Entertainment
Stephen King's Underrated Haunted House Series Only Exists Because Of Spielberg
By Jonathan Klotz
| Published
Stephen King can pull a horror story out of anything. At one point in the book Faithful, where King and his friend Stewart O’Nan chronicle the 2004 Boston Red Sox season, he casually drops a potential horror plot based on watching a baseball game on TV. That it took him decades to develop a story based on a haunted house makes sense; it’s too obvious.
The 2003 miniseries Rose Red is his take on the classic horror setting, which embraces all the old tropes instead of The Overlook Hotel subverting them. King fans wouldn’t have that if not for Steven Spielberg outright asking the Master of Horror to write a story about a haunted house.
A Classic Haunted House Story From The Twisted Mind Of Stephen King
The Stephen/Steven connection had been simmering for years when they finally teamed up in 1996 and started hammering out the script for Rose Red. Originally, it was going to be a feature film, and as King has discussed in interviews over the last 30 years, the project fell apart when Spielberg wanted to take the script in a more upbeat, positive direction, and King wanted it to be a terrifying horror movie. Simple creative differences kept the movie from ever happening, but the idea was out there, and through Spielberg’s simple suggestion, King had his haunted house script.
Rose Red was broken down and rewritten into a miniseries, airing on ABC over the course of three days in January 2002, which is what television events were like back before streaming. The Rose Red of the title isn’t a person, it’s a mansion, think of the Winchester Mystery House if it were built on a large Native American burial ground. A professor specializing in psychic phenomena, Dr. Joyce Reardon (Last Man Standing’s Nancy Travis), assembled a team of academics and psychics (which includes the late Julian Sands, Yellowjackets’ Melanie Lynskey, and Bones herself, Emily Deschanel) to venture into Rose Red and unravel the mystery.
Over the course of the three episodes, we learn the hidden history of Rose Red, and in typical King fashion, its true nature is revealed because nothing can be only a haunted house, or only a killer clown, there’s more to it than what it seems on the surface. The different investigators all have their own special powers, from talking to ghosts to telekinesis, but that’s little comfort when going up against a cursed building that’s been haunting a family for generations. Watching the ways various members of the investigation die, from encounters with spirits to literally dying of fright, it makes you wonder how Steven Spielberg envisioned the original project.
The World Is Still Waiting For the Steven And Stephen Collaboration
Though it was considered middling by critics of the time, Rose Red pulled off an 8.5 rating and nearly 20 million viewers. It’s often overlooked today as it’s not the greatest King adaptation, but it’s also not the worst. It’s somewhere in that huge stretch alongside Sleepwalkers, IT: Part 2, and Doctor Sleep.
To this day, Stephen King and Steven Spielberg have yet to collaborate on a project together. They were close, again, when the Duffer Brothers were going to adapt The Talisman for Netflix. Spielberg happens to own the film rights to King’s series thanks to a sweetheart deal with Universal dating back to 1982. That deal has seemingly fallen through, with everyone involved moving on to other projects, but that’s what happened with Rose Red 30 years ago.
It could still happen, but for now, Ready Player One’s extended homage to The Shining is as close as we’re going to get. King’s next projects include a Cujo remake, while Spielberg is getting ready to rule the Summer of ‘26 with the alien blockbuster Disclosure Day.
Rose Red is available to stream on Hulu.
Entertainment
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Credit: ChatPlayground AI
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Entertainment
The best Dyson vacuums actually make vacuuming fun: See my favorites for 2026
Read my full review of the Dyson PencilVac.
The Dyson PencilVac Fluffycones takes the small space vacuum to a whole new level. It’s unbelievably slim and lightweight, and seamlessly scoots into tight crevices near furniture that don’t get dusted often enough. If there are certain spots in your home that you avoid cleaning just because it’s too tight of a squeeze, the PencilVac is about to change your life.
