Entertainment
Shia LaBeouf’s Rat Tail Seduces Homeless Women In R-Rated Netflix Road Drama
By Robert Scucci
| Published
I hated every single minute of American Honey (2016), and it’s rare for me to find zero redeeming qualities in a film. It’s not that it’s objectively terrible. A quick trip to Rotten Tomatoes, where it holds a 79 percent approval rating, does all the heavy lifting there. It’s 163 minutes of a young woman trying to find herself while selling magazines with a bunch of other wanderers, but something about this one really rubbed me the wrong way.
I think the problem I have with American Honey is that there’s no real goal or dream to latch onto. It’s static, and while that was probably writer-director Andrea Arnold’s intention, it didn’t land for me. I’m just not the right audience for this kind of movie. I like straightforward storytelling, and American Honey is pure slice of life. I don’t hate slice-of-life outings, but I still need some kind of goal, moral, or takeaway, and I never found one here.
This could have been distilled into 90 minutes and been just as effective. Even then, I don’t think I’d feel any differently about American Honey. I had the same reaction to Nomadland, so take that for what it’s worth.
Nearly 3 Hours Of Nothing Much At All
American Honey centers on Star (Sasha Lane). She lives in Oklahoma with her abusive father and acts as the primary caretaker for her younger siblings. She dumpster dives for food and lives a miserable life. You want to root for her because she’s clearly been dealt a bad hand and wants something better. She could take night classes a library, crash with a friend while getting on her feet, find a shelter in another town to escape her abusive family while still keeping tabs on her siblings from a safe but reachable distance. It wouldn’t be easy, but it’s doable.
Instead, Star meets Jake (Shia LaBeouf with a hideous rat tail haircut), who likes causing scenes while dancing at K-Mart. Their eyes lock and she’s instantly smitten. She abandons her siblings because she’s completely sold on becoming a traveling magazine sales person with Jake and his ragtag group of miscreants, led by the super sexy but manipulative Krystal (Riley Keough).
Here’s how the rest of American Honey plays out. Jake trains Star in sales. Star doesn’t like how Jake lies during his door-to-door pitches because it says everything you need to know about his moral compass. Star and Jake fall in love, or at least Star thinks they do. Krystal gets mad that Jake’s numbers are slipping since Star joined the crew. Krystal makes Jake massage her with lotion in a motel room while Star watches, marking her territory in what her mind is the most humiliating way possible.
Day after day, Star gets in the van, wakes up in a new state, and repeats the cycle. She sells a ton of “subscriptions,” but she’s really just running a game on a string of male suitors. She never fully commits to prostitution, but she plays the part just enough to make a disportionate amount cash for her exploits under the guise of working a low-level sales scam job. Shia LaBeouf’s rat tail flaps gently in the breeze when he admits he’s been stealing valuables from every house he enters. Star and Jake roll around in the grass, people get betrayed, more magazines are sold. Yawn.
You Can Trace The Origin Of The First Time Machine To Somebody Trying To Stop This Movie From Being Made
Call me old fashioned, but I like my movies to tell a story. It doesn’t matter if it’s straight-forward, esoteric, non-linear, or fragmented. There still needs to be something holding it all together. At its core, American Honey uses its slice-of-life approach to show Star’s struggles, but we only get fleeting glimpses of where she came from and where she might be going. I understand that this is probably the point, and that I’m just not picking up what it’s throwing down, but it frustrated me because there’s some interesting stuff happening throughout, but we only see it on a surface level. Probably another intentional artistic choice. It’s a subversive way to deliver social commentary on this kind of lifestyle, but this movie screams to be more visceral and cathartic by latching onto something tangible. It doesn’t do that, so it feels like a complete waste of time.
Star is a complex character, shaped by her unstable upbringing. The same could be said for everyone she’s working with as they bounce between motels and sell subscriptions just to scrape together a per diem and party their way through their teens and 20s. Everyone is running from something, and whatever that something is must be bad enough for this life to feel like a better option. Most of these characters are probably trying to be good people, even if their instincts are completely misguided. That’s what’s interesting to me. Watching them all operate in this kind of limbo for a prolonged period of time is a disservice to the kind of resilience that’s being actively celebrated in American Honey.
