.
Entertainment
Jennifer Jason Leigh Steals Bridget Fonda’s Life In Relentless, R-Rated Thriller Now On Netflix
By Robert Scucci
| Published

Seeking out a solid psychological thriller is always a mixed bag experience because it’s a genre that paints in very broad strokes. Once you start watching enough of them, you begin to notice patterns in the form of recurring motifs and storylines, which can help or hurt a particular film depending on a number of variables. If the plot is generic or contrived, for instance, you might not feel any suspense because you can typically predict the beats and reveals long before any “big reveal” arrives. Sometimes it kills the movie, but for films like 1992’s Single White Female, latching onto genre conventions is exactly the move to make.
The whole thing follows your typical “person living with me isn’t who she says she is” kind of story, which is exacerbated when our antagonist slowly infiltrates and steals the identity of our protagonist, resulting in an evil twin scenario you’d expect to see in your average soap opera.

I went into Single White Female with guarded enthusiasm because I was expecting some sort of committee-written thriller designed for mass appeal, which, in most cases, ends up being garbage. While I still stand by my assessment that Single White Female plays out like your typical psychological game of cat and mouse, it’s elevated to stratospheric heights thanks to Bridget Fonda and Jennifer Jason Leigh sharing top billing and absolutely going for it here.
In any other context, with any other talent, Single White Female would fall apart before you even finish the first act. As a cynical fan who’s seen too many thrillers, I recognize a good one when I see it, whether it’s doing something entirely original or not. My verdict: the film is far from original, but I’m sticking around for the characters, so I don’t care.
Single White Female Earns Every Trope

At the outset, Single White Female gives us a number of convenient setups that quickly fill in the exposition and allow us to watch the characters interact under extenuating circumstances. When software developer Allison Jones (Bridget Fonda) breaks up with her unfaithful fiancé Sam (Steven Weber), she suddenly needs a new roommate. She puts out a classified ad for a single white female and settles on Hedy Carlson (Jennifer Jason Leigh), who seems like a perfect fit.
Hedy is awkward but well-meaning, or at least she seems that way at first. It quickly becomes apparent that she forms a co-dependent relationship with Allison that’s very much one-sided. Allison is simply looking for a roommate to help with rent. Hedy is looking for a ride-or-die bestie. It’s charming at first, like when Hedy tells off Mitchell Myerson (Stephen Tobolowsky), one of Allison’s potential clients who gets a little too handsy with her. Matters escalate when Allison reconciles with Sam and expresses her desire to find her own place with her lover.

On one hand, I get it. In any other context, Hedy has every right to be upset, especially after moving in and getting situated in her new home. In this context, though, Hedy goes completely off the rails, and her desire to stay close to Allison manifests in disturbing ways, like dressing exactly like her, getting an identical haircut, making appearances at sex clubs while posing as her unsuspecting roommate, and trying to seduce Sam.
Having just watched Macaulay Culkin’s The Good Son (1993) this past week, I’m wondering what was in the water because Hedy also kills a dog and pretends it’s an accident. It’s an off-screen death, but we knew its name was Buddy, so that took the wind out of my sails for a minute, if I’m being entirely honest. Just like head-smashing in modern elevated horror movies, harming animals was a very effective way to get a reaction from moviegoers. This is just another example of how the film leans into its tropes, but its leads use them well.
Convenient Setups Are A Necessity Here

If Single White Female didn’t allow itself a few convenient setups, things wouldn’t be able to escalate nearly as quickly. Allison working as a freelance software developer allows her to be home more frequently so we can focus on the relationship dynamic between Allison, Hedy, and Sam. Thanks to how available both Allison and Hedy are, they’re able to establish a bond rather quickly and become besties before Hedy completely loses her mind and becomes the worst roommate ever. This works especially well for Hedy’s personality type because her clinginess and subsequent feelings of rejection don’t feel sudden or like they’re coming from nowhere.
While Bridget Fonda is a powerhouse lead in Single White Female, it’s Jennifer Jason Leigh’s willingness to go all in on Hedy’s neuroses that makes the film work as well as it does. When she fully transitions into looking like her roommate, Hedy is terrifying because she’s doing it without a hint of irony. Seriously, for a second, imagine your roommate coming home dressed exactly like you, down to the smallest detail. Now imagine they start talking like you and perfectly mimicking your body language while their motives remain unclear. You’d be ripping up your lease in no time if this was something you had to deal with.


SINGLE WHITE FEMALE SCORE
The on-screen dynamic between Bridget Fonda and Jennifer Jason Leigh cannot be overstated in Single White Female. I’ll be the first to admit that the narrative structure it latches onto leaves a lot to be desired when it comes to originality, but the film takes a relatively generic setup and turns it into something next-level thanks to the acting talent involved. If you’re looking for a reliable thriller that thrives within its supposed limitations, you can stream Single White Female on Netflix as of this writing.
Entertainment
SpaceX stock price drops after Cursor purchase. How low could it go?
Following SpaceX’s IPO on June 12 — the biggest in history, which made Elon Musk a trillionaire — the stock price dipped just days later when the company announced the acquisition of AI coding agent Cursor.
The initial price was $135, and reached over $170 the same day, Mashable reported. By Tuesday, June 16, it hit a high above $225, according to Forbes, but some of those gains were lost by Wednesday.
The $60 billion deal between SpaceX and Anysphere, the startup behind Cursor, was announced on Tuesday. The next day, the price fell five percent, CNBC reported, and dropped another 3.75 percent on Thursday.
Mashable Light Speed
The markets are closed today, June 19, with SpaceX’s current share price at $185 at the time of this writing. It’s dropped slightly today, but it’s still well above its IPO share price.
But how low will it go? Investor research firm Morningstar reported that SpaceX is wildly overvalued, with its fair value estimate at $62 a share, and a best-case scenario would price shares at $169. That would be lower than today’s price, but still higher than its IPO.
Not everyone believes SpaceX is overvalued, though. Investment bank Oppenheimer and Co. raised its projection for SpaceX stock from $190 to $250 following the acquisition disclosure. Analyst Timothy Horan said that SpaceX “owns every layer of the AI stack, giving it cost and quality advantages,” and that Cursor is a major component of that.
So it remains to be seen whether the stock will dip much lower — and unless it dips below $138, Musk remains a trillionaire.
