Entertainment
How Xena: Warrior Princess Turned An Overused Trope Into Its Funniest Episode Ever
By Jonathan Klotz
| Published
At the height of 90s syndication, Hercules: The Legendary Journeys and Xena: Warrior Princess dominated the airwaves, proving that there was a massive need for campy, light shows that didn’t take themselves seriously. Both shows would adapt movies, other shows, and legends throughout their runs, but none were as fun as Xena Season 3, Episode 2 “Been There, Done That.” It’s a time loop episode, it’s also Romeo and Juliet, but more importantly, Xena murders Joxer, and it’s played for laughs.
Another Time Loop Episode
“Been There, Done That” starts off as any other episode, with Xena (Lucy Lawless), Gabrielle (Renee O’Conner), and Joxer (Ted Raimi) heading into town when a fight breaks out between feuding families. Joxer is tragically killed in the scuffle and honored with a warrior’s funeral that night as Xena and Gabrielle comfort each other. Then the day starts over again, and quickly, Xena realizes she’s the only one aware that they are reliving the same day over and over and over and over again.
Over the next few loops, Xena tries to prevent as many deaths as she can by getting Joxer out of the fight, but then her horse ends up being burned alive. Stopping an elder of one family from being run over by a wagon causes Gabrielle to be killed in the ensuing melee. Frustrated, Xena kills Joxer with her chakram the next morning, and while Gabrielle is screaming, she rolls over and goes back to bed. She’ll rise, but she refuses to shine.
No one plays annoyed quite like Lucy Lawless. “Been There, Done That” lets her portray a grumpy, frustrated Xena who can’t help trying to do the right thing, even if it never quite works out. Finally, she discovers the source of the time loop and spends an entire day doing nothing but measuring every angle, nook, and cranny of the village while the massive brawl goes on around her. With the greatest chakram throw of her life, Xena breaks the loop, and honestly, it’s a bit surprising she only murdered Joxer once.
Two Overdone Tropes In One Episode
If a show is on the air long enough, it’s going to have a time loop episode. Stargate SG-1 did it (“Window of Opportunity”), Star Trek: The Next Generation had one (“Cause and Effect”), and after the success of Happy Death Day, Edge of Tomorrow, and Palm Springs, we’re due for another Groundhog Day movie any day now. When “Been There, Done That” aired in 1997, the trope wasn’t as well-worn as it is today, but it was already so cliche that the writing team knew exactly what the audience expected the moment the loop began.
Adding the Romeo and Juliet plot to a time loop combines two overdone stories into one overstuffed episode that, against the odds, works. Adapting Shakespeare’s tragic love story of two teenagers who end up causing widespread murder and mayhem is another plot that every show has done, including the Super Mario Bros. Super Show and every single procedural you can think of. Xena’s encounter with the story puts more of the focus on the feuding family part of the story and less on the star-crossed lovers, but her reaction, a frustrated sigh, matches how most viewers react to yet another retelling.
Xena: Warrior Princess is filled with references to other movies, shows, and stories, including an entire episode that adapts Footloose. Pay attention, and you’ll catch shots lifted straight from John Wayne movies, lines from Dumb & Dumber, and, since it’s a Sam Raimi production, there are more than a few Evil Dead allusions. 30 years later, the cheesy series that gave us an action icon is still as popular as ever, and it’s in large part thanks to episodes like “Been There, Done That” that aren’t afraid to wink at the audience, throw out any expectations this will be a serious story, and lets viewers sit back, relax, and have mindless fun.
Entertainment
Upcoming Firefly Reboot Will Feature Weird Animation And Activist Showrunners, Fans Divided
By Jennifer Asencio
| Published
The announcement of a new Firefly season at AwesomeCon on March 15, 2026, was eagerly anticipated by fans of the show. When Firefly was canceled in 2002, it was abrupt and even traumatic because we had all quickly grown attached to the quirky crew of the Serenity. The movie, named after the smuggling starship, delivered both excitement and heartbreak, giving fans what we all thought was one last look at Malcolm Reynolds and his associates. So when lead actor Nathan Fillion started teasing a cast reunion, Browncoats took notice.
On the surface, the cast announcement, made via Zoom, sounds awesome. There’s a new season in development and it’s going to be animated. It’s going to take place between the end of the single television season and the movie. This means Alan Tudyk’s wisecracking Wash is still alive, and also that Shepherd Book, previously played by deceased actor Ron Glass, can be taken “out to the black” and live on.
Same Cast, Different Style
Some fans are happy because the rest of the cast is reuniting for this project and finally answering their hopes. An animated version also avoids trying to explain why the characters look older than they did in the Serenity movie, while providing the fan service we’ve all been asking for.
