Entertainment
New Version Of The Mummy Is Bad Parenting Wrapped In Vomit-Soaked Blasphemy
By Chris Sawin
| Published
Lee Cronin’s The Mummy is not a remake of the 1999 version of The Mummy starring Brendan Fraser, but actually a reimagining of the 1932 film starring Boris Karloff. What’s interesting about the original 1932 version of The Mummy is that it was also reimagined for its four sequels, including a crossover with Abbott and Costello.
The new horror film is loaded with gross-out gore, extreme close-up shots, and is undeniably corny even when tension is meant to be high. The Cannon family is annoying as hell. Charlie (Jack Reynor, Midsommar) is a terrible parent. Katie (Natalie Grace) is abducted because he wasn’t watching her at the beginning of the film, and things get increasingly worse because he’s constantly off being dumb in the basement.
His wife, Larissa (Laia Costa), is a delusional twit. When things get bad, and Katie starts eating live scorpions, headbutting her grandmother in the face, breaking her nose, and having half of her leg ripped off because Larissa doesn’t know how to do a proper pedicure, Charlie gives her an out, stating, “Hey, maybe we should have Katie committed somewhere temporarily because we have no idea what the hell we’re doing, and your mom’s face can only take so much punishment.” Larissa takes it personally and thinks Charlie is implying that she can’t take care of her own daughter. He is, and she can’t.
The Cannons are living in this two-story, creaky-ass house with the loudest floorboards known to man. It also has this insane crawlspace with tiny doors leading to every room in the house, which is more convenient than Jason Voorhees digging tunnels to reach every room in the 2009 Friday the 13th remake. They also live with Carmen Santiago (Veronica Falcon), who is Larissa’s mother. Lee Cronin must have a thing against old people and/or grandparents, because this lady is destroyed throughout the film. Those coyotes that have been lurking around the house are eventually put to good use.
Parenting Is Never Easy
Somewhere in Egypt, a family is riding together in their car. The father sings with his three children as the mother quickly turns off the radio and complains that they’re all giving her a headache, then continues the car ride in silence. When they arrive home, their pet bird is left twitching in its cage in a pool of its own blood. The mother grabs the bird in her hand, blood dripping down her arm, and crushes it to death in front of her family.
The parents make their way to their basement, where they’ve been housing a 3,000-year-old sarcophagus. They decide to crack it open and see if the mummy inside has awoken. As the sarcophagus becomes ajar, their torch is blown out, and a hook lifts the father off his feet, pierces through his jaw, and leaves him dangling in the air while choking on his last blood-soaked breath.
American Charlie Cannon has been working in Cairo as a reporter while trying to get a promotion in New York. As he secures his promotion, his daughter, Katie, disappears. She has been visiting a secret friend at the end of their garden for some time now, a woman who claims to be a magician (the mother from the beginning of the film). The magician (Hayat Kamille) kidnaps Katie, and the Cannon family is never the same.
Eight years later, a plane carrying the sarcophagus crashes. When it’s opened by the authorities, Katie is found inside, totally emaciated and wrapped up like a mummy. The rest of the film is spent trying to figure out what happened to her.
A Smell Only A Mother Can Love
What Lee Cronin’s The Mummy has going for it, other than its long-ass name, is that it is ridiculous. The dialogue reads like a bad soap opera, with Charlie being a mega-macho a-hole for no reason, and any sort of human interaction not feeling genuine in the slightest. The film is loaded with projectile vomit, and whatever is going on with Katie can’t decide whether it wants to blatantly rip off The Evil Dead, The Exorcist, or Poltergeist.
Charlie goes jogging out into a sandstorm to search for Katie after she disappears, and is barely fazed by the disastrous natural phenomenon. Katie violently and repeatedly shoves a fireplace poker into her foot after her mother’s attempt at cutting her toenails. Katie is also catatonic throughout most of the film. She breathes these raspy death rattle breaths, chomps her teeth, and gurgles these inhuman noises. She’s violent, unpredictable, with stinky, dried-out skin and long, black Frito fingernails, and can’t move on her own unless it’s convenient to the over-complicated story. She has a face, an appearance, and a smell only a mother can love, apparently.
