Entertainment
Best Show Of The Decade Suffering From The System That's Killing TV
By TeeJay Small
| Published

It’s impossible to deny the impact that streaming services have had on television and film. Beyond simply offering these creations for our viewing pleasure, streaming has changed the way that productions themselves take shape. These days, you’re likely to get eight episodes of a prestige television series once every three years, rather than a 22+ episode season every autumn. While these long gaps can support massive budgets, big name stars, and more intentional writing, they make it difficult to keep up with storylines and develop memorable characters.
We’ve seen this trend negatively impact productions such as Stranger Things, which saw its core cast of lovable young kids sprout into full-blown adults over the course of five seasons. Now, according to a recent write-up from Polygon, it looks like Apple TV’s greatest new series is set to receive the same unfortunate fate. The show in question, Pluribus, likely won’t return for a second season until late 2027, at the earliest.
We’re Not Getting Any Younger

For those not in the know, Pluribus is the latest project from Breaking Bad and Better Call Saul creator Vince Gilligan. The Apple TV original concluded its inaugural nine-episode season in December of 2025, ending with a high-stakes cliffhanger. The series was originally greenlit in September 2022 with a two-season order, prompting many fans to assume that the second season would follow a tight production schedule.
Unfortunately, that doesn’t seem to be the case, as Vince Gilligan has confirmed that the team behind Pluribus has only just begun mapping out the next batch of episodes. While discussing his process with Polygon, Gilligan stated “We are breaking the season. It is not going quite as fast as I would hope, but we’re hoping there’s lots more excitement and twists and turns. And I think we got some dramatic stuff coming up in season 2.”

Later in that same discussion, Gilligan acknowledged the elongated production schedule, joking “we’re looking forward to people seeing it in eight or nine years when we get Season 2 finished.” Luckily, Pluribus doesn’t feature a core cast of young children, so the ticking clock may not be a complete show-killer. Still, it’s disheartening to binge through nine hours of incredible narrative, only to find out you’ll have to wait for two or more years to receive a conclusion.
Great Art Takes Time
Marvel was able to put out Infinity War and Endgame in the span of a year. Parks and Recreation reliably churned out 125 episodes in six years. Now, fans are forced to wait half a presidential term to catch eight new episodes of a show that doesn’t even need a massive special effects budget. With all due respect to the team behind Pluribus, this cheapens the material. Once the episodes arrive, every single moment that doesn’t immediately progress the plot feels like a waste of time.

To give an example of exactly how this trend is killing TV shows, let’s look at Pluribus‘ first season. Episode 7 “The Gap” is one of the most visually stunning journeys ever committed to the small screen. In the episode, a fan-favorite character makes a perilous trek across unknown territory, as the camera lingers and highlights some spectacular scenery. It’s the kind of thing you might see in a nature documentary, or a feature film about the dangers of global warming and the beauty of the untraveled planet.
I’d like to be able to fully enjoy scenes like these. Unfortunately, I was acutely aware of the fact that there were only two more episodes after the journey, and that I’d likely have to wait a very long time to get a real conclusion. As a result, the travel montage made me antsy and left me wondering how the season would wrap up in a satisfying way. In the old days, I’d be able to enjoy multiple filler episodes, bottle episodes, and one-off adventures that contribute little or nothing to the overall plot, because I could remain confident that there would be enough material to keep me hooked for weeks.
Trading Slop For Art

Vince Gilligan himself is no stranger to these tight production timelines. Breaking Bad managed to reliably deliver 13 hour-long episodes each year, culminating in 62 episodes over five seasons. Better Call Saul had a similar trajectory, despite airing through a global pandemic and taking a production break after lead actor Bob Odenkirk suffered a near-fatal heart attack on set. I understand that a sci-fi epic like Pluribus can contain a lot of moving parts, but surely the team behind the show is capable of delivering a batch of episodes under significantly less tumultuous conditions.
The good news is, Pluribus is very, very good. I’ll still be thinking about the show and open to rewatching it when the new episodes do finally filter through. The point is, this trend of taking multiple years to deliver brief seasons is killing TV, because most other shows simply don’t provide the same value. If you’re not Vince Gilligan, you probably shouldn’t get comfortable joking about this sort of thing, because it might leave your show dead in the water.
Entertainment
NASA video shows how much ground a Mars rover has covered, literally
When NASA makes a new timelapse video, it’s not for reminiscence or clout chasing on the Internet.
The U.S. space agency recently pulled together images from Curiosity, one of its two robotic rovers on Mars, for a scientific purpose. The two-minute video provides a quick succession of clips spanning six years of exploration at Gale Crater. Each image shows the rover ambling over crumbling lithic landscapes as it slowly climbs Mount Sharp, which rises three miles above the basin floor.
The montage isn’t just an intriguing look back on the mission, but a tool for the rover’s science team. Using views from Curiosity’s right navigation camera, mounted on its head, the researchers analyze the sand grains shifting on the rover’s deck.
You can watch the Martian dust churn in the rover’s treads in the Instagram post below. (The Lenny Kravitz soundtrack, though not for science, certainly adds to the appeal.)
“Distinguishing between sand jostled by each drive and wind gusts can provide new information about seasonal changes in the atmosphere,” the agency said.
Curiosity took these images between Jan. 2, 2020, and March 8, but the rover’s journey began long before that. After eight months and 352 million miles flying through space, the rover landed on Mars on Aug. 5, 2012. Its mission: Find out if this smaller neighboring world ever had conditions to support living creatures.
Mashable Light Speed
NASA’s question was answered rather quickly. Within a year, the rover had drilled a rock sample from a long-gone lakebed and confirmed the region had the right chemistry for habitation in its ancient past, as well as potential nutrients for microorganisms.
Since then, the rover has continued to study the alien environment using its internal chemistry lab. A recently published study revealed the rover detected 21 different organic molecules in a small rock sample, the largest set found on the Red Planet so far. Among the findings, Curiosity discovered preserved complex carbon material. Life could have produced them, though NASA can’t say for sure, as chemical reactions between water and rock could also create these molecules.
As scientists monitor the shifting sand for clues about Mars’ seasonal changes, engineers keep a close eye on how that dust and debris put wear and tear on the vehicle. Almost since the beginning of the journey, the team has noticed sharp rocks in the terrain ravaging Curiosity’s wheels, even causing punctures.
Before the rover’s sibling launched, NASA went back to the drawing board. Engineers built Perseverance with hardier wheels made from thicker aluminum. Each wheel is powered by its own motor and can turn in a full circle, allowing it to dodge and swerve around hazards more easily.