The animation is being produced by award-winning studio ShadowMachine, which also inked BoJack Horseman, Guillermo del Toro’s Oscar-winning Pinocchio, the vanished Final Space, and a fair portion of Adult Swim’s content, including Robot Chicken. The animation style isn’t to everyone’s taste, though. Some people, beyond just those who only wanted something live action, aren’t warming up to the artistic concepts shared so far.
Still Looking For A Proper Platform
Another source of dissatisfaction is that the show doesn’t actually have a home. It has almost everything else it needs: a studio, a returning cast, and creator Joss Whedon’s blessing, but no streamer or network. The cast announcement struck some viewers as begging for help, and others as a false promise, since a show without a network is no good to fans.
The biggest red flags about the show for some fans have surrounded the show runners, both past and present. Whedon may have given his blessing, but he is not involved. Many believe that he is the heart of the show’s tone and humor, and that it wouldn’t be the same without his involvement.
Fans Approach With Guarded Enthusiasm
This has been amplified for a lot of viewers by the involvement of Marc Guggenheim and wife Tracy Butters, both alums of superhero shows but also outspoken activists. Guggenheim, responsible for the CW Arrowverse, has never shied away from using Arrow or Legends of Tomorrow to make political statements favoring specific talking points, and has already been noted for attacking Firefly fans who voted for President Trump. Such fans are concerned that yet another beloved property they enjoy will be used to attack and scold them with political messaging rather than good storytelling.
Every fandom has its slop eaters who will eat up a show, no matter how bad, just because it exists and bears the name of their favorite franchise. The Firefly fandom has hope that the combination of the cast reuniting and the show being animated compensates for its physical limitations. But a lot of fans, who have spent the past decade being burned by bad reboots, sequels, and spinoffs from their favorite franchise, are wary that Firefly is about to do it again.
Entertainment
One Of Star Trek's Best Episodes Was Created Out Of Spite
By Chris Snellgrove
| Published
Ever learn about someone for the first time and feel an immediate kinship with them? Recently, I learned about the late, great Evan Carlos Somers, someone who wrote for the best Transformers show ever made: Beast Wars. He also wrote the episode “Melora” for Deep Space Nine, which just happens to be the greatest Star Trek show ever made (I said what I said, haters!).
What intrigued me most about Somers is that he wrote “Melora” out of spite. Part of that spite was for the Paramount production offices and the DS9 set itself. As a man in a wheelchair, Somers discovered how tough it was to get around the studio, and he made sure the wheelchair-bound Melora faced the same difficulties navigating the most famous space station in the quadrant. On top of that, he wrote “Melora” largely to wave a middle finger at the writers of “Ethics.” That’s the TNG episode where a paralyzed Worf wants to (as the kids on Starfleet Academy might say) unalive himself with the help of Commander Riker.
The Best Parking Spot On The Station
This tale is gonna need a double dose of context, so buckle up. The most notable thing about the “Melora” is that even in the 24th century, the titular Starfleet officer must use a wheelchair to move around the station. This is because she comes from a low-gravity planet, and her fancy hoverchair is incompatible with the station’s Cardassian technology. The episode was pitched and originally written (it got later rewrites) by Evan Carlos Somers, who felt that his life as a handicapped person would help him more authentically write for a wheelchair-bound character.
The big emotional thrust of the episode comes when Dr. Bashir develops a “cure” for Melora that would allow her to easily walk in Earth normal gravity. However, it would keep her from returning to her homeworld. It would also fundamentally change who she is, and she eventually decides not to go through with it just to make Bashir happy. In this way, the handicapped Somers wrote a quintessential Star Trek episode in which a character refuses to be defined by her disability and, instead, fully embraces it.
Today Is A Good Day To Die
While he was motivated to write “Melora” largely out of his desire to honestly portray the lived experience of a handicapped person, Somers also wanted to write a response to the Star Trek: The Next Generation episode, “Ethics.” This is the episode where Worf gets paralyzed by some falling barrels, and he considers committing ritual suicide because of Klingon cultural customs. They believe if you can’t walk, you can’t fight, and if you can’t fight, you might as well be dead. Worf is unable to convince Riker to help with his assisted suicide and is unwilling to ask his son, so he reluctantly agrees to an experimental medical procedure that allows him to walk again.
In an interview with The Official Star Trek: Deep Space Nine Magazine, Evan Carlos Somers revealed that “Ethics” was an episode that “had gotten a little under my skin.” While acknowledging that Klingons have their own cultural values, he still felt that “we’re making statements with Star Trek” and that “messages and values are being broadcast loud and clear.” In this case, he “reented the message in ‘Ethics’–that Worf is worthless now that he’s disabled and therefore must kill himself.” This motivated the writing of “Melora” because “I always thought it would be nice to create a disabled character who’s accepted for what she is and doesn’t have to change.”
