Entertainment
A Safe Distance review: Dont overlook this sexy, sapphic thriller
With no big stars, no flashy elevator pitch, and no provocative title, A Safe Distance might well get overlooked at its world premiere out of the 2026 SXSW film festival. And that would be the world’s loss. Written by Aidan West, A Safe Distance is a lean and scintillating thriller that wears its influences — the works of Patricia Highsmith — on its sleeve without apology. The feature directorial debut of Gloria Mercer, this film is slippery, seductive, and smartly titillating.
Like any psychological noir worth the price of salt, A Safe Distance begins in medias res, with a gunshot boom and a spatter of blood across a woman’s face. In the woods, she and another woman, also marked with blood, walk quietly to a river and wash away the signs of violence. Who are they? And how did they get here? Where did the blood come from?
By hooking us with the promise of a shocking murder, A Safe Distance begins as a mystery before leaping back in time to a seemingly mundane camping trip. What follows, however, is the kind of fateful meeting that is the stuff of Highsmith novels like The Price of Salt, The Talented Mr. Ripley, and Strangers on a Train. When strangers meet, anything is possible, including love and murder.
A Safe Distance dares to tread the path less traveled.
The story begins with a thirtysomething couple, Alex (Bethany Brown) and Joey (Chris McNally), celebrating their eighth anniversary with a camping trip in a sprawling forest. It should be romantic, but beneath her pleasant exterior, Alex seems bored. When Joey turns a cliffside hike into a cringingly clichéd opportunity to propose, she’s not enthusiastic; she’s repulsed. Dejected, he abandons her in the woods, which is when she meets Kianna (Tandia Mercedes) and Matt (Cody Kearsley).
This couple is everything Alex and Joey are not. They are young, unconventional, and uninhibited. Alex feels lighter and more free just being in their company. At first, it might seem they’re part of the Gen Z van-life community. But before long, Alex realizes they’re not just living off the grid, they’re bank robbers on the run. And far from being fearful, she’s fascinated.
Abandoned by her banal boyfriend, not expected back at her HR job for days, and now in the hands of a pair of armed and dangerous criminals, a new world of possibilities falls before her. What could life look like if she just didn’t go home? Turned on by their devil-may-care attitudes, she’s in their thrall sexually and psychologically. Firing a gun for shooting practice becomes as thrilling as a ménage à trois. But how long can this criminal bliss last?
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A Safe Distance evolves into a sapphic romance with crackling chemistry.
Unmistakably, both Matt and Kianna are into Alex. There’s an electrifying excitement as their desire becomes a three-way flame for a steamy sex scene. But Matt soon becomes less intriguing and more tedious. Tossing his long, shiny hair and flexing his muscles, he monologues about feminism and society with a gnawing arrogance that feels like he’s pitching a podcast. So it’s little surprise when Alex brushes off his advances for a stolen kiss, and Kianna grows visibly irritated with his presumptions about his own prowess as a thief.
Stolen glances and conversations about the books of Patricia Highsmith point to where A Safe Distance is headed. I mean, two women sharing a picnic blanket, talking about the brilliance of The Price of Salt (which Todd Haynes adapted into the sumptuous queer romance Carol) is anything but subtle. But it’s not meant to be. It’s these women’s version of passing a note in class that essentially says, “I like you, do you like me? Check yes or no.”
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Brown and Mercedes are superb in these scenes. While their characters each try to maintain a facade of aloof cool, their conversation oozes with vulnerability and hopefulness. Like Highsmith’s heroes, villains, and antiheroes, they fall fast and unstoppably for a life path that society might reject as deranged, dangerous, or wicked. The dream of being not Bonnie and Clyde but Alex and Kianna is clear and glittering as they pull off an impromptu robbery at a random convenience store. Of course, Matt bristles at being left out.
From there, the heat and tension builds, promising an eruption that we know will end in blood. But whose? That question pulls the final act into a place of dizzying anxiety and anticipation. It’s a threesome turned love triangle turned deadly dance, and who will be left standing might seem obvious. But A Safe Distance has solid surprises in store.
