Entertainment
7 horror films that will make you happy youre single
For the most part, horror urges you not to stay in creepy accommodation, not to run upstairs when you should be running out the front door, and certainly not to “investigate” any strange noises in the attic.
But some movies would also advise you on another thing entirely: Enjoy being single.
It’s a real niche within the genre, but we’ve tracked down the horror movies that single people will probably get more out of than anyone else. Some are grim reminders of all the bad things about being in a relationship with someone selfish (looking at you, Sinister), while others (*cough*, It Follows) are basically arguments for a life of swearing off sex altogether.
Of course, being single means different things to different people. Not every single person out there is sexually active, or actively looking for a relationship. But whether you’re simply happy on your own or perhaps fed up with the dating scene, there’ll hopefully be something among the following creepy selections that’s right up your dimly lit street…
1. It Follows

Don’t look behind you.
Credit: Moviestore / Shutterstock
What’s it about?
In a nutshell, it’s about a supernatural entity that gets passed between people when they have sex. Once the entity starts following you, it won’t stop pursuing until you’re dead.
The only way to get rid of it? Have sex with someone else and pass the burden along.
Why single people might love it…
This one doesn’t take too much explaining. The plot of It Follows is like a love letter to swearing off sex altogether, a very convincing 100-minute argument about the merits of steering well clear of any and all prospective partners.
After all, is a romantic encounter really worth a life of constantly being pursued by hollow-eyed strangers that nobody else but you can see? We think not.
How to watch: It Follows is available for rental or purchase on Fandango at Home, Prime Video, and Apple TV.
2. Get Out

All is not what it seems in ‘Get Out.’
Credit: Moviestore / Shutterstock
What’s it about?
Chris (Daniel Kaluuya) travels to meet the family of his white girlfriend, Rose (Allison Williams), for the first time. At the start of the trip, his main concern is how they might react to him being Black. But as the story progresses, and things get stranger and stranger, he realises their racism is just one part of a much larger secret.
Why single people might love it…
Meeting a partner’s family for the first time is always a stressful experience. Jordan Peele’s directorial debut takes this fear and runs with it, imagining pretty much the most nightmarish scenario possible and placing poor old Chris right in the center of it.
The lesson? If you’re going to go to a new partner’s house, always have an escape plan.
How to watch: Get Out is streaming on HBO Max, and is available for rental or purchase on Fandango at Home, Prime Video, and Apple TV.
3. Ready or Not

Worst. Wedding night. Ever.
Credit: 20th Century Fox / Kobal / Shutterstock
What’s it about?
After marrying her boyfriend, Alex (Mark O’Brien), Grace (Samara Weaving) is subjected to a bizarre post-wedding family tradition that sees her running for her life.
Why single people might love it…
Like Get Out, Ready or Not plays on a fear of the in-laws. What if, rather than just being a bit odd, your new in-laws were actually in league with a rather unpleasant evil entity? What if they forced you to take part in their nefarious traditions? And what if, when push came to shove, your new husband turned out to be an absolute wet flannel whose only steps towards protecting you were moaning a bit about the fact his whole family wanted you dead.
Mashable Top Stories
Luckily, in the case of Ready or Not, Grace is more than capable of taking care of herself.
How to watch: Ready or Not is available for rental or purchase on Fandango at Home, Prime Video, and Apple TV.
4. Sinister

Ellison Oswalt: Struggling true crime writer, terrible husband.
Credit: Moviestore / Shutterstock
What’s it about?
As part of his research for a new true crime book, Ellison (Ethan Hawke) moves his family into a house where the previous residents were butchered.
But when Ellison finds a box of disturbing movies in the attic, he realises that the killings may be part of a much larger pattern.
Why single people might love it…
Ellison Oswalt may be a determined true crime writer, but he’s an absolutely awful husband. Despite occasionally making the right noises about caring for his wife and kids, he’s so obsessed with recapturing his rapidly dwindling fame that he a) doesn’t tell his wife he’s moved her into a literal MURDER HOUSE, and b) repeatedly ignores signs and warnings that whatever killed the previous residents may well be stalking him and his children as well.
Truly a reminder that marriage doesn’t always end well.
How to watch: Sinister is available for rental or purchase on Fandango at Home, Prime Video, and Apple TV.
5. The Shining