In retrospect, “Melora” did have a nice message, but I find it personally hilarious that this progressive episode was written out of spite for the writers of an earlier TNG episode. Even funnier, “Ethics” was written by Ronald D. Moore, the Klingon expert who later went on to create the acclaimed Battlestar Galactica reboot.
He’s considered one of Star Trek’s best writers, but that didn’t keep a young intern-turned-writer from calling him out with one of DS9’s craziest episodes. Somers was powered by spite the same way the Enterprise is powered by the warp core, and like Scotty, he was giving it all he’s got with “Melora.” Real talk? As a cranky writer myself, that’s the kind of motivation I can get behind.
Entertainment
Buffy Star’s Sudden Death Adds To Lethal Year For Hollywood
By Jennifer Asencio
| Published
The Grim Reaper has already had a fruitful year in 2026, taking from Hollywood stars like Robert Carridine, Catherine O’Hara, Robert Duvall, James Van Der Beek, and even the invincible Chuck Norris. Now Nicholas Brendon has died. The Buffy the Vampire Slayer actor was 54.
According to a statement released by his family, Brendon died in his sleep from “natural causes.” If that sounds like a young age for such a cause of death, it is. The actor’s health was actually complicated by a lot of factors. He suffered from cauda equina syndrome, a spinal condition that required several surgeries. He revealed in 2023 that he had a congenital heart defect that had recently been diagnosed after a 2022 heart attack. All of this was exacerbated by mental health and substance abuse battles that he struggled with all his life, but his family reported that he was in good spirits and maintaining his health schedule before he died.
Brendon is best known for playing Xander Harris on Buffy the Vampire Slayer. Xander was that awkward teen who was supposed to be the stand-in for the audience with his everyday reactions to his spreading awareness of what is out in his world. He was the Scooby gang’s broad generalist, ordinary and plain, while the other characters have their own skills or abilities, either as the Slayer, witch, or demon. Often overwhelmed, underprepared, and clearly misinformed, he was somehow the heart of the group, and he always managed to deliver. What kept Xander so relatable was that he was “everyone,” that very human connection.
Sarah Michelle Gellar was slated to be in the Hulu reboot of the Buffy series, and rumors abounded that other characters were going to be returning for the show. However, there were questions about Brendon’s participation because of his mental health and addiction struggles, especially as they resulted in numerous run-ins with the law. At the time of Brendon’s death, it did not seem that Xander was going to be included in the reboot, a fact the actor was not happy about.
Immediately following the success of Buffy, Brendon starred in Kitchen Confidential for 13 episodes. This half-season series was based on Anthony Bourdain’s novel “Kitchen Confidential: Adventures in the Culinary Underbelly,” with the lead Bradley Cooper playing “Jack” Bourdain for Anthony himself. Brendon plays the pastry chef and friend of Jack’s, Seth Richman.
He maintained steady acting roles in his post-Buffy career, with another highlight being the film Coherence. In this 2013 psychological sci-fi thriller, he plays Mike as he and his wife Lee, played by Lorene Scafaria, host six of their friends as Miller’s Comet passes the Earth. What follows is a story where time no longer moves in a linear fashion. Out-of-sequence events culminate in the comet breaking up and a rather surprising ending.
Following this film came his return to the small screen in a major role as character Kevin Lynch in the long-running series Criminal Minds for 21episodes over the course of eight seasons. A technical analyst with prodigious technical computing ability, he is brought in to hack the computer of one of the series stars, fan favorite Penelope Garcia (Kirsten Vangsness), to find out who shot her. Over the episodes, he is depicted or referenced and goes on cases to many locations with the team, even starting a relationship with Garcia. Although this character wasn’t one of his more admired roles, he nevertheless left his mark with fans.
Despite his struggles, Brendon continued acting until 2024. He even had two upcoming projects. With his untimely death, it appears that the IMDB page for his project Best Sheep is no longer available and was taken down during the research for this article. Once in a Blue Moon is written and directed by Valeria Sweet, and the role that Brendon was to play was that of Matt; little else is available about the production, so we will see what ultimately happens with the series.
Nicholas Brendon left us too soon. His wholesome on-screen persona masked serious struggles that the actor bravely faced while trying to maintain his career, constantly picking himself up whenever he fell. He may not have had the most stable off-screen life, but what he brought to fans was important enough to him that he kept fighting for it until his very last breath. Hopefully, he has found peace.
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