Except for Jake. He’s in full-on chode mode for the entire movie, and every single scene he’s in makes me wish time moved faster.
My disappointment with American Honey comes from how many compelling stories are sitting right there in front of you, but always just slightly out of reach. Every character has some idiosyncracy worth exploring, but instead we get a long sizzle reel of their antics as a collective. Even as a sizzle reel, it still clocks in at nearly three hours. The whole thing feels like young-adult nomad porn; the kind of fantasy about running away you have when you’re 15, when all you think you need to survive is the prospect of dry humping and occasionally blowing up bottle rockets.
American Honey is streaming on Netflix. Watch it. Or don’t. I don’t care.
Entertainment
Hurdle hints and answers for April 19, 2026
If you like playing daily word games like Wordle, then Hurdle is a great game to add to your routine.
There are five rounds to the game. The first round sees you trying to guess the word, with correct, misplaced, and incorrect letters shown in each guess. If you guess the correct answer, it’ll take you to the next hurdle, providing the answer to the last hurdle as your first guess. This can give you several clues or none, depending on the words. For the final hurdle, every correct answer from previous hurdles is shown, with correct and misplaced letters clearly shown.
An important note is that the number of times a letter is highlighted from previous guesses does necessarily indicate the number of times that letter appears in the final hurdle.
Mashable 101 Fan Fave: Nominate your favorite creators today
If you find yourself stuck at any step of today’s Hurdle, don’t worry! We have you covered.
Hurdle Word 1 hint
The edge.
Hurdle Word 1 answer
BRINK
Mashable Top Stories
Hurdle Word 2 hint
Moody.
Hurdle Word 2 Answer
POUTY
Mashable 101 Fan Fave: Nominate your favorite creators today
Hurdle Word 3 hint
America’s bird.
Hurdle Word 3 answer
EAGLE
Hurdle Word 4 hint
A platform.
Hurdle Word 4 answer
FORUM
Final Hurdle hint
Cheapskate.
Hurdle Word 5 answer
MISER
If you’re looking for more puzzles, Mashable’s got games now! Check out our games hub for Mahjong, Sudoku, free crossword, and more.
Entertainment
Star Trek’s Most Ambitious Villain Helped Create The Franchise’s Most Complex Hero
By Chris Snellgrove
| Published
When Star Trek: Voyager first came out, the most fascinating character was the Doctor. While Robert Picardo’s performance was superb, it’s fair to say this character was mostly fascinating on a conceptual level. We had seen things like hypercompetent Starfleet captains and exotic aliens before, but what we hadn’t seen was a fully holographic chief medical officer. Voyager’s Emergency Medical Hologram seemed like the perfect embodiment of the Star Trek ethos. He’s a technological strange new world and new life, all rolled into one.
However, what casual audiences didn’t realize is that the Doctor wasn’t completely unique. Long before Picardo’s character ever sawed bones in the Delta Quadrant, Captain Picard dealt with another extraordinary hologram: Moriarty, the brilliant foe of the famous investigator Sherlock Holmes. Over on The Next Generation, Geordi LaForge accidentally created this villain as a sentient hologram when he asked the holodeck to create a challenge worthy of the android Data. Later, Star Trek: Voyager executive producer Jeri Taylor revealed that, in-universe, the holographic Doctor was created because Starfleet took advantage of the same accidental breakthrough that created Moriarty!
It all started in “Elementary, My Dear Data,” the Next Generation episode in which the titular android and Geordi LaForge recreated Sherlock Holmes’ adventures on the holodeck. Thanks to his positronic brain and his encyclopedic knowledge of Sir Arthur Conan Doyle’s Holmes novels, Data is able to easily solve every mystery that is thrown at him. That’s when Geordi makes a seemingly simple request. He asks the Enterprise computer to develop a holodeck foe that could actually defeat Data, one of the smartest beings in the entire galaxy.