Jack Torrance may be the worst horror movie husband of all time.
Credit: Warner Bros / Hawk Films / Kobal / Shutterstock
What’s it about?
In a particularly proto-Ellison Oswalt move, Jack Torrance (Jack Nicholson) relocates his family to the abandoned Overlook Hotel to take on the job of caretaker for the winter. But as the sense of isolation sets in, and Jack’s son Danny begins seeing things, Jack’s grip on reality starts to slip.
Why single people might love it…
If you’re going to be stuck in a large, echoey hotel over winter with absolutely no outside contact or hope of escape, you’d at least want to be with your family, right?
Wrong!
As murdery old Jack Torrance makes clear in Stanley Kubrick’s adaptation of Stephen King’s classic novel, sometimes the people closest to you are the ones that can hurt you the most — quite literally, in this sense, as becomes potently obvious when Jack gets his hands on a nearby axe.
Torrance’s unpredictable and violent decline put him up there among the worst horror movie husbands of all time, making Sinister‘s Ellison practically look like a saint in comparison.
How to watch: The Shining is available for rental or purchase on Fandango at Home, Prime Video, and Apple TV.
6. Audition

Maybe dating isn’t such a great idea after all.
Credit: Moviestore / Shutterstock
What’s it about?
Widower Shigeharu Aoyama (Ryo Ishibashi) is encouraged by his son to try dating again, so he sets up a fake “audition” to meet a new wife. But the woman he ends up falling for, Asami Yamazaki (Eihi Shiina) has her own dark secret.
Why single people might love it…
When it comes to dating, there’s always that small background fear that the person you’re going to meet might be a little bit odd. Or maybe even more than just a little bit. Audition, which features one of the most terrifying female villains of all time, turns that fear up to roughly a million.
Finding a relationship? Who needs that. Delete those dating apps off your phone and be glad there’s no Asami in your life.
How to watch: Audition is streaming on Kanopy, and is available for rental or purchase on Fandango at Home, Prime Video, and Apple TV.
7. The Loved Ones

Waking up tied to a chair is never good, is it?
Credit: Screen Australia / Kobal / Shutterstock
What’s it about?
When Brent (Xavier Samuel) refuses to accompany his classmate Lola (Robin McLeavy) to prom, she decides to take matters into her own hands. By violently kidnapping him.
Why single people might love it…
Like Audition, Sean Byrne’s dark thriller presents a fairly compelling argument against dating in general. If you’re fed up with seeing photos of smiling couples and looking for some catharsis, Lola’s deeply terrifying rampage will likely more than provide.
How to watch: The Loved Ones is available for rental or purchase on Prime Video, Fandango at Home, and Apple TV.
UPDATE: Feb. 12, 2026, 4:32 p.m. This feature was first published on Oct. 20, 2020. It has been updated to reflect current streaming options.
Entertainment
How I scored ad-free Paramount+ Premium for only 99 cents
SAVE $26: As of April 22, returning subscribers can score two months of ad-free Paramount+ Premium for only 99 cents per month with the code N8C27L. Usually $13.99 per month, that’s $26 in savings. Just note that your mileage may vary.
$0.99/month for 2 months (save $13/month) with code N8C27L
If you’re looking to save some money on your streaming lineup, my number one recommendation is to cancel your subscriptions. While it doesn’t work for every streamer, many will offer you a special discount to come back. Not to mention, you’ll be eligible for any new deals that may appear that are marketed to “new and returning customers.” Case in point: as of April 22, returning subscribers can get two months of ad-free Paramount+ Premium for just 99 cents per month.
I’ve tested this out myself, so I can vouch for it. When you navigate to Paramount+ and sign in to your existing account, you’ll be prompted to pick a plan. Select the Paramount+ Premium monthly plan for $13.99 per month. On the “Welcome back!” page, scroll down to the box that says “Have a promo code?” and enter N8C27L. Once you hit “apply” the price should drop to just 99 cents per month.

