Entertainment
Did The Creator Of The Best Star Wars Show Secretly Call Out The Franchise’s New Boss?
By Chris Snellgrove
| Published

For Star Wars fans, the opening crawl to A New Hope has more or less come true: it is a period of civil war. In the fandom, there are still plenty of diehards who binge and defend every new show on Disney+ and buy their tickets to films like The Mandalorian and Grogu months in advance. But there is a growing number of fans who have grown cynical of the franchise after major failures like The Rise of Skywalker and The Acolyte, and those fans are worried that the franchise they’ve been in love with their entire life has finally run out of ideas.
That’s why it was relatively controversial when Dave Filoni became the new president of Lucasfilm. Filoni was once an absolute icon to fans because he was the showrunner for The Clone Wars cartoon, one of the coolest things in all of Star Wars. However, Filoni’s creative output has grown so self-referential that it sometimes seems like he is hellbent on remaking this galaxy far, far away in his own image. However, before Filoni held the reins of the entire franchise in his fannish hands, he got a secret warning from the most unexpected source of all: Andor creator and showrunner Tony Gilroy!
Star Wars Rides Again

Andor’s success honestly speaks for itself. It’s not just the best Star Wars show ever made; it’s one of the best TV shows ever made, one that would be just as compelling even if it weren’t part of this famous franchise. The show is a spinoff of the film Rogue One, in which doomed protagonist Jyn Erso opines that “rebellions are built on hope.” Now, Andor has created hope amid fans burnt out by high-profile failures like The Book of Boba Fett and The Acolyte. Whenever people claim that there are no good Star Wars stories left to tell, these faithful fans point to Andor, the labor of love from showrunner Tony Gilroy.
What was his secret to making a killer Star Wars show? Last year, he told Backstory Magazine about the advice that he gave to Andor’s writers and anyone else creating stories in this galaxy far, far away. “A lot of times when you’re working on IP storytelling, your impulse is to open the toy box and start playing with all the toys,” Gilroy said. “You should try to resist that, and what you should do is leave more toys in the toy box than were there when you got there and resisting the impulse to be a child and instead think more like a storyteller who’s adding to the world rather than taking from it.”
The New Star Wars Boss Got Secretly Called Out

Obviously, Gilroy didn’t specifically call out any Star Wars creators in this quote, but it sure sounds like he was taking a swipe at Dave Filoni. While Clone Wars was an undisputed masterpiece, Filoni has spent his entire subsequent career making every Star Wars project he works on a callback to his earlier work. For example, he was the showrunner for Rebels, in which Clone Wars’ Ahsoka became a major character. When he gave Ahsoka her own entire show, he turned the whole thing into a Rebels sequel. He also ensured that both The Mandalorian and The Book of Boba Fett included the live-action debut of Clone Wars characters like Bo-Katan and Cad Bane.
In other words, once Filoni opened the toybox, he never stopped trying to play with all the toys, often at the expense of good storytelling. Like, The Book of Boba Fett was already pretty bad, but the hammy, nonsensical cameo from Cad Bane just made things worse. Ahsoka is a relatively solid show, but Sabine is so different (wait, she’s got Jedi abilities now?) that she might as well be a different character altogether. Katee Sackhoff is crazy good in The Mandalorian, but bringing her character into live-action is going to be a complete waste if we never get a fourth season of that hit Star Wars show.
Don’t Let Your Sons Grow Up To Be Space Cowboys

Arguably, almost every Star Wars project Dave Filoni has worked on would be better if he focused more on telling good stories than jamming in cameos from his favorite creations. Tony Gilroy innately understood this, which is why Andor has (outside of Mon Mothma) so few prominent cameos from or references to prominent franchise characters. He tried to warn Filoni, but the warning didn’t stick, which is why the worst thing about the Filoni-written Mandalorian and Grogu is the return of Rotta, the Hutt we last saw farting his way through Filoni’s Clone Wars movie.
If this is the kind of toy the new Lucasfilm president can’t stop playing with, is it any wonder that Star Wars just keeps stinking?
Entertainment
Netflix Just Added The Extremely R-Rated Crime Thriller Secretly Made By Film's Greatest Director
By TeeJay Small
| Published

