Connect with us

Entertainment

The Best Star Wars That Isn't Star Wars

By Jonathan Klotz and Joshua Tyler | Updated

Star Wars used to be the end-all, be-all in space sci-fi, but in the years since the original trilogy, others have rushed in to fill the void left by its waning popularity. Whether you love new Star Wars or hate it, you’d probably still love more of that old-school Star Wars vibe. Luckily, there’s a way to get it.

We set out to determine which non-Star Wars movies and TV shows most capture the feel of Star Wars, while at the same time delivering the best possible spectacle and story. It’s not just a ranking of which entry is best. If it were, then Babylon 5 would be a lot closer to the top.

Watch the video version of this article.

These are the 18 best sci-fis that are most like Star Wars, without actually being Star Wars.

18. Jupiter Ascending 

Jupiter Ascending is the only entry on this list that includes Channing Tatum playing a half-man/half-dog. There’s no hiding the fact that Jupiter Ascending is a strange movie. It was supposed to be the Wachowskis grand return to sci-fi cinema, but instead, it’s a glorious mess. 

Mila Kunis plays Jupiter, a housekeeper and secretly the Queen of Earth. The forces of House Abrasax, led by Balem, want to stop her from claiming her legacy. Eddie Redmayne’s performance as the villain may make you think he wandered in off a different, far more serious movie, but no, that’s just how uneven the tone is. 

For all of its faults, Jupiter Ascending was a throwback in 2015 to the 90s-style of sci-fi that tossed you into a strange, wonderful world, and dared you to try and keep up with it. The film doesn’t work; it’s barely coherent, visually confusing, and the acting is… questionable. And yet, Jupiter Ascending dared to be weird, it tried to do something different, and a decade of sanitized, by-the-numbers sci-fi later, it’s worth checking out for anyone sick and tired of movies developed by committee. 

17. Rebel Moon 

Zack Snyder wanted to make a Star Wars film, but Disney said no, so he went to Netflix and made Rebel Moon. Sometimes it really is that simple. George Lucas used Akira Kurosawa’s Hidden Fortress as inspiration for A New Hope, and Snyder used Kurosawa’s Seven Samurai as inspiration for Rebel Moon.

Adapting Seven Samurai is always a recipe for success. It’s a great story. A few holding out against all odds against the many? Rebel Moon is a handful against a battalion. 

It’s one of Netflix’s most expensive original movies. The streaming giant gave Snyder a blank check, and it looks like it. Rebel Moon is near the bottom of this list for a reason, but it’s worth checking out once, if for no other reason than to see Zach Snyder’s vision for Star Wars, but it’s a bit of a drag with uneven pacing and the patron saint of bad movies, Charlie Hunnam.

You can also experience the sequel, The Scargiver, which was so bad that Netflix yanked the black check out of Snyder’s hands before he could utter the words, “Trilogy.”

16. Valerian And The City Of A Thousand Planets

Few people in Hollywood can match the visual style of French director Luc Besson. He brought to life The Fifth Element and Scarlett Johansson’s Lucy, but his most beautiful film is Valerian And The City Of A Thousand Planets. Based on a French comic series, the film is packed full of stunning visuals; each world on its own would be the highlight of any other movie, but here, it’s just scene 5. 

Dane DeHaan and Cara Delevingne lead the cast as Federation Soldiers sucked into a decades-old conspiracy around a missing planet. The massive space station Alpha is home to over 3,000 alien species, and maintaining peace among them is a dangerous balancing act. In Valerian, the focus isn’t on Babylon 5-style politics, but on exploring different worlds and coming across a new alien species every 10 minutes, making the film a visual masterpiece. 

If your favorite part of Star Wars is the constant parade of unique and strange background aliens, Valerian and the City of a Thousand Planets is the perfect movie for you. 

15. Buck Rogers in the 25th Century

The success of Star Wars in 1977 took Hollywood by surprise and started a scramble for the next big sci-fi hit. Universal Pictures pulled the old Buck Rogers license out of mothballs and turned it into a television series, but then, six months after the series had debuted, the television pilot hit theaters as a standalone movie. 

