Entertainment
Shudder Gets Ultimate Sci-Fi Horror Remake Masterpiece On Streaming
By Robert Scucci
| Published

Every once in a while, a classic horror flick like John Carpenter’s The Thing makes its rounds on streaming and reminds us just how ahead of its time it was by elevating such a simple story line with next-level creature effects. Now that The Thing is streaming in all of its violent and nihilistic glory on Shudder, you can see for yourself just how tense and nauseating it is for yourself.
From the remote Antarctic wilderness to the looming and always building sense of paranoia that drips from every single sequence, you’d be hard-pressed to find a sci-fi horror film that will make you want to test the blood of everybody living in your house before going to bed just to be safe. Or, if you’re anything like me, your next viewing of The Thing on Shudder may or may not have you reading Amazon reviews for flamethrowers.
Why It Works

Though The Thing predates Predator by five years, both films have one thing in common that make them superior to their contemporaries, and it’s the sense of routine and camaraderie from an experienced crew that’s disrupted by external alien forces. Kurt Russell’s R.J. “Mac” MacReady has a rapport with the rest of the research crew that effortlessly lets the audience know how these guys generally trust each other and get along in any other circumstance before the events that take place in The Thing, now streaming on Shudder.
When an American team’s Antarctic research station is raided by a Norwegian helicopter (they’re not Swedish, Mac!), Mac and Dr. Copper (Richard Dysart) decide to fly over to the attacker’s station to see exactly what set them off. Their initial assumption is that the Norwegians had a case of isolation-induced cabin fever, and for reasons unknown wanted to snipe out one of the many sled dogs living on the American base. It doesn’t take long for Mac and Dr. Copper to find a severely burnt corpse that appears to be a human in an suspended stage of mutation after getting incinerated by the Norwegian crew.
Looking for a logical explanation, Mac and Dr. Copper bring the corpse back to their base of operations, along with whatever research the Norwegians have compiled before things went south. Senior Biologist Blair (A. Wilford Brimley) confirms that the corpse is human despite its deformities, but has a change of heart when one of the station dogs violently mutates while locked in the kennel. The crew now knows they’re dealing with some sort of “Thing” that takes on the shape of its host in order to assimilate and eliminate any living being that can host its DNA, and they shudder at the implications.
While there are initially some doubts that they’re dealing with an alien life form, it’s hard for everybody to ignore the buried alien spacecraft that the Norwegians uncovered before they went on their rampage.
An Exercise In Futility

The Thing presents a moral dilemma that needs to be immediately addressed. Blair, growing in his paranoia, makes the executive decision that the Thing’s contamination and assimilation efforts need to remain isolated after predicting that whatever life form they’re dealing with can take over the entire planet in just a few years if let loose across the globe. He destroys the radios and sleds, and kills the remaining dogs to make sure nobody can escape.
Armed with flamethrowers and enough explosives to blow the research station sky-high, the crew is all but certain that they’re not going to survive the winter. When Bennings (Peter Maloney) and Norris (Charles Hallahan) get infected, the surviving crew’s paranoia gets the best of them because they have no true way of knowing who else is infected by the Thing. Though Mac and Childs (Keith David) have more than enough reason to not trust each other at this point in the ordeal, they really don’t have a choice but to put their heads together in their survival efforts.
Next-Level Creature Effects

Emotional and existential turmoil aside, The Thing shocked everybody upon its 1982 release because of how ahead of its time it was with its creature design and their stop-motion movements, which still hold up when you stream it on Shudder. Special effects designer Rob Bottin required a budget of $1.5 million (one tenth of The Thing’s entire production budget), and used a mix of chemicals, food, rubber, and mechanical parts to bring the eponymous Thing to life in its various grotesque permutations. If you’re somehow seeing this John Carpenter classic for the first time in 2025, you may not believe that you’re watching a 43-year-old film because of how well done the practical effects are executed.
A Certified Cult Classic


