Connect with us

Entertainment

'Pavements' review: A slanted, enchanting documentary-biopic-prank

5 men look at the camera in an image with 5 other men, upside down and on top of them, also looking at the camera.

Every band has its biggest fans. The ’90s slacker/alt rock group Pavement is probably the greatest, most vital musical group in existence to someone, but right from its opening frames, Alex Ross Perry’s Pavements deflates the grandeur of this idea, sarcastically overstating the band’s stature in its opening text. In an age of musical biopic plenty, this semi-ironic, postmodern take — which runs through Perry’s part drama, part documentary, and part mockumentary — may be just what the doctor ordered.

To those with only passing knowledge of the Stockton, California, rockers — Stephen Malkmus, Bob Nastanovich, Scott Kannberg, Steve West, and Mark Ibold — this approach to the band’s concert footage may seem counterproductive, but it also perfectly embodies their lackadaisical, experimental facade. The unique form of Perry’s film has its strengths and drawbacks. However, like Pavement itself, what sets the film apart is its outright refusal to adhere to tradition. It is, for better or worse, unique.

What is Pavements about?

Through split screens that contrast the group’s late-’90s breakup with its 2022 reunion, Pavements establishes a sense of visual and narrative duality early on. While the film eventually chronicles the lives of its members (and the band’s life as a whole) in slightly more linear fashion, this contrast establishes what appear to be the film’s dramatic parameters: an early success story later granted a new lease on life. However, the strange nature of the band’s revival soon begins fading into view, revealing just how idiosyncratic this movie truly is.

Much of the movie unfolds in side-by-side split screen, which has become a common technique in musical docs, from Todd Haynes’ Rothko-inspired The Velvet Underground to the self-generating, new-each-time Eno. However, Pavements uses this visual cue for tongue-in-cheek purpose early on. On one side, the band’s frontman Stephen Malkmus espouses his youthful, perhaps naive philosophies in a decades-old video. On the other, actor Joe Keery (Steve Harrington on Stranger Things) begins reciting the very same words, with remarkably similar intonations. This reveals — amusingly, and acerbically — that the movie’s real subjects exist alongside fictitious versions of them, a group of young actors (including the likes of Nat Wolff and Griffin Newman) who have been cast in a film called Range Life, a prestige biopic practically designed to win awards.

The doc veers between presenting the making of this satirical project and presenting it as a movie within a movie, whose footage is sprinkled sporadically throughout Pavements (rife with its own “For Your Consideration” watermark, as though it were a screener for award voting). Perry really did direct and exhibit this feature-length, Bohemian Rhapsody–style satire in New York last year — starring seasoned performers like Jason Schwartzman and Tim Heidecker in biopic stock roles, like the band’s manager and a record executive — with the intention of including this premiere footage in the documentary. 

Soon, Pavements begins documenting not just the band themselves, but the development of three parallel art projects that go hand in hand with the band’s recent reunion: the aforementioned movie, a museum installation dedicated to the group, and Slanted! Enchanted!, a Broadway-style jukebox musical starring Michael Esper and Zoe Lister-Jones that pulls from the band’s discography.

Pavements takes a multifaceted approach to its subjects.

The film cuts between its four aforementioned trajectories — the band and its performance, the biopic and its making, the museum, and the show, each with its own dedicated, roughly equal screen time — with reckless abandon. However, these subjects can be paired up along two interesting axes. On one hand, old footage of the band, when contrasted with their museum commemoration, serves to contrast the past and present, and eventually creates a chronology, albeit non-chronologically. On the other hand, the biopic project is tongue-in-cheek, as though it were more about the biopic genre than about Pavement themselves, and thus, it embodies the group’s ironic musings. But this could not feel more different from the musical theater project, which draws from the group’s lyrics and melodies to create a sincere story (this show also really did premiere, in 2022).

While Pavements might seem like it meanders for the first of its two hours, cutting rapidly between these four trajectories helps weave together a complete fabric — about the band’s story then and now, and about the conflict between their approach and the meaning behind their work. While watching the movie, you may not feel like you’re learning anything about the group or its members, but all that really means is you aren’t learning things according to the linear, straightforward language that most music docs and biopics have established.

However, the film’s most entertaining segments are undoubtedly those featuring Keery, which chronicle his fictitious preparation process in meticulous detail. More than anything or anyone in Pavements, the actor seems to embody the group’s spirit through his Borat-like pranks, in which he sits down with accent coaches to prepare for his role as Malkmus and meets up with various people he thinks might be able to help him stay in character. Fittingly, the only music film Pavements resembles in any fashion is Popstar: Never Stop Never Stopping.

What does Pavements actually have to say about the band Pavement?