Credit: Paramount+
That’s all, folks. You can take advantage of two full months of ad-free Paramount+, Showtime, BET, CBS, Comedy Central, MTV, Nickelodeon, CBS live TV, UFC fights, and more for less than two bucks. That’s $26 total in savings.
Mashable Deals
Paramount+ has a surprisingly hefty library. Subscribers can enjoy Paramount+ Originals like Landman and RuPaul Drag Race All Stars, Showtime series like Dexter Resurrection and Yellowjackets, CBS hits like Survivor and NCIS, and nostalgic shows from Nickelodeon and MTV. Not to mention, there’s a lineup of movies that’ll keep you fully entertained for your two-month promotional period. Just be sure to cancel again before the second month is over if you want to avoid paying full cost. You can always sign up again when another deal arises. I know I will.
Entertainment
How Stargate SG-1 Used A Classic Trope To Emotionally Wreck Its Fans
By Jonathan Klotz
| Published

Garfield and Friends said it best: “Oh no, we’ve resorted to an evil twin storyline.” Star Trek: The Original Series did it the best with Mirror Universe Spock, and ever since, it’s been a lazy excuse for every series to use when they run out of ideas. The exception is Stargate SG-1’s sixth episode, “Cold Lazarus,” which plays with the trope by making the twin less evil and more confused.
When fans say they skip this episode when rewatching, it’s not because it’s a lazy, poorly written episode. In fact, it’s the opposite. The ending of “Cold Lazarus” is a pivotal character moment for Jack O’Neill (Richard Dean Anderson) and a gut punch to the audience.
Stargate SG-1’s First Evil Twin

“Cold Lazarus” opens with the SG-1 team on a planet that doesn’t look like Vancouver (it was a giant pile of sulfur at the port of Vancouver). The desert landscape is dotted with shattered blue crystals that look like the remnants of a civilization until we see a crystal eye-view of O’Neill, a mysterious light knocks him out, and all of a sudden, a second O’Neill is looking down at the first. Turns out, the crystals are the civilization.
Fake O’Neill is trying to figure out who O’Neill is and what SGC is all about. When he pulls out photos of his family, it takes Samantha Carter (Amanda Tapping) by surprise. O’Neill’s never mentioned his wife, Sara, or his son, Charlie. Confused, the Fake O’Neill goes to the home, where Sara is disgusted he’d come by and thinks it’s a sick joke that he’s asking about Charlie. If you’re wondering if you missed a key part of O’Neill’s backstory, don’t worry, this is the first time that either Sara or Charlie is mentioned, and tragically, we soon learn why.
No One Ever Dies

Charlie shot himself with O’Neill’s gun. Fake O’Neill starts to piece this together when he goes into Charlie’s old room and breaks down, prompting Sara and him to finally have the conversation about their shared grief. Back in SGC, the crystal’s nature is revealed to be an energy alien calling itself Unity, which accidentally killed a Jaffa, and the Goa’uld shattered them in retribution. That’s when O’Neill stumbles back through the Stargate, and the team realizes the mistake they made.
The Fake O’Neill is soon captured at a local hospital, suffering from Earth’s radiation, where he explains that he sensed O’Neill’s pain after he took his form and wanted to help ease the suffering, as nothing ever truly dies to Unity. To prove its point, Unity transforms into Charlie, giving O’Neill and Sara one last chance to see their child. Fans who haven’t lost a child can understand the emotion, but for fans who have, this scene is emotional torture, in the best way possible.

Jack knows this isn’t Charlie, but he talks to him like he is, and then they walk together through the Stargate back to Unity’s planet. It’s a beautiful moment that explains so much about O’Neill’s throwing himself into work and how even his friendships remain professional. “Cold Lazarus” may have started out with the “evil twin” trope in full effect, but the ending is proof that even early during its run, Stargate SG-1 was going to be the greatest.
Entertainment
Star Trek’s Scariest Episode Secretly Answered Fans’ Oldest Complaint
By Chris Snellgrove
| Published

Star Trek is a long-running franchise filled with tropes, some of them more annoying than others. For many fans, the dumbest trope that keeps popping up is when there’s only one ship that can save Earth from one catastrophe or another. It always begs the question: why isn’t the seat of the United Federation of Planets better protected? It certainly feels like such an important planet would have its own fleet for protection rather than relying on a long-range vessel like the Enterprise to warp in and save the day.
However, it seems that Star Trek’s scariest episode might have secretly answered fans’ oldest complaint about the franchise. Over on Reddit, user u/Wallname_Liability presented a compelling theory: that in the Star Trek: The Next Generation two-parter “The Best of Both Worlds,” the collection of Starfleet vessels lost fighting the Borg at Wolf 359 was the home fleet. This theory would help explain that Earth was typically better-defended than we might imagine and why there were fewer ships to protect the planet in later movies and shows.
My Borg Friend’s Back (And There’s Gonna Be Trouble)