That sounds convoluted, but then again, so does everything when it comes to Buck Rogers in the 25th Century, a film that put trade negotiations front and center decades before The Phantom Menace. NASA astronaut Buck Rogers emerges from suspended animation in the 25th century and immediately finds himself in the middle of trouble between the remaining humans on Earth, living in New Chicago, and the Draconians, an alien species secretly plotting to conquer the planet. 

The movie is again a pilot for the two-season television series, which started with Buck as a defender of New Chicago and, in season two, had him roaming the galaxy with his crew to find the lost tribes of humanity. If you were to mash the Star Wars prequels against Flash Gordon, you’d get Buck Rogers in the 25th Century.

14. Babylon 5

If your favorite part of Star Wars was the Galactic Senate from the prequels, then there’s a 90s sci-fi series for you. Babylon 5 puts the focus on intergalactic politics in a way no show has before, or since. Set on a space station that houses countless alien species, all with their own goals, motivations, and ancient grudges, it’s sci-fi for the most hardcore of sci-fi fans. 

The show starts off with an attempted assassination on the Vorlon ambassador, Kosh, and Babylon 5’s commander, Jeffrey Sinclair, is the prime suspect. It’s a quaint beginning for a show that would eventually culminate in one of the best sci-fi wars ever shown on a television budget. Unlike every other show on this list, Babylon 5 was plotted from the very beginning to tell a single, cohesive story over 5 seasons. 

That right there puts it above The Last Jedi and Rise of Skywalker, two feature films that couldn’t agree on what story the sequel trilogy was trying to tell. 

13. Krull

It was one of the largest box office bombs in history. For decades, it was the butt of jokes. But Krull had the last laugh. Combining science fiction with fantasy, a simple rescue-the-princess plot alongside one of the coolest weapons in movie history, Krull became a cult classic. 

After The Beast interrupts Prince Colwyn’s wedding to Princess Lyssa, he sets off on a quest to win her back. The only thing in his way is the Beast’s mountainous Black Fortress and an army of Slayers. All Colwyn has is a band of magicians, thieves, including a young Liam Neeson, and a cyclops. 

The special effects don’t hold up today, the plot is as basic as it gets, but there’s no denying that Krull is a fun movie. Sometimes you don’t need 30 minutes of worldbuilding and exposition; all you need is a quest to slay an evil warlord and rescue a princess.

12. Killjoys

Say “sci-fi western” and most people think of The Mandalorian, or Firefly, but there has to be someone, at least one person out there, who thinks of Killjoys. The Canadian Sci-Fi original series aired for 5 seasons, from 2014 to 2019, and you didn’t watch a single one.

Dutch, Johnny, and Da’vin work as bounty hunters, and these three are professionals, so they don’t disintegrate any of their targets. Looking at you, Boba Fett. Over the course of 50 episodes, the trio unravels the mysteries of the universe, upends the delicate political structure, and end up saving the universe. A few times. 

When Star Wars fans were excited over the video game Star Wars: Outlaws, or the canceled 1313, what they wanted was a game that plays like Killjoys. It’s a sci-fi western about characters who aren’t exactly heroes, but unlike that other show, this one was able to tell a complete story. That and you have to love a show that uses the name, Team Awesome Force. 

11. Stargate

It’s hard to remember now, but for most of the 80s and 90s, Star Wars wasn’t a pop culture juggernaut; it was something nerds loved. During that dark period, studios tried to create their own Star Wars-style sci-fi franchises, and of all of them, Stargate found the most success. It all began with the 1995 Roland Emmerich film that sent the U.S. military through a portal to battle an Egyptian God. Surprise. It’s an alien. 

Unlike other movies on this list that throw an endless string of nonsense names and deep, unfathomable lore at viewers within the first 30 seconds, Stargate takes its time to explain what’s going on (there’s a strange portal, they go through it), why it’s important (can Ra invade Earth from his side?), and teases at why the aliens all look like they came out of Ancient Egypt. 

Stargate introduced moviegoers to a universe of infinite possibilities, and for once, it paid off with the launch of the television franchise (does this sound familiar?). Between Stargate SG-1, Stargate Atlantis, and Stargate Universe, there are 17 seasons of amazing sci-fi adventure television waiting to be discovered. Best of all, there’s a new series coming to Amazon Prime. The Stargate is opening again and now’s the time to step through. 

