Entertainment
Perfect, R-Rated Comedy Thriller Will Infiltrate And Destroy Your Life
By Robert Scucci
| Published

Working as an office drone is the worst possible way to spend your time, especially if your doppelganger is showing up for work, running circles around you, and tarnishing your good name. Not only does Jesse Eisenberg’s doppelganger do all of these things in 2013’s The Double, nobody else at work seems to notice that his primary antagonist is his exact body double. It’s a bleak reminder of how little your coworkers actually pay attention to things like who they’ve been working with for the past seven years, what they look like, and what they do for a living.
After thinking about it for a minute, it’s not even that far-fetched of a scenario. Having to wear a shirt and tie, commute to a central office, and sit in a cubicle inside a windowless room, all while attending meetings that could have been an email, only to be rewarded with a slice of room-temperature pizza left over from yesterday’s sales meeting, is more than enough to suck the soul right out of you and turn you into a shell of a man who locks in without soaking in their surroundings.

While The Double is clearly an unrealistic story, what’s depicted here doesn’t feel that far removed from what office culture could easily devolve into over the next decade.
An Office That Makes Office Space Look Like A Beach Paradise
Set mostly in oppressively dank apartment buildings, corner offices, and cubicles, The Double centers on Simon James (Jesse Eisenberg), an office drone of the highest order who’s wandering aimlessly through life. Though everyone at the office works for a cold-hearted authority figure known only as The Colonel (James Fox), it’s never made entirely clear what anyone actually does for a living. It’s obvious they’re clerks for some wide-reaching, dystopian government agency, but beyond that, your guess is as good as mine.

This level of impersonality in The Double feeds directly into its central conflict. Simon frequently forgets his ID badge and is never recognized by the security guards or his coworkers. He has to sign a visitor’s form just to go to work, as if he barely exists. Simon feels this same kind of invisibility when it comes to his coworker Hannah (Mia Wasikowska), who lives in the apartment building across from him but doesn’t even know he’s there. He admires her from afar, often collecting her torn-up art projects and saving them in a notebook for himself.
It’s a lonely existence for Simon James, until he meets his doppelganger, James Simon (also Jesse Eisenberg), who appears out of nowhere and suddenly starts working at the same office.

James Simon is everything Simon James is not in The Double, which immediately creates a number of problems. Simon is shy, reserved, and lacking confidence, content to blend into the background and quietly move through life. James, on the other hand, is charming, assertive, and instantly recognized as a standout employee, despite doing similar work to Simon, who barely gets acknowledged by anyone. Slowly but surely, James begins intruding on Simon’s life, eventually earning Hannah’s affection, much to Simon’s dismay. To make matters worse, nobody at the office seems to notice that Simon James and James Simon are identical, calling Simon’s grip on reality into question.
As Simon spirals, he gets to know James better, and the two even swap places on occasion in an attempt to live in each other’s shoes. These exchanges usually backfire, further straining their already toxic relationship and forcing Simon to question what it even means to be alive.
Sounds Like Another Movie That Came Out At The Same Time

Based on the 1846 novel of the same name by Fyodor Dostoyevsky, The Double shares a similar premise with 2013’s Enemy, starring Jake Gyllenhaal. While it might be tempting to chalk this up to parallel development, the coincidence is actually stranger than that. Enemy is based on a completely different novel from 2002, also titled The Double, written by José Saramago.
Both films explore what happens when two perfectly identical men occupy the same space, and the personal fallout that follows when one’s likeness is used by someone else with questionable intentions. While they tell very different stories, they make for an interesting double feature if you want to see how two doppelganger narratives released in the same year end up echoing each other in unexpected ways, as if they were each other’s doppelgangers all along.

Strangely enough, both films also exist within liminal, brutalist environments, trapping their protagonists in fluorescently-lighted spaces as their identities fracture and their personal lives collapse while they try to figure out where they belong in the world.

As of this writing, The Double is streaming for free on Tubi. Enemy, which explores similar themes and came out the same year, is currently streaming on Max.
Entertainment
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Entertainment
BookCon 2026: Authors Rachel Reid, Stephanie Archer talk hockey romance and how it could change the sport for the better
With the fervor of Heated Rivalry, there’s a fierce desire among book readers for even more hockey. On Sunday, April 19, at BookCon, the “You Had Me at Hockey: A Look at One of Sports Romance’s Hottest Genres”, authors Rachel Reid (Heated Rivalry, Game Changer), Emily Rath (Pucking Around), Ngozi Ukazu (Check Please), Stephanie Archer (The Wild Card), and Kate Cochrane (Wake Up, Nat & Darcy) were joined by moderator and fellow author Bal Khabra (Collide) to discuss the rise and continued success of hockey romance.
Khabra kicked off the panel, asking just how hockey became so popular. Ukazu joked that it was as if the genre “escaped containment,” like when the Omegaverse went mainstream, while Reid described the mystery around hockey, saying, “what [the players] are doing seems impossible.” Archer also added that the sport itself is exceptionally hard on the body, and the celebrity around players, especially in Canada, is fun to play with.
But there’s more to the genre’s success than the tropes. “It has to be said,” Rath argued, “that the cornerstone of why this is so popular in publishing is racism.” She went on to say that straight, white women’s voices dominated the romance genre for so long, pointing out that hockey is also the whitest sport. Among major league sports, the NHL is the most predominantly white. In 2022, ESPN reported that 83.6% of league players and staff were white, compared to the NFL, where 25-27% of players are white, or the NBA, where white players make up 17.5% of the league.
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Zooming into the genre, the authors also spoke about the writing process. They dove into the deeper aspects of their work, even the smut. Rath said, “I think the least sexy thing you can ever do is write a sex scene.” A similar sentiment came up during Reid’s Saturday panel, where she described using the sex scenes to further the emotional arc. When readers ask authors if they can skip the spice, Archer says of her own books, “No, you can’t skip the sex scenes. You’re missing so much character development if you don’t go on the journey with them.”
The panel turned to the future, too. Many of the authors write BIPOC and queer representation into their novels, in a genre that often centers on whiteness and homophobia. “We’re writing the world as we want it to be,” Rath said.
Reid has found that there is progress toward a future that these authors and their readers want to see, saying that the NHL is interested in working with them. “People on the inside, they really want to work toward change and want to make this happen.”
With the hockey fandom at an all-time high, there’s a whole team behind these authors ready to drive change.
Entertainment
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