Entertainment
Neil Breen's New Sci-Fi Thriller Delivers A Message Too Powerful For Film
By Robert Scucci
| Updated

In every single one of his movies, Neil Breen portrays a tragic hero with godlike powers who takes it upon himself to save the world from itself through mystical, inexplicable abilities that more often than not make no sense. 2016’s Pass Thru clings to this formula and makes for an entertaining watch for fans of outsider filmmaking.
While most Breeniacs like myself would point to 2005’s Double Down and 2012’s Fateful Findings as his finest works, Pass Thru is not without its charm. But be warned, because it’s also one of Breen’s most disjointed pieces in his entire filmography, and that’s saying a lot.
“The message is simply too powerful to be captured on film.”
Here, we have an ominous floating red dot that serves no real purpose, a tiger that occasionally shows up in the Nevada desert for reasons never explained, and cans of beans littering the landscape. Corrupt insurance, bank, and media “presidents” openly lay out their plans to be corrupt and immoral, but Neil Breen’s Thgil (light spelled backwards), an extraterrestrial AI lifeform sent to Earth to make it a better place, is here to save the day.
It’s No Double Down, But We’ll Take It

Like most Breen joints, Pass Thru is rife with sprawling desert shots, ramshackle sound design, and preachy monologues about the state of the world, and how Neil Breen, wearing his finest Canadian tuxedo, is the only being in existence who can usher in a new age of enlightenment. Self-satisfaction aside, we get a mess of a story that begins with a group of nameless immigrants packed into the back of a truck and carted off to an undisclosed location by enforcers who are supposed to round them up and send them back to the countries they escaped from.
Through Breen’s narrations, we learn that he’s an AI lifeform from a far-off galaxy sent to Earth specifically to eliminate 300 million “bad people” through a great cleansing. The problem is that in his human form, he becomes a heroin addict who sleeps in garbage when he’s not eating canned food in his trailer home. He befriends Amanda (Kathy Corpus) and her niece, Kim (Chaize Macklin), who are reluctant to stay with him in his trailer even though he claims to be “the future,” after thoroughly rounding up his garbage to make his home more welcoming.

Meanwhile, a boy astronomer (Abraham Rodriguez), two girl astronomers (Taylor Sydney and Taylor Johnson), and their wheelchair-bound professor (James D. Smith) head out to the desert in search of a glowing red dot that looks like a broken pixel on your screen, but appears with purpose despite that purpose never being properly spelled out.
Somehow, all of these separate storylines converge when Thgil takes over a news broadcast to let the entire human race know how primitive they are, and again when he shows up at a mansion to tell various government officials and industry presidents that they’re corrupt. Shortly thereafter, CGI explosions burn in the background as Neil Breen walks away from the wreckage without ever looking back.
Not One Of The Classics, But A Departure Point

While Pass Thru is distinctly a Neil Breen film, it pales in comparison to its predecessor, Fateful Findings. That film is rooted in corporate espionage, government secrets, and dozens of laptops getting destroyed as our hero vows to expose the corruption running rampant in this world.
All the same trappings of self-importance and disgust with the modern world are still there, but Pass Thru fails to stick the landing because there are simply too many moving parts. For a film that people like me actively seek out because it’s so laughably terrible in every conceivable way, there’s a distinct lack of charm here, and I can’t quite put my finger on what’s missing.

If Neil Breen were a musician, Pass Thru would be his departure album. He’s been to the desert and to far-off galaxies by bending space and time as we know it on multiple occasions. This is the last film he shoots primarily on location before becoming a master of the green screen with films like Twisted Pair and Cade: The Tortured Crossing, so what we’re seeing here feels like an artificially intelligent being struggling to reach his final form through conventional means. The message is simply too powerful to be captured on film. At least that’s the narrative I’m going with.

If you’re a fan of Neil Breen’s work, Pass Thru is essential viewing. Just know that it’s not his finest hour. To witness what Breen calls a “visionary, revolutionary film which pushes the human species to the limits of controversial, thought-provoking actions,” you can learn more about it on his website.