10. The Last Starfighter

It’s every kid’s dream. After countless hours playing a video game, it becomes real, and you get to save the universe. 1984’s The Last Starfighter is pure wish fulfillment, and it’s awesome. 

Like Star Wars: A New Hope, it follows the classic hero’s journey format. Only, instead of growing up in the desert, our future hero fighter pilot grows up in a trailer park.

Teenager Alex Rogan earns the high score in the arcade game Starfighter, not realizing it was developed by an undercover alien to locate warriors to save his planet. Alex goes from living in a trailer park to flying a real spaceship against real aliens in the span of 48 hours. 

The greatest tragedy about The Last Starfighter is that we never received a legacy sequel. 40 years later, video games are more popular than ever before. A modern-day remake would be a license to print money. Sci-fi can be wish fulfillment that exists for no other reason than to be fun and make you happy. To this day, nothing hits that mark quite like The Last Starfighter.

9. The Fifth Element

One of Bruce Willis’s best movies, The Fifth Element launched the career of Milla Jovovich, helped turn Chris Tucker into a star, and proved that well-written, visually-stunning sci-fi could become a blockbuster even in the jaded culture of the 90s. By 1997, caring about things and earnestness was considered uncool, which became a plot point in Luc Besson’s sci-fi magnum opus. How The Fifth Element earned over $290 million at the box office, and millions more through DVD sales, should be studied by upcoming filmmakers. 

The Fifth Element turned a futuristic cabbie into an unlikely savior when the reincarnation of a forgotten alien species lands on the hood of his cab. Together, the two have to stop The Great Evil from consuming Earth by overcoming Zorg, a greedy billionaire who might be the creepiest sci-fi villain of the 90s thanks to Gary Oldman’s scenery-chewing performance. 

Few films to this day are as manic as The Fifth Element, which deserves to be right up there on every sci-fi fan’s Mt. Rushmore and, in the process, delivers some of the same kinds of space thrills as Star Wars. 

8. Flash Gordon

Besides the amazing soundtrack provided by Queen, Flash Gordon is the most American sci-fi movie you’ll ever come across. A quarterback saves the universe using his football skills to take down a unit of elite guards? How awesome is that? 

Star Wars was inspired by the serials of the 1930s, and Flash Gordon was one of those serials. But it started out as a comic strip, and you can tell. The villain’s name is Ming the Merciless, all the visual designs are old-school pre-Star Wars sci-fi, and again, the hero’s name is Flash Gordon. This is pure camp, and that’s before you get to the legendary overacting of Brian Blessed as Vultan! 

The tropes, designs, and plot beats of Flash Gordon make it required viewing for all sci-fi fans, and it has the same DNA as Star Wars. You can’t appreciate how far science fiction has come if you don’t know where it started. Flash Gordon is a love letter to the genre’s pulp roots, and honestly, you wish more films were made today in the retro-futuristic style. Ming the Merciless may be corny, but the man’s rizz is unmatched. 

7. John Carter 

In a just world, John Carter would have been the start of a retro-futuristic sci-fi franchise to rival Star Wars in scale and scope. Taylor Kitsch should have become a superstar. John Carter is a fantastic movie that bombed hard because Disney had no idea how to market it. 

Adapting the classic sci-fi pulp novel, A Princess of Mars by Edgar Rice Burroughs, the same man who created Tarzan, John Carter looks fantastic, and the story of a  Civil War soldier sent to Mars is a straight-up crowd-pleaser. Unfortunately, the limited crowds that went to see it weren’t enough to make it a success. 

John Carter’s Mars vistas stretch on forever, but that beauty came with a hefty price tag. The film needed to earn $600 million to break even. It earned $300 million. Disney lost hundreds of millions of dollars and decided instead of turning John Carter into a sci-fi franchise, they’d go out and buy one. 

Three years later, Disney bought Star Wars. 

Now do you wish you had seen Taylor Kitsch’s cult hit in theaters when you had the chance?

