Entertainment
Star Trek Fans Who Dislike NuTrek Are Routinely Censored And Banned, This Is Who's Behind It
By Chris Snellgrove
| Published

As someone who writes extensively about Starfleet Academy, I frequently find myself in the trenches of fan spaces, ranging from r/startrek on Reddit to Star Trek S**tposting on Facebook. As you might expect, these spaces are filled with those who are passionate about all things Trek, and they love to swap memes while sharing their love for Gene Roddenberry’s seminal sci-fi franchise. But there’s trouble in paradise whenever someone breaks the one, unspoken rule: “never say anything bad about NuTrek.”
Such posts are likely to get removed altogether, especially on Reddit, where the Paramount astroturfers tirelessly work to remove any and call criticism. But when a criticism does make it through, the critic faces a deluge of hatred from Star Trek fanboys who act like a critique of their favorite show is nothing less than a deep, personal insult. Because of this, I think franchise fans of every quadrant need to accept a blunt truth: IDIC includes people who disagree with you.
Where It All Started

My most tinfoil-hat Star Trek conspiracy theory is that this problem goes back to the earliest days of Star Trek: Discovery. At that time, many YouTubers realized they could hit the click lottery by going all-in on criticizing the new show. For example, Nerdrotic led the charge in criticizing the show as forcing diversity down viewers’ throats (often to the detriment of the story), and that Star Trek had suddenly gone woke.
Channels like Midnight’s Edge echoed the wokeness claims and similarly griped about Star Trek: Discovery’s perceived identity politics. It didn’t take fans long to strike back, pointing out that Trek has literally been diverse from the very beginning (just look at that Original Series cast).
Eventually, those earlier criticisms were used by moderators to make sure nobody was allowed to criticize NuTrek in any way without being canceled by their fellow fans.
Criticism Of NuTrek Is Now Completely Forbidden

While the aforementioned YouTube channels made some salient points about Discovery, some fans understandably seized on parts of their opinions they felt missed the mark. The primary things that made this new Star Trek show “diverse” were, seemingly, the Black female main character and a supporting cast that includes two gay men. Therefore, such criticisms were condemned by the Reddit-style fan community as being both sexist and homophobic.
However, Discovery fanboys soon began to use those earlier critiques to silence all opposition to their new favorite show. If someone disliked Michael Burnham’s character for more legitimate reasons (like her being written as a Mary Sue with plot armor as thick and obvious as transparent aluminum), they were dismissed as just another bigot who had a problem with a strong, Black, female character. If someone said they thought Stamets and Culber could have had better chemistry, they were denigrated as a homophobe who just couldn’t handle Trek’s first openly gay couple.
Unfortunately, this foundational aspect of NuTrek discourse continues to this day with Starfleet Academy. If you criticize Jay’den (the stuttering soft boy Klingon pacifist) for being a poorly written member of his warrior race, you will be labeled as an old sexist who just can’t appreciate this alien’s slow burn journey of gay self-discovery. If you criticize SAM (the happy-go-lucky hologram with the literal mind of a child) for being a walking meme, you’ll be labeled as someone who hates Black women (and probably autistic people).
Forgetting The Franchise’s Most Important Rule

Do some members of the Star Trek fandom still make racist, sexist, and homophobic comments about Starfleet Academy and other shows? Of course, and they need to be called out by a comment section that sets their phasers to “kill.” But it’s important to remember that not every criticism of NuTrek is a coded dogwhistle; sometimes, people just have a difference of opinion, and somebody not liking something that you love is not a personal attack on you or your tastes.
All of this had me pondering the most important rule in all of Star Trek: IDIC, which stands for “Infinite Diversity in Infinite Combinations.” NuTrek is often praised for adhering to this more than earlier shows, and its diversity is part of what those problematic YouTubers freaked out about when Discovery premiered. Obviously, diversity is a good thing, and shows like Starfleet Academy deserve full credit for giving us the kinds of characters that we wouldn’t have previously seen headlining a Star Trek show.
IDIC Includes People Who Don’t Like Your Favorite Show

