TL;DR: ChatPlayground lets you send one prompt to multiple AI models, and lifetime access is now only $69.97 with code May5.

Anyone who has worked with AI tools knows that different models can give wildly different answers to the same prompt. Manually sending each prompt to each model to find the best option wastes a ton of time, which is why tools like ChatPlayground AI are growing in popularity. ChatPlayground lets you run multiple AI models at the same time, and a lifetime subscription just went on sale for $69.97 (reg. $619).

ChatPlayground has a simple premise that ends up saving a ton of time and frustration. Instead of manually working with a bunch of different AI models, ChatPlayground lets you talk to them all together. The platform supports more than 20 AI models, including ChatGPT, Gemini, Claude, Deepseek, Llama, and Perplexity, among others. That means you can use the same workflow for writing, coding help, generating ideas, or creating images, and then compare the output.

Don’t like any of the results a prompt gave you? You can tweak it and run it again to see how each model changes their answer. There are even prompt engineering tools to help you refine and reuse the prompts that worked well. ChatPlayground even lets you upload images and PDFs, then ask questions about them, so you can actually check how different models work with the same document.

The Unlimited Plan does exactly what it says. It lasts for life with no recurring payments, and you get unlimited messages every month. It’s also on sale through May 17 for only $69.97 with code May5.

StackSocial prices subject to change.

By Chris Snellgrove
| Published 1 hour ago

Euphoria, the HBO teen drama, has been responsible for launching some pretty big careers. Without this show, Zendaya probably wouldn’t be a beloved Marvel movie star, and Jacob Elordi wouldn’t be an Oscar-nominated horror icon. Of course, the breakout Euphoria star the internet loves the most is Sydney Sweeney, someone whose buxom beauty has made her the internet’s favorite fantasy lady. Unfortunately for this blonde bombshell, the show that helped make her career is now trying to break her career in the most humiliating possible way.

Her Euphoria character, Cassie, has a current story arc where she makes money on OnlyFans. That’s not so crazy on paper. Every day, more young, well-endowed women are using this platform to make cold, hard cash. But this plotline is just a thinly veiled excuse to put her into a number of strange situations that seem like the barely concealed fetishes of the showrunner. As degrading clips from Euphoria continue to go viral, we are left with only one conclusion: Sam Levinson is deliberately using his hit TV show to humiliate Sydney Sweeney.

Down, Girl

Since you’re probably not watching Euphoria, here’s a quick breakdown of what’s been happening to Sydney Sweeney’s character, Cassie. In short, she is trying to pay for her expensive wedding to Jacob Elordi’s character (Nate), so she turns to OnlyFans as a way to raise the $50,000 she needs.

With the help of former friend turned current manager, she begins carving out some weird, kinky niches for herself on OF. This includes dressing and acting like a dog and dressing and acting like a baby. Recently, she even acted like a giant, complete with a scene of her stomping all over town, Godzilla style.

Even if you’ve never watched Euphoria, you’ve probably seen some of the viral images, GIFs, and memes centered on her character and asked, “What in God’s name is Sydney Sweeney doing?” The simple answer is that she’s doing whatever she is told. She doesn’t write the scripts or choose her character’s arc. Instead, the actor must obey Sam Levinson, the acclaimed showrunner of Euphoria.

Why is Levinson making his hottest actor do all of this crazy stuff, though?  My pet theory (unlike Sweeney, it doesn’t have ears or a tail) is that he is doing so to humiliate her, effectively flooding the internet with degrading images of her.

I Kink, Therefore I Am

All of these bizarre things Sydney Sweeney is doing as part of her OnlyFans character arc correspond to very specific kinks. Dressing and acting like a dog is part of pet play, where a submissive acts like an animal and a dominant pretends to own them. Dressing like a baby is part of infantilization. Even her recent, kaiju-style hijinks correspond to a giantess kink (also known as macrophilia), in which Titan-sized women tease, overpower, crush, and even kill submissive, standard-sized men.  

Now, I’m not here to kinkshame anyone. There’s no problem if you’re into any of the stuff that Sweeney is doing on Euphoria, and you’re probably really digging seeing clips of the world’s hottest leading lady making niche content for mainstream television.

For Sweeney, though, that’s the real problem. Scenes and images of what she is doing on Euphoria keep getting shared, without context, online. When normies search “Sydney Sweeney” on the internet, these images are some of the first things they see. Meanwhile, when kinksters search for things like “pet play” or “giantess,” you guessed it … these images are some of the first things they see!

Feeling Like A Freak On A Leash

Again, there’s nothing wrong with any of this, but mainstream audiences generally find the things Sweeney is doing on Euphoria now to be weird and degrading. By making her do one weird thing after another, Sam Levinson has consistently humiliated Sydney Sweeney, associating her acting (possibly permanently) with degrading things.

That would be bad enough for any young actor, but it’s particularly bad for Sweeney, someone who (through movies like Christy) is fervently trying to be seen as a serious actress and not just a body. Unfortunately, her name is now synonymous with some of the wildest acts this side of Eyes Wide Shut. 