The Thing is one of those creature features that actually benefits from showing its monster on screen, and there’s no shortage of blood, ectoplasm, saliva, and bone to get this point across. As each mutation gets more intense, so does the sense of real fear from its principal cast that is made all the more convincing by the frigid temperatures on set, which in all likelihood kept the adrenaline levels high during production, giving the film an air of authenticity that I haven’t seen replicated so beautifully since.
You can stream The Thing right now on Shudder, and I strongly recommend that you do so next time you want to see the world burn. And if you want to explore The Thing further, the GenreVision podcast does an excellent breakdown that you wont want to miss.
Entertainment
NASA video shows how much ground a Mars rover has covered, literally
When NASA makes a new timelapse video, it’s not for reminiscence or clout chasing on the Internet.
The U.S. space agency recently pulled together images from Curiosity, one of its two robotic rovers on Mars, for a scientific purpose. The two-minute video provides a quick succession of clips spanning six years of exploration at Gale Crater. Each image shows the rover ambling over crumbling lithic landscapes as it slowly climbs Mount Sharp, which rises three miles above the basin floor.
The montage isn’t just an intriguing look back on the mission, but a tool for the rover’s science team. Using views from Curiosity’s right navigation camera, mounted on its head, the researchers analyze the sand grains shifting on the rover’s deck.
You can watch the Martian dust churn in the rover’s treads in the Instagram post below. (The Lenny Kravitz soundtrack, though not for science, certainly adds to the appeal.)
“Distinguishing between sand jostled by each drive and wind gusts can provide new information about seasonal changes in the atmosphere,” the agency said.
Curiosity took these images between Jan. 2, 2020, and March 8, but the rover’s journey began long before that. After eight months and 352 million miles flying through space, the rover landed on Mars on Aug. 5, 2012. Its mission: Find out if this smaller neighboring world ever had conditions to support living creatures.
Mashable Light Speed
NASA’s question was answered rather quickly. Within a year, the rover had drilled a rock sample from a long-gone lakebed and confirmed the region had the right chemistry for habitation in its ancient past, as well as potential nutrients for microorganisms.
Since then, the rover has continued to study the alien environment using its internal chemistry lab. A recently published study revealed the rover detected 21 different organic molecules in a small rock sample, the largest set found on the Red Planet so far. Among the findings, Curiosity discovered preserved complex carbon material. Life could have produced them, though NASA can’t say for sure, as chemical reactions between water and rock could also create these molecules.
As scientists monitor the shifting sand for clues about Mars’ seasonal changes, engineers keep a close eye on how that dust and debris put wear and tear on the vehicle. Almost since the beginning of the journey, the team has noticed sharp rocks in the terrain ravaging Curiosity’s wheels, even causing punctures.
Before the rover’s sibling launched, NASA went back to the drawing board. Engineers built Perseverance with hardier wheels made from thicker aluminum. Each wheel is powered by its own motor and can turn in a full circle, allowing it to dodge and swerve around hazards more easily.

Engineers inspect damage to Curiosity’s wheels on Mars on April 18, 2016.
Credit: NASA / JPL-Caltech / MSSS
But to help the elder rover, NASA has problem-solved alternative techniques, such as driving in reverse. Software engineers also provided upgrades that gave Curiosity’s team more control over individual wheel speeds to reduce the force of jagged rocky surfaces. Those efforts have kept the rover trucking, which has traveled 23 miles on Mars.
Wheel damage isn’t the only concern in the harsh conditions on Mars. Many a mission has succumbed to the effects of blustery Martian winds, which kick up dust that then settles on solar panels.
Such was the fate of Curiosity and Perseverance‘s predecessors, Spirit and Opportunity, who died from dust choking their vital power sources.
Entertainment
Smutty Netflix Movie Has Women Dating Hairy Beasts For Kink And Comedy
By Chris Snellgrove
| Updated

I’m married to an amazing gal with a passion for literature. Not just any literature, but romantic literature, often of the smutty variety. Through her, I discovered the Monster Romance genre, which is exactly what it sounds like.
Some women like to fantasize about bad boys; about hooking up with a monstrous man with the deliciously dangerous thought, “I can fix him.” Other women want to cut out the literal middle man and simply get with the monster. There’s now a growing number of monstrous erotica books and even films, including Guillermo del Toro’s hilariously horny Frankenstein.
When I first saw the trailer for Your Monster, I thought it was going to be a straightforward adult picture. You know: watching the cute gal from Scream (Melissa Barrera) get with a fuzzy hunk straight out of DeviantArt. To my surprise, though, this was less 50 Shades of Grey Fur and more like Black Swan meets Beauty and the Beast. One part romantic drama, one part psychological thriller, and one part creature feature comedy horror, Your Monster is one of the most original films of the last decade. If you want to experience the ultimate intersection of kink and comedy, you’re in luck: Your Monster is now streaming on Netflix.
Babes, Beasts, And Boinking

Your Monster is about an actor (played by Melissa Barrera) whose life is falling apart. Shortly after she is diagnosed with cancer, she is dumped by her playwright boyfriend (played by Edmund Donovan). Moving back into her childhood home, she discovers there is a literal Monster (played by Tommy Dewey) living in her old closet. The two form a bond that eventually turns romantic, but the sick actor is still pining for her old boyfriend and her old life. But when she discovers he is now directing the play she helped him develop and has given the role written for her to another woman, our protagonist’s entire life begins to unravel.
Despite what the title and even the cover of Your Monster imply, there isn’t that much explicit monster intimacy in this movie. Instead, the movie explores some crunchy philosophical questions, like “what does it mean to actually be a Monster?” The fuzzy guy in our hero’s closet is beastly on the inside, but he proves himself to be a well-spoken, highly cultured gentleman over time. Meanwhile, our protagonist’s former boyfriend has the face of a man, but he makes a number of decisions (like breaking up with his girlfriend after her cancer diagnosis and icing her out of the play she helped write) that are downright monstrous.
The Drama, The Trauma

