Entertainment
Warner Bros. Secretly Knew Supergirl Would Bomb
By Chris Snellgrove
| Published
Last year’s Superman was a monster hit that proved the DCU was ready and able to compete with Marvel. That movie was directed by James Gunn, the man who brought us amazing superhero cinema like Guardians of the Galaxy and The Suicide Squad. The fact that he’s running the DCU instilled confidence in fans all around the world. That’s why the failure of Supergirl took audiences by surprise. It was the spinoff of last summer’s biggest movie, written and directed by a team hand-chosen by Gunn, so it seemed destined to be another superpowered hit. Instead, the movie was an instant critical and commercial flop, one likely to lose the studio $125 million.
As it turns out, that was a shock to everyone except for the studio. The Hollywood Reporter has exclusively revealed that Supergirl had a troubled production for many months, one that involved creative clashes between Gunn and director Craig Gillespie. Warner Bros. apparently had very little faith in Gillespie, whose movie consistently received middling scores from test audiences. Eventually, the studio created its own cut of the movie, which is actually the version that hit theaters!
A Tale Of Two Cuts
Buckle up, buckaroos: we finally have some answers to why Supergirl bombed, and this is one wild ride. The first sign that the movie was in trouble was when Warner Bros. ordered four different sets of test screenings. Such screenings are often an indicator that the studio isn’t confident in the film they have made. Apparently, they had reason to be worried: one insider told The Hollywood Reporter that the highest the movie ever scored on the initial screenings was a 70. The rest of the insiders insisted that Supergirl’s score never escaped the 60s.
The studio continued to tweak the movie, and in some low screenings, it received scores in the very low 70s. However, Warner Bros. was still nervous, and they took drastic action by creating their own cut of the movie (something that had previously happened with the original Suicide Squad movie). The studio then tested their cut of the film against Craig Gillespie’s. The results were mixed: the new scores were now lower across the board. However, the Warner Bros. cut of Supergirl scored a whopping two points higher. The studio cut of the film is the one that fans ultimately saw in theaters.
Faith No More
This was, of course, the clearest sign that Warner Bros. had lost faith in Gillespie. After they finished testing (where Supergirl received similar scores to Batgirl, a movie the studio ultimately shelved), a source told The Hollywood Reporter that he had to strongly and personally advocate for any changes he wanted to make to the film. Those changes would have been made during the movie’s extensive post-production process. During that time, frequent James Gunn collaborator Jeremy Slater was brought in to write additional scenes, all of which were shot during nine days of additional photography.
How were the two cuts different? Craig Gillespie’s cut was 11 minutes longer and fleshed out the Big Bad, Krem, who is underdeveloped in the final cut. Gillespie and Gunn also had different opinions on how to use music in the film. The studio cut has a cover of Jimmy Eat World’s “The Middle” (made famous by Malcolm in the Middle) during its climactic fight scene, which may have been Gillespie’s idea. An earlier cut used a cover of Cyndi Lauper’s “Girls Just Want to Have Fun,” which was reportedly Gunn’s idea. However, it’s unclear which song Gillespie put in his cut. Aside from added length and possibly different music, it sounds like the two Supergirl cuts were largely similar.
So, the moral of this storyisn’t that there’s a killer, Snyder Cut-like version out there that is dramatically different. No, the moral is that Supergirl was a hot mess from the very beginning, with James Gunn and Craig Gillespie butting heads over major creative decisions. The result was the worst of both worlds, a Gunn-style film but without the charm or the same biting humor. Warner Bros. knew for many months how bad this film was scoring with test audiences, and they ended up overriding Gillespie and forcing their own cut down our throats. Now, they have a box office bomb whose slow death may just take the entire DCU with it.
Entertainment
July 4th fireworks livestreams: See the best Fourth of July fireworks live
Happy 4th of July, America. This year’s Independence Day celebrations are a little extra special as we celebrate the United States of America’s 250th birthday.
Across the country, many people will spend the day at the beach or at a barbecue, capping the night off with a fireworks display. But, if you’re spending the night indoors, there are still plenty of ways to celebrate with an array of July 4th fireworks livestreams.
