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Rebel Audio is a new AI podcasting tool aimed at first-time creators 

You’ve more than likely had that moment where you’re sitting with a friend, the conversation is flowing, you’re making each other laugh, maybe even saying something surprisingly insightful. Then someone says it: “We should start a podcast.”

Most of the time, that idea fades as quickly as it came. Not because it’s necessarily a bad idea, but because actually making a podcast has always been kind of a pain. Between recording setups, editing software, and promotion, many argue that the barrier to entry is higher than expected. 

That’s the gap a new platform, Rebel Audio, is trying to close.

Rebel Audio positions itself as an all-in-one podcasting platform designed for first-time and early-stage creators. The idea is simple: Instead of juggling multiple tools, subscriptions, and workflows, podcasters can create their show, record it, edit it, upload cover artwork, create transcripts, clip content for social, and publish, all without ever leaving the platform. 

Rebel Audio launched a private beta with a waitlist earlier this month, and it recently secured $3.8 million in an oversubscribed seed round, suggesting that investors see real opportunity in simplifying the podcasting process. An official rollout to the public begins on May 30.

Image Credits:Rebel Audio

The timing of the launch makes sense. Podcasting is exploding, with the industry projected to reach $114.5 billion by 2030. According to Riverside, more than 584 million people listened to podcasts in 2025, with predictions that this number will rise to 619 million by 2026.

Competitors like Spotify for Creators (formerly Spotify for Podcasters) have already adopted a similar all-in-one approach, offering tools like unlimited hosting, video podcast uploads, audience tools, analytics, and monetization through ads and subscriptions. However, Rebel Audio argues that none of these solutions deliver a truly “360-degree” creation suite in the way its platform aims to. Other popular rivals include Riverside, Adobe Audition, and Descript.

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Monetization is another core part of the pitch. Rather than treating revenue as something that comes later, Rebel Audio integrates it from the beginning. Creators can tap into advertising, brand partnerships, dynamic ad insertion, and listener subscriptions integrated within the platform. 

Image Credits:Rebel Audio

Unsurprisingly, Rebel Audio’s experience is also heavily powered by AI. 

The platform includes an AI assistant that helps with everything from generating show names and descriptions to suggesting ideas and producing cover art based on a concept. There are also AI-powered transcription, dubbing, and translation capabilities, as well as voice cloning for ad reads. 

However, building a podcasting platform centered around AI could introduce criticism. 

The use of AI-generated images and voice cloning remains a sensitive topic across the creative industry. Concerns around training data, originality, and ownership continue to surface, and some creators remain wary of tools that blur those lines. Streaming platforms like Spotify and Deezer have already had to address issues related to low-quality, mass-produced AI content, sometimes referred to as “AI slop.” 

Rebel Audio told TechCrunch that it has implemented guardrails to address these concerns. Voice cloning is opt-in and requires users to confirm they have the rights to use a given voice, and the platform includes safeguards aimed at preventing deepfake content. Similarly, the company says its AI-generated cover art tools are designed with moderation systems to block inappropriate or non-compliant imagery, particularly anything that could violate distribution platform guidelines.

Rebel Audio was developed in partnership with AI consulting firm Lattice Partners.

Image Credits:Rebel Audio

Behind the scenes, the company’s leadership brings a lot of industry experience. Founder Jared Gutstadt previously launched production company Audio Up in 2020. Rebel Audio plans to migrate Audio Up’s catalog onto the platform, including shows involving big names like Machine Gun Kelly, Anthony Anderson, Dennis Quaid, Jason Alexander, and Luke Wilson.

The broader team includes veterans from companies like MGM and DreamWorks, and even Mark Burnett has joined as an advisor. Burnett is the producer behind shows “Survivor,” “The Voice,” and “Shark Tank.”

Pricing-wise, the platform is structured in tiers, starting with a basic plan ($15/month) that offers AI-assisted production, hosting, and distribution to all major platforms, a Plus plan ($35/month), which includes video hosting, and voice cloning for ad reads, scaling up to a full Pro package ($70/month) that includes dynamic ad insertion, listener subscriptions, translation, and dubbing.

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Doss raises $55M for AI inventory management that plugs into ERP

Enterprise resource planning (ERP) systems are often described as a company’s “central brain” because the software connects different departments — including finance, HR, and inventory — into a single database where everyone shares the same information.

In recent years, a new crop of AI-powered ERP startups, such as Rillet and Campfire, has emerged hoping to replace legacy offerings like NetSuite. These companies claim that traditional ERPs are clunky, expensive, and time-consuming to implement.

However, according to Doss co-founder and CEO Wiley Jones, many new AI ERPs lack robust inventory management, the process of ensuring that the data on physical goods remains synced with the accounting ledger.

Doss claims to solve this by providing an AI-native inventory management layer that integrates with existing accounting systems, whether traditional ERPs or ones built by AI-based startups.

On Tuesday, Doss announced that it raised a $55 million Series B co-led by Madrona and Premji Invest, with participation from Intuit Ventures. Other new and existing inventors in the round include Theory Ventures, General Catalyst, Contrary Capital, and Greyhound Capital.

