Entertainment
Mind-Bending Sci-Fi Anthology Series Is The Digital Age's Twilight Zone
By Robert Scucci
| Published
Sometimes you want to watch sci-fi anthology series like The Twilight Zone, The Outer Limits, or Black Mirror for their existential subject matter without fully diving off a dread-induced deep end. That’s where 2017’s Dimension 404 comes in handy. It tackles the same kind of metaphysical topics while functioning as a straight-up comedy series. Narrated by Mark Hamill and featuring talent like Joel McHale and Patton Oswalt, Dimension 404 plays out like The Twilight Zone for the digital age.
Clocking in at only six episodes across a single season, Dimension 404 is a breezy weekend binge if I’ve ever seen one. It’s a satisfying watch if you’re into the above series but want to lean more toward levity. It’s still cynical and brushes up against the same moral and philosophical conundrums you’d expect from a forward-thinking sci-fi anthology, but it carries significantly less existential baggage.
We’ve Seen These All Before, But Not The Funny Versions
While I fully understand that shows like Black Mirror aren’t all doom and gloom and can be quite funny at times, they tend to occupy that lane more often than not. Dimension 404 leans into camp, comedy, and parody as its baseline approach to storytelling.
The first episode, “Matchmaker,” which premiered just months before Black Mirror’s Season 4 episode “Hang the DJ,” treads similar territory with its absurdist take on dating apps.
Where the Black Mirror episode hinges on the futility of modern dating, “Matchmaker” goes full absurdist, involving cloning, dating do-overs, and a campus full of men named Adam (Robert Buckley), all of whom chow down on pink slop while watching each successive version of themselves try to win the dating game. It’s the same subject matter but has a better sense of humor about everything.
The rest of Dimension 404 follows a similar pattern, with each episode feeling vaguely familiar but twisted toward comedy instead of dread.
Patton Oswalt portrays a movie snob who brings his own 3D glasses to a high-tech theater in “Cinethrax,” only to discover that a Lovecraftian monster is crawling out of the screen and face-sucking every patron wearing the glasses the theater provided. In “Chronos,” a young woman named Susan (Ashley Rickards) finds herself stuck in a time loop centered on her favorite 90s cartoon that nobody else remembers, and she has to break the cycle in time to submit her physics final.
“Polybius” centers on an arcade game that pulls its players into its realm, complete with ancient, biblical implications. “Bob” gives us the classic “what if AI has feelings” routine, except the titular machine is made entirely out of genetically modified human meat and is as disgusting to look at as you’d expect. And finally, “Impulse” follows an aspiring professional FPS gamer who learns the dark side of fame after slugging down one too many energy drinks.
Doesn’t Reinvent The Wheel, But Still A Fun Vehicle
Dimension 404 doesn’t reinvent the thought-provoking sci-fi anthology wheel, but it doesn’t really need to. There are plenty of genuinely laugh-out-loud moments, and everybody involved is clearly having fun with whatever ridiculous scenario they’re trapped in. It’s the diet Black Mirror, or the version of The Twilight Zone that mom says we have at home. I don’t mean that as a knock, but the series clearly wears its influences on its sleeve, and there’s nothing inherently wrong with that.
If you’re a sci-fi fan who’s seen it all before, you know exactly what you’re getting into when firing up Dimension 404, which is currently streaming for free on Tubi. That familiarity doesn’t make it any less entertaining, though. For everything it may lack in originality, it’s still an engaging watch from start to finish thanks to the talent involved, and it swerves away from baseline expectations just enough to earn your attention.