Entertainment
Lesbian Medieval Game Not On Anyone’s Modern Agenda
By Jennifer Asencio
| Published

1348: Ex Voto will be a lesson in humility for years to come. For those not yet aware of this game, consider yourself fortunate. In the lead-up to the game’s launch, the social media page for 1348 Ex Voto was active on X, claiming that there were now 250,000 wish lists on Steam. It was released digitally on March 12, 2026, on Steam and PS5, with a scheduled physical release for later this year. Those numbers ultimately did not pan out, with the game peaking at around 420 players on launch day.
Immediate Gameplay Issues

The most recent update from Sedleo Games, producers of the game, was on March 18, 2026, with a public announcement that they have heard feedback from those who played the game and were working towards numerous fixes to solve some of the game’s many problems. For a company that was so vocal about its game, the silence that has followed in the wake of the game’s lack of success or acclaim is a fitting and karmic ending.
It shouldn’t have come as a surprise to anyone. Two weeks before the game’s launch, the demo was released, and it did not go well. At that time, the wish list total was roughly 100,000, with only a few hundred playing it. Criticisms include clunky combat, poor animation and shading, stuck NPCs during combat, and multiple button presses for the character to perform an action. Commentators began to question if the game was ready for release at this point, floating the idea that the digital release should be delayed until the release of the physical edition.

Many felt that they had backed themselves into a corner after their social media picked a fight with another upcoming title, A Knight’s Path. This game, from another independent studio, said they would have pretty characters, players could only play males, and would not include any “modern agenda.” To a company like Sedleo Games, this had crossed an intolerable line, and the infamous social media dispute between the two companies unfolded in front of the entire audience for both games.
Needless to say, it was divisive in splitting fans into two very distinct groups. The 1348: Ex Voto social media account asked its audience to put the game’s launch date “on their modern agenda”. It seems that their target audience misplaced their agendas as they did not show up at all for the game’s launch, evidenced by such poor launch numbers and ratings. Its social media activity has dropped to zero, other than the post that they were working to fix the game.
A Massive Disconnect

The game’s poor showing has led to a wider conversation about the use of Steam charts and other public-facing metrics to critique game performance. There were several high-profile cases of journalists and developers calling gamers “chuds” and other less flattering terms for disapproving of the slop put in front of players, who are just expected to mindlessly consume it and then gratuitously praise it.
This argument has also been made for the recently released Marathon, from Bungie Studios, the creator of Halo. Gaming journalists are getting mad that Steam charts have been used to critique the game to support commentary that the game is not as good as they claim it is. They do not tolerate differences of opinion; only toxic positivity, with no room to critique each other, as the norm.

It’s not just in gaming but the wider entertainment industry as well. With how badly Star Trek: Starfleet Academy is performing, journalists and reviewers keep telling us it’s awesome and everybody loves it. And in both gaming and TV, we’re being told that negative critique is “being mean on social media” and would get those games, movies, or shows canceled.
Toxic Positivity (noun) — the compulsive insistence on optimism at the expense of reality, in which negative emotions are dismissed, suppressed, or reframed into forced positivity, often invalidating genuine human experience.
If that is what it takes for these companies to take the gripes of their fans seriously, then more companies need to lose more money than they already have before this lesson is apparently learned. The makers of 1348: Ex Voto just found out the hard way.
Entertainment
One Of The Most Classic Sci-Fi Stories In History Is A Blockbuster Epic, Free To Stream
By Shanna Mathews-Mendez
| Published

When Orson Scott Card first conceived of a short story about a gifted kid in a futuristic battle with alien forces, he could not have imagined the scope this work would eventually take on. Today, almost 50 years later, the film adaptation of that original work, Ender’s Game, is streaming free on Plex and Tubi.
The central theme of the story asks: How far would you go to win a war you didn’t start?

Ender’s Game began as a short story, first published in 1977. The short story did so well that Card developed it into a full-length novel, Ender’s Game, released in 1985.
The book is named for the main character, Andrew “Ender” Wiggin, a supernaturally gifted young boy enlisted to help win the war between Earth and the aliens. Card also said he chose the name because of how close it comes to “endgame” in chess.

The novel was hugely popular, winning multiple awards, including the Hugo and the Nebula. For decades, Card was sure his work could not be developed into a film because the entire experience takes place in Ender’s head. After much deliberation, debate, and discussion, he finally agreed to the version we have now.
So, we can take the word of the author and the reception by critics. Even the U.S. Marines have declared that the book stands as an excellent example of what kinds of decisions are necessary when in the midst of war.

While the movie Ender’s Game, directed by Gavin Hood, follows the book quite closely, it must leave some things out. However, more than edits, the primary change readers of the book who watch the film will note is that the on-screen version of this story makes Ender, played here by Asa Butterfield, a much more sympathetic figure.

In Ender’s Game, the novel, Ender exerts decisive force over perceived bullies from a very young age, which catches the attention of higher-ups in the military. His reasoning is that it is better to take extreme measures now to prevent conflict later.
It must be acknowledged that Ender is only 10 years old when he kills two different people. Whether he needed to kill them or not is up to the reader to decide. In the movie, we see only one death, and it is portrayed as much more accidental.

Despite the changes to the story and the softening of the tone, Ender’s Game was praised for its exceptional cast. In addition to the rising star Asa Butterfield, it includes Viola Davis, Hailee Steinfeld, Ben Kingsley, Abigail Breslin, and Harrison Ford as Colonel Gruff. Author Orson Scott Card even makes a cameo, well, his voice does.