Cheers to West and Mercer, for this is a spectacular example of smart, sexy, and satisfying indie cinema. Their locations are modest. Their production design is mostly a forest. They have only a handful of characters, and no big names to boost the production’s profile. So they lean into sharp storytelling, intoxicating chemistry, and a lean runtime of 85 minutes. A Safe Distance is terrifically paced, unapologetically alluring, and psychologically exciting, making this thriller a salty, twisted treat. The allusions to Highsmith could have hurt the film if it weren’t such a solid homage to her storytelling style. Instead, it’s easy to see Alex and Kianna among the ranks of Tom Ripley or Carol Aird, figures driven by their desires, for better or worse. And by damn, don’t we love them for it?
A Safe Distance was reviewed out of the 2026 SXSW Film Festival.
Entertainment
OpenAI rolls out ChatGPT 5.5 Instant as the new default model for everyone
Last week, OpenAI managed to stop ChatGPT from talking about goblins all the time. This week, there’s a whole new model for users to play with.
The company announced in a blog post on Tuesday that ChatGPT 5.5 Instant has begun rolling out to all users as the new default model for the popular AI chatbot. The new model is a follow-up to GPT 5.5, which was released in April.
GPT-5.5 Instant replaces 5.3 Instant, which will remain available for the next three months for paid users but will otherwise be sunsetted.
Unlike Claude Opus 4.7 from Anthropic and GPT-5.5, which are only available to paid customers, GPT-5.5 Instant is “available to everyone.” OpenAI says it should produce fewer hallucinations and better overall results for everyday ChatGPT usage.
“This update makes everyday interactions more useful and more enjoyable: stronger and tighter answers across subject areas, a more natural conversational tone, and better use of the context you’ve already shared when personalization can help,” OpenAI’s blog post said.
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According to OpenAI, GPT-5.5 Instant produced 52.5 percent fewer hallucinated claims in internal testing than GPT-5.3 in “high stakes” topics like law, finance, and medicine. In addition, the new model “reduced inaccurate claims by 37.3% on especially challenging conversations users had flagged for factual errors.”
The company also says the new model is better at deciding when to use web search for a prompt and analyzing image uploads than before. The new model is also allegedly more concise in its answers, while also maintaining something of a personality in how it talks to the user. GPT-5.5 Instant should also be better at understanding and referencing context from a connected Gmail account and other integrations to provide quality answers.
And, again, most importantly, it should avoid mentioning goblins unless absolutely necessary.
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Disclosure: Ziff Davis, Mashable’s parent company, in April 2025 filed a lawsuit against OpenAI, alleging it infringed Ziff Davis copyrights in training and operating its AI systems.
Entertainment
The Bears Gary cliffhanger explained: What just happened to Richie?
There’s only one thing more shocking than The Bear dropping surprise episode “Gary,” and that’s the ending of the episode itself.
Written by The Bear stars Ebon Moss-Bachrach and Jon Bernthal, “Gary” flashes back to a work trip Richie (Moss-Bachrach) and Mikey (Bernthal) once took to Gary, Indiana. Their worst impulses soon derail their mission, culminating in Mikey drunkenly (and publicly) dressing down Richie’s penchant for fucking up, and Richie missing the birth of his daughter.
The entire episode takes place long before The Bear Season 1, except for one somber coda that could have massive repercussions for The Bear Season 5. “Gary”s final scene cuts from Richie and Mikey sitting in Mikey’s car to Richie sitting alone in his car in the present day. He stares at his empty passenger seat, reminiscing about Mikey. Then, as he pulls forward into an intersection, another car careens straight into him. Cue the credits, along with my incredulous yell, “Did Richie just die?”
So, did Richie really just die in The Bear?
Ebon Moss-Bachrach in “The Bear.”
Credit: FX
Here’s the thing: The Bear probably isn’t going to kill off Richie, one of its most beloved leads, during a surprise episode that dropped between seasons. Especially not when the show is gearing up for its fifth and final installment. However, Richie’s car crash could be the major event that sets Season 5 in motion.