If you’re a sucker for a good crime thriller, you’re probably already aware of the hit 1993 movie True Romance. This genre-defining film is packed to the gills with foul language, graphic violence, and some supernatural themes that make the whole thing feel like a fever dream lost in time.
Though it was considered a box office failure in its day, True Romance has since garnered a massive cult following. If it’s been a while since you’ve seen it, or you’ve streamed it, now is the right time. Netflix just added True Romance.

Long before True Romance was dancing across the silver screen and upsetting the prudes at the MPAA, the film was being penned by a young, up-and-coming Quentin Tarantino. This is the very first feature-length screenplay the Pulp Fiction filmmaker ever wrote. Portions of the first act and some of the pop culture-focused dialogue were lifted right out of Tarantino’s own unreleased short film, My Best Friend’s Birthday, which he made while working at a video rental store in Los Angeles.
Tarantino originally intended to direct True Romance himself, but by the time the script was gaining traction with producers, he had already moved on to a new project that would ultimately become Reservoir Dogs. So he sold the screenplay, used the money to finance his own debut, and let Top Gun director Tony Scott take the wheel.

This has become the subject of tons of debate among film nerds, as some fans believe True Romance is a shadow of what it could have been with Tarantino behind the wheel. Others, including Tarantino himself, have lauded Tony Scott for bringing the intense screenplay to life and offering a more saccharine ending than what was originally on the page.
The plot of True Romance centers on a young couple named Clarence and Alabama. They meet at a movie theater, quickly fall in love, and decide to skip town together after a whirlwind date. The only problem is, Alabama is a woman of the night, and her pimp Drexl Spivey doesn’t take kindly to the loss of revenue.

Prompted by the ghost of Elvis Presley, Clarence murders Spivey and snags a duffle bag of blow from his workplace, hoping he can sell it off to finance his new life. Predictably, the young couple’s troubles don’t end there, as they contend with gang members, police, and a world that seems to want to keep them apart.
The whole adventure feels like a very 90s take on the classic tale of Bonnie and Clyde, complete with some added racy elements. For many fans, True Romance represents the gold standard of crime thrillers.

Christian Slater gives a career-defining performance here, alongside top-tier showings from Patricia Arquette, Dennis Hopper, Val Kilmer, and Christopher Walken. Several big-name actors appear in minor bit parts as well, including Brad Pitt, Samuel L. Jackson, and the late James Gandolfini, of The Sopranos fame.
Whether you’re a die-hard fan or you’re looking to catch it for the very first time, you can watch True Romance on Netflix today. Just prepare to hear some really outlandish stuff, especially if you’ve got any Sicilian ancestry.

TRUE ROMANCE REVIEW SCORE
Entertainment
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Mashable Deals
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Mashable Deals
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Entertainment
Star Trek’s Biggest Star Will Never Return To The Franchise
By Chris Snellgrove
| Published

To this day, William Shatner remains the face of Star Trek. It was his weirdly compelling performance that helped transform The Original Series into a breakout pop culture hit. Later, it was Shatner’s charisma that gave the TOS movies their charming mainstream appeal. Shatner’s Captain Kirk is such an iconic figure that the franchise has tried to bring him back to life with multiple actors. But for all their talents, performers like Chris Pine and Paul Wesley could never match Shatner’s iconic (and certainly iconoclastic) performance. Because of that, the producers of the most popular current Trek show did their best to put Shatner’s Kirk onscreen again.
We first found out about this when Shatner himself mentioned being approached by some unnamed Star Trek producers. Recently, NuTrek guru Alex Kurtzman and some of his fellow producers gave an interview to Polygon where they admitted that they made an effort to bring Shatner back for Season 4 of Strange New Worlds. It would have been quite fitting: not only is SNW one big love letter to The Original Series, but this year is the 60th anniversary of the franchise. Unfortunately, Kurtzman and company couldn’t make it happen, which makes it official: after decades of producers trying to bring him back, William Shatner will never return to Star Trek, the franchise that made him famous.
Strange New Worlds And A Familiar Actor