Engineers inspect damage to Curiosity’s wheels on Mars on April 18, 2016.
Credit: NASA / JPL-Caltech / MSSS
But to help the elder rover, NASA has problem-solved alternative techniques, such as driving in reverse. Software engineers also provided upgrades that gave Curiosity’s team more control over individual wheel speeds to reduce the force of jagged rocky surfaces. Those efforts have kept the rover trucking, which has traveled 23 miles on Mars.
Wheel damage isn’t the only concern in the harsh conditions on Mars. Many a mission has succumbed to the effects of blustery Martian winds, which kick up dust that then settles on solar panels.
Such was the fate of Curiosity and Perseverance‘s predecessors, Spirit and Opportunity, who died from dust choking their vital power sources.
Entertainment
Smutty Netflix Movie Has Women Dating Hairy Beasts For Kink And Comedy
By Chris Snellgrove
| Updated

I’m married to an amazing gal with a passion for literature. Not just any literature, but romantic literature, often of the smutty variety. Through her, I discovered the Monster Romance genre, which is exactly what it sounds like.
Some women like to fantasize about bad boys; about hooking up with a monstrous man with the deliciously dangerous thought, “I can fix him.” Other women want to cut out the literal middle man and simply get with the monster. There’s now a growing number of monstrous erotica books and even films, including Guillermo del Toro’s hilariously horny Frankenstein.
When I first saw the trailer for Your Monster, I thought it was going to be a straightforward adult picture. You know: watching the cute gal from Scream (Melissa Barrera) get with a fuzzy hunk straight out of DeviantArt. To my surprise, though, this was less 50 Shades of Grey Fur and more like Black Swan meets Beauty and the Beast. One part romantic drama, one part psychological thriller, and one part creature feature comedy horror, Your Monster is one of the most original films of the last decade. If you want to experience the ultimate intersection of kink and comedy, you’re in luck: Your Monster is now streaming on Netflix.
Babes, Beasts, And Boinking

Your Monster is about an actor (played by Melissa Barrera) whose life is falling apart. Shortly after she is diagnosed with cancer, she is dumped by her playwright boyfriend (played by Edmund Donovan). Moving back into her childhood home, she discovers there is a literal Monster (played by Tommy Dewey) living in her old closet. The two form a bond that eventually turns romantic, but the sick actor is still pining for her old boyfriend and her old life. But when she discovers he is now directing the play she helped him develop and has given the role written for her to another woman, our protagonist’s entire life begins to unravel.
Despite what the title and even the cover of Your Monster imply, there isn’t that much explicit monster intimacy in this movie. Instead, the movie explores some crunchy philosophical questions, like “what does it mean to actually be a Monster?” The fuzzy guy in our hero’s closet is beastly on the inside, but he proves himself to be a well-spoken, highly cultured gentleman over time. Meanwhile, our protagonist’s former boyfriend has the face of a man, but he makes a number of decisions (like breaking up with his girlfriend after her cancer diagnosis and icing her out of the play she helped write) that are downright monstrous.
The Drama, The Trauma