6. Farscape

Star Wars has shifted gears in the last few years, becoming a streaming franchise. It’s playing catch-up behind the 90s and early 2000’s series Farscape, which perfected the serialized formula of ragtag heroes going up against an oppressive government. Farscape is clearly influenced by the original trilogy, right down to having Jim Henson’s Creatureworks provide puppets, but that’s not a bad thing. 

Farscape starts off with human astronaut John Crichton surviving a trip through a wormhole and winding up on the far side of the galaxy. He quickly learns to get along with the escaped convicts Ka D’Argo, Zhaan, and Rygel on board a living spaceship, the Moya, as they try to stay one step ahead of the corrupt Peacekeepers. Later on, the leather-clad villain Scorpius comes after Crichton for his hidden knowledge of wormholes, and this all leads to Crichton being split into two separate versions: an imaginary Scorpius living in his head, the organic spaceship giving birth, and a constant struggle to survive when it feels the entire universe is out to get them. 

If you liked the original trilogy, and even if you liked Guardians of the Galaxy, you need to fire up Farscape and start binging it right now. This is everything fans wanted out of a Star Wars streaming series.

Welcome To The Top 5

Congratulations, you’ve reached the top five, and things are about to get really fun. Keep in mind that this list is ranked by two criteria: how much something is like Star Wars and how good it is. 

It’s an average of the two factors, which can result in all kinds of ranking weirdness, especially in the lower levels of this list. These are the 5 best Star Wars sci-fis that aren’t Star Wars at all. 

5. Predator: Badlands

Remember when Chewbacca carried C3-PO on his back? How the mismatched characters played off of each other? Turn that into a survival story on an alien planet where everything is trying to kill them, and you get Predator: Badlands, the latest in the long-running franchise. 

Dek is a Predator who heads off to a planet in order to hunt down the apex predator. A Weyland-Yutani android is the only survivor of an encounter with the beast. Only the top half of her body survived. Dek straps her to his back, and together, they navigate a world where everything is trying to kill them. 

It has the feel of a Star Wars novel in the best way possible. It’s easy to imagine a Wookie and a droid having to navigate a planet similar to Genna. Predator: Badlands lacks the size and scope of a Star Wars film, but it’s an absolute blast from start to finish. All it takes is one setting, two characters, and a horde of bizarre alien lifeforms that make the Rancor look like a puppy. 

4. Firefly

The Mandalorian was praised for taking Star Wars in a bold new direction: Space Western. Well, why not take some time and enjoy the series that put space westerns on the map? Firefly is still the greatest one-season sci-fi series of all time, and the sequel film, Serenity, is the perfect ending to the crew’s story. 

Out on the edge of the known galaxy, Captain Malcolm Reynolds and his crew pick up odd jobs, carrying cows, protecting a brothel, whatever they have to do to get enough gas to keep flying. Imagine the adventures of smuggler Han Solo under the watchful eye of the Empire, and that’s Firefly, only with no aliens, more cowboy hats, and more jokes. 

A new animated series is on the way, set between the end of Season 1 and Serenity, making this the best time to get caught up on the space western that paved the way for The Mandalorian

3. Dune

David Lynch’s Dune is an underrated masterpiece, but Denis Villeneuve’s modern adaptation turned the classic sci-fi novel into a blockbuster. 12 years before Star Wars, author Frank Herbert took sci-fi fans to the planet of Arakkis, the center of intergalactic politics and trade, thanks to the miracle mineral: Spice. Imagine if Tattooine was important for any reason other than its abundance of Skywalkers, and that’s Arakkis. 

It even has a chosen one, destined to reshape the galaxy. Paul Atreides is the hero that Anakin Skywalker wishes he could be. Paul liberates his planet, unites a people, has twins destined to be even greater than him, and doesn’t become a villain. In the first two movies. 

Star Wars is more of a space fantasy than hard sci-fi, but Dune isn’t afraid to get weird. Later books include human/sandworm hybrid that lives for thousands of years and rules over the galaxy. Oddly, that’s not as strange as it gets. 

2. The Expanse

A grounded, hard sci-fi series might not seem like it would have much in common with Star Wars, but The Expanse centers around a ragtag group of misfits on a medium size ship flying around saving the Galaxy. 

