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Tired Of Terrible Modern Sci-Fi? The Antidote Is Here, And It's Near Perfect

By Chris Sawin
| Published

A man (Ryan Gosling) wakes up on a spaceship as the only survivor of three. He initially has no memory of who he is, what his mission is, or how far he is from Earth. Through pictures, digging through personal items, and a lot of vodka, the man begins to remember that he is a middle school science teacher named Ryland Grace.

Grace was also a molecular biologist before he was a teacher. He was hired by the government to study Astrophage, a microorganism discovered on the sun’s surface. The Astrophage is beginning to dim the sun, and in 30 years could result in global cooling and the death of much of Earth’s population.

A Journey To Save The World

The Astrophage is infecting all other stars close to the sun except for one, Tau Ceti. A three-person team of scientists is sent into space, on a journey 11.5 light-years away, to investigate and hopefully save mankind. The catch is that there’s no way home and that everyone involved knows that this is a suicide mission. That plan is named Project Hail Mary.

Project Hail Mary is based on the 2021 novel of the same name by Andy Weir, author of The Martian. The film’s script is written by Drew Goddard (The Cabin in the Woods, Bad Times at the El Royale) and directed by Phil Lord and Christopher Miller (The Lego Movie and Spider-Verse franchises).

The sci-fi adventure film has a budget of nearly $200 million, so it’s visually gorgeous. What makes it special, though, is the relationship between Grace and his alien bro Rocky.

Project Hail Mary Is A Bump-Fisting Buddy Movie

Once Grace reaches Tau Ceti, he meets up with an alien spacecraft. Through dancing, jazz hands, fist bumps, and Grace learning that Rocky communicates via echolocation and musical tones, he creates a translation device to help them communicate. Grace names Rocky himself after his rock-like appearance.

Ryland Grace has been lost his entire life. He was once a respected scientist, but now teaches at a junior high. He is single with no pets or immediate family, and he doesn’t commit to anything. He hides behind jokes and sarcastic charm. Rocky is a mechanic and also the sole survivor on his spacecraft. He and his now-dead crew came from the planet Eridian, and Rocky was also sent to try to save his sun.

After years of isolation, Grace and Rocky originally bond over the fact that they no longer have to be alone. They also enjoy each other’s company and agree to work together.

What’s interesting is that Grace, as a character, grows solely through his interactions with Rocky. The decisions he makes in the second half of the film can only happen through his growth as a person. Rocky sticks to Grace like glue from the moment they meet, but you can tell Grace is holding back because he knows that Rocky is working towards going back to Eridian, while Grace will never see Earth again.

One Of Ryan Gosling’s Best Performances

Ryan Gosling has delivered many mesmerizing and powerful performances throughout his career. Ryland Grace is one of his best. Gosling is able to bring in so many elements from other roles he’s portrayed, but he’s incredibly funny here, understandably terrified, and perhaps the most emotional he’s ever been in any recent on-screen role.

His take on Grace is subtle at times, but you always seem to know how he feels or what he’s thinking, even though often no one is talking. That makes the film not only more heartbreaking but also more rewarding in the long run.

Andy Weir and Drew Goddard have written Project Hail Mary, which entertains on several levels. The film is surprisingly goofy, which is meant in the most complimentary way. The concept is already intriguing, but the film takes some unexpected turns in its second half. Grace is piecing his memories back together throughout the film, so you’ll see all of the drama of space happening for a bit, and then we’ll get a flashback of how Grace got to be the final member of the Project Hail Mary scientist team.

The Most Satisfying Ending Of Any Modern Hollywood Movie

It’s Grace’s bond with Rocky that truly hijacks the film and sends it barreling into one of the most satisfying finales of recent memory. This is an adventure that makes you laugh for its first half, cry during its second, and sends you out of the theater with a big ass smile on your face and your heart full. It’s the feel-good film of the year.

Project Hail Mary is a prime example of why cinemaphiles love going to the theater. If popcorn flicks are capable of being intellectually stimulating, incredibly emotional, and monumentally worthwhile, then Project Hail Mary is the ultimate popcorn flick.

Project Hail Mary is now playing in theaters. See it in IMAX if you’re able to.


