Entertainment
New Scream Movie Panned By Critics Over Politics, Breaks Franchise Box-Office Records
By Jennifer Asencio
| Published

According to film critics, Scream 7 is the death of the franchise. With an aggregate of 33% from 120 critic reviews as of this writing, it’s easy to believe they are right. There is just one problem: the movie is so popular that it’s poised to break opening-weekend franchise records.
The previous record was set by Scream VI, which opened with $44 million. The new movie is projected to approach or break $50 million, with some estimates as high as $59 million. Fans gave Scream 7 a 77% rating on Rotten Tomatoes, indicating a big gap between audiences and critics.
How Politics Influences The Reviews Of Critics
The one thing that all the bad reviews have in common is discussion of the firing of Melissa Barerra and the subsequent departure of Jenna Ortega, both of whom played characters central to the two previous installations. Barerra was fired for making inflammatory remarks about Israel’s response to the October 7, 2023, Hamas attack, sentiments which are shared by many in the entertainment industry; Ortega left in protest of Barrera’s dismissal. A lot of critics and major entertainment news venues sympathize with Barrera’s views, and some of these are gleefully reporting the Rotten Tomatoes critics’ ratings as though it means something for the movie.

Critics also infamously panned the biopic of the First Lady, Melania, with an even wider gap of 11% based on 53 reviews, while over 1000 audience reviewers average 98%. They are also offering great praise to the politically motivated series Starfleet Academy, the latest Star Trek show that hasn’t really resonated with fans, but which we keep being told is the best Star Trek yet. Meanwhile, the Daily Wire+ show The Pendragon Cycle has been ignored by mainstream critics, with no score on Rotten Tomatoes at all, not even a 0, despite an average of 85% from viewers.
What this all indicates is that industry reviewers are circling the wagons based on political divides rather than giving honest reviews. They are evaluating movies with greater consideration of whether they check certain boxes off-screen, and are boycotting or panning films that don’t neatly fit their mold. Critics are relying on their authority as insiders to dictate culture through the lens of politics rather than examining movies on their own merits and audience potential.
Professional Review Bombing

Some commenters have even accused the collective of mainstream critics of “review bombing” Scream 7. Review bombing is a phenomenon in which individuals give a movie a bad rating for some motive outside the show. Recently, a review bombing war between A Knight of the Seven Kingdoms fans and Breaking Bad fans resulted in the IMDB rating of the latter’s crowning episode, “Ozymandias,” being reduced to a 9.5 from a perfect 10. The war started because the Game of Thrones spinoff received some bad reviews from Breaking Bad fans, who may or may not have been acting in bad faith.
However, those are individuals, even if some of them coordinated via an internet campaign. They are not the professionals relied on to be unbiased and to evaluate movies and television based on the productions themselves, not on who made them or their politics. The fact that the critics don’t seem to be connected to what audiences seem to want makes it even worse, because we are all being told that liking the stuff we like makes us bigoted if they don’t like it. And they also seem to think that if they ignore it altogether, like with The Pendragon Cycle, that maybe it will slip by unnoticed.
How much of our culture is being suppressed by critics with political agendas? Scream 7 indicates that the question needs to be asked as it is such a runaway hit that the motives of mainstream reviewers may not be critique, but activism.
Entertainment
NYT Connections Sports Edition today: Hints and answers for February 28, 2026
Today’s Connections: Sports Edition is for people who love golf.
As we’ve shared in previous hints stories, this is a version of the popular New York Times word game that seeks to test the knowledge of sports fans.
Like the original Connections, the game is all about finding the “common threads between words.” And just like Wordle, Connections resets after midnight and each new set of words gets trickier and trickier — so we’ve served up some hints and tips to get you over the hurdle.
If you just want to be told today’s puzzle, you can jump to the end of this article for the latest Connections solution. But if you’d rather solve it yourself, keep reading for some clues, tips, and strategies to assist you.
What is Connections: Sports Edition?
The NYT‘s latest daily word game has launched in association with The Athletic, the New York Times property that provides the publication’s sports coverage. Connections can be played on both web browsers and mobile devices and require players to group four words that share something in common.
This Tweet is currently unavailable. It might be loading or has been removed.
Each puzzle features 16 words and each grouping of words is split into four categories. These sets could comprise of anything from book titles, software, country names, etc. Even though multiple words will seem like they fit together, there’s only one correct answer.
If a player gets all four words in a set correct, those words are removed from the board. Guess wrong and it counts as a mistake — players get up to four mistakes until the game ends.
This Tweet is currently unavailable. It might be loading or has been removed.
Players can also rearrange and shuffle the board to make spotting connections easier. Additionally, each group is color-coded with yellow being the easiest, followed by green, blue, and purple. Like Wordle, you can share the results with your friends on social media.
Mashable Top Stories
Here’s a hint for today’s Connections: Sports Edition categories
Want a hint about the categories without being told the categories? Then give these a try:
Here are today’s Connections: Sports Edition categories
Need a little extra help? Today’s connections fall into the following categories:
-
Yellow: Golf Equipment
-
Green: Materials in a Baseball
-
Blue: SEC School Locations
-
Purple: First Names of Chicago Bears
Looking for Wordle today? Here’s the answer to today’s Wordle.
Ready for the answers? This is your last chance to turn back and solve today’s puzzle before we reveal the solutions.
Drumroll, please!
The solution to today’s Connections: Sports Edition #523 is…
What is the answer to Connections: Sports Edition today?
-
Golf Equipment – CLUB, GLOVE, RANGEFINDER, TEE
-
Materials in a Baseball – CORK, LEATHER, RUBBER, YARN
-
SEC School Locations – ATHENS, AUBURN, LEXINGTON, OXFORD
-
First Names of Chicago Bears – CAIRO, CALEB, LUTHER, ROME
Don’t feel down if you didn’t manage to guess it this time. There will be new sports Connections for you to stretch your brain with tomorrow, and we’ll be back again to guide you with more helpful hints.
Are you also playing NYT Strands? See hints and answers for today’s Strands.
If you’re looking for more puzzles, Mashable’s got games now! Check out our games hub for Mahjong, Sudoku, free crossword, and more.
Not the day you’re after? Here’s the solution to today’s Connections.
Entertainment
Anna Kendrick’s Perfect, R-Rated Netflix Thriller Turns Celebrity Dream Into Nightmare
By Robert Scucci
| Published