The computer obliges and creates a sentient version of Moriarty, Sherlock Holmes’ greatest foe. Following Geordi’s instructions, the Enterprise computer included much of Data’s vast programming, which resulted in the holographic character becoming self-aware. Moriarty ended up threatening the Enterprise on two different occasions, and Picard eventually got rid of him by trapping the unknowing villain in a simulation where he thought he had left the holodeck and could explore the stars. This was meant to be a happy ending for Moriarty, but in the show’s typically bleak fashion, Star Trek: Picard later showed us a different, more hostile version of this character created by a malevolent Section 31 AI.
How A Villain Created A Hero
What does all of this have to do with Robert Picardo’s holographic Doctor on Star Trek: Voyager? Elementary, my dear reader! Very early in Voyager’s development (the show didn’t even have a name yet), executive producer Jeri Taylor was inspired by Moriarty to create a new character. As reported in A Vision of the Future-Star Trek: Voyager, Taylor wrote down notes for a holographic doctor “who, like Moriarty, has ‘awareness’ of himself as a holodeck fiction. He longs for the time when he can walk free of the Holodeck.”
A few days later, she wrote down additional notes that contain a startling bit of Star Trek lore. “The Holo-Doctor represents a new, state-of-the-art technology which has capitalized on the serendipitous incident which created Moriarty, and has programmed a holographic character which has self-awareness of his situation and limitations.” While Moriarty is name-dropped on Voyager a couple of times, the show never mentioned what Taylor’s notes seem to confirm: that Lewis Zimmerman could never have created the Emergency Medical Hologram program if not for Geordi LaForge accidentally creating Moriarty on the holodeck.
From Villain To Leading Man?
If that’s not strange enough, there was a period of time when Voyager’s producers were considering making Moriarty a mainstay character on the show. As reported in Star Trek–Where No One Has Gone Before, Taylor’s notes mentioned that “everyone agreed that was a little too broad, and we couldn’t figure out why anyone would take him along.” After dismissing the idea, they decided “that having a holographic doctor with the full consciousness of being a hologram might be fun, and we’d never done anything like that before, except for Moriarty.”
There you have it, gentle reader. Without the character of Moriarty on Star Trek: The Next Generation, we’d never have the Doctor on Voyager. In this way, Trek’s most ambitious villain helped create the franchise’s most complex hero. Thanks to Jeri Taylor’s notes, we also know that, in-universe, Lewis Zimmerman would never have been able to create the Doctor if not for Geordi accidentally creating a sentient Moriarty so Data could have fun. In retrospect, this does make Zimmerman’s arrogance that much weirder. After all, he has a lot of attitude for someone who owes his entire career to the two biggest book nerds in the galaxy!
Entertainment
Moon phase today: What the Moon will look like on April 19
After days of almost (and complete) darkness, the Moon is finally starting to reappear. We’re currently in the Waxing Crescent phase of the lunar cycle, which means each night until the Full Moon we’ll see it get more illuminated from the right side.
What is today’s Moon phase?
As of Sunday, April 19, the Moon phase is Waxing Crescent. Tonight, 5% of the moon will be lit up, according to NASA’s Daily Moon Guide.
Despite more of it now being illuminated, the percentage of surface is still too little to be able to spot any surface details. Check again tomorrow.
When is the next Full Moon?
The next Full Moon is predicted to take place on May 1, the first of two in May.
What are Moon phases?
NASA states that the Moon takes about 29.5 days to orbit Earth, during which it passes through eight distinct phases. We always see the same side of the Moon, but the amount of sunlight reflecting off it changes as it moves along its orbit, creating the familiar pattern of full, partial, and crescent shapes. We call these the lunar phases, and there are eight in total:
New Moon – The Moon is between Earth and the sun, so the side we see is dark (in other words, it’s invisible to the eye).
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Waxing Crescent – A small sliver of light appears on the right side (Northern Hemisphere).
First Quarter – Half of the Moon is lit on the right side. It looks like a half-Moon.
Waxing Gibbous – More than half is lit up, but it’s not quite full yet.
Full Moon – The whole face of the Moon is illuminated and fully visible.
Waning Gibbous – The Moon starts losing light on the right side. (Northern Hemisphere)
Third Quarter (or Last Quarter) – Another half-Moon, but now the left side is lit.
Waning Crescent – A thin sliver of light remains on the left side before going dark again.
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