The film, amidst its head-spinning montage approach, goes to ludicrous lengths with its movie-in-a-movie, all but presenting it in full during its runtime. However, this extended lark isn’t really about the band, per se, the way the other segments are — none of which are individually sufficient to make any viewer a Pavement expert. Beyond a few dates and events, you’re unlikely to come away from Pavements knowing much more about its members and their college disc jockey days than when you went in, which understandably elicits the question: “What’s the point?”

The point, it would seem, lies in the making of the film itself, as an anti-biopic that runs counter to everything a standard Hollywood biopic is — or rather, what it represents. If Pavement was an anti-institution band, then Pavements is its anti-institution movie made with their participation. In presenting a hilariously schmaltzy vision of what a straightforward biopic might have looked like, Perry helps them avoid an overly serious canonization.

In a way, he helps keep them young. Bands, when they reach a certain age or threshold, become nostalgic cover acts for themselves, and Pavements is determined to prevent this from happening at all costs, even if it means crafting a movie on the verge of avant-garde that might alienate half its audience.

Still, even when the various narrative threads in Pavements start to meander, the movie remains an entrancing sensory experience, given just how much screen time is dedicated to performance footage, both real and re-created. At the end of the day, despite the tricks and pranks Perry pulls, he knows full well that the reason people show up to musical biopics in the first place — and the reason they’re made to begin with — is music that connects with people’s sensibilities. This, he delivers in spades, all while maintaining a reverence for Pavement by being, well, irreverent.

Pavements does not currently have a theatrical or digital release date.

UPDATE: Sep. 25, 2024, 4:51 p.m. EDT Pavements was reviewed on Sept. 7, 2024, out of its World Premiere at the Venice International Film Festival. This post has been updated to toast its New York Film Festival premiere.

source

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Entertainment

Moon phase today: What the Moon will look like on March 1

It’s a new month, and while the Moon may appear totally full, we’re still a couple of days away from this yet. But in the meantime, there’s still lots to spot on its surface.

What is today’s Moon phase?

As of Sunday, March 1, the Moon phase is Waxing Gibbous. According to NASA’s Daily Moon Guide, 94% of the Moon will be lit up tonight.

With just your naked eye, tonight you’ll be able to see the Mares Imbrium and Crisium, as well as the Tycho Crater. If you have binoculars hanging about, dust them off and pull them out to catch a glimpse of the Mares Nectaris and Frigoris, and the Endymion Crater. And proud telescope owners will see all this and more, including the Apollo 15 and 17 landing spots, and the Schiller Crater.

When is the next Full Moon?

The next Full Moon will be on March 3. The last Full Moon was on Feb. 1.

What are Moon phases?

According to NASA, the Moon takes about 29.5 days to orbit the Earth. Over the course of this period, it moves through eight recognisable phases, what we call the lunar cycle. While the same side of the Moon always faces us, the amount of its surface lit by the Sun changes as it continues along its path. The shifts in sunlight create the different appearances we see from Earth, ranging from a fully illuminated Moon to a thin sliver or near darkness. The eight phases are:

New Moon – The Moon is between Earth and the sun, so the side we see is dark (in other words, it’s invisible to the eye).

Waxing Crescent – A small sliver of light appears on the right side (Northern Hemisphere).

First Quarter – Half of the Moon is lit on the right side. It looks like a half-Moon.

Waxing Gibbous – More than half is lit up, but it’s not quite full yet.

Full Moon – The whole face of the Moon is illuminated and fully visible.

Waning Gibbous – The Moon starts losing light on the right side. (Northern Hemisphere)

Third Quarter (or Last Quarter) – Another half-Moon, but now the left side is lit.

Waning Crescent – A thin sliver of light remains on the left side before going dark again.

source

Continue Reading

Entertainment

Men are paying to have negative posts removed from Tea app

As reported by 404 Media, online service Tea App Green Flags will scrub negative posts from anonymous gossip app Tea and similar online forums where women post about negative experiences they’ve had with men they’ve dated.

According to 404 Media’s interview with Tea App Green Flags’ founder, simply identified as Jay, the company launched two years ago to tackle posts on the many Are We Dating the Same Guy Facebook groups. His focus has turned to Tea in the past year.

“We just want to take down posts about people who are being defamed,” Jay told 404 Media. “And when I say defamed, it means like, ‘this guy has a small penis,’ or ‘this guy smells.’ That doesn’t fit the mission statement of what the Tea app was for, which is to warn women against people who are harmful, who are abusive, who are cheaters.”

Tea App Green Flags’ site claims to have removed over 2,500 posts from the Tea App for over 759 clients. Most of the service’s clients are men, although Jay noted that occasionally the wives and girlfriends of men posted on the app will reach out.

