By Jonathan Klotz
| Published 1 hour ago

Before he was Reacher, but after he was Thad, Alan Ritchson played Barbie. Not that Barbie, Arthur Bailey, the hero of SyFy’s wild series, Blood Drive. A throwback to the grindhouse cinema of the 70s, Blood Drive is the most twisted series to air on the cable channel. If you think a show about a cross-country death race in a future wrecked by environmental catastrophe and controlled by a mega corporation sounds like Death Race 2000 or Twisted Metal, well, you’re right. There’s one small difference. The cars in Blood Drive run on human blood. 

Gas Is People

Set years after the United States was cracked in half by earthquakes along the Mississippi river, Blood Drive’s evil corporation, Heart Enterprises, has monopolized the rare resources exposed by the massive fault. Water’s scarce, and gas is hard to come by, so of course the solution is cars that run on blood, which have helpful grinders built into the engines for sticking human bodies. Not all of them have that of course, but when you see the inside of the psychotic Grace’s (Christina Ochoa) car, you won’t soon forget it. 

Grace and Arthur, a cop trying to do the right thing, are reluctantly partnered for the cross-country race. Together, they hit one nightmare after another on the open highway, from cannibals to Amazons, with every new city and rest stop hiding a deadly secret. Every now and then, they stumble across a small town in need of a few good men. Except this is Blood Drive. There are no heroes here.

It’s no surprise which character ended up becoming the fan favorite: Julian Sink, the Blood Drive Master of Ceremonies. Played over the top by Stargate’s Colin Cunningham (also John Pope in TNT’s Falling Skies), no one can out dandy Sink. He’s eccentric, he might be insane, and you can’t help but be charmed by the man with personality to spare. 

Blood Drive Was Pure Grindhouse Fun

Alan Ritchson’s involvement in Blood Drive seems weird to everyone who only knows him from Reacher. Ritchson’s sense of humor lands right in the Grindhouse aesthetic, which is why he can deliver lines like “why are hot girls so mean,” when the Amazon Queen has him tied down. It’s an insane series that is well-served by the case-of-the-week setup. In addition to the Amazons and cannibals, there are nymphomaniacs, zombies, an asylum, a fight club, and an Asian martial arts-inspired episode. Again, this is an insane series filled with blood, guts, and sex. Thanks to the two leads, there’s something here to appeal to anyone. 

Blood Drive only lasted one season and it sort of wraps up the story. SyFy cited poor ratings, but then again, they didn’t do a whole lot of marketing for the show that sounds ridiculous at first, and remains ridiculous, but it hides a wicked sense of black humor. Blood Drive is hard to find streaming, with episodes only available for purchase from YouTube and Fandango at Home, and the Blu-Ray has been out of print for nearly a decade. 

If you can find it, Blood Drive is the perfect watch for anyone who enjoys the old-school grindhouse aesthetic, or wants something that dares to be different. The best part of the series though, the fake commercials for Grindhouse movies, the same gag used by Quentin Tarantino and Robert Rodriguez’s Grindhouse double-feature, are left off the home video releases. Still, if you want to see Alan Ritchson murder people, or Colin Cunningham have the time of his life, it’s worth hunting down a copy of SyFy’s bloodiest series ever. 

By Jonathan Klotz
| Updated 1 hour ago

The most successful fantasy films of all time, The Lord of the Rings trilogy and Harry Potter, have reigned at the top of the mountain for decades, yet the genre has experienced a resurgence in recent years thanks to the rise of podcasts. Actual play podcasts featuring players going through a tabletop RPG have become one of the hottest genres of the new medium, and the best of them, including Critical Role, Dimension 20, and Not Another D&D Podcast, were based on Dungeons and Dragons Fifth Edition.

You’d think that 2023’s Dungeons and Dragons: Honor Among Thieves, the best fantasy movie of the last decade, would have become a hit, but instead it disappointed at the box office (ironically, thanks to the franchise owner, Wizards of the Coast, horrible timing). Now it’s finally developing a following. 

A Tabletop Adventure On The Big Screen

Dungeons and Dragons: Honor Among Thieves picks up after the adventuring party of Edvin the Bard (Chris Pine), Holga the Barbarian (Michelle Rodriguez), Simon the Sorcerer (Justice Smith), Doric the Druid (Sophia Lillis), and Forge the Thief (Hugh Grant) were betrayed by the obviously evil wizard Sofina (Daisy Head). Out for revenge, Evin and Holga get the band back together, go into an actual dungeon complete with a dragon, and pull off a fantastical heist. 

The film has everything fans of the game have wanted to see on the big screen for decades, including an aarakocra and a cameo appearance by the characters from the 80s Dungeons & Dragons Saturday morning cartoon. Actual spells from the tabletop game are used, and real mechanics were played out.

All of this helped make the rollicking adventure feel like someone’s homebrew campaign brought to life. Even for those who don’t play the tabletop game, the comedy beats all and makes it a fun fantasy adventure. 

Why Dungeons & Dragons Failed To Find A Big Theater Audience

Mere weeks before Honor Among Thieves was released, Wizards of the Coast, the company that owns Dungeons and Dragons, did something so heinous it caused a boycott by fans. For more than 20 years, the game had operated under the Open Gaming License (OGL).

That OGL let independent writers and small companies create adventures, rulebooks, podcasts, and entire businesses built around D&D without fear of being shut down. And Wizards of the Coast decided to end it all.

A leaked draft of a new license Wizards of the Coast was planning appeared online. The Open Game License was being changed so that Wizards would get a 25 percent cut of everything fans earn when a creator makes more than $750,000 from monetizing the game. Worse still, the new terms would ban all online tabletop simulators and allow Wizards of the Coast to claim sole ownership of anything created by fans.