Macy’s 4th of July Fireworks
Perhaps the most well-known of the Independence Day celebrations is the Macy’s 4th of July fireworks. If you live in NYC, you can catch them live. Otherwise, you can tune into NBC or Peacock at 8 p.m. on July 4th to watch the show.
While the U.S. is celebrating its 250th, Macy’s 4th of July Fireworks is also celebrating a milestone with its 50th anniversary this year.
PBS’s America Made in Virginia: 250 Years Together
While many of the livestream options on this list will require a paid subscription to a particular streaming platform, PBS is airing its 4th of July special on YouTube for absolutely free.
America Made in Virginia: 250 Years Together will start at 8 p.m. on July 4th and culminate in a fireworks and pyrotechnics display from Colonial Williamsburg.
Mashable Top Stories
Disney Celebrates America
Disney is also getting in on the 250th anniversary of the United States celebrations with its own event.
Disney+, Hulu, and the ESPN app will stream a 24-hour broadcast called “Disney Celebrates America” that checks in on 4th of July celebrations around the country, which will ostensibly include at least a few fireworks displays. The grand finale, Star-Spangled Bash in Nashville, will also be hosted by ABC and deliver one of the country’s largest fireworks and drone shows.
The broadcast kicks off at 10 p.m. on Friday, July 3rd, with the main event out of Nashville starting at 8 p.m. on July 4th.
Freedom 250 fireworks display
There’s been a lot of controversy surrounding President Donald Trump’s own Freedom 250 group, set up to lead Trump’s 250th anniversary celebrations. You’ve probably seen the memes about the lackluster attendance for Trump’s Great American State Fair all week.
With that said, Freedom 250 is claiming they’re about to have a record-breaking 40 minute long firework display on the 4th of July with more than 850,000 fireworks. And, according to the group, the MonumentCam atop the Washington Monument will be the premier free-to-watch livestream to watch it all.
The Great American Block Party 250
Paramount+ and CBS are hosting their own 3-hour Independence Day special at 8 p.m. on July 4th.
Like Disney’s, the show will check in on 4th of July celebrations and firework displays from around the country. The broadcast will also culminate in their own feed of Freedom 250’s Washington, DC, fireworks display.
Entertainment
The '90s Dark Sci-Fi Thriller Cult Classic Saved By Its Director's Cut
By Jason Collins
| Published
The removal of content from streaming, or the absence of definitive versions, underscores the importance of media preservation. That now applies to Dark City, the 1998 neo-noir sci-fi thriller about an amnesiac man trying to recover his identity while hunted for a series of murders. The theatrical cut is available to stream for free, but if you want to watch the superior Director’s Cut, you’ll have to rent or purchase the title on-demand.
A Dystopian City Ruled By The Strangers
Dark City’s narrative is set in a dystopian city that is perpetually shrouded in darkness and controlled by a mysterious group known as the Strangers, beings that possess the ability to alter reality and reshape the city and its inhabitants’ memories at will.
The protagonist, John Murdoch (Rufus Sewell), wakes up with no memories and finds himself accused of murder, which sets him on a quest to uncover his past and the city’s darkest secrets and horrifying truths about his reality and Strangers’ manipulations.
Dark City Was Doomed At The Box Office
Dark City’s theatrical release was marred by studio interference from New Line Cinema, which diluted its thematic complexity and sense of mystery. Most notably, the studio insisted on an opening narration that prematurely explained many of the film’s biggest reveals, undercutting its suspense and intrigue.
Coupled with a marketing campaign that failed to convey the film’s unique blend of noir and sci-fi accurately, these interventions contributed to its initial lack of success among critics and audiences.
How The Director’s Cut Saved The Film
Something similar happened with Highlander II: The Quickening, which was also nearly completely ruined by its production studio, investors, and completion bond company. However, similar to Highlander II, Dark City was also saved by its Director’s Cut edition by removing the opening narration and restoring the film’s intended sense of mystery. The added scenes also deepened character development and clarified the narrative further, which significantly improved the audiences’ perception of the movie.
The added changes to the film transformed Dark City from a misunderstood gem into a cult classic that’s now appreciated for its bold narrative and visuals. Not to mention that some of its themes, such as the loss of individuality and the manipulation of reality, have become more relevant with time, particularly now, with the rising concerns about technology and privacy.
