Entertainment
That wild Scarpetta ending, explained
After eight time-jumping, case-blending episodes, Scarpetta ends with a bang. Well, more of a bludgeon.
The Prime Video series based on Patricia Cornwell‘s books — namely, the first Dr. Kay Scarpetta book, Postmortem (1990), and Autopsy (2021) — finishes up its first season with some answers, but then leaves major question marks and red herrings flapping about in the air.
Let’s get into what happened, what Scarpetta (Nicole Kidman/Rosy McEwen) found out, and what burning questions we have for Season 2 (which Amazon has confirmed is coming). Obviously, spoilers ahead.
Who is killed in Scarpetta?
Nicole Kidman as Scarpetta.
Credit: Connie Chornuk / Prime
Scarpetta could have really given us more information about the murder victims.
In 2026, there are two women murdered: Gwen Hainey, biomedical engineer at Thor Labs, who was selling U.S. biotech secrets to Russia, and runner Cammie Ramada, whose death was ruled as “accidental” despite being anything but.
In 1998, there are five women murdered: ER surgeon Lori Petersen’s killing begins the series, after the murders of Cecile Tyler, Brenda Steppe, and Patty Lewis. Then, journalist Abby Turnbull’s (Sosie Bacon) sister, Hannah, is also murdered.
Who is the killer in Scarpetta?
Jake Cannavale as Pete Marino, Rosy McEwen as Dr. Kay Scarpetta.
Credit: Connie Chornuk / Prime
There are two killers in Scarpetta, one in the past and one in the present.
1998 killer: Roy McCorkle
Through glittery government soap and emergency call records, ’90s Scarpetta figured out the identity of the serial killer she, homicide detective Pete Marino (Jake Cannavale), and FBI profiler Benton Wesley (Hunter Parrish) had been investigating. The killer is Roy McCorkle (Martin De Boer), a local 911 dispatcher who had chosen his victims based on their voices.
2026 killer: August Ryan
In the present, the murderer is revealed to be a copycat. Officer August Ryan, the braces-wearing cop Scarpetta has worked with since the ’90s murders, is the killer of Gwen Hainey and Cammie Ramada.
Scarpetta first meets Officer Ryan at the murder scene of Lori Peterson in Berkley Heights in 1998. “I was never the first on a scene before, of a grisly murder,” he tells her, visibly affected by the violence. This murder ignited Ryan’s penchant for violence but his traumatic past also played a part (more on that below). Later, at the scene of McCorkle’s death, Ryan calls him a “murdering bastard,” and scorns “what he did to those women,” despite those being actions he will repeat 28 years later.
In 2026, Ryan is the first person Scarpetta talks to at the crime scene where Gwen Hainey is found in episode 1. Ryan leads Scarpetta to the victim, pretending to have just encountered the scene he created. Ryan then meets Scarpetta and Marino at the condo where Gwen Hainey was attacked — he even smugly declares that he “found” the murder weapon and reports that Matt Peterson’s fingerprints are all over it (Lori Peterson’s husband, the main suspect of the 1998 murders), which sends Scarpetta and Marino off course. In episode 4, Ryan does it again, leading medical examiner Dr. Debbie Kaminsky (Ashley Shelton) to Cammie Ramada’s body, a crime scene he also created.
Motive? “I did it to impress just the right gal,” Ryan says in the finale, referring to Scarpetta herself.
What’s with the 3D-printed organ business?
In Scarpetta, Thor Labs is a tech company that 3D prints human organs. And though the storyline goes off on a tangent with dead astronauts, the most important thing is that the company links the murder victims in 2026.
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Gwen Hainey and Cammie Ramada both bear skin grafts, pieces of biosynthetic skin made by Thor Labs. Remember, Hainey was a biomedical engineer there, working on the Thor Orbiter Project (3D printing human organs in space). In the finale, Scarpetta receives a call from Officer Blaise Fruge (Tiya Sircar) saying there was a third person in Thor’s skin test group, but Fruge is cut off before naming them.