“Fluffy” references the ultra-soft material cushioning the four brush rolls, which provide a gloriously glide on hardwood you don’t want to scratch. The PencilVac’s short battery life and limited suction power wouldn’t be ideal in homes with more than just a few rooms or lots of carpeting.
No stick vacuum takes “stick” as literally as the Dyson PencilVac Fluffycones. It doesn’t have a main body with a battery pack, handle, or dustbin like any other traditional cordless vacuum. It’s just a wand and a funky cleaning head with four microfiber cones as brush rolls — the coolest little vacuum that’s truly grab and go.
The whole vacuum can fit just about anywhere, and tight squeezes are even more accessible with a cleaning head that can spin a full 360 degrees. The agile design led me to so many awkward dusty spots that other cordless vacuums can’t comfortably reach: the small chunks of floor between furniture and the wall, between island and bar stool legs, beside the toilet, or under the low-hanging credenza. The PencilVac had commendable hard floor performance in my apartment, offering near-perfect pickup of daily debris like cat hair and long human hair, kitchen crumbs, multiple types of cat litter, and dust.
Oh yeah, the Fluffycones cleaning head has two dust-detecting lasers. One laser projects out the front to point out the hair and tiny flecks lying ahead, and one laser projects out the back to illuminate anything that you just missed. It’s so satisfying that you’ll accidentally end up cleaning for much longer than you meant to, only to be cut off by the pitiful battery life.
With the precision nozzle wand attached, the PencilVac weighs in at just 2.9 pounds. This uniquely compact design makes cleaning cobwebs out of ceiling corners or dusting baseboards so much less of a pain. The wand’s diameter is just 1.5 inches the entire way down, which made it possible to vacuum behind my dresser without pulling it out a foot from the wall.
Entertainment
RAMageddon is making it harder to find the best Windows laptops. These 10 are actually worth it.
I highly recommend the Acer Swift X 14 for creatives who need a Windows laptop with a discrete GPU for running the most demanding sorts of apps. That includes photo and video editors, graphic designers, and animators.
Most professional creatives need a Windows laptop with a dedicated graphics card to handle their intensive workloads. I like the $2,000 Acer Swift X 14 with a top-end Intel Core Ultra 9 285H CPU and RTX 5070 graphics because it’s super powerful, fairly priced, equipped with a glorious OLED screen, and long-lasting, relatively speaking. You can go with a gaming laptop instead, but most aren’t nearly as compact.
This 14-inch desktop replacement is just as fast as an M5 MacBook Pro when it comes to demanding multi-core scenarios (i.e., most creative tasks). In my testing, its RTX 5070 GPU was more than capable of running graphically taxing games like Cyberpunk 2077 at over 100fps at 1080p resolution without the help of any AI upscaling technology, so it’s very well-suited for the likes of Adobe After Effects and Premiere Pro. (And other AAA games, obviously.)
For what it’s worth, I also tried a $1,700 Acer Swift X 14 AI with an AMD processor and RTX 5060 graphics, and the Intel/RTX 5070 version performed much better. The AMD/RTX 5060 one had 17 percent worse multi-core performance, so it couldn’t compete with the MacBook Pro, and it could barely run Cyberpunk at its 60fps minimum without upscaling tech. It also had a much worse battery life of about 6.5 hours per charge. My go-to RTX 5070 model lasted just over 10 hours, which is fantastic for a laptop with a dedicated GPU.
Note that the Swift X 14 is not a Copilot+ PC, meaning it doesn’t have a super-powerful NPU for running on-device AI tasks. This isn’t a deal-breaker for creatives, but it is for serious machine learning engineers and software developers.
The Swift X 14 comes with plenty of creator-forward ports (like a microSD card slot) as well as a crisp, vivid 120Hz OLED touchscreen. It’s a real attention-getter on an otherwise plain laptop. You can’t draw on it with the included stylus, but you can do so on its haptic trackpad. It functions kind of like a built-in drawing pad.
One dashboard, 20+ AI models — get ChatGPT, Claude, Gemini, and more for $79
Amazon Sundays: Mornings in the Garden