However, diversity of thought and opinion is also part of IDIC, and this has always been baked into Star Trek’s DNA: we see McCoy and Spock argue over the different cultural perspectives of humans and Vulcans in The Original Series, for example. In The Next Generation, Worf’s stories constantly forced characters like Picard to consider the wildly different (yet no less relevant) perspective of the Klingons. Meanwhile, Deep Space Nine used the Ferengi Quark to constantly contrast the Federation’s hippie, humanistic values with naked faith in the power of free market capitalism.
In a perfect world, the Star Trek fandom would more readily embrace this basic concept of IDIC: not everyone in the fandom is going to agree with everything you say. The person criticizing the childish humor of Starfleet Academy isn’t someone who hates the franchise or hates you for liking the show; he’s just somebody who wishes NuTrek wasn’t resorting to d*ck and fart jokes to make audiences laugh. Similarly, the people complaining about the nonstop slang and vulgarity of these young characters aren’t just old and out of touch; they just remember when you could show Star Trek to your kids without cringing and reaching for the remote.
Fans Need To Stop With Friendly Fire

Not every Trek is for every fan, and disliking Starfleet Academy is no more inherently problematic than disliking Enterprise or the Kelvinverse. But it’s important to remember that the vast majority of fans criticizing this new show are doing so from a place of love because they want Star Trek to succeed. By assuming that every critic is a bigot, fanboys shut down any chance for genuine discourse while making Paramount think that nothing about their new show (the one that’s already fallen out of the Top 10 streaming charts on Paramount+) needs to be changed.
Simply put, this mentality goes against the entire IDIC philosophy of Star Trek and will ultimately doom the franchise in a sad attempt to pretend that NuTrek is absolutely perfect. If we can’t argue in good faith about the things we love about Trek, then there will soon be no new Trek to love. But if the fandom can finally drop all the culture war garbage (including painting all critics as fascists to the right of Colonel Green) and have a reasonable discourse, we might have something that seemingly disappeared decades ago. Namely, a Star Trek show that most fans are actually excited to watch each week!
Entertainment
Bridgerton Season 4, Part 2 trailer promises big Benophie arguments and steamy makeouts
Celebrate Valentine’s Day a day early with the latest trailer for Bridgerton Season 4, Part 2.
The trailer above explores what happened after Benedict Bridgerton (Luke Thompson) royally stuck his foot in his mouth by asking maid Sophie Baek (Yerin Ha) to be his mistress. On the one hand, he certainly thought it was romantic, as it’s the only socially acceptable way for people of their differing social standings. Plus, he didn’t know that Sophie’s mother was her father’s mistress, adding extra emotional baggage to his request.
On the other hand… Benedict. Buddy. Read the room.
The trailer also explores the fallout of Benedict’s faux pas: Benedict pines after Sophie, while Sophie wrestles with her complicated feelings over the proposal. The yearning is simply off the charts.
Apparently the lovebirds aren’t apart for too long, though, because the trailer is full of passionate Benophie kisses — as well as a teaser for a steamy bath scene.
That’s not all, though. In addition to all the Benedict and Sophie drama, these next episodes will see the much-welcome return of Anthony (Jonathan Bailey) and Kate (Simone Ashley). Anthony even gives Benedict a pep talk about following his heart and going after Sophie.
Here’s hoping Benedict will actually follow through (and maybe choose his words better next time he tries for a big romantic gesture).
Bridgerton Season 4, Part 1 is now streaming on Netflix. Part 2 premieres Feb. 26.
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Entertainment
A Lion for Lunar New Year
Oh Ruth, this was just perfect and made me tear up! Wishing you and all the COJ readers a xīn nián kuài lè!
Our house is all decorated for the new year, we had dumplings on little new year this past week (festival of the kitchen god), and a big family feast to look forward to next week. Celebrating the holiday is one of the things I’ve come to look forward to every year since I met my husband – we joke we have three new years now (Jewish, Gregorian, and Chinese) to get things right! 😉
P.S. Ruth- I first found your work because of your BTS comic which was perfect… how excited is everyone for the new album/tour?!
Entertainment
Kevin Smith’s Ultra Violent, R-Rated Comedy Horror On Netflix Is A Terrifying Transformation
By Robert Scucci
| Published