“That’s how he met them,” Fruge says. “They were in the same group.”
That person? August Ryan, who, as a child, burned his arm on a train track the night he witnessed his uncle committing sexual assault. Presumably, Ryan was after a skin graft. As to the pennies? Ryan’s uncle distracted him with a penny during his crime, one the kid was trying to retrieve from the hot track when he was burned; pennies were left at the murder sites of Gwen Hainey and Cammie Ramada, and Scarpetta finds a penny on her dining room table.
What’s the deal with Maggie and Reddy?
Maggie Cutbush (Stephanie Faracy/Georgia King) spends the present-day storyline basically being a creep and an anti-feminist pain in the ass, but there’s more going on here than meets the eye.
In the ’90s, Maggie was appointed Scarpetta’s assistant when her computer was hacked for information about the Peterson case. Scarpetta wrongfully accused Maggie and fired her. However, the culprit was Dr. Elvin Reddy (Alex Klein), Scarpetta’s professional rival, who also tampered with evidence to discredit Kay.
Now, Dr. Reddy is a piece of work. He wanted Scarpetta’s job of Virginia’s chief medical examiner back in the ’90s, so always had a chip on his shoulder. Reddy hires Maggie as his own assistant, and the show suggests an abuse of power and sexual harassment. In episode 4, Scarpetta looks into Cammie Ramada’s death, ruled as “undetermined” by medical examiner Kaminsky. But Scarpetta finds out that Reddy (chief medical examiner by this point) had shown up at the autopsy with a bunch of FBI agents (the crime scene goes across federal and district lines) and essentially bullied Kaminsky to rule Cammie Ramada’s death an accident.
In the present, Maggie is deployed again as a “direct line” between Scarpetta’s office and Reddy, now health commissioner (and Scarpetta’s boss). Importantly, Reddy and Maggie know Scarpetta’s secret: She killed McCorkle in self-defense in the ’90s — and Marino covered it up for her. Scarpetta did the autopsy, then lied about the findings, but notably, Reddy came into the morgue and indicated he knew there was more to the killer’s death than Marino’s bullets.
In the finale, Maggie flips the script telling Scarpetta she has proof to bring their dodgy boss down. “Pick a crime,” she says. “I’ll get you everything you need to nail the bastard. Leave me out of it, and I’ll leave you out of it.”
What’s going on with Benton Wesley?
Simon Baker as Benton Wesley.
Credit: Connie Chornuk / Prime
Scarpetta’s cardboard husband, Benton Wesley, has dark secrets. We know he left his wife and kids for Kay, and is having an affair with his FBI cybercrime partner Sierra Patron (Anna Diop). We also know he had a traumatic childhood involving neurodivergence and reading disturbing material before his career as a serial killer profiler.
In the finale, Scarpetta tracks Wesley to his definitely illegal interrogation truck at home using Find My Friends, and he warns her to stop investigating Gwen Hainey and Cammie Ramada “before it’s too late” without elaborating. He’s also sent hacker Jinx Slater (Luke Jones) to jail for his girlfriend Gwen Hainey’s murder, presumably to keep the FBI’s Thor Orbiter investigation under wraps.
However, during the scene, Wesley gets…creepy, saying he has some “strange behaviours” and that “there are some creatures that I enjoy to watch suffer,” which seems like he’s about to confess to his “real self” being real dark. We all saw him watch that fly die in pain, and we won’t forget his creepy childhood lair in the basement. But then he simply asks for a divorce. What a fake-out.
Is Matt Peterson actually innocent?
Matt Peterson (Graham Phillips/Anson Mount), the husband of Lori Peterson, appears to be Scarpetta‘s red herring. He’s the guy Marino (Bobby Cannavale) suspected and punched, who runs a cultish grief farm (where Lucy inexplicably ends up in the finale — girl, wyd). But is he actually as innocent as he seems? Sure, he just happened to meet Gwen Hainey in a bar trying to bring his wife back to life with 3D-printed organs. But in episode 1, when a young Marino is interviewing a young Peterson, the suspect mentions one of the first things he noticed meeting Lori in college was her “contralto” voice. “Stopped me in my tracks,” he says. “Its actual tone was perfection.” Marino counters, asking, “You notice a thing like that, huh?” How did McCorkle choose his victims? Their voices. Still a red herring?