It’s based on a series of books set in a not-too-distant future where humanity has colonized the solar system. Earth, Mars, and the asteroid belt are locked in political tension, and a crew of unlikely allies gets pulled into events that reshape civilization. 

Despite being a totally different type of space sci-fi from Star Wars, The Expanse pulls off the crew of the Millennium Falcon against the universe vibe better than anything has since The Empire Strikes Back. Ride shotgun with the crew of the Rocinante as they battle to save the solar system from threats not inside and out, on one of the best sci-fi shows ever produced. 

1. Guardians of the Galaxy

Guardians of the Galaxy is so much fun, it turned a dancing tree into the hottest Christmas toy. Comic fans knew how strange and bizarre the cosmic side of Marvel was, but in 2014, the general public took a trip to Knowhere and had their minds blown for the first time since they stepped foot inside a hive of scum and villainy. 

The colorful cast even brings to mind the original trilogy, except both Star-Lord and Rocket are Han Solo, Gamora is Leia’s intrusive thoughts given physical form, Drax is C-3PO, Groot is R2-D2, and Mantis is… there. 

The Guardians trilogy is among the very best of the Marvel Cinematic Universe, and any one of them could be someone’s favorite movie, and you know what, sure. It’s fun, and it’s awesome. Each one of them reveals another strange corner of the galaxy, and while yes, Adam Warlock was wasted, the thrill of what comes next is only comparable to the original trilogy. 


source

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Entertainment

New Congressional scam alert issued for IRS fraud ahead of Tax Day

Tax Day is nearly here, and with it comes tax scams. The U.S. Congressional Joint Economic Committee has issued a scam alert, with less than a week to go until the tax filing deadline. The warning is, unfortunately, needed, given that nearly one in four Americans have reported being victimized by tax season scams, according to March 2026 research by McAfee.

The alert, seen by Mashable, has other alarming findings: During fiscal year 2025, the IRS reported more than 600 social media impersonators of the agency. Spam blocker app Nomorobo found a 400 percent increase in fraudulent calls claiming to be from the IRS between Jan. and Feb. this year. Fake tax websites are also on the rise, with McAfee identifying 43 new ones every day between Sept. 2025 and Feb. 2026.

“Criminal enterprises are exploiting tax season to target Americans, including seniors,” said Joint Economic Committee Chairman and Arizona Rep. David Schweikert in a press release shared with Mashable. Adults 70 years old and older lost more money to fraud than younger adults, according to the median of data collected by the Federal Trade Commission in 2024: $1,650 for seniors 80 and older and $1,000 for 70-79 year-olds, compared to $189-691 for younger groups.

Schweikert is issuing the alert, along with Ranking Member New Hampshire Sen. Maggie Hassan, Vice Chairman Missouri Sen. Eric Schmitt, and Senior House Democrat Virginia Rep. Don Beyer.

“As Americans file their taxes this month, scammers are deploying an onslaught of attacks — often enhanced by artificial intelligence — designed to steal people’s money,” Hassan stated in the release. “I encourage all taxpayers to review the tips in this bipartisan scams alert so that they can stay vigilant and protect their identities and accounts.”

Here are tips the Joint Economic Committee lays out to avoid common IRS impersonation scams:

  • Be wary of phone calls, emails, or social media outreach. The IRS will never message you on social media! The agency will almost always initiate contact by mail, according to the committee.

  • Watch out for urgent requests or threats. The IRS will never threaten to call law enforcement or request to see your driver’s license. On that note, the agency will never ask for payment via nontraditional methods such as gift cards.

  • You can verify any communications with the IRS directly on the official IRS.gov website.

  • You can share an IRS-issued identity protection PIN instead of your Social Security Number.

The committee also urges precaution when dealing with third-party tax services. Here are some tips for identifying non-IRS tax scams:

  • Research firms by searching them on sites like the Better Business Bureau. If an offer seems too good to be true, it often is.

  • Go to IRS.gov and verify the service’s Preparer Tax Identification Number (PTIN). If the service doesn’t provide this, avoid it.

  • Scammers may pretend to be legitimate third-party tax preparation companies or employees. Verify the provider by visiting the official website and calling the listed phone number.

If you believe you’re a victim of a tax scam, you can report it at ReportFraud.ftc.gov.