While the film received mixed reviews, it has a mostly positive following and has already become a cult classic since 2013. It’s certainly worth watching, but of course, as in most cases, you should read the book as well.
When you’re ready to take on this heavy material, you can stream Ender’s Game on Tubi. Just be prepared to have a conflict of conscience.
Entertainment
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Entertainment
Upcoming Revival Is Going To Ruin The Best Sci-Fi Show Ever Made
By Chris Snellgrove
| Published

Right now, Firefly fans are cheering for some seemingly good news: this sci-fi cult classic is going to finally get a revival. Even better, the new show will be animated, and it will be set between the events of the Firefly show and the Serenity movie. This allows the animated series to sidestep the biggest problem a live-action revival would face: namely, showing us the depressing sight of aging actors trying to wheeze their way through acting young again.
However, as a huge fan of Firefly, I can’t help but think this animated show is going to ruin this franchise’s legacy. Right now, Firefly has a reputation as an absolutely perfect one-season show; if the cartoon is not similarly perfect, then the fandom is going to lose its mind. Furthermore, the fact that the animated series will have an entirely new writing staff means it will likely lack the magic of the old show. But even if the old creators came back, this venture would still be doomed because everything we know about Firefly’s aborted second season makes it sound like the worst thing in the ‘verse.
The Chicken, The Egg, And The Starship

Among Firefly fans, there is sometimes a “chicken and the egg” style argument about the show’s quality. Some think the show could have kept its momentum going into future seasons, and that Fox canceling the series after one season kept us from getting years of impossibly awesome sci-fi entertainment. Others think that Season 1 effectively captured lightning in a bottle and the cancellation was a good thing: after all, the thinking goes, it’s better to get one flawless season than watch a show you love sink into mediocrity, year after year.
In a weird way, my biggest worry about the animated Firefly revival isn’t that it will be bad but that it will be average. For other franchises, average wouldn’t be so bad, but the stellar quality of the original Firefly show will cast a big, damn shadow over this new series. Should we get a season or two of mediocre storytelling, fans will be disappointed because the original show set such a high bar. More importantly, it will only take one or two “meh” seasons to completely ruin Firefly’s reputation. It will no longer be a perfect show; it will just be the solid opening of a sci-fi franchise that simply got worse over time.
Joss In Space

A major elephant in the room is that Firefly was the brainchild of Joss Whedon, the same visionary creator who gave us Buffy the Vampire Slayer. Whedon was once celebrated as the king of the geeks, one whose kingdom rested on his reputation as the world’s biggest male feminist.
Later, the inevitable happened: his ex-wife revealed that he was constantly cheating on her with other women, including the stars of his shows. This happened during the #MeToo movement, hurting his reputation. Later, after stars like Charisma Carpenter, Ray Fisher, and Gal Gadot shared toxic tales of alleged workplace abuses, Whedon was fully canceled and effectively retired from filmmaking.

This is important because it means the Firefly revival, like the recently-canceled Buffy reboot, is facing an impossible situation. If they were to bring Whedon back, it would be seen as an endorsement of a very controversial figure, leading to the show getting canceled before it ever gets off the ground. But without him, the show is not going to have the exact same quirky humor and whimsical characterization that fans fell in love with in the first place.
Reportedly, the Firefly animated show is proceeding without Whedon, which is likely for the best: it will keep the revival from getting canceled alongside the original show’s creator. But as much as I loathe to say it, his absence means the new show won’t be as good as the old one. At that point, we have to ask the obvious question: why bring Firefly back in the first place if it’s just going to be a crappy imitation of itself?
The Stories Firefly Was Planning To Tell Next

Over the years, fans have fervently wished that Fox hadn’t canceled Firefly so that it could have gotten more seasons. However, that’s a monkey’s paw style wish, and I’ll tell you why. Based on everything we know about the stories planned for it, Firefly Season 2 would have been a disaster.
For one thing, there were plans to make Firefly much darker. Proposed Season 2 stories involved episodes where Mal decided to abandon a planet full of people asking for his help, leaving them all to die. Alan Tudyk pitched an episode where the crew would be helping some criminals who were organizing alien dog fights, getting our crew involved in intergalactic animal abuse. Believe it or not, though, that’s not the worst of it.

According to producer Tim Minear, the very first episode Joss Whedon pitched for Firefly Season 2 focused on Inara; she was the ship’s Companion, a prostitute with many of the privileges of a diplomat. Whedon wanted a story where she was not only suffering from a terminal disease, but also had injected herself with a special syringe that would kill anyone who had sex with her. This comes in handy when she is kidnapped by some Reavers who are known for intimately assaulting their victims. By the time Mal comes to rescue her, all the Reavers are dead, implying Inara had survived a very brutal ordeal.
In case you think that’s a one-off, think again: Minear claims that, after pitching this horrific episode, Whedon told him, “These are the kinds of stories we’re going to do.” Had Firefly gotten a second season, the show would have been a grimdark mess that transformed your favorite characters into a collection of monsters and victims. The show’s early cancellation saved its reputation; now, I can’t help but worry that the Firefly animated show will take its cues from these unused Season 2 stories, ruining this franchise the same way Picard’s grimdark storytelling nearly ruined Star Trek: The Next Generation.
The Hero Of Streamtown

Will the Firefly animated series be any good? As the hero of another Fox TV show might put it, “I want to believe.” The show has a lot going for it, including the return of the original cast and a groundswell of fan support. But it also has a lot going against it because, without the original creators, the storytelling will suffer. That could hurt the entire franchise’s reputation, turning Firefly from the most beloved modern sci-fi property into just another failed reboot.
Like all Firefly fans, I will be tuning in for the animated revival, and I really want it to be the best new show in the entire ‘verse. However, after years of crappy revivals like The X-Files, I’m steeling myself for disappointment. Should that happen, though, I’ll do what any good fan does and dust off my physical media collection. To paraphrase the Firefly theme song, “I don’t care, I’m still free. You can’t take the Blu-rays from me!”