Who “killed” Janet?
Ariana DeBose as Lucy Farinelli-Watson.
Credit: Connie Chornuk / Prime
Both Kay and Dorothy (Jamie Lee Curtis) say they didn’t “kill” Janet, the AI version of Lucy’s (Ariana DeBose) wife that she’s been talking to daily since her real death, but she’s sure one of them did it. So, was it one of them? Or was it, say, Blaise Fruge, who wanted to exact a little bit of revenge on her lover for walking out during their argument about Blaise losing her job thanks to Lucy’s “joy ride” to The Orchard? Or perhaps Janet did find a code back door to walk out of…
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Who’s at the door?
In the final moments of Scarpetta, we see that Kay has absolutely baseball-batted Ryan to death. Then, someone arrives at the door, sees everything, and Scarpetta’s reaction is one of pure shock: “Oh no.”
Who could it be? Is it Lucy coming home from her grief session? Is it Marino coming back to declare his feelings? Is it Fruge, following her partner Ryan’s whereabouts? Or is it someone we haven’t met yet?
Scarpetta is now streaming on Prime Video.
Entertainment
Stephen King's Forgotten R-Rated 80s Hit Led By Star Trek's Most Evil Seductress
By Jonathan Klotz
| Published
There’s been a lot of Stephen King adaptations over the years. In the early 90s, King decided to write a story as a screenplay first, and the result was the insane Sleepwalkers, about a mother and son pair of vampiric werecats terrorizing a small town in Indiana.
It’s one of those films that has to be seen to be believed, especially for a pre-Borg Queen performance by Star Trek: First Contact’s Alice Krige as one of the sleepwalkers. The 1992 horror film recently arrived on Netflix, making it even easier to play “spot the famous horror director” from among the many cameos jammed into the brisk, 89-minute runtime.
Don’t Think Too Hard About Sleepwalkers
Stephen King has been very upfront about the copious amounts of drugs he consumed during the 70s and 80s, particularly cocaine, which helps explain Sleepwalkers’ plot. Alice Krige is Mary, the mother of Charles (Charmed’s Brian Krause), and the two happen to be energy-draining werecats who feed off the energy of female virgins. Tanya (Twin Peak’s Madchen Amick) is targeted by the two after Charles fakes his way into the local high school, but the elaborate plan, which consists of make out in a cemetery, is thwarted when Tanya fights back using a corkscrew.
The two sleepwalkers may be powerful night creatures, but they have one weakness, and it just so happens that Tanya’s bonded with one of the beings who can easily kill them in a fight: Clovis the housecat. Sleepwalkers is very simple in its storytelling, and absolutely insane with its bizarre face-morphing CGI (at the time, it was cutting edge), cats flying in off the side of the screen, cars blowing up with a single bullet, and an “interesting” mother-son relationship.
Sleepwalkers Was A Surprise Box Office Hit
Alice Krige manages to again be off-putting, terrifying, and charming at the same time, similar to her later performance as the Borg Queen, the original “hear me out” meme of the 90s. Her performance helped propel the off-kilter feature to top the box office the weekend it debuted on the way to earning $30 million, unadjusted for inflation, that still tops the 2025 box office for horror films Him and The Woman In The Yard.
One of the fun parts of Sleepwalkers comes from director Mick Garris’ mission to include as many horror directors as possible, leading to cameos from Stephen King himself, John Landis (An American Werewolf in London), Tobe Hooper (Texas Chainsaw Massacre), Clive Barker (Hellraiser, Scream), and Joe Dante (Gremlins). Mark Hamill and Ron Perlman also pop in for brief appearances.