Serial killers in film are often synonymous with slashers or crime procedurals, leaving very little to the imagination when it comes to narrative structure. Typically, you get a killer whose crimes slowly escalate, a damsel in distress who either becomes one of many victims or the final girl, and an ending where good prevails over evil and everybody goes home saying, “That’s just about what I was expecting.” I’m not knocking slashers or procedurals because they’re still fun and, when done well, make for a great viewing experience.
2023’s Woman of the Hour, on the other hand, ignores those familiar beats and tells its story through multiple timelines that converge at just the right moment. The audience understands how everything connects while the characters take a little longer to catch up from their respective vantage points, which makes the payoff all the more satisfying.

Even if you’re familiar with the true crime story involving real-life serial killer Rodney Alcala that the film is based on, Woman of the Hour reshapes those events into something so uniquely structured that you’ll wish more stories were told this way. As a viewer, you feel omniscient. The thrills come from waiting for the characters to realize what you already know.
Set On A Game Show Lot, But So Much More Than That
Set between 1971 and 1979, Woman of the Hour introduces Rodney Alcala, depicted strangling a woman in 1977 after luring her to a remote location for a photo shoot. The film then shifts to 1978 Los Angeles, where we meet our primary protagonist, struggling actress Sheryl Bradshaw (Anna Kendrick), whose agent convinces her to appear as a contestant on The Dating Game.

Reluctant because she believes the gig is beneath her, Sheryl shows up to the taping and turns on the charm with Bachelor #1 (Matt Visser), Bachelor #2 (Jedidiah Goodacre), and Bachelor #3 (Daniel Zovatto), who just so happens to be Rodney Alcala. By this point, Woman of the Hour has already shown Rodney murdering a flight attendant named Charlie (Kathryn Gallagher) in 1971 New York City, along with the woman from the opening sequence. Now dialing in the charm for the TV lights, Rodney quickly gains the upper hand on The Dating Game, putting himself in position to win a weekend getaway to Carmel-by-the-Sea with Sheryl.
During the taping, a studio audience member named Laura (Nicolette Robinson) recognizes Rodney as the man who murdered her friend, but was never found by police. Panicked, she flees the production floor and knocks over a camera in the process. Her boyfriend dismisses her claims, and security brushes her off as well.

Before we learn Sheryl’s immediate fate, the film jumps to 1979, where a woman named Amy (Autumn Best) encounters Rodney under circumstances similar to his earlier victims. He offers to take her photos in a remote area, his violent side begins to surface, and the scene cuts away as Woman of the Hour transitions back to the game show. There, Sheryl takes creative liberties with her flirtatious questions, winning over the audience, and ultimately chooses Bachelor #3 as the winner.
The Suspense Comes From Knowing
Even if you’re unfamiliar with Rodney Alcala’s real-life murder spree in the 70s, which eventually led to his capture and incarceration, Woman of the Hour still generates relentless tension. By the time Sheryl meets Rodney on The Dating Game, we already know exactly what he’s capable of. Nobody else does.

Laura’s suspicions are met with condescension. Her boyfriend reassures her that game show producers aggressively vet contestants and run background checks before allowing them to participate. They don’t. Complicating matters further, Rodney is a serial killer operating across multiple states over several years who has not yet been definitively identified by authorities.
We witness Rodney’s crimes across separate timelines and see how easily he evades consequences. We catch glimpses of his mental state both when he commits violence and when he’s questioned by authorities, narrowly slipping through their fingers before relocating. We see how sly and charming he can be before he escalates, which makes his presence on The Dating Game all the more unnerving. He’s amiable enough to lure victims in, but that facade drops the second he senses control slipping.