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Lord Of The Rings Is Now In The Hands Of One Of America's Most Hated Celebrities

By Jennifer Asencio
| Updated

Stephen Colbert

Just when we thought the cancellation of The Late Show with Stephen Colbert meant the end of seeing the comedian’s rhetoric, he’s rising again like Sauron trying to collect the One Ring. But this time, the target of his didactic punditry is nerddom: Colbert is penning a “sequel” to The Lord of the Rings.

One Sequel To Rule Them All

The movie’s working title is The Lord of the Rings: Shadow of the Past and is going into production after the newest entry, The Hunt for Gollum.

Colbert believes he can add to JRR Tolkien’s work with a story that begins 14 years after Frodo leaves for the Grey Wastes. Sam’s daughter goes girl-boss and makes a discovery that leads her “to uncover why the War of the Ring was nearly lost before it began.” That leads to a flashback in which the movie will cover chapters 3-8 of The Fellowship of the Ring, a story that includes exciting prospects like The Barrow Downs.

As if The Hobbit and Rings of Power weren’t damaging enough to Tolkien’s legacy, now we’re getting another shameless cash grab at the expense of the author’s work. Only this time, one of the most divisive and extremely political personalities in Hollywood is writing the script.

Colbert is co-writing the film with his son, Peter McGee, and “franchise veteran” Philippa Boyens. Boyens has long been a part of the Peter Jackson productions; she co-wrote The Lord of the Rings, The Hobbit, and Jackson’s King Kong.

Colbert Really Is A Certified Tolkien Obsessive

stephen colbert @midnight

Colbert has been held out as a Tolkien expert since the announcement on March 24, 2026, and that is actually fair, no matter what one thinks of his extreme political views. He has studied the author’s work extensively, to the point where he can speak both Elvish languages, Quenya and Sindarin.

The biggest question on the minds of fans is whether Colbert will be tempted to infuse the story with his personal politics, or if the writing team will try to add extra material that isn’t needed by Tolkien’s story. The Hobbit didn’t work because it added embellishments, such as the romance between Tauriel and Kili. Rings of Power doesn’t work because, on top of adding modern identity politics to the series, it also doesn’t follow the source material, earning the derision of many Tolkien fans.

Boyens has shown that when she sticks to Middle Earth and not regular Earth, she can deliver on Tolkien’s mastery. However, the inclusion of Colbert raises concerns that this movie will stray beyond Tolkien’s boundaries.

In his other job as a talk show host, Colbert has made it a mission to inject his divisive personal politics into his work. That tendency towards personalizing what he does could either strongly enhance a new Lord of the Rings project or turn it into a stain on Tolkien’s legacy by applying themes to the world of the One Ring that Tolkien never intended. Which Colbert will ultimately write the script: the political loudmouth or the Tolkien scholar?


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Sandra Bullock’s Sexy, 90s Action Thriller Will Make You Care About Floppy Disks Again

By Robert Scucci
| Published

There’s nothing more entertaining than watching a movie about cutting-edge technology from the 90s, 30 years after the fact. On one hand, I’ll give 1995’s The Net credit where it’s due. It’s well-acted, Sandra Bullock is the hottest computer geek in cinematic history (sorry, Hackers), and the plot actually kind of makes sense because they don’t drown you in tech jargon and junk science. There’s a golden rule when it comes to technological thrillers: the less you explain the logic, the better. The Net toes this line perfectly because I know enough about computers to pick up what they’re throwing down, but I’m also dumb enough to think, “that makes sense,” while watching.

I’m not going to pause the movie and look up the technical semantics to prove this point, but the storyline is immersive enough to grab your attention without getting so convoluted that it takes you out of the experience. I don’t know how any of this stuff works at this level, and as a viewer, I appreciate that The Net doesn’t treat me like I’m too dumb to understand the implications, while also refusing to hold my hand because it’s all pretty straightforward.

Sandra Bullock Is Lost In The Net

The Net 1995

The Net focuses on Sandra Bullock’s Angela Bennett. She’s a perfect patsy for what’s about to go down because she’s a freelance systems analyst who works from home. Most of her relationships are the kind of faceless encounters you have online, and her mother lives in a nursing home because she has Alzheimer’s disease and barely remembers she exists. It’s a lonely life for Angela, but she’s also well connected through her work. Or so she thinks.