Sleepwalkers was savaged by critics and still only has a 29 percent rotten rating on Rotten Tomatoes, with an equally low audience rating of 32 percent. Those people clearly don’t know how to have fun. King’s story may have, allegedly, been drug-induced, but it’s so weird and off the wall that the film is a blast. While it’s special effects aged like milk, Krause and Krig managed to create some great scares, and in an era of bloated runtimes, 89 minutes makes it feel like it’s ending as soon as it gets going.
Sleepwalkers is now available to stream on Netflix, and we suggest you sit down with your cat to watch it.
Entertainment
Ben & Jerrys Free Cone Day is back for 2026 — everything you need to know
TL;DR: On April 14, visit your nearest Scoop Shop and grab a free cup or cone of your favorite Ben & Jerry’s flavor.
It’s that special time of year when free ice cream becomes the norm. Hot on the heels of Dairy Queen announcing the date of its Free Cone Day, Ben & Jerry’s has done the same.
Ben & Jerry’s celebrates Free Cone Day around the globe every year, sharing the love with free cups and cones of your favorite flavors. There’s no catch. Simply visit your nearest Scoop Shop and grab a scoop for free. Ben & Jerry’s is giving away free ice cream at a host of locations between 12-8 p.m. on April 14. You can check participating locations here.
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Ben & Jerry’s is aiming to spread more joy than ever before. They served up 1 million scoops in 2023, but they’re targeting more in 2026. And you can help out with that ambitious target, because unlike a lot of these free giveaways, there’s no limit on the number of times you can score a free cone. Can’t decide what flavor to order? Don’t worry — try them all.
Mark your calendars: Free Cone Day at Ben & Jerry’s takes place on April 14.
Entertainment
The Best Show On Streaming Has Been Canceled, End Of An Era
By Chris Snellgrove
| Published
The advent of streaming completely changed how we watch television, allowing fans to watch whatever they wanted with the press of a button. This is perfect for avid entertainment lovers always looking for their next fix, but as an aging Millennial, I can’t help but think the prominence of streaming took something special away from the overall experience. Television used to be a communal ritual where we all watched the same things at the same time, excitedly sharing our thoughts on the latest shows with fellow fans; now, everyone is siloed in their own entertaining bubbles, enjoying their favorite programming in the stifling comfort of complete isolation.
However, one streaming show set out to change all that: The Last Drive-In on Shudder featured iconic horror guru Joe Bob Briggs hosting scary movies, offering commentary segments throughout where commercials might have gone way back when. While the Last Drive-In segments are available to stream on demand after a couple of days, they would premiere on Friday nights in a live broadcast that superfans would watch at the same time, all while chattering with each other and with Joe Bob (and his perky co-host, Darcy the Mail Girl) on social media. This made this the best show on streaming, but it’s the end of an era now that Shudder has canceled the show.
The Man, The Myth
Since he is something of a cult figure, you may need a primer on Joe Bob Briggs, especially if you’re a younger horror fiend. Joe Bob (real name, John Bloom) started out as a reporter for The Dallas Herald, and he specialized in a niche no one else cared about: shlocky exploitation films and gruesome horror movies you could only find at the local drive-in theater. To cover these movies, Bloom developed the persona of Joe Bob Briggs, a quippy, quirky redneck whose rants offered great insight into genre films while serving as a parody of the prim and proper reviews from film critics like Siskel and Ebert.
In 1985, Briggs made an unexpected jump from the printed page to the stage with a very successful one-man show, An Evening With Joe Bob Briggs. This raised his profile and proved he could entertain large crowds, and this led to an unexpected opportunity: he guest-hosted Drive-In Theater on The Movie Channel, which led to him getting his own show, the appropriately named Joe Bob’s Drive-In Theater. There, he hosted shlocky movies (typically horror films), complete with a tongue-in-cheek tally of things like how many dead bodies and naked breasts appeared in the film.