Entertainment
How to watch Atalanta vs. Dortmund online for free
TL;DR: Live stream Atalanta vs. Dortmund in the Champions League for free on Virgin Media Player. Access this free live stream from anywhere in the world with ExpressVPN.
The Champions League playoff round has been everything we hoped it would be. We’ve seen big performances, moments of real drama, and heaps of goals. What more could you ask for?
Dortmund beat Atalanta 2-0 in the first leg of their playoff matchup, but there’s still hope for the Italian side. Atalanta will welcome Dortmund to the Stadio di Bergamo for the second leg, hoping for a stunning turnaround. Dortmund need to be disciplined if they want to progress, as Atalanta are coming off an impressive 2-1 victory over Napoli at the weekend.
If you want to watch Atalanta vs. Dortmund in the Champions League for free from anywhere in the world, we have all the information you need.
When is Atalanta vs. Dortmund?
Atalanta vs. Dortmund in the Champions League kicks off at 5:45 p.m. GMT on Feb. 25. This fixture takes place at the Stadio di Bergamo.
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Entertainment
Abused Fans Lash Out Over Review Bombing Accusations, Hit The Wrong Target
By Jennifer Asencio
| Published

An article about Starfleet Academy has faced backlash from fans who were misled by its headline. The drama caused by the headline is almost worthy of its own Star Trek show, especially with Alex Kurtzman at the helm. The piece was a response to recent statements made by a Star Trek insider about the state of the show and its fandom.
Last week, franchise veteran Christopher Cushman made a post on X in which he implied that negative reviews of Starfleet Academy were made by a coordinated effort to sabotage the show. He also threatened that “negative review bombing of Academy likely to end the possibility of shows like Legacy as well put Star Trek into 10-15 years hiatus [sic].” By thus indicating that criticisms of the show are being made in bad faith, his claim is that all fans will be punished with no Star Trek at all.
In a That Park Place article by Marvin Montanaro, titled “Star Trek Artist Warns Fans That ‘Review Bombing’ Starfleet Academy Could End the Franchise,” the site called Cushman’s bluff, making the counterclaim that maybe a hiatus wouldn’t be so bad. He pointed to the long break between the original series and The Next Generation as evidence that a hiatus can give a franchise time to refresh while avoiding the fatigue of too much content from a single universe. He also highlighted that the show’s viewership reflects these negative reviews, despite its acclaim from critics.
The backlash stemmed from the use of the term “review bombing” in the title. Although it is in “scare quotes,” suggesting that the article is skeptical of this claim, many Star Trek fans dissatisfied with Alex Kurtzman’s guidance of the franchise and this show in particular thought the article agreed that the show was being review-bombed.
Creators Declare War On Their Own Viewers, Fans Revolt
This couldn’t be further from the truth, but the reaction is understandable. Starfleet Academy is not the only property to have accused dissatisfied fans of artificially inflating a show’s bad reviews, rather than acknowledging that maybe viewers don’t like the show.
After taunting Star Wars fans that The Acolyte would “make them cry,” show creator Leslye Headland blamed sexism and homophobia for the show failing to draw audiences. This ignored criticisms of significant changes to franchise lore that diminished the struggles of established characters. The show was also criticized for what viewers felt was forced inclusivity and overpowered female characters.
Legitimate Examples Of Review Bombing
In 2019, a review-bombing war broke out between fans of Battle Angel: Alita and Captain Marvel. Fans who liked the anime movie better were accused of sexism and attempting to artificially deflate the Marvel movie.

There is even a current review bombing war taking place between fans of A Knight of the Seven Kingdoms and Breaking Bad. When Breaking Bad fans left bad reviews of an episode of the Game of Thrones spinoff, so many Westeros fans review-bombed the older show that its IMDB rating for its pinnacle episode, “Ozymandias,” was reduced from a perfect 10 to a 9.5. The episode had held that rating for over a decade.
Review Bombing Accusations Are Used To Shield Creators From The Consequences Of Their Actions
It’s not that fans can’t be petty and leave bad reviews, but the idea that modern shows that perform badly are not being watched because of bad-faith reviews is a way of dismissing criticism rather than admitting a property isn’t connecting with fans. It’s a lazy way of handwaving what fans want, becoming increasingly common as more shows become about “the message” and “representation” than about story or characters. Many video games, books, and even music albums have also used the tactic of blaming negative reviews on bigotry rather than on fan dissatisfaction.
Cushman himself stated that he’d rather ignore dissatisfied fans. He finished his two-post tweet on X with, “…if you don’t like it, don’t watch!” Apparently, fans are supposed to simply stay silent about what they don’t like about a show rather than offer feedback about franchises and properties they love.
Fans Misunderstood That Park Place
However, the knee-jerk reaction of long-abused fans got it wrong when it comes to That Park Place. The site was not supporting Cushman’s notions about review bombing and listed several other reasons the show hasn’t succeeded. The backlash they received was from people who believed otherwise and criticized the site’s X account for allegedly claiming that the negative reviews were made in bad faith. It was clear these naysayers hadn’t read the article and only judged it by its title.
This reaction is an example of how sensitive viewers have become since their criticisms of unpopular properties are dismissed by producers and showrunners. Slop eaters will always enthusiastically promote their favorite bad shows, and plenty of entertainment is being served to them by creators who want their easy money. But viewers who are tired of slop are being decried, so studios can continue developing the content they want, not what audiences want.
It’s no wonder people reacted badly to a headline that sounded like it supports this callous view. Most fans are not reviewing these shows in bad faith, as their viewing numbers demonstrate. It’s condescending to be told that if we don’t like something, it’s because of our moral character and not a lack of quality in the product.
Entertainment
How Star Trek Tried To Redeem Its Most Boring Character
By Chris Snellgrove
| Published