Strange New Worlds is a prequel to Star Trek: The Original Series that focuses on the adventures of Captain Pike, who commanded the Enterprise’s first five-year mission. The show features several new actors playing familiar characters, including Ethan Peck as Spock and Anson Mount as Spock. Paul Wesley plays the younger Kirk, which leaves the obvious question: how, exactly, was the show going to bring back the 95-year-old William Shatner to play the same character? Through the magic of the multiverse, of course!
In an interview with Polygon, Strange New Worlds co-showrunner Akiva Goldsman said that his biggest regret was that they never managed to bring William Shatner to homage the Original Series episode “City on the Edge of Forever.” This is the famous episode where Kirk falls in love with a woman whose activism keeps America out of World War II, allowing the Nazis to rule the world. To save the future, Kirk is forced to let her die. Goldsman wanted an SNW episode portraying Shatner as a version of Kirk who had stayed in the past to stay with the woman he loved, the future be damned.
Mirror, Mirror, On The Screen

According to Akiva Goldsman, the Strange New Worlds writers developed several scripts and tried to bring William Shatner each season, but it never happened. Now that Strange New Worlds has wrapped production, and no new Trek series is on the horizon, it’s unlikely we’ll see Shatner play Captain Kirk on the small screen again. Plus, given that Paramount wants to reboot Trek as a film with completely new characters, we’re equally unlikely to see Shatner’s Kirk on the big screen again. This is doubly sad because different Star Trek producers have been trying to bring him back for decades.
When Star Trek: Enterprise was first airing, William Shatner himself approached Trek guru Rick Berman with an idea. Over lunch, the actor pitched the idea of a two-part episode that returned to the Mirror Universe and showed the evil version of Captain Kirk as an older man. It was a great idea, but there was just one problem: Shatner was asking for too much money. While he didn’t name an exact amount, Berman told The Shuttlepod Show that “the number was probably 8x more than the studio had any interest in.” However, Manny Coto liked Shatner’s idea, which is why we did eventually get a two-part Mirror Universe episode, albeit without Captain Kirk.
He’s Not Dead, Jim!

After Enterprise prematurely ended, fans worried that the franchise might be dead. Fortunately, Star Trek (2009) brought everyone’s favorite Original Series characters back with new actors, new stories, and an entirely new universe (the Kelvinverse) to play in. Leonard Nimoy appears to help pass the baton to yet another new generation of Trek performers, and writers Roberto Orci and Alex Kurtzman originally wrote a scene where Spock had a pre-recorded “happy birthday” message from Shatner’s Kirk. But Shatner wanted a prominent role where Kirk was somehow still alive, suggesting the writers canonize his novels where Kirk is resurrected. Feeling that more Shatner would overshadow the younger performers, Orci and Kurtzman wrote him out of the film altogether.
Without William Shatner, Star Trek would likely have never become such an outsized pop culture phenomenon. Previously, his returns (first, in The Animated Series, and again in the TOS movies) helped reinvigorate the franchise, and he played a major part in helping the Next Generation cast transition their characters from TV to film. Clearly, Shatner never lost his love for Kirk: not only did he make multiple attempts to return via TV and film, but he wrote (along with Judith and Garfield Reeves-Stevens) an entire series of books about Kirk coming back to life and having more crazy interstellar adventures.
Outside of books, though, it seems like Kirk’s Star Trek adventures have come to an end. He won’t pop up in Strange New Worlds, and he’s deeply unlikely to make any kind of appearance in Paramount’s upcoming reboot film. That’s unfortunate for all of us who would love to see this iconic performer play his most famous character, one last time. Whether or not Shatner ever makes a triumphant return, though, we’ll always remember him for two things. First, boldly going where no actor has gone before. And second, letting generations of fans tag along for the ride!