Before Katie disappeared, the Cannons were expecting another baby. When Katie returns, she has a sister named Maud (Billie Roy). Maud starts off as this kind of cute, harmless kid who turns into an absolute hellion. What she does with teeth is disgusting. The funeral reception sequence, which is where Maud’s tooth obsession culminates, may be the most nauseating and outrageous scene in the film.
Evil Dead Rise was written and directed by Lee Cronin in 2023. His experience of dabbling in a Sam Raimi-created franchise must have left its mark because Lee Cronin’s The Mummy remorsely borrows from Raimi’s work at every opportunity. The film is over two hours long and would be nothing without its reliance on nasty gore. The musical score sounds like a herd of stampeding elephants and viciously assaults your eardrums constantly.
Miserable And Excessive
Lee Cronin’s The Mummy isn’t scary or memorable; it’s raunchy exploitation and over-orchestrated expired cheese. It is a horror film that reeks of nothing but ridiculousness. The sad part is there’s a decent enough concept buried somewhere within this vomit-drenched monstrosity and a killer ambiance that is borderline spine-tingling.
But there’s nothing original here other than influence overkill. Lee Cronin’s The Mummy is like dunking a grenade in a bucket of gasoline, throwing that grenade in a clown car, and witnessing an entire circus melt, crackle, and explode as you try to piss to put it out. It is miserably and excessively grotesque.
Lee Cronin’s The Mummy barfs its way into theaters on April 17.
Entertainment
How to watch Verona vs. AC Milan online for free
TL;DR: Live stream Verona vs. AC Milan in Serie A for free on BBC iPlayer. Access this free live stream from anywhere in the world with ExpressVPN.
Serie A showcases a number of interesting matchups this weekend, including Verona vs. AC Milan. These teams are at either end of the table, so most fans will be expecting a comfortable victory for the visitors. There’s always the possibility that the slim chance of survival will drive Verona on to do something special at the Marcantonio Bentegodi.
If you want to watch Verona vs. AC Milan in Serie A for free from anywhere in the world, we have all the information you need.
When is Verona vs. AC Milan?
Verona vs. AC Milan in Serie A kicks off at 9 a.m. ET on April 19. This fixture takes place at the Marcantonio Bentegodi.
How to watch Verona vs. AC Milan for free
Verona vs. AC Milan in Serie A is available to live stream for free on BBC iPlayer.
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BBC iPlayer is geo-restricted to the UK, but anyone can access this free streaming platform with a VPN. These handy tools can hide your real IP address (digital location) and connect you to a secure server in the UK, meaning you can unblock BBC iPlayer from anywhere in the world.
Live stream Verona vs. AC Milan for free by following these simple steps:
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Open up the app and connect to a server in the UK
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Live stream Verona vs. AC Milan for free from anywhere in the world
$12.95 only at ExpressVPN (with money-back guarantee)
The best VPNs for streaming are not free, but most do offer free-trials or money-back guarantees. By leveraging these offers, you can watch Verona vs. AC Milan without committing with your cash. This isn’t a long-term solution, but it does give you enough time to live stream select fixtures from Serie A before recovering your investment.
What is the best VPN for BBC iPlayer?
ExpressVPN is the best choice for bypassing geo-restrictions to stream live sport on BBC iPlayer, for a number of reasons:
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Live stream Verona vs. AC Milan in Serie A for free with ExpressVPN.
Entertainment
Meta finally adds direct messages to the web version of Threads
Meta is adding a feature to the web version of Threads that, honestly, probably should’ve been there a while ago.
As spotted by Engadget, Threads executive Connor Hayes posted an image showcasing a new redesign for the web browser version of the Twitter-like social network. It’s a pretty substantial redesign, including a bunch of new elements on the left sidebar such as the ability to easily switch between different feeds. Eagle-eyed viewers will also undoubtedly notice the addition of a direct message inbox. That feature has been available in the Threads mobile app since last June, but web users have been without it for almost an entire year. That, seemingly, will change soon.
