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My Beauty Uniform: Felicity Aston

My Beauty Uniform: Felicity Aston

My Beauty Uniform: Felicity Aston

I interviewed polar explorer and scientist Felicity Aston seven years ago. It was an unforgettable interview (for many readers, too, I know!). Last weekend, when the mayor announced that NYC was colder than parts of Antarctica, I immediately thought of Felicity’s incredible stories and winter skin recs. These days, Felicity lives with her family on Vigur Island, a nature reserve and eiderdown farm just south of the Arctic Circle, where she continues to research and lead expeditions across the polar regions. We all loved this interview, so in honor (?) of this recent cold snap, we thought we’d share it again…

Felicity Aston is a polar explorer and Antarctic scientist. In 2012, she became the first woman to ski across Antarctica alone (!) and now travels the world leading expeditions and speaking about her work in the polar regions. When she’s not on expedition, she lives between Kent, England, and Reykjavik, Iceland, with her husband and toddler son. Here, she shares what she’s learned about fear, the strongest lip balm, and the old-school drugstore moisturizer she brings on every trip…

Felicity Aston's beauty uniform

So, what IS a typical day like for a modern-day polar explorer?
If I’m on an expedition, my day starts by waking up in a tent, in a sleeping bag next to someone who starts out a total stranger but very quickly becomes not so. Then you spend an hour getting dressed, melting snow for water to make breakfast, and getting your stuff sorted for the day. Then you pack up your camp and supplies onto a sledge, and move on. Then about 12 hours later, you unpack, build your home, make food and do everything as quickly as possible so you can get to sleep before doing it all over again the next day. You spend some time looking after yourself — your feet in particular. Your feet are the most important part of your kit.

That makes sense. How do you take care of them?
It’s amazing how many people arrive with their feet in a pair of socks and don’t see them again until the end of the expedition. But it’s so important to have a good look at your feet every day, to see if you’re getting sore patches or blisters, what’s going on with your nails, etc. If they’re in socks, they’re always going to be a bit damp, and won’t be able to heal properly. Some people spend a lot of time putting creams on their feet, but I just make sure I give them time in the open air each day.

Felicity Aston's beauty uniform

I have to admit, I feel slightly ridiculous asking about your ‘beauty routine’ on a polar expedition. But then again, skincare must take on a whole new meaning in that environment.
Yeah, it’s really important! In the morning, I slap on generous amounts of the highest factor sunblock that I can find. Doesn’t matter what brand, but I often wind up using children’s sunblock because it has the highest SPF, and it’s thicker on your skin (so it also helps protect from the cold, wind, and extreme dryness). You have to remember, in places like Antarctica, there is no ozone protection. You’re under the hole in the ozone layer, so you burn quickly and severely. I’m constantly putting on lip balm because you wouldn’t believe how quickly your lips suffer. I like Labello with a high SPF.

Felicity Aston's beauty uniform

Okay, your skin is amazing. Let’s talk moisturizer.
In the evening, I clean my face with my luxury item: a wet wipe. I give it a good rub to get off all the excess sunblock, snot, and god knows what else I’ve got on my face by the end of the day. It’s always a bit frozen — everything is — so it’s like using a cold compress on my face. Then I put on a generous dollop of the thickest, strongest moisturizer I can get.

What kind?!
You know the old-fashioned Nivea? That comes in a tin? It’s BRILLIANT. I slather it on, and it really moisturizes my skin overnight. On many expeditions, I’m the only woman, or one of just a few, and the guys tend to laugh when I get out my big pot of moisturizer. But when you’re in a really dry environment like Antarctica, if your skin is sore and your lips are cracking, you’re much more susceptible to cold injuries and serious problems. Sometimes I’ll convince the guys to try some and they’ll dip a tentative finger in and dab some on their forehead — and I’m like, ‘No no no, you’ve gotta get a good handful and rub it in until your face can take no more.’ And then at the end of the trip, they come back looking like they’ve been dipped in a vat of acid, with skin peeling off and lips massively swollen and cracked — and my skin’s generally all right. I feel vindicated!

Felicity Aston's beauty uniform

As an explorer, what drew you to the polar regions, specifically?
I’ve been on expeditions in desert and jungle environments, and they were immensely rewarding experiences. But there’s something about the polar environment that keeps pulling me back. I wonder if it’s something to do with where I grew up, in southeast England. Snow was a very rare, exciting event. School was canceled, we went sledding, and this world that I knew was transformed into a different place. Perhaps that’s when I started equating snowy places with adventure. I think it’s also something to do with the fact that these environments are at the edges of the globe. Looking at a map, my eyes always wander toward the fringes — the places I don’t know anything about. I’ve always been driven by that strong sense of curiosity: Who’s there? What would it feel like to be there? And then you suddenly realize the only way to answer these questions is to go there and find out.