The movie plays with this concept in different ways, all of which lead to a jaw-droppingly weird climax. Without spoiling the bonkers ending, I’ll just say that Your Monster increasingly explores the idea that people are not divided into a strict binary of, say, monstrousness and humanity. Everybody has both a noble spirit and an inner savage, constantly at war with one another for dominance. The movie’s thesis is that this is a form of psychological self-defense: if we aren’t willing to act like a monster towards those who hurt us, the film says, we will never escape the cycle of pain caused by our abusers.
Your Monster is a powerhouse creative effort from Caroline Lindy, who wrote and directed the film. Previously, she was mostly known for movie shorts, including provocative titles such as Aspirational Slut. Previously, she directed a short called Your Monster, and the film of the same name is a larger and more ambitious version of that same basic story. The 2024 Your Monster is Lindy’s feature film debut, and it’s very impressive: on Rotten Tomatoes, it has a 79 percent critical score and an 85 percent critical score. With her ability to weave such an original concept into such a startlingly cohesive meditation on love and romance, Lindy clearly has an awesome career ahead of her.
Monstrous Chemistry

In addition to its rockstar director, Your Monster had a secret weapon: the chemistry between its two leads. Melissa Barerra and Tommy Dewey are incredibly believable as the world’s oddest couple: she’s all vulnerability masking intense inner strength, and he’s all soft boy support hidden behind a veneer of outward ferocity. Each of them wears a kind of mask when dealing with the rest of the world, and like in all great relationships, they are able to take the masks off when they are with each other. As an added bonus, each is a very funny actor, and the characters’ weird, dark humor forms the beating heart of the most unconventional relationship in cinematic history.
Thanks to the Star Wars Sequel Trilogy (looking at you, The Last Jedi), moviegoers are understandably worried when they hear how a film “subverts our expectations.” However, it’s true (all of it!): the best thing about Your Monster is how it subverts your every expectation for the better. I expected plenty of boinking beasties and instead got an emotional roller coaster of a film that made me laugh and cry, usually at the same time. All of this culminates in a shocking final scene that will haunt me (in the best possible ways) until the day I head towards that big cineplex in the sky.

Fortunately, you don’t have to head to the Cineplex to experience Your Monster. Heck, you don’t even need to head into your dusty childhood closet. All you have to do is stream it on Netflix to experience three different kinds of films (romance, horror, and comedy) jammed into one furry package. If nothing else, it’s worth watching this quirky episode to discover the definitive answer to TikTok’s most-debated topic: why women would rather be alone in the woods with a bear than a strange man. Why do they all “choose the bear?” Just watch Your Monster, and you’ll never ask again!

Entertainment
Netflix Has Emma Stone's New Rated-R Sci-Fi Movie, It'll Turn You Inside Out
By TeeJay Small
| Published

If you’re into weird, trippy movies with complex characters, twisted conspiracies, and some overarching sci-fi elements, you’re probably already a fan of Greek filmmaker Yorgos Lanthimos. Lanthimos’ oeuvre includes The Lobster, The Killing of a Sacred Deer, and Kinds of Kindness, just to name a few. While each of these films offers a mind-bending adventure, none has turned my head inside out quite like his latest, Bugonia, now streaming on Netflix.
Bugonia stars Emma Stone as a ruthless CEO of a massive pharmaceutical conglomerate. Fresh off a slew of bad press for suppressing workers’ rights, Stone’s Michelle Fuller goes above and beyond to present the image of a caring, easygoing boss. She encourages her employees to take time for their mental health and leave early, while subtly implying that doing so would mean risking their jobs. She’s your run-of-the-mill billionaire monster.

As Fuller goes about her daily routine, we are introduced to conspiracy theorist Teddy Gatz, played expertly by Breaking Bad‘s Jesse Plemons, and his cousin Don, portrayed by newcomer Aidan Delbis. Teddy, like many real-life viewers at home, is a disenfranchised wage worker who has fallen down a deep rabbit hole of online alien conspiracies. He has come to believe that a race of alien creatures has assimilated into Earth’s population, disguised themselves as corporate elites, and subjugated the world through a series of telepathic commands.
Bugonia really picks up when Teddy and Don kidnap and imprison Michelle in their basement, believing her to be a member of the alien race. Based on information they’ve collected in insulated internet chatrooms, the duo shave her head, chain her up, and slather her entire body with antihistamine lotion. They believe these measures will prevent the CEO from utilizing her mind-control powers or contacting her alien mothership for backup.

From there, most of Bugonia centers on Michelle as she attempts to escape from her captors by any means necessary. She tries to enlighten the kidnappers with logic and deprogram their conspiracy-addled minds. She even tries leaning into the conspiracy and promising that she’ll bring them into contact with her alien superiors if they let her go. The whole time, Teddy and Don are taking measures to prevent themselves from being manipulated by Michelle, by chemically sterilizing themselves and taking prescription drugs against label instructions.
Bugonia is an absolute wild ride from start to finish, and one that I simply couldn’t pry my eyes away from. Everything from Emma Stone’s spectacular leading performance to the quirky, bizarre writing to the occasional mind-bending twist kept me on the edge of my seat, constantly questioning the film’s reality. By my estimation, it’s the perfect conspiracy movie for a post-Epstein list world, where even the most twisted conspiracies don’t seem as ridiculous as they did five or ten years ago.

If you get the chance to catch Bugonia on Netflix, don’t miss it. Just be sure to throw away everything you think you know before going in, or you just might find yourself manipulated by a race of malevolent alien overlords.