When Joe Bob’s Drive-In Theater ended, he took his unique brand of entertainment, hosting MonsterVision on TNT. There, he once again hosted a variety of films, but he offered more commentary than ever: rather than appearing only at the beginning of the film, Joe Bob would also pop up on commercial breaks, offering further insights into each movie. When MonsterVision ended, though, Joe Bob largely dropped out of public life, popping up two decades later in a farewell performance that ended up reigniting his career.
A New Era
In 2018, Joe Bob Briggs hosted a 24-hour marathon of movies for Shudder, all of which were initially broadcast as part of the horror streamer’s live feed. This was meant to be a final performance for Joe Bob, giving this old cowboy one last time on the saddle before he rode off into the sunset. However, the marathon proved to be insanely popular, with Shudder’s servers crashing due to the high number of fans all rushing to watch this genre legend dish dirt on spooky movies.
In response, Shudder ordered more specials from him before greenlighting The Last Drive-In With Joe Bob Briggs, a regular series. For the next seven years, Joe Bob hosted one of the most popular series on the streaming platform, and his most ardent fans tuned in to each live broadcast, using social media to connect the entire fandom (affectionately nicknamed “The Mutant Family”). Due to the show’s success, it really looked like Joe Bob would be doing this forever, but just a few days ago, he dropped some devastating news on his fans.
An Emotional Rollercoaster of Announcements
Joe Bob Briggs typically hypes up his upcoming shows on Shudder, offering cryptic hints and funny commentary on platforms like Facebook and X. Ahead of the season finale of The Last Drive-In With Joe Bob Briggs, he made a somber-sounding announcement about how important it was for all of the fandom to tune in for this episode. This led to rampant speculation from fans: some thought Joe Bob needed more live views to get his show renewed, and others thought he would be announcing his retirement because, at 73, he’s one of the oldest entertainers in the business and may be dealing with unknown health issues.
When the episode aired, Joe Bob and co-host Darcy the Mail Girl offered fans some good news and some bad news. The good news is that Joe Bob is quite healthy (or, in his words, “spry as f*ck”), but the bad news is that Shudder is canceling The Last Drive-In. The hosts have apparently known this was coming for a while, but they are currently forbidden from saying exactly what went down and why Shudder (which just updated its app in an attempt to gain more subscribers) suddenly decided to kill the only show that countless fans (myself included) subscribe to this streamer to watch.
An Unknown Future
The silver lining in all of this is that Joe Bob Briggs and Darcy the Mail Girl plan to take their show somewhere else, but they have not yet confirmed where this will be. We likely know where they will not go, and that is Tubi. On X, Joe Bob retweeted a post from Damian Maffei that didn’t explicitly name Tubi but accused “that free streaming app with all the ads” of being a streamer that has been known “to edit movies. Cut things down, and zoom in on scenes.”
Many have pointed out that Tubi doesn’t do this and just streams whatever print of the film they can get, but the implication of the retweet is that Joe Bob doesn’t like the free streaming service and is unlikely to take The Last Drive-In over there. Unfortunately, this brings us no closer to knowing where Joe Bob and Darcy will land and when they’ll start hosting movies again. Until they confirm anything, all fans can do is speculate while mourning the loss of the best show on streaming.
The Drive-In Will Never Die
The Last Drive-In With Joe Bob Briggs was unlike anything else in the streaming world: it featured eclectic horror classics, insightful commentary, and gonzo humor, all while letting fans share the magic together through live broadcasts. It brought the entire Mutant Family together, allowing us to bond over everything from Joe Bob’s signature rants to the shlockiness of our favorite films. Fortunately, the man himself has confirmed he will be returning and keep gracing us with his unique brand of comedic criticism powered by decades of arcane horror film knowledge.
That announcement fulfills the prophecy of something Joe Bob has been reminding us of at the end of every episode since the new show began. A promise, a mantra, and a fervent hope, all rolled into five little words that the Mutants are clinging to now more than ever: “the drive-in will never die.”
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