The movie plays with this concept in different ways, all of which lead to a jaw-droppingly weird climax. Without spoiling the bonkers ending, I’ll just say that Your Monster increasingly explores the idea that people are not divided into a strict binary of, say, monstrousness and humanity. Everybody has both a noble spirit and an inner savage, constantly at war with one another for dominance. The movie’s thesis is that this is a form of psychological self-defense: if we aren’t willing to act like a monster towards those who hurt us, the film says, we will never escape the cycle of pain caused by our abusers.
Your Monster is a powerhouse creative effort from Caroline Lindy, who wrote and directed the film. Previously, she was mostly known for movie shorts, including provocative titles such as Aspirational Slut. Previously, she directed a short called Your Monster, and the film of the same name is a larger and more ambitious version of that same basic story. The 2024 Your Monster is Lindy’s feature film debut, and it’s very impressive: on Rotten Tomatoes, it has a 79 percent critical score and an 85 percent critical score. With her ability to weave such an original concept into such a startlingly cohesive meditation on love and romance, Lindy clearly has an awesome career ahead of her.
Monstrous Chemistry

In addition to its rockstar director, Your Monster had a secret weapon: the chemistry between its two leads. Melissa Barerra and Tommy Dewey are incredibly believable as the world’s oddest couple: she’s all vulnerability masking intense inner strength, and he’s all soft boy support hidden behind a veneer of outward ferocity. Each of them wears a kind of mask when dealing with the rest of the world, and like in all great relationships, they are able to take the masks off when they are with each other. As an added bonus, each is a very funny actor, and the characters’ weird, dark humor forms the beating heart of the most unconventional relationship in cinematic history.
Thanks to the Star Wars Sequel Trilogy (looking at you, The Last Jedi), moviegoers are understandably worried when they hear how a film “subverts our expectations.” However, it’s true (all of it!): the best thing about Your Monster is how it subverts your every expectation for the better. I expected plenty of boinking beasties and instead got an emotional roller coaster of a film that made me laugh and cry, usually at the same time. All of this culminates in a shocking final scene that will haunt me (in the best possible ways) until the day I head towards that big cineplex in the sky.

Fortunately, you don’t have to head to the Cineplex to experience Your Monster. Heck, you don’t even need to head into your dusty childhood closet. All you have to do is stream it on Netflix to experience three different kinds of films (romance, horror, and comedy) jammed into one furry package. If nothing else, it’s worth watching this quirky episode to discover the definitive answer to TikTok’s most-debated topic: why women would rather be alone in the woods with a bear than a strange man. Why do they all “choose the bear?” Just watch Your Monster, and you’ll never ask again!

Entertainment
Netflix Has Emma Stone's New Rated-R Sci-Fi Movie, It'll Turn You Inside Out
By TeeJay Small
| Published

If you’re into weird, trippy movies with complex characters, twisted conspiracies, and some overarching sci-fi elements, you’re probably already a fan of Greek filmmaker Yorgos Lanthimos. Lanthimos’ oeuvre includes The Lobster, The Killing of a Sacred Deer, and Kinds of Kindness, just to name a few. While each of these films offers a mind-bending adventure, none has turned my head inside out quite like his latest, Bugonia, now streaming on Netflix.
Bugonia stars Emma Stone as a ruthless CEO of a massive pharmaceutical conglomerate. Fresh off a slew of bad press for suppressing workers’ rights, Stone’s Michelle Fuller goes above and beyond to present the image of a caring, easygoing boss. She encourages her employees to take time for their mental health and leave early, while subtly implying that doing so would mean risking their jobs. She’s your run-of-the-mill billionaire monster.

As Fuller goes about her daily routine, we are introduced to conspiracy theorist Teddy Gatz, played expertly by Breaking Bad‘s Jesse Plemons, and his cousin Don, portrayed by newcomer Aidan Delbis. Teddy, like many real-life viewers at home, is a disenfranchised wage worker who has fallen down a deep rabbit hole of online alien conspiracies. He has come to believe that a race of alien creatures has assimilated into Earth’s population, disguised themselves as corporate elites, and subjugated the world through a series of telepathic commands.
Bugonia really picks up when Teddy and Don kidnap and imprison Michelle in their basement, believing her to be a member of the alien race. Based on information they’ve collected in insulated internet chatrooms, the duo shave her head, chain her up, and slather her entire body with antihistamine lotion. They believe these measures will prevent the CEO from utilizing her mind-control powers or contacting her alien mothership for backup.

From there, most of Bugonia centers on Michelle as she attempts to escape from her captors by any means necessary. She tries to enlighten the kidnappers with logic and deprogram their conspiracy-addled minds. She even tries leaning into the conspiracy and promising that she’ll bring them into contact with her alien superiors if they let her go. The whole time, Teddy and Don are taking measures to prevent themselves from being manipulated by Michelle, by chemically sterilizing themselves and taking prescription drugs against label instructions.
Bugonia is an absolute wild ride from start to finish, and one that I simply couldn’t pry my eyes away from. Everything from Emma Stone’s spectacular leading performance to the quirky, bizarre writing to the occasional mind-bending twist kept me on the edge of my seat, constantly questioning the film’s reality. By my estimation, it’s the perfect conspiracy movie for a post-Epstein list world, where even the most twisted conspiracies don’t seem as ridiculous as they did five or ten years ago.

If you get the chance to catch Bugonia on Netflix, don’t miss it. Just be sure to throw away everything you think you know before going in, or you just might find yourself manipulated by a race of malevolent alien overlords.