This leak of the company’s plans sparked a firestorm in the Dungeons & Dragons community. Core fans revolted en masse. An organic, fan-driven boycott of the company and everything it was involved with began. That boycott included the movie, meaning the group of people Hollywood expected as the film’s core supporters were not only avoiding it, but actively campaigning to keep it from being seen. It worked.

The film received a favorable response from those who saw it, with a 91 percent “fresh” rating on Rotten Tomatoes from over 300 reviews by critics and a matching 92 percent from over 2,000 reviews by the public. Yet Dungeons and Dragons: Honor Among Thieves underperformed, barely squeaking by with $200 million worldwide. That failure is undeniable, but it’s not the fault of the movie. Honor Among Thieves was destroyed by the greed of the company that owns its IP.

The backlash became so intense that Wizards eventually reversed course and released key D&D rules under a Creative Commons license, making them far harder to control in the future. But that change was too late to save Dungeons and Dragons: Honor Among Thieves.

Standing On Its Own

Removed from the drama of early 2023, Dungeons and Dragons: Honor Among Thieves can now stand on its own merit. Thanks to streaming, audiences are watching and enjoying the movie.

Unfortunately, the movie’s weak performance destroyed the hope of a sequel. However, if Honor Among Thieves continues to gain a much-deserved cult following, there’s always a chance that the writer/director duo of Jonathan Goldstein and John Francis Daley (who also worked with Pine on Horrible Bosses 2) will get another chance to bring the game to life.

Whether Honor Among Thieves gets the sequel it deserves or not, thanks to streaming, fans can enjoy the funniest fantasy movie since Monty Python and the Holy Grail, and newcomers can get a taste of what it’s like to play the most popular tabletop role-playing game in the world.

By Robert Scucci
| Published 32 seconds ago

Has this ever happened to you? You go to work at your factory job, but you end up tearing your family apart because you keep having horrific nightmares about an impending alien invasion that only you’re aware of. Your daughters hate you because you keep blowing off family night and losing track of long stretches of time, and your wife all but commands you to go see a therapist because your nightmares are keeping her awake at night. She’s made it very clear that she’s at her wits’ end with your silly little dreams. 

The oddly specific scenario I’m talking about is exactly what happens in Extinction, a Netflix Original sci-fi action thriller about the threat of an upcoming extinction event that won’t reveal itself until it’s already too late for everybody living on planet Earth to do anything about it. 

Ignore That Terrible Review Score And Give Extinction A Chance

Taking an absolute beating on Rotten Tomatoes, Extinction currently touts an abysmal critical score of 32 percent against a slightly more favorable Popcornmeter score on the review aggregator. It’s the kind of score that might make you think that you’re about to get into a by-the-numbers “what if we got invaded by aliens?” kind of premise.

While you’re not wrong to make assumptions about the beats and storylines found in this Ben Young-directed film, it’s probably one of the better straight-to-streaming sci-fi films that I’ve seen in recent years. 

He Was Right! 

Michael Pena’s Peter may seem like he’s losing his mind because of his vivid nightmares of an imminent apocalypse, but Extinction doesn’t leave you guessing for long. Much to his wife Alice’s (Lizzy Caplan) disappointment, Peter skips out on therapy when he learns other patients are having the same exact dreams as him, which he interprets as some form of divine intervention, clueing him in on what’s to come. 

At a party, Peter’s suspicions are confirmed when all hell breaks loose, and a deluge of invading spaceships starts tearing the city apart. I don’t know about you, but if I were getting nagged about my prophetic nightmares, only to find out that they were a legitimate warning that everybody should heed, I’d take pause in my frantic efforts to move my family to safety to briefly say, “Haha, I told you so,” before grabbing the photo album and getting the heck out of town. Sure, I’d do everything I can to protect my family, but thanks to my visions being correct, I’m now pack leader, and everybody has to do what I say. 

Aliens Aren’t What They Seem 

Looking for answers back at the facility where he works as an engineer in Extinction, Peter learns that his boss, David (Mike Colter), knew more about the invasion than he initially let on. Certain people like Peter were supposed to know about it so they could figure out how to deal with the visitors who are currently decimating the entire city.

Getting seriously wounded during the ensuing catastrophe, Alice needs immediate medical attention, prompting Peter to force one of the visitors to cooperate with him in restoring her vital functions. Meanwhile, his daughters, Hannah (Amelia Crouch) and Lucy (Erica Tremblay), are escorted to a military base, where they’ll probably remain safe for the next several… minutes. 

Special Effects Are On Point

With a reported budget of just $20 million (chump change compared to an MCU joint), this Netflix Original wins some serious points for its use of special effects, especially when the alien-invasion first kicks off. Extinction uses a night skyline permeated by dust and fog to its advantage, and there’s no doubt in my mind that a boatload of CGI was used to make everything jump off the screen. But the lighting levels are so perfectly calibrated that it never once took me out of the movie because the film’s color palette does all of the heavy lifting. 

As the black and grey horizon finds itself under attack, vibrant pops of red and orange break up the skyline, while the sound design that’s capturing what’s happening on ground-level is an assault on your ears that equally matches the assault that’s occurring on planet Earth, while civilization as we know it potentially arrives at its terrifying conclusion. 

Extinction may not boast the most original premise, and received a ton of criticism for being so derivative, resulting in its poor reception. But for its production value alone, you should stream it the next time you’re looking to witness the apocalypse from the safety of your own home.