Obviously, there’s no proof that this is Levinson’s intent. But it’s worth noting that some of the stuff (like her acting like a baby) is strictly forbidden by OnlyFans in real-life, so none of this adds to the verisimilitude of the plot. All it does is drag down a rising star in a kind of bizarre humiliation ritual that does very little but objectify her in front of increasingly horny audiences. If Sweeney isn’t down with things like onscreen pet play in Euphoria, then all of this is just weird and degrading. If she is into it, though, then there’s not much left to say.

Except, of course: “Who’s a good girl? You’re a good girl!”

By Robert Scucci
| Published 1 hour ago

I love watching Steven Seagal movies. Under Siege (1992) is Die Hard on a boat, and it’s actually a great watch thanks to the supporting cast involved, especially Tommy Lee Jones. Hard to Kill (1990) is amazing because the most badass thing Seagal says in the entire film happens when he’s alone in his bedroom, muttering about taking the evil senator on his TV to the blood bank. And how could we talk about Steven Seagal without mentioning On Deadly Ground (1994), a cautionary tale about corporations destroying the environment that somehow involves Seagal, the good guy, blowing up half of Alaska?

At face value, these movies are tremendously entertaining, but not for the reasons you’d think. Most of the entertainment value comes from Seagal believing he’s a living, breathing legend, even though most of the fight scenes involve him talking tough, running awkwardly, and wiggling his hands around. But if you really want a Steven Seagal punisher that could double as a drinking game, it has to be 2006’s Attack Force.

And what would that drinking game be, you ask? Every time Seagal opens his mouth and it sounds like a Martin Sheen impersonator is dubbing over the dialogue, you take a sip of whatever you’ve got. Be warned: you’ll probably need your stomach pumped if you actually commit to this bit.

I Don’t Even Know What This Movie’s About

As of this writing, I’ve written 1,945 articles for this site, most of them movie reviews. Usually, I’ll knock out a quick summary, talk about the themes, break down intention versus execution, and figure out who the movie is actually for. Attack Force finally broke me. This movie isn’t about anything or for anyone, but I’d be lying if I said I didn’t laugh my face off the entire time I watched it.

To the best of my understanding, Attack Force follows Steven Seagal’s Commander Marshall Lawson, who, as expected, suffers from a terminal case of “Damn, he’s good” syndrome. On this mission, however, a commander is only as good as his team, and his squad gets wiped out almost immediately by a stripper named Reina (Evelyne Armela O’Bami). Marshall, with help from his girlfriend Tia (Lisa Lovbrand), discovers that Reina murdered his team while high on a new party drug called CTX, which Tia co-developed alongside corrupt nightclub owner Aroon (Adam Croasdell).

Though Tia helped create CTX, she wants nothing to do with Aroon’s comically evil plan to taint Paris’ water supply with the drug because it turns anybody who takes it into a bloodthirsty maniac with an insatiable appetite for flesh, or something close to that. There’s a lot of dialogue about animal instincts and violent mammalian impulses, but none of it really clarifies anything. There are also reports that earlier versions of the film involved aliens, so who the hell knows what happened here?

Long story short, Steven Seagal wears these weird talon gloves that let him punch and slash people at the same time, a bunch of people die, and then the movie abruptly ends with zero explanation or closure. I’m trying to make it make sense, but I’m a writer, not a miracle worker.

It Gets Worse

The most insane thing about Attack Force is the sloppy overdubbing. Legend has it that there were so many rewrites after production wrapped that entire chunks of dialogue had to be replaced in post. The problem is nobody was available for reshoots, so a healthy percentage of Seagal’s lines were redubbed by a guy who sounds more like Martin Sheen than the actor he’s supposed to be portraying. We’re not talking about little touch-ups either. There are scenes where Seagal switches between two completely different voices within the same conversation. He’ll start speaking normally, the next few sentences are dubbed over, and then the exchange suddenly snaps back to his real voice like nothing happened.

To add insult to injury, the hand-to-hand combat sequences in this movie are ridiculous. Most of Seagal’s fighting at this point in his career involves him glaring intensely, waving his hands around like he’s performing interpretive dance, and relying on frantic camerawork to disguise the fact that a past-his-prime action star is basically doing the Macarena while people fling themselves across the room after running into him. I wish I was exaggerating, but if you watch Attack Force for any reason, I hope it’s to study these production disasters for the love of the game because the movie has absolutely nothing else going for it.

Attack Force may genuinely be the worst movie I’ve ever seen. I say this as somebody who once gave Buttcrack (1998) a five-star review. At least Buttcrack knows exactly what it is. It’s a bunch of people trying to make the dumbest movie imaginable and somehow landing a distribution deal in the process. I can respect that, and I do respect that. Attack Force, by all appearances, was a legitimate attempt at a sci-fi action thriller, but there’s barely any sci-fi, no thrills whatsoever, and action scenes that feel like they’re on life support waiting for somebody to pull the plug. I respect none of this.

As of this writing, you can stream Attack Force for free on Tubi. Seriously, don’t pay for this one.