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Hayes’ post didn’t include a specific timeframe for when this new redesign will go live, so don’t get too excited just yet if you’re a web-based Threads user who wants to send and receive DMs. The only hint Hayes gave is that users can expect to see some of these updates “in the coming weeks.”
Longtime social media users might find it strange that there has been such a massive gulf in feature availability between the mobile and web versions of Threads, but it makes a certain amount of sense. Threads has actually become pretty popular, but largely on mobile. X is still the preferred microblogging service on web browsers, at least going by user count. Meta is just operating where its bread is buttered. At least now web users can rest assured that they haven’t been forgotten.
Entertainment
At BookCon 2026, Heated Rivalry author Rachel Reid and show creator Jacob Tierney sit down to talk about instant chemistry and whats next for the show
The first panel at BookCon drew lines of fans an hour before its start. Fans have shown up in style. I spotted dozens of iterations of t-shirts with the faces of actors Hudson Williams and Connor Storie plastered on them. Boston Raiders, Montreal Metros, and New York Admirals jerseys are in abundance, too. 3,000 fans are here, waiting to see Rachel Reid and Jacob Tierney in conversation for the first time.
But while this may be the first public conversation between the Heated Rivalry author and show creator on a grand stage, it’s clear that these two have been in perfect sync since their first Zoom call. Moderated by former Teen Vogue editor-in-chief Versha Sharma, Reid and Tierney took to the stage at BookCon for a session called “Game Changing TV: Heated Rivalry.” The conversations spanned across their entire collaboration, from their very first DM to the music that makes the show, to how their lives have changed since the show aired.
Tierney, whose knack for comedy shines through, discussed how the show moved at a lightning pace. The adaptation kicked off in August 2023, with the first episode airing on November 28, 2025. Heated Rivalry’s inception and creation happened at lightning pace for television. Tierney, who was the co-creator and director of Letterkenny, said that, rather than the show being slowed down by roadblocks, at every turn it appeared to accelerate instead. The show was sold to HBO before it was even finished, with episode six only finishing four days before it aired.
Reid, who has penned six novels in the Game Changers series, has been involved in the journey since the beginning, first meeting Tierney over Zoom. The author said that throughout the process, she felt respected and involved in reading script drafts and audition tapes.
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While the show’s leads, Hudson Williams, who portrays Shane Hollander, and Connor Storie, who portrays Ilya Rozanov, weren’t physically present at the panel, both asked questions on behalf of the pair. Storie’s question was apt, asking the pair what made them such a mutually good fit for this adaptation. The pair said that their visions have felt instinctively aligned, with Reid noting that, as she wrote the infamous kiss between Scott and Kip depicted in episode 5 of Heated Rivalry, she had an image of the cinematic version, which Tierney was able to bring to life.
The show, which has become known for its intimate and plentiful sex scenes, is not there just for the sake of it. Tierney said he wanted to make a show with queer joy and a horny show at that, but more so, sex is a vehicle for the show’s characters to be honest and vulnerable with each other.
Music also came up, with the show’s needle drops, including Tatu’s “All The Things She Said” and Wolf Parade’s “I’ll Believe in Anything,” having a renaissance two decades after their release. There’s no formal equation to the music; instead, they let the songs be like casting the right actor, with Tierney noting that songs should serve a “specific task.”
Tierney is in the midst of writing season two of Heated Rivalry, which takes on Reid’s sequel, Long Game. The writer and director called Long Game “an emotionally sophisticated book” and said that parts of Reid’s Role Model will find their way into season two. For Reid, a new book in the Game Changer series, Unrivaled, is due for a 2027 release. The author is still in the writing stage, mentioning that while she felt pressure writing Long Game, the previous book in the series, Unrivaled presents a whole new challenge because of the show’s massive popularity.
Fans in the room seemed alight, hearing first-hand from the author and creator of Heated Rivalry, basking in an hour dedicated to a show that set the internet and book world ablaze. Moderator Versha Sharma ended on the sentiment that the whole room could agree on: “Rachel Reid’s universe is the world as it should be.”
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