You’ve spent much of your career in Antarctica — a place most of us can only imagine. What did you learn about that place that you’d want others to know?
People tend to think of Antarctica as this tiny place on the bottom of the map. But it’s enormous (twice the size of Australia!), and it has a huge impact on our daily lives. Whether it’s the temperature in New York today or the fact that it’s snowing here in Reykjavik — that can be linked back to what’s going on in Antarctica.

Felicity Aston

I bet your hands need a lot of TLC, too.
The main issue I have with my hands in wintertime — not just on expedition — is that the skin around my nails cracks. I feel like such a wuss when I come back from a trip and people are expecting to hear about terrible injuries and gore, and I’m saying, ‘The skin on my fingers cracked and it was really sore!’ But, you know, it’s like that paper-cut agony. The best thing is zinc oxide. There are a million different brand names, but any zinc oxide cream will do. You rub it into the skin around your fingers and it works wonderfully.

Felicity Aston's beauty uniform

Okay, this may be super obvious but I’m guessing you can’t wash your hair on expedition, right?
No, you can’t. It stays under a hat. But you know, when I come back from an expedition, my hair is in the GREATEST shape. That whole thing about washing your hair less frequently? It’s true. My hair obviously gets super greasy and horrible when I’m on the trip, but when I do come back and wash it, it’s shiny and thick and amazing. So, even when I’m at home, I try to cut down on washes.

Felicity Aston's beauty uniform

I imagine your beauty routine — and all your routines — are very different when you’re at home.
While I spend part of my life in the outdoors, I’m often home in front of the laptop. It can take years of planning before you get to do the exciting stuff. I also do a lot of speaking around the world, so I’m often working on that (or driving to or from the airport). And I have an 18-month-old little boy now, so like most new parents, my days at home are structured around him.

Felicity Aston's beauty uniform

What does your bedtime regimen look like?
I’m actually making the switch to organic products. When I was pregnant, I started looking at the ingredients in products and it freaked me out. So, now I use Dr. Organic for everything: shampoo, deodorant, hand cream. It just makes me personally feel more secure. And I love all their varieties — argan oil, aloe vera, tea tree, etc. I’m a total convert.

Felicity Aston's beauty uniform

In 2012, you became the first woman to ski across Antarctica alone — a 59-day, 1,000-mile journey. Among other things, that’s a long time to be alone. What was that like?
Yes, that part — the being on my own part — was the hardest thing I’ve experienced in my entire life. It hit me immediately. Those first few seconds after the plane left me, I was struck by the full weight of my aloneness, and the responsibility that came with it. That was the most frightening part of the expedition. People often ask how I conquered the fear — but honestly, I don’t think I did. I found a way to keep going in spite of it, but the fear was always there. I learned a lot about myself during that expedition.

Felicity Aston's beauty uniform

Like what?
Well, I learned that although I’m very grateful for the experience, it’s not something I ever want to do again. With no other people around, every single emotion I had would be immediately, intensely expressed. So, if I felt upset, I would be bawling my eyes out in catastrophic sadness. If I was irritated by something, I would be furious, throwing my poles on the ground and shouting to the sky. If I was scared, I’d be shaking and petrified. My emotions swung so hard and fast that it made me feel as though I was going mad. It did teach me about myself — and about people in general. The human body and brain are capable of infinite resilience. You see that, when people survive huge traumas, and yet go on to lead fulfilling, rewarding lives. You see people in survival situations, going beyond what seems humanly possible, both mentally and physically. The difference with my trip was that it wasn’t survival. It was my choice to be out there. I learned my limit.

Felicity Aston's beauty uniform

What was it like, transitioning back to regular life?
Some things were strangely difficult — like going to the grocery store. After living in a tent with what I needed and nothing more, I was overwhelmed by all the choices. I’d be standing in the bread aisle staring at a million different kinds of loaves and literally couldn’t make a decision! The energy of all those tiny decisions sapped my strength. Social interactions were strange, too. Although I was going through the motions of regular social behavior, it felt like the real me was actually sitting in the back of my brain somewhere, totally disconnected. It took a year before these two parts of me came back together as one, before I felt truly present again.

So, you felt like different versions of yourself?
Before that expedition, I had always assumed that I was intrinsically me. I thought Felicity was a specific, definite thing: this is who I am, these are my values, this is how I react. But out there, I realized that me, my character, is the space between all the people that have huge influence in my life. When those people and outside influences were taken away, suddenly my character didn’t have a form anymore. I felt fluid. It made me realize just how much the people in our lives help shape who we are — and how absolutely essential it is to surround yourself with others that reflect the values and the character that you want to have. People who are good for you.

Felicity Aston's beauty uniform

Thank you so much, Felicity! Her book, Alone in Antartica, came out in 2014.

P.S. More women share their beauty uniforms, including an HBO writer and a transgender advocate.