When Angela’s coworker Dale (Ray McKinnon) sends her a floppy disk known as Mozart’s Ghost, she’s told to click on the Pi button hidden in the document, which functions as a backdoor into an application known as Gatekeeper, an elaborate cybersecurity system she’s not supposed to have access to.

The Net 1995

Dale dies under mysterious circumstances, and Angela goes on vacation, where she meets a man named Jack Devlin (Jeremy Northam). Jack brings Angela out on his boat, but he’s outed when she realizes he plans to kill her and take the floppy disk. After a violent scuffle, Angela wakes up in the hospital three days later and learns that Jack and his nameless, faceless associates have scrubbed her identity from existence and given her a new one: Ruth Marx.

As Ruth, Angela uncovers a vast conspiracy involving a group of cyber terrorists known as the Praetorians, who are using the Gatekeeper software to orchestrate massive network failures across the country while framing her in the process. Angela confides in her former therapist and lover, Dr. Alan Champion (Dennis Miller), who doesn’t necessarily believe her conspiracy theories but isn’t going to turn down a motel meetup with her either.

A Solid Tech Thriller For The Average iPhone User

The Net 1995

While I knew my way around MS-DOS as a kid and have kept up with tech to some degree (I have an iPhone that’s about five generations behind), what I like most about The Net is that it gets its point across without being patronizing or overly complex. There are plenty of flashes of computer screens that help drive the story, but everything is so straightforward that you don’t get lost in granular details. The main focus is the conspiracy and identity theft plot that drives The Net. While you need the occasional tech speak to get from point A to B, you don’t need to be a genius to read between the lines and enjoy the thriller for what it is.

All you need to know is that Sandra Bullock does her best computing in a bikini, everybody thinks she’s somebody she’s not, and because of this, she can’t trust anybody. It’s obviously a bit dated by today’s standards, but it’s still a fun watch because it deals with cybersecurity concepts that remain relevant. I’d imagine similar conversations about different applications are happening behind closed doors today. We’re just getting the 1995 version here.

As of this writing, The Net is streaming for free on Tubi.


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Violent Reality Star Costs ABC Millions

By Jennifer Asencio
| Published

If you’re looking for a new season of The Bachelorette on ABC, you won’t find it. The season was cancelled when a 2023 video of its proposed star, Taylor Frankie Paul, surfaced, in which she was captured committing domestic violence with her young child present. The child was nearly struck when Paul threw three barstools at her estranged then-boyfriend, Dakota Mortensen. ABC scrapped the entire season, reportedly costing between $30 million and $70 million.

The video was uncovered and released by TMZ and caused the show to be cancelled just days before it was due to air its premier episode on March 22, 2026. It was made by Mortenson and was used as evidence in court proceedings in which Paul served 36 months of probation for felony aggravated assault.

Past Is Prologue

Both Mortensen and Paul were central to the storyline of The Secret Lives of Mormon Wives, another reality show that is owned by Disney, which airs on Hulu (Disney also owns ABC). This show began in 2024, after the tape was recorded. Their relationship has been so tumultuous that there is currently a police investigation into another incident of alleged domestic violence that took place shortly before the 2023 video was released. Other cast members of The Secret Lives of Mormon Wives have commented on their disturbing behavior in the wake of the video’s release.

Given the nature of their relationship, it is curious why ABC chose to cast Paul as The Bachelorette. It’s not like her relationship with Mortensen and its constant explosiveness have been a big secret, so it’s almost as if, by hiring Paul for the dating competition, they were spitting in Mortensen’s face. There is also the question of how the network didn’t know about the 2023 incident, despite it having gone to court. Apparently, the show runners of The Bachelorette don’t watch their sister station Hulu, or they might have been aware of what kind of person Paul was before they cast her. Her antics have been well-documented by the Disney company, but it seems there is little communication between its various arms.

Disney has taken a lot of hits lately. Lucasfilm shook up its leadership, as did the parent company. There have been numerous lawsuits against the House of Mouse in recent months, including an anti-trust settlement and a discrimination suit. While the loss from The Bachelorette is mostly absorbed by ABC, that still falls under the Disney umbrella and represents yet another failure from the Magic Kingdom. If the company doesn’t course correct, it may find itself dethroned.


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