Have a story to share about a scam or security breach that impacted you? Tell us about it. Email [email protected] with the subject line “Safety Net” or use this form. Someone from Mashable will get in touch.

source

Continue Reading

Entertainment

Raunchiest 90s Sci-Fi Series Features Worst Captain Of All Time 

By Jonathan Klotz
| Published

Science fiction is filled with incredible spaceship captains. Star Trek alone gave the world Picard, Kirk, and Janeway, Firefly has Malcolm Reynolds, Farscape’s John Crichton, and Battlestar Galactica’s Adama, all of them are fantastic characters. All are noble and inspiring figures who make their crews better.

On the other end of the spectrum is Stanley H. Tweedle, captain of the Lexx, the most powerful weapon ever created. He’s a coward, a traitor, self-centered, shallow, and the last man in existence who should have the keys to the most powerful weapon in both galaxies. 

Lexx’s Stanley H. Tweedle Is Sci-Fi’s Worst Captain

Stanley H. Tweedle, played by Brian Downey, kicks off the events of Lexx by skipping work to the point he’s deemed a fugitive from justice by the servitors inside His Divine Shadow’s headquarters and runs into another fugitive, Zev (Eva Habermann). Taking shelter on board the organic spacecraft Lexx, the command codes embedded in Stanley’s tooth are activated, and the ship recognizes him as the Captain. It’s not the most glorious origin story for the man who would eventually, sort of, save the galaxy. It gets worse. 

Technically, Stanley’s responsible for the deaths of 685 billion people. He didn’t give the order to fire, and he was being tortured, but he did give the codes to the Lexx over to a band of mercenaries, and then they sold it to His Divine Shadow, and 100 worlds ceased to exist. No other captain in sci-fi can say thay also have the title “Arch-Traitor.” 

During Season 2, “Stan’s Trial,” we learn that the root of Stanley’s cowardice is his fear of death. The threat of death causes Stanley to break under the smallest bit of pressure from any of the villains, which all comes to a head in Season 3 when he actually dies and has to face the judgment of Prince from the Fire Planet, Lexx’s version of the Devil. You’d think that anyone who’s that cowardly wouldn’t be respected by his crew, and you’d be right. 

No One Respects Stanley

The Lexx’s crew of castoffs, including both Zev and Xev (Xenia Seeberg), the undead assassin Kai (Michael McManus), and the love robot 790/791 (Jeffrey Hirschfield), don’t respect Stanley. Eventually, Xev and Kai start to have a modicum of respect, but 790, competing with Stanley for the affection of both Zev and Xev, constantly belittles and insults its captain. Even Lexx has some difficulty with Stanley, often misunderstanding what he wants, including misinterpreting the captain’s request for the coordinates to a planet of loose women. 

Early on in Season 3, Stanley’s desire for women comes to a head when Prince offers to revive Maya, a gorgeous woman from the Water Planet, if he’ll use the Lexx to destroy the Water Planet. Stanley doesn’t only think about it, he spends most of the second episode actively devising ways to betray everyone. Not even Kirk, sci-fi’s most famous womanizer, would contemplate an offer like that for a single second. 

Stanley H. Tweedle is both sci-fi’s worst captain and one of the most interesting characters, because he is so detestable and openly not a good guy. At all. He helped save the galaxy from thousands of years of control under His Divine Shadow, but he’s still a coward and a lech. Worst of all, we never learn what the H stands for. 


source

Continue Reading

Entertainment

Starfleet Academy Died Before It Could Ruin Star Trek’s Most Beloved Character

By Chris Snellgrove
| Published

Starfleet Academy was canceled shortly after the end of its first season. Nonetheless, a second season had already been greenlit and filmed, so fans can look forward to more misadventures with their favorite band of space cadets. Even as those fans look forward to what Season 2 brings, though, at least one of the show’s biggest actors regrets that there won’t be a third season to tell his character’s most ambitious story yet.

Robert Picardo reprised his role as the Doctor for Starfleet Academy, and the first season provided a surprise follow-up to “Real Life,” one of his best Voyager episodes. In a recent interview, the actor revealed that he had pitched a Season 3 SFA follow-up to “Living Witness,” where he would encounter a backup version of himself that was left behind on an alien planet. Picardo saw the episode as a chance to grow the Doctor like never before. Unfortunately, his description of the plot makes it clear that the episode he pitched would have ruined his character altogether.