Without The Director’s Cut, It Might As Well Be Radio
The improvement introduced with the Director’s Cut propelled Dark City into a Certified Fresh rating on Rotten Tomatoes. As of this writing, the film has a 78 percent critical score against an 85 percent approval rating on the Popcornmeter.
Yet, despite its acclaim, the definitive version remains relatively inaccessible. While the theatrical cut is available to stream for free on Tubi, the superior Director’s Cut is still locked behind on-demand purchases, making the film’s best version harder for casual viewers to discover.
Despite its immense quality, Dark City continues to elude many viewers because the version most deserving of its cult reputation isn’t the one most people are likely to stumble across.
Entertainment
The 2000s Sci-Fi Space Adventure Epic That Destroyed An Entire Studio
By Charlene Badasie
| Published
Titan A.E. is an animated sci-fi action adventure directed by Don Bluth and Gary Goldman. Released in 2000, it was a major project for Fox Animation Studios. But despite its ambitious scope and visual appeal, the film was a commercial failure, earning $36.8 million at the box office against a budget of almost $90 million. So, the studio closed its doors, and the movie became infamous as a result.
Leaving In The Titan
Titan A.E. tells the story of a young man named Cale Tucker (Matt Damon) who is tasked with saving humanity after a hostile alien species destroys Earth. The movie begins in 3028 when The Titan Project becomes the target of a hostile alien race called the Drej. Made of pure energy, the aliens fear that the ambitious Earthly undertaking will allow humans to challenge their power.
The Drej eventually launch a massive attack on Earth, forcing humans to evacuate the planet. Amid the chaos, Professor Sam Tucker (Ron Perlman) leaves his son Cale with his alien friend Tek (Tone Loc).
Before leaving in the Titan spaceship, Sam gives Cale a gold ring and tells him that as long as he wears it, there will be hope for humanity. Over a decade later, Titan A.E. finds the surviving humans living as refugees without a home planet.
Meanwhile, Cale has become jaded and works in a space station salvage yard. Former military officer and trusted companion of Cale’s father, Joseph Korso (Bill Pullman), finds Cale and reveals that the whereabouts of the Titan are hidden in his ring.
Becoming Fast Friends
Upon activating it, a holographic map opens. Korso asks Cale to accompany his crew to Valkyrie so they can search for the Titan together. Cale agrees and becomes fast friends with pilot Akima Kunimoto (Drew Barrymore) and three alien crew members, including first mate Preed (Nathan Lane), weapons officer Stith (Janeane Garofalo), and scientist Gune (John Leguizamo).
Using Cale’s map, they reach the planet Sesharrim, where the Gaoul reveals the Titan’s location. But everything is not as it seems in Titan A.E., as the map often changes. The crew of the Valkyrie is also faced with various challenges, including a kidnapping and a shocking betrayal that takes the story to a new level.
The Deathblow To Fox Animation Studios
Originally planned as a live-action movie named “Planet Ice,” Titan A.E. was brought to life as an animated feature due to the high costs of the visuals.
Ben Edlund penned the initial script, with John August handling re-writes. With a budget of $55 million and 19 months to complete after $30 million had already been spent on pre-production, much of the animation was computer-generated, with traditional animation used for the main characters. Despite various setbacks, like studio cutbacks and executive changes, the film was released in 2000.
However, the closure of Fox Animation Studios shortly after hindered its promotion and distribution. In fact, cutbacks at the studio during the making of Titan A.E. were largely responsible for the movie underperforming. It kind of all went wrong at once here.
Still, Titan A.E. made almost $9.4 million in its opening weekend, ranking fifth behind other popular films. However, its audience dropped by 60 percent the following weekend.
Streaming Titan A.E.
Titan A.E. received mixed reviews from critics and currently holds a 51 percent approval rating on review aggregator Rotten Tomatoes alongside a 61 percent audience score.
The movie’s DVD release featured extras like commentary by the directors, deleted scenes, and a music video. Titan A.E. is available via various video-on-demand platforms such as YouTube, Apple TV+, Amazon Prime Video, and Fandango at Home.
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