Pop quiz: Who do you think is the most boring character in Star Trek? The franchise is filled with annoying characters like Wesley Crusher and Neelix, but those characters were at least grating in memorable ways. Unfortunately, Voyager had one character whose lines, line deliveries, and plotlines were guaranteed to put you to sleep.
We’re talking about Chakotay, the former Maquis rebel leader who has all the personality of an unsalted cracker the moment he becomes Captain Janeway’s first officer. However, Voyager did their best to correct the problems with this character very early on. For example, the forgotten Season 2 episode “Initiations” was written largely to make Chakotay more interesting to audiences.
The Most Boring Man In Starfleet

Some quick context about the episode: “Initiations” begins with Chakotay (played by Robert Beltran) taking a shuttlecraft out to conduct a ritual honoring his father’s death. But he takes custody of a young Kazon before both are captured by a larger Kazon vessel. There, they are forced to escape in a rollicking adventure that gives these two very different characters plenty of time to discover more about each other’s respective cultures.
Incidentally, exploring Kazon culture was one of the goals of “Initiations” and Season 2 as a whole. But the episode was also written in large part to make Chakotay a more interesting character. As revealed in the sixth issue of Star Trek Monthly (remember magazines, kids?), the producers felt that Voyager had underutilized Chakotay in the first season.
Rebranding Chakotay As An Action Star

Episode writer Ken Biller understood the assignment because he agreed with the producers that Chakotay was a pretty weak sauce character in the rest of Season 1 compared to how he was portrayed in “Caretaker,” the series premiere. Biller told the Official Star Trek Voyager Magazine that Chakotay is “like a real action hero in the pilot” and that “I think we need to give him some action stories,” something he was hoping to do with “Initiations.” That’s why the episode features this first officer getting into multiple fights, escaping captivity, and even offering to let his newfound ally kill him.
Why was it necessary for the writers and producers to make Chakotay a more interesting character? The short answer is that early Voyager, like The Next Generation before it, was hesitant to feature much conflict between characters. Therefore, even though the show’s premise was that Starfleet officers would be forced to work with Maquis terrorists, everyone mostly acted like one big, happy family after the first episode thrust them together.
Facing Off Against The Entire Delta Quadrant

In “Caretaker,” Chakotay is a Maquis leader who tries to help his crew escape the pursuing Voyager. After both ships are transported to the Delta Quadrant, he proves himself in and out of battle, eventually becoming Captain Janeway’s first officer. This was a practical choice because of Chakotay’s skills and Starfleet experience, but it was also a symbolic choice that underscored the need for both crews to work together to survive.
This was a recipe for juicy conflict between these two very different characters, but that never happened; Chakotay quickly became little more than Janeway’s yes man in Season 1. The writers tried to make him more interesting in subsequent seasons, but this led to mixed results because Voyager increasingly relied on the fraudulent Native American consultant Jamake Highwater to craft Chakotay stories. At any rate, Chakotay actor Robert Beltran came to hate how his character was written, and he reportedly began phoning in his performances later in the show due to what he saw as poor scripts.
While Chakotay never became a very interesting character, “Initiations” remains a very solid episode full of action, adventure, and a cameo from Deep Space Nine’s Aaron Eisenberg. In helping to flesh out the Kazon, this episode lives up to the Star Trek mandate to seek out new life and new civilizations. Unfortunately for the fans and Beltran alike, though, Voyager would soon run out of strange new worlds to explore with Chakotay, who soon cemented himself as the most boring character in the entire franchise.