In Star Trek: The Next Generation, most of the adventures take place in deep space because the intrepid crew has an ongoing mission to explore strange new worlds, seek out new life and new civilizations, and (come on, you know you’re already saying it out loud) boldly go where no one has gone before. But in “The Best of Both Worlds,” a Borg Cube starts heading directly for Earth. The Enterprise crew tries to develop a weapon that can defeat this implacable foe, one who seems nearly unstoppable after they assimilate Captain Picard. Meanwhile, a fleet of Starfleet ships assembles at Wolf 359 for one last stand against the Borg.
Unfortunately, that entire fleet is wiped out. The Borg makes it to Earth, but the Enterprise manages to stop these bionic baddies after rescuing Captain Picard. Data exploits Picard’s connection to the Collective and puts the cube to “sleep,” and it explodes soon after that. Picard and his crew get a mostly happy ending, but the same can’t be said for the crew of the ships that fought at Wolf 359. All vessels were lost, and only a handful of people survived, including Benjamin Sisko and Liam Shaw.
Resistance Was Futile

According to this Redditor’s theory, the fleet that assembled at Wolf 359 was the home fleet assigned to (among other things) protect Earth. Some of the ships were likely already at Earth (possibly undergoing repairs or retrofits), and others might have been located near some of humanity’s older colonies. But everyone would have had to have been close enough to Earth to quickly warp to Wolf 359, a real star system that is only eight light-years from humanity’s home planet.
Why is the idea that this was the home fleet so important? In various Star Trek episodes and films, there has often only been one ship (usually the Enterprise) close enough to save Earth. In Star Trek: Generations, for example, the Enterprise-B is on a shakedown cruise, but it’s the only ship close enough to save the El-Aurian refugees from the threat of the Nexus. In Star Trek: The Motion Picture, only the Enterprise can intercept V’ger. In Nemesis, the Enterprise is the only Starfleet ship capable of preventing Shinzon from killing everyone on Earth, and so on.
The Best Of Trope Worlds

This trope can get frustrating when you start comparing Starfleet to, say, the United States Navy. How insane would it be if the whole country had to keep relying on a single ship to save us from major existential threats? Star Trek asks us to repeatedly believe that there’s only one ship within spitting distance of the entire solar system that can take care of the crisis du jour. It’s completely unbelievable, but this Wolf 359 home fleet theory helps make these frustrating moments make more sense.
It’s entirely possible that, in the time of Star Trek: The Original Series and its spinoff movies, there wasn’t a home fleet. Starfleet was a lot smaller back then. Remember, the original Enterprise was one of only 12 Constitution-class vessels. However, both The Motion Picture and The Voyage Home had Earth being attacked by seemingly unstoppable alien forces. In each case, the only man who could stop things was James T. Kirk, but Starfleet must have known he wouldn’t be around forever. Therefore, sometime before The Next Generation premiered, they developed a home fleet that could protect the Earth from overpowered alien attackers.
The Worst Massacre In Starfleet History

Or so they thought. The Borg wiped the floor with the fleet at Wolf 359, which helps to explain why the admiralty needed to assemble an ersatz fleet in First Contact. They were still rebuilding from earlier losses, and most spare vessels were probably being ordered to areas of interest as the Dominion War loomed near. Speaking of which, that war is the most likely reason that the Enterprise was the only ship that could help in Nemesis. The movie took place four years after the Dominion War ended, and once more, Starfleet would have needed time to fully rebuild its fleet.
Obviously, these are only theories, but they are compelling ones. It makes sense that Starfleet would have learned its lessons from V’ger and the Alien Probe and developed a home fleet, only for it to be destroyed by the Borg at Wolf 359. Afterward, the next big Borg attack and the Dominion War destroyed many vessels, all while requiring the existing fleet to stretch that much thinner. Fortunately, Earth was in good hands. No matter how bad the war with the Dominion got, Captain Sisko and Admiral Ross ensured that there was always a fleet or two close enough to protect paradise, even from those pesky Breen.