Prospective Tea App Green Flags clients must provide their name, age, location, and photo to the service, as well links to specific posts targeting them. According to Tea App Green Flags’ FAQs, they can only remove posts with direct references to a client. On average, the site says, a Tea App “takedown campaign” will take 21 – 30 days. The lengths of other takedowns depend on the platform.

Price-wise, it costs $1.99 to report one Tea account and up to $79.99 to report 25 of them. The company also offers “24/7 Reputation Monitoring,” which costs $19.99 per month and alerts clients when they appear on Tea or Facebook.

Jay would not share the details of the takedown process with 404 Media. Tea does have a free form for takedown requests on its website, and says that it will “only reply to takedown requests submitted via the takedown portal.”

Jay emphasized to 404 Media that Tea App Green Flags does not extend its services to people who have been accused of sexual assault multiple times on Tea, or who have been accused by one person using their real name and photo in a Facebook group.

“Sometimes we find along the process that there are pedophiles or people who actually did what they did, and they’re very bad,” Jay told 404 Media. “So we say, ‘we’re not doing this.’ We can’t take a rap for that. We’re ethical. We just want to take down people who are being defamed.”

Tea markets itself as presenting “dating safety tools that protect women.” In July 2025, it was the target of a large-scale cyberattack that exposed thousands of user images including drivers’ licenses, leaving users vulnerable to doxxing and harassment. These images were provided as verification for accounts, although the app itself is otherwise anonymous.

Jay claimed to 404 Media that Tea’s anonymity “causes a cesspool of defamation,” and that he would prefer if women shared their faces, even if they are speaking out against dangerous men who have done them harm.

While Tea is meant to be a women-only app, Tea App Green Flags is proof of men’s infiltration of these online dating spaces. (Tea itself was founded by a man: Sean Cook.)

“I have a Tea app account. I’m a dude,” Jay told 404 Media. “All my reps have Tea app accounts. They’re men.”

Mashable has reached out to Tea for further comment.

source

Continue Reading

Entertainment

NYT Connections Sports Edition today: Hints and answers for February 28, 2026

Today’s Connections: Sports Edition is for people who love golf.

As we’ve shared in previous hints stories, this is a version of the popular New York Times word game that seeks to test the knowledge of sports fans.

Like the original Connections, the game is all about finding the “common threads between words.” And just like Wordle, Connections resets after midnight and each new set of words gets trickier and trickier — so we’ve served up some hints and tips to get you over the hurdle.

If you just want to be told today’s puzzle, you can jump to the end of this article for the latest Connections solution. But if you’d rather solve it yourself, keep reading for some clues, tips, and strategies to assist you.

What is Connections: Sports Edition?

The NYT‘s latest daily word game has launched in association with The Athletic, the New York Times property that provides the publication’s sports coverage. Connections can be played on both web browsers and mobile devices and require players to group four words that share something in common.

Each puzzle features 16 words and each grouping of words is split into four categories. These sets could comprise of anything from book titles, software, country names, etc. Even though multiple words will seem like they fit together, there’s only one correct answer.

If a player gets all four words in a set correct, those words are removed from the board. Guess wrong and it counts as a mistake — players get up to four mistakes until the game ends.

Players can also rearrange and shuffle the board to make spotting connections easier. Additionally, each group is color-coded with yellow being the easiest, followed by green, blue, and purple. Like Wordle, you can share the results with your friends on social media.

Here’s a hint for today’s Connections: Sports Edition categories

Want a hint about the categories without being told the categories? Then give these a try:

Here are today’s Connections: Sports Edition categories

Need a little extra help? Today’s connections fall into the following categories:

  • Yellow: Golf Equipment

  • Green: Materials in a Baseball

  • Blue: SEC School Locations

  • Purple: First Names of Chicago Bears

Looking for Wordle today? Here’s the answer to today’s Wordle.

Ready for the answers? This is your last chance to turn back and solve today’s puzzle before we reveal the solutions.

Drumroll, please!

The solution to today’s Connections: Sports Edition #523 is…

What is the answer to Connections: Sports Edition today?

  • Golf Equipment – CLUB, GLOVE, RANGEFINDER, TEE

  • Materials in a Baseball – CORK, LEATHER, RUBBER, YARN

  • SEC School Locations – ATHENS, AUBURN, LEXINGTON, OXFORD

  • First Names of Chicago Bears – CAIRO, CALEB, LUTHER, ROME

Don’t feel down if you didn’t manage to guess it this time. There will be new sports Connections for you to stretch your brain with tomorrow, and we’ll be back again to guide you with more helpful hints.

Are you also playing NYT Strands? See hints and answers for today’s Strands.

If you’re looking for more puzzles, Mashable’s got games now! Check out our games hub for Mahjong, Sudoku, free crossword, and more.

Not the day you’re after? Here’s the solution to today’s Connections.


source

Continue Reading