(Fifth photo by Katrina Jane Perry. All other photos courtesy of Felicity Aston.)

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Tinder responds to viral video about tricking facial scan

Earlier this month, journalist Christophe Haubursin published a YouTube video called “Something very weird is happening on Tinder.” In the video, which has over 1.5 million views as of this publication, Haubursin described a way to workaround to Tinder’s Face Check feature — the facial recognition that is now required for all U.S. users as of Oct. 2025.

What Haubursin and his interviewees discovered is a bunch of profiles that appeared normal, but the last photo on each profile was…off. It was usually a digitally-altered image of a different person in a weird scenario, like on a billboard or in a Victorian painting. And if someone matched with this person and asked about the image, they dodged the question. Instead, they asked to move the conversation to WhatsApp, where it became clear they were romance scammers.

But how did they evade Face Check? Haubursin found that Tinder and Hinge, both owned by Match Group, only need one photo for the facial recognition software. So these people may be the actual person in that odd image, and able to pass the face scan. Then, they could grift images of other people from the internet to use for the bulk of their profile.

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Tinder didn’t respond to Haubursin’s request for comment, but it did respond to Mashable’s. 

“We’re aware of the concerns raised about our Photo Verification and Face Check features. In recent weeks, we’ve taken action to strengthen our Photo Verification badging logic, including requiring greater consistency across profile photos and additional reviews to achieve higher confidence in cases that warrant extra scrutiny,” a Tinder spokesperson told Mashable. “Face Check, our more recently launched verification system, builds on Photo Verification to help confirm accounts belong to real users. We are committed to continuously improving and investing in our systems to keep Tinder safe and authentic for our users.”

Mashable also recently spoke with Hinge’s Chief Product and Technology Officer, Ben Celebicic, about this, as Haubursin also replicated this on Hinge (which began implementing Face Check after Tinder). Celebicic hasn’t seen Haubursin’s video, but he did say that there’s a constant battle between trust and safety teams and policy-violating actors. 

“They’ll find new ways,” he said. “We’ll find ways to prevent them from accessing the platform.”

There’s not going to be a single product the team builds that will fully prevent people from bypassing our solution, Celebicic continued. He said they have a big team working on these issues, and they’re in tune with new ways bad actors try to penetrate the platform and work to fix them.

Around one-third of Hinge’s workforce is dedicated to trust and safety, the app told Mashable, and Match Group invests $125 million annually in this area.

Trust and safety is a major concern for dating apps. In Sept. 2025, two senators sent a letter to Match Group CEO Spencer Rascoff, urging him to do something about romance scammers on the platforms. In Dec., a class-action lawsuit against Match Group claimed that a serial rapist was allowed on Tinder and Hinge after several women reported him. 

Facial recognition scans have boomed recently thanks to the influx of age-verification laws, which require a robust method of proving someone’s age in order to access certain content, usually explicit content. These methods include uploading a government ID to a platform, using a credit card, or in other cases, scanning your face. But, like with Face Check, people have found workarounds to evade the scan and see the content they want to see.

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The Unhinged, Raunchy 80s Robot Sci-Fi Almost No One Saw

By Robert Scucci
| Updated

When I fired up 1987’s Robot Holocaust on Tubi, I was expecting a Mad Max-style scenario with a bunch of clankers running amok and wiping out humanity. Instead, I got a weird, loincloth-laden odyssey where the most expensive special effects are red lights, and the villain is basically a giant, walking, talking Dr. Zoidberg from Futurama. I know I’m being anachronistic by comparing a 1987 film to a character that didn’t exist until 1999, but that’s the comparison I’m making, and I’m sticking with it.

Let me have this, because the other reality I have to live with is that this movie is pretty rough. There are barely any robots, and what transpires hardly qualifies as a holocaust. The male-to-female buttcheek ratio sits at a clean 50:50, and the nudity isn’t even the good kind. Everybody’s wandering around in punishing heat all day, so you just know the smell is so bad you can almost taste it.

It’s Listed As A Sci-Fi But It’s More Of A Fantasy Quest

Robot Holocaust 1987

The best way to describe Robot Holocaust is an ill-fated cross between Mad Max and the original Star Wars trilogy. You’ve got a ragtag group of city-dwelling slaves living under the thumb of the Dark One, with his laws enforced by Torque (Rick Gianasi), the robot who looks like Zoidberg.

These wasteland slaves are trying to overthrow the Dark One, and their plan mostly involves a lot of unsexy walking as they run into enemies, obstacles, and, occasionally, robots.

That’s so Zoidberg

Leading the charge is Neo (Norris Culf), a New Terra drifter accompanied by his C-3PO-esque companion, Klyton (Joel Van Ornsteiner). Along the way, he links up with Deeja (Nadine Hart), Nyla (Jennnifer Delora), Bray (George Gray), and Kai (Andrew Horwath), all of whom are fed up with the Dark One’s evil machinations and willing to trudge half-naked through asphalt and overgrown wasteland to do something about it.