Long before I found my passion for digging up movies that play better than their critical reputations suggest, Kevin Smith made a little horror comedy in 2014 called Tusk that I completely wrote off and forgot about thanks to its 45 percent critical score on Rotten Tomatoes. Having since spent years reviewing movies with single-digit scores that I feel are better than some of their critically acclaimed counterparts, I finally decided to give this one a go. In my mind, 45 percent probably translates to at least a B minus based on how I personally rate films.
I’m admittedly a bit squeamish when it comes to body horror, though I’ll still check out films like Possessor and Stopmotion if the synopsis sounds compelling enough. And let me tell you something. Justin Long getting transformed into a walrus sounds pretty compelling for one very specific reason.

I used to hate Justin Long because he always plays a jerk. After watching movies like Barbarian and The Wave and thoroughly enjoying them for this exact reason, I’ve come to appreciate that this is where his talent really lies. Given how much fun he seems to have playing a jerk in nearly every project he’s in, I’ve started to believe he’s probably disproportionately nice in real life and living vicariously through his characters. Add Kevin Smith’s twisted sense of humor to the equation, and Tusk becomes essential viewing for anyone who loves violent and bizarre B-movie schlock.
Starts With A Podcast

Justin Long’s Wallace Bryton, sporting his best Anthony Kiedis mustache, is introduced through his offensive podcast, The Not-See Party, where he and his cohost Teddy Craft (Haley Joel Osment) roast viral videos. Following a lead about a Manitoba-based, katana swinging teenager known as the Kill Bill Kid, Wallace is disappointed to discover that the subject of the video committed suicide, meaning he traveled to Canada for nothing.
In an attempt to salvage his trip while still generating content, Wallace hears about a man named Howard Howe (Michael Parks), whose flyer claims travelers can live with him for free so long as they listen to stories about his life. Driving out to the middle of nowhere, Wallace prepares for what he believes will be the interview of a lifetime. Instead, he’s drugged and slowly stitched into a human sized walrus suit.

Meanwhile, Teddy and Wallace’s girlfriend Ally (Genesis Rodriguez), having not heard from him in days, receive an alarming voicemail detailing his current predicament. They enlist the help of former detective Guy LaPointe (Johnny Depp), who has been searching for Howard for as long as he can remember, under the suspicion that he’s responsible for countless missing persons cases just like Wallace’s. Determined to rescue their friend, the trio sets out to Howard’s last known address, completely unaware of the brutality waiting for them.
Production Values That Transcend Its Budget
Despite its meager, three million dollar production budget, the practical body horror effects in Tusk are more than solid. We get graphic closeups of Wallace during and after his transformation, and they’re absolutely nauseating in the best possible way. Justin Long’s look of bewildered distress really sells the entire ordeal. He starts the movie overly confident and smug, only to end up as a man trapped inside a walrus’s body.

Since I’ve personally never been sewn into a lifelike walrus suit made from scraps of my own amputated limbs against my will, I can’t say how I’d react in a similar situation. What I can say is that Long sells it convincingly, so credit where it’s due.
The best part of Tusk, though, is Johnny Depp. It feels like the role of Guy LaPointe was written specifically for him, even though reports suggest it was originally written for Quentin Tarantino, who passed on it. Depp is enthusiastic, eccentric, haunted by his past, and driven by his obsession with Howard. He carries himself like a flask-swigging, hard-boiled private detective who’s well past his prime.

While I enjoyed Tusk well enough before his arrival, Johnny Depp’s presence and ability to command every scene he’s in is what truly sealed the deal for me.
An interesting take on body horror mixed with comedy, Tusk isn’t for everyone, but I’m glad I finally got around to watching it. It has the same sick sense of humor you’d expect from Kevin Smith, but it’s focused squarely on this specific genre, showing his range in ways that characters like Jay and Silent Bob simply can’t. Once again haunted by the realization that I could have watched this movie over a decade ago and enjoyed it just as much, it’s another reminder of why you should always take what critics say with a grain of salt.


As of this writing, Tusk is streaming on Netflix.