Doss, founded in 2022, originally focused on a core accounting product similar to those offered by AI-native startups like Rillet and Campfire. But last year, the startup decided instead of competing with these companies, “we would rather partner with them, and play a different game,” Jones told TechCrunch.

Jones explained that AI-native ERP companies manage accounts receivable, accounts payable, and other finance functions, but most don’t offer procurement and inventory management that integrates with accounting workflows.

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“We’re building a lot of the traceability for the supply chain, but through the lens of plugging into a finance and accounting partner,” Jones said.

The company’s main partners include Rillet and Campfire. Many clients also use Doss in conjuction with Intuit’s QuickBooks.

“The reason that they work with us is that [physical goods management] is not something that they’re likely going to build as a core competency without putting in a lot of energy and effort,” Jones said.

Doss’ core customer base consists of mid-market consumer brands, typically generating between $20 million and $250 million in top-line revenue. One such customer is Verve Coffee Roasters, a high-end specialty coffee brand.

The startup sees itself as competing with traditional ERPs. But these players are not sitting ideal in the age of AI, either. NetSuite, for instance, has recently introduced its updated AI ERP. It also competes with other agentic procurement startups such as Didero.

While Jones admits that selling two ERP systems, one for accounting and another for inventory management like Doss, “is a hard sell,” he says that legacy ERPs are so hard to implement that many customers are choosing to have two newer, AI-powered systems.

“I think it’s going to be a very intense fight inside of mid-market that ultimately will be determined by whoever rebuilds their architecture to be most legible and usable for agents,” Jones said.

Editor’s Note: The story corrected the list of Doss’ partners.

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Crunchyroll confirms data breach after hacker claims unauthorized access

Anime streaming service Crunchyroll has confirmed a data breach involving customer service ticket information following an incident with a third-party vendor, after a hacker claimed to have accessed user data and internal systems.

The streaming site, which Sony acquired from AT&T in 2020 for $1.18 billion, operates as a joint venture between U.S.-based Sony Pictures Entertainment and Japan-based Aniplex. Crunchyroll has more than 2,000 titles in over 12 languages and serves 15 million subscribers worldwide, per its website.

Reports of a threat actor claiming access to Crunchyroll user data surfaced online this week, with a hacker alleging that they obtained data about millions of users.

Crunchyroll said it is investigating the claims.

“Our investigation is ongoing, and we continue to work with leading cybersecurity experts,” the company said in a statement to TechCrunch, adding that it has not identified evidence of ongoing unauthorized access.

Separately, materials shared with TechCrunch by a cybersecurity-focused account, International Cyber Digest, indicate the attacker may have gained access to Crunchyroll’s Zendesk support system. Screenshots we have seen appear to show the company’s internal Slack messages and stolen support data, apparently stolen by hacking an employee at Telus Digital, an outsourcing giant that handles customer support for Crunchyroll. The hacker allegedly stole customer support ticket data until early 2025, at which point their access was revoked.

The cybersecurity account said the hack was separate from a recent breach affecting Telus Digital, which the company confirmed last week.

Crunchyroll did not respond to a follow-up question about whether the third-party vendor relates to its support partner, Telus Digital.

Telus Digital did not respond to requests for comments.

The hacker told BleepingComputer they had downloaded about eight million support ticket records from Crunchyroll’s systems, including roughly 6.8 million unique email addresses, though the claims have not been independently verified. The hacker also told the publication they gained access on March 12 after compromising an Okta single sign-on account belonging to a Crunchyroll support agent.

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BKR Capital raises $14.5M (so far) to invest in Black founders

Canada’s BKR Capital announced Monday that its Fund II has closed CA$20 million (around $14.5 million), bringing it closer to its CA$50 million target.

This fund is looking to back “high-growth technology companies led by founders from the Black community, building solutions for the future of work, living, and global connectivity,” managing partner Lise Birikundavyi told TechCrunch. The firm is mainly looking at Canada but is open to backing select companies globally. The average check size will be between $250,000 and $1.5 million, she said.

Birikundavyi said that almost 70% of the Black population in Canada is first- or second-generation immigrants, “resulting in founders who build globally from day one, unlocking early access to international markets and creating a structural advantage in scaling.”

Though many U.S. firms have shied away from openly advertising a mission that could be perceived as diversity, equity, and inclusion (DEI), Birikundavyi said her Toronto-based fund doesn’t share those exact fears. What’s happening in Canada is less of a DEI rollback and more of a reframing, she said, where investors are “prioritizing discussion on performance,” even though “the underlying opportunity remains unchanged.”

She added, “Expanding access to overlooked founders continues to surface high-quality deals, making this less about DEI and more about arbitrage investing.” She believes investors in Canada still see “inclusive investment” as good for the ecosystem and full of potentially lucrative business opportunities.

The firm’s thesis is rooted in the belief that “overlooked markets and diverse lived experiences can unlock outsized venture opportunities,” Birikundavyi said. The firm launched in 2021 and raised $22 million for its Fund I (which Birikundavyi said is performing better than at least 75% of the other funds launched around the same time). She said BKR Capital hopes to make its final close for Fund II in December and invest in 25 companies.

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