Alliances and wills are tested, but the goal stays the same. Our heroes, and there are too many of them to really invest in, especially given their almost aggressive lack of charisma, need to find the Power Station where the Dark One resides and wipe out him and his goons once and for all.

Amateur Hour, But Not Without Its Charm

Robot Holocaust 1987

While Robot Holocaust mostly plays like a college film project with no budget, I can appreciate what writer-director Tim Kincaid was going for with limited resources. Most of the exterior shots look like people wandering around the outskirts of NYC, and most of the interior scenes feel like they were filmed inside a Spirit Halloween. A lot of my enjoyment came from the production notes I made up in my head, like, “Places, everybody! This fog and these fake spiderwebs set us back $25, making it the most expensive scene we’re shooting!”

That said, I’ve got to give the cast credit for committing to the vision, even if they’re reaching pretty far to get there. The robot costumes actually look decent from a distance, but the illusion falls apart in the close-ups, which we get way too often.

Robot Holocaust 1987

At the end of the day, Robot Holocaust is perfect home-viewing material. It’s only 79 minutes long and packed with a healthy dose of camp. It doesn’t make much sense, and when the primary antagonist is finally revealed, it’s basically just a guy dressed like an egg. For that reason alone, it’s worth a watch because it’s just so random.

As of this writing, you can stream Robot Holocaust for free on Tubi.


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Apple TV IS Quietly Becoming The Best Streaming Option

By TeeJay Small
| Updated

When Netflix first made their pivot from DVDs-by-mail to home streaming, they revolutionized the way that people consume media. At the time, consumers were raving about a seemingly unlimited library of movies, TV shows, and even some proposed original programming. This came with zero ads, for a monthly subscription fee that cost less than the price of a single movie ticket. Streaming exploded in popularity, so much so that numerous studios and production companies rushed to develop platforms of their own.

In 2026, there are dozens of streamers, mostly offering small libraries of mindless junk sandwiched between more ad space than Times Square. The golden era of streaming might be dead for the likes of Netflix, but some streamers are still new and fresh, providing a glimpse into that short, sweet period when prices were low and production values were high. For my money, I’d say Apple TV+ is one of the best streaming services currently on the market.

A Worthwhile Loss Leader

severance season 2
Severance, one of the best shows currently streaming, is an Apple TV+ exclusive

Apple TV+ was first launched back in 2019. At the time, the streamer had very few original projects, and needed to quickly establish itself as a worthwhile investment. To do this, they priced their subscription at just $4.99 per month. They also included a free one-year subscription with the purchase of any new Apple hardware.

Over time, Apple producers began snatching up fresh, original IPs with reckless abandon, spending hundreds of millions on projects such as Oprah’s Book Club, The Banker, The Greatest Beer Run Ever, The Problem With Jon Stewart, Ted Lasso, and more. They even courted famed auteur directors like Martin Scorsese to opt for Apple exclusive premieres over the more traditional full theater release.

Apple TV subscribers tuning into Pluribus (dramatized)

Today, Apple TV+ is rapidly becoming the premiere streamer for fresh new sci-fi shows. Severance is probably the most popular example of this, but Apple also has projects like Silo, Monarch: Legacy of Monsters, and Pluribus, created by Vince Gilligan. While this suite of high-quality shows is impressive, Apple’s real value is in their propensity to reinvent what a streaming platform is capable of. They’ve integrated the now-defunct iTunes Store into the streamer, so you can rent or purchase movies that aren’t streaming anywhere else. They also host podcasts, behind-the-scenes featurettes, and myriad other forms of bonus content.

There’s a larger reason why Apple TV+ is so good right now, and unfortunately, it’s sort of doomed to disappear. The truth is, the entire service is a loss leader. This term usually refers to things like $5 rotisserie chickens or Costco’s $1.50 hot dog meal, but it applies just as well to the landscape of streaming media. Apple TV+ is designed to get you invested in other aspects of the tech company, and they can afford to take a loss on it because they sell millions of iPhones each year. Netflix was also capable of burning through capital in its infancy, which is why we all fondly remember when it didn’t have ads and didn’t cost twice as much as a trip to the theater.

Monarch: Legacy of Monsters, streaming exclusively on Apple TV+

Right now, Apple TV+ costs $12.99 per month. That’s still a great price when compared to other streamers, and it’s well worth the price for Severance alone. While I have no doubt that Apple execs will tighten the leash on the streamer down the line, the service is currently in its experimental era. The bottom line is that it’s always good to get in on the ground floor of something. Streaming services seem to have a distinct life cycle, and Apple is currently living in the sweet spot.


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