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At the end of Season 4, Carmy (Jeremy Allen White) quit The Bear, choosing to step away from the kitchen in the hopes of healing himself. He turned full control of the restaurant over to Sydney (Ayo Edebiri), along with Richie and Natalie (Abby Elliott). What does Carmy’s upcoming journey of self-discovery look like? Even he’s not sure. He just knows it should take place far, far away from the stressful environment of any restaurant kitchen. That includes his family, both work and blood-related.
But you know what could bring Carmy back into the fold in Season 5? A need to be there for an injured Richie, and to support the rest of the reeling restaurant staff. Basically, the end of “Gary” appears to be a bridge to the start of Season 5, and the catalyst that will reunite Carmy with the people he walked away from in Season 4.
It’s a bit of a bizarre move on The Bear‘s end, in no small part because a car-crash cliffhanger sends the show skidding into soap territory. But it’s also a strange choice heading into Season 5. Why relegate such a key incident to a standalone episode, instead of keep it as part of the season itself? Plus, in tacking such a shocking moment onto the end of “Gary,” the episode loses some of its power. Instead of leaving viewers contemplating Mikey and Richie’s dynamic, they’re left with the WTF factor of the car crash and questions about what’s next. There’s no meditation on The Bear‘s past, just a collision with its future.
“Gary” is now streaming on Hulu. The Bear Season 5 premieres this June on Hulu.
Entertainment
Pennsylvania is suing Character.AI for allegedly practicing medicine without a license
Pennsylvania has taken the unusual step of suing an AI company for practicing medicine without a license.
In a lawsuit filed May 1, the state is targeting Character.AI after an investigator found a chatbot on the platform posing as a licensed psychiatrist and providing what the state characterizes as medical advice.
According to the complaint, filed by the Pennsylvania Department of State and State Board of Medicine, a Professional Conduct Investigator for the state created a free account on Character.AI and searched for psychiatric characters. He selected one called “Emilie,” described on the platform as a “Doctor of psychiatry.”
The investigator told Emilie he had been feeling sad, empty, tired, and unmotivated. The chatbot mentioned depression and offered to conduct an assessment to determine whether medication might help.
When pressed on whether she was licensed in Pennsylvania, Emilie said she was and even provided a specific license number. The state checked and found that the number doesn’t exist.
The complaint also states Emilie claimed she attended medical school at Imperial College London, has practiced for seven years, and holds a full specialty registration in psychiatry with the General Medical Council in the UK.
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In a similar case, 404 Media reported last year that Instagram AI chatbots were pretending to be licensed therapists, even inventing license numbers when prompted for credentials by the user.
Pennsylvania is seeking an injunction ordering Character.AI to stop allowing its platform to engage in the unlawful practice of medicine. The company has more than 20 million monthly active users worldwide and hosts more than 18 million user-created chatbot characters, according to the complaint.
In an email to Mashable, a Character.AI spokesperson declined to comment on the lawsuit. Further, they added that “our highest priority is the safety and well-being of our users. The user-created Characters on our site are fictional and intended for entertainment and roleplaying.”
The spokesperson added that the company “prioritizes responsible product development and has robust internal reviews and red-teaming processes in place to assess relevant features.”
A much bigger legal battle looms over AI health
The Pennsylvania lawsuit lands in the middle of an already messy legal debate over what AI is actually allowed to tell you — and whether any of it is even admissible in court.
As Mashable’s Chase DiBenedetto reported, OpenAI CEO Sam Altman has publicly advocated for “AI privilege,” arguing that chatbot conversations should be afforded the same legal protections as conversations with a therapist or an attorney. Courts have so far been split, with two federal judges reaching opposite conclusions on the question within weeks of each other earlier this year.
The stakes are high on both sides. Legal experts warn that sweeping AI privilege protections could effectively shield companies from accountability, making it harder to subpoena chat logs and internal records when something goes wrong. Meanwhile, health AI is booming — $1.4 billion flowed into healthcare-specific generative AI in 2025 alone, according to Menlo Ventures — and much of it operates outside of HIPAA protections.
Pennsylvania is one of several states to have introduced an AI Health bill this year, following a trend of states that aren’t waiting for Washington to act.
OpenAI rolls out ChatGPT 5.5 Instant as the new default model for everyone
Marc Lore says that AI will soon enable anyone open a restaurant