Is There A Doctor In The House?

“Living Witness” was a Star Trek: Voyager episode where a backup version of the ship’s holographic Doctor is activated on an alien planet seven hundred years after Voyager left. He is activated by a museum curator hoping to get to the bottom of a centuries-old conflict between two alien races. Eventually, the Doctor is able to make peace between the two groups and stays behind as their surgical chancellor before getting into a shuttle and very belatedly plotting a course back to Earth.

To many fans’ surprise, the first season of Starfleet Academy never followed up on “Living Witness.” However, Robert Picardo recently appeared on the D-Con Chamber Podcast (hosted by Enterprise alumni Dominic Keating and Connor Trineer) and revealed that he pitched a Season 3 story that would follow up on this iconic Voyager episode. “I wanted to do an episode—now we can talk freely about it, because the show’s canceled…I wanted to meet my Voyager backup, my old self, and be as I looked at 41 and play off my self.”

Doctor, Heal Thyself

At first, this would have the “Living Witness” Doctor chastising the Starfleet Academy version for programming aging into his subroutine. Eventually, they bond over the relationship they share with Lewis Zimmerman, the man who invented the Emergency Medical Hologram. “The Doctor and his backup program are two children of the same parent. One has resolved the issues, the other hasn’t, and after 800 years, those daddy issues, those parental conflicts, they don’t go away if you don’t deal with them,” Picardo said.

On paper, I love the idea of following up on “Living Witness,” and I previously wrote about how interesting it would be if the backup version was actually the Doctor in Starfleet Academy. Furthermore, Robert Picardo’s storytelling instincts are good in the sense that it would be fun to see multiple versions of this cranky hologram bouncing off each other. Unfortunately, the Starfleet Academy episode that he pitched was emblematic of the show’s biggest problem: that the adults on the show are no more mature than the young cadets.

Nearly Ruining A Beloved Character

Critics of Starfleet Academy have frequently dunked on the cadet characters for various reasons, including their vulgar language, constant insults, and frequent infighting. Fans of the show have traditionally responded to this criticism by pointing out that, as young characters growing up in a post-Burn galaxy, the cadets should be immature. 

However, one of the show’s biggest problems is that the adult characters were equally immature. The Doctor and Captain Ake have a combined 1200 years between them, but they spend their screentime making poop jokes and laughing at a farting fish. Plus, their dialogue is equally vulgar, with the Doctor infamously declaring that “debate is not for the chickensh*t” and Captain Ake telling her enemy to “blow it out your *ss!”

What does this have to do with the Season 3 SFA episode that Robert Picardo pitched? Simple: the last thing the show needs is another older character acting just as immature as the younger characters. For example, having daddy issues is part of Genesis’s character, which makes sense because she is supposed to be so young. But both versions of the Doctor are now over 800 years old, making them some of the wisest and most ancient living beings in the galaxy. Why in the name of Neelix’s stinky cheese would either of them have the same kind of daddy issues as a teenager in her freshman year of space college?

Meet The Trauma Teacher

It was already weird enough in Season 1 that Starfleet Academy turned the Doctor into a tragic figure haunted by the death of his holographic son from “Real Life;”; before this, he never even mentioned the kid after the episode. Now, Picardo’s pitch would further tweak his character to explain that, after the better part of a millennium, the backup Doctor is suffering from daddy issues that, like him mourning his son, were never really mentioned before in Voyager. I can’t help but think this would ultimately ruin his character, turning the whimsical comic relief character from a beloved Star Trek show into just another NuTrek character defined primarily by trauma.

Because of this, I’m glad that Starfleet Academy got canceled. I actually warmed up to Season 1 over time, but it had an insanely rocky first half that made it really hard to love these characters. If Season 3 was going to ruin the Doctor (one of my favorite characters from the Golden Age of the franchise) with Picardo’s pitch, it’s best that the show died. Fans will have to make peace with the fact that the best days of the Doctor are just like the best days of Star Trek: stuck a few decades in the past.


source

Continue Reading