The result is a nail-biting thriller where you know the killer from the moment he appears in the opening scene. The tension doesn’t come from guessing who did it. It comes from watching him zero in on Sheryl, who is blissfully unaware and simply trying to carve out a career in Hollywood, while Laura struggles to convince anyone to listen.

Woman of the Hour is streaming on Netflix.
Entertainment
Cameron Diaz And Christina Applegate's Ultra-Raunchy, R-Rated Comedy Is A Forgotten Classic
By Chris Snellgrove
| Published

Did you know that one of the most celebrated film genres of the ‘80s and ‘90s has quietly died? The genre in question is the R-rated comedy, one typified by vintage classics such as Porky’s and American Pie. These movies won over audiences through a simple combination of raunchy jokes and scantily clad stars.
These days, the R-rated comedy has been retired in favor of streamer-friendly slop, and it’s nearly impossible to find films featuring this potent combination of dirty jokes and exposed flesh. But over two decades ago, we got a criminally underappreciated sex comedy with a twist: instead of focusing on men, it focuses on women proving just how much they love to get nasty when the boys aren’t around. That film is The Sweetest Thing (2002), and you can now stream this star-studded classic for free on Tubi!
Treat Yourself To Some Pleasure

The premise of The Sweetest Thing is that Cameron Diaz plays a woman with a reputation for loving and leaving men so that she can keep enjoying the single life. However, she runs into a man who pushes back against her take-charge attitude, getting under her skin like no man ever had before. After getting an invite to a wedding the man is attending, she embarks on a raunchy road trip with her best friends, proving once and for all that the fairer sex can be just as rude, crude, and hilariously nasty as any man.
For a relatively unknown raunch comedy, The Sweetest Thing has a really star-studded cast, including Christina Applegate (best known for Married…With Children) as a divorce lawyer and BFF who really holds her gal pals together. Selma Blair (best known for Cruel Intentions) plays one of those pals, someone who might just rebound with a confident hunk played by Thomas Jane (best known for Boogie Nights). He has a chauvinistic brother played by Jason Bateman (best known for Arrested Development); however, the performer who anchors the entire thing is Cameron Diaz (best known for Charlie’s Angels), who delivers a dirty-talking, fearlessly raunchy performance that may forever change how you see this cinematic girl-next-door.
Hated By The Critics

The Sweetest Thing proved to be a modest box office success, earning $68.7 million against a $43 million budget. Sadly, the film didn’t prove to be the same kind of pop culture phenomenon that earlier gross-out movies like There’s Something About Mary were. However, this movie did cement Cameron Diaz (who notably played Mary in the earlier film) as an actress who is never afraid to get down and dirty in order to make the audience laugh.
When The Sweetest Thing came out, critics really hated it: the movie has a 25 percent critical rating on Rotten Tomatoes, with reviewers complaining about the thin plot and the bevy of hit-or-miss gags. However, it’s worth noting that the movie has a 64 percent critical score. This helps prove that this raunchy film is quite the crowd-pleaser, with audiences deeming it “fresh” even as critics declared it downright rotten.
More Than A Few Surprises

So, the critics hated it, and it wasn’t exactly a box office darling. Why, then, should you watch The Sweetest Thing? The short answer is that it is funny in the most transgressive way, and if you have a dirty mind (it’s not just me, right?), you’ll find plenty to love in this raucously funny raunchiest.
Then and now, part of what makes The Sweetest Thing so entertaining is that it is an unflinchingly gender swapped version of the “boys behaving badly” genre of film. Even if you’ve seen male-led movies like The Hangover a million times, there is something refreshing about seeing women take part in the same kinds of gross-out gags and filthy conversations usually reserved for men. It helps that the central actors embrace the sex jokes with such gusto, and Cameron Diaz’s hypnotic performance is practically an ecstasy of exhibitionism.

Guys are sure to enjoy the film; after all, it’s filled with hot ladies, dirty talk, and nudity, all of which can reliably rev a fellow’s motor. But The Sweetest Thing is designed by and for women, and much of its humor works by making men the butt of some fairly hilarious jokes.
Time To Get Down And Dirty

The scene is funny in and of itself, but the punchline doesn’t come from girls behaving badly; rather, it comes from the fact that guys are so easy to manipulate when it comes to anything and everything naughty. This is just one small example of the film’s surprising emphasis on sex positivity and its emphasis on female agency. It’s the rare raunchy comedy framed from the perspective of the female gaze, but most men will be too busy laughing to realize that male horniness is the butt of each and every surprisingly funny joke.
Will you agree that The Sweetest Thing deserves more love when you watch it on Netflix, or will these gals gross you out before the end of the first scene? The only way to find out is to stream the film and rediscover this overlooked classic for yourself. If nothing else, you’ll never look at Cameron Diaz the same way after these credits roll!

