By Jennifer Asencio
| Published 11 seconds ago

An article about Starfleet Academy has faced backlash from fans who were misled by its headline. The drama caused by the headline is almost worthy of its own Star Trek show, especially with Alex Kurtzman at the helm. The piece was a response to recent statements made by a Star Trek insider about the state of the show and its fandom.

Last week, franchise veteran Christopher Cushman made a post on X in which he implied that negative reviews of Starfleet Academy were made by a coordinated effort to sabotage the show. He also threatened that “negative review bombing of Academy likely to end the possibility of shows like Legacy as well put Star Trek into 10-15 years hiatus [sic].” By thus indicating that criticisms of the show are being made in bad faith, his claim is that all fans will be punished with no Star Trek at all.

In a That Park Place article by Marvin Montanaro, titled “Star Trek Artist Warns Fans That ‘Review Bombing’ Starfleet Academy Could End the Franchise,” the site called Cushman’s bluff, making the counterclaim that maybe a hiatus wouldn’t be so bad. He pointed to the long break between the original series and The Next Generation as evidence that a hiatus can give a franchise time to refresh while avoiding the fatigue of too much content from a single universe. He also highlighted that the show’s viewership reflects these negative reviews, despite its acclaim from critics.

The backlash stemmed from the use of the term “review bombing” in the title. Although it is in “scare quotes,” suggesting that the article is skeptical of this claim, many Star Trek fans dissatisfied with Alex Kurtzman’s guidance of the franchise and this show in particular thought the article agreed that the show was being review-bombed.

Creators Declare War On Their Own Viewers, Fans Revolt

This couldn’t be further from the truth, but the reaction is understandable. Starfleet Academy is not the only property to have accused dissatisfied fans of artificially inflating a show’s bad reviews, rather than acknowledging that maybe viewers don’t like the show.

After taunting Star Wars fans that The Acolyte would “make them cry,” show creator Leslye Headland blamed sexism and homophobia for the show failing to draw audiences. This ignored criticisms of significant changes to franchise lore that diminished the struggles of established characters. The show was also criticized for what viewers felt was forced inclusivity and overpowered female characters.

Legitimate Examples Of Review Bombing

In 2019, a review-bombing war broke out between fans of Battle Angel: Alita and Captain Marvel. Fans who liked the anime movie better were accused of sexism and attempting to artificially deflate the Marvel movie.

There is even a current review bombing war taking place between fans of A Knight of the Seven Kingdoms and Breaking Bad. When Breaking Bad fans left bad reviews of an episode of the Game of Thrones spinoff, so many Westeros fans review-bombed the older show that its IMDB rating for its pinnacle episode, “Ozymandias,” was reduced from a perfect 10 to a 9.5. The episode had held that rating for over a decade.

Review Bombing Accusations Are Used To Shield Creators From The Consequences Of Their Actions

It’s not that fans can’t be petty and leave bad reviews, but the idea that modern shows that perform badly are not being watched because of bad-faith reviews is a way of dismissing criticism rather than admitting a property isn’t connecting with fans. It’s a lazy way of handwaving what fans want, becoming increasingly common as more shows become about “the message” and “representation” than about story or characters. Many video games, books, and even music albums have also used the tactic of blaming negative reviews on bigotry rather than on fan dissatisfaction.

Cushman himself stated that he’d rather ignore dissatisfied fans. He finished his two-post tweet on X with, “…if you don’t like it, don’t watch!” Apparently, fans are supposed to simply stay silent about what they don’t like about a show rather than offer feedback about franchises and properties they love.

Fans Misunderstood That Park Place

However, the knee-jerk reaction of long-abused fans got it wrong when it comes to That Park Place. The site was not supporting Cushman’s notions about review bombing and listed several other reasons the show hasn’t succeeded. The backlash they received was from people who believed otherwise and criticized the site’s X account for allegedly claiming that the negative reviews were made in bad faith. It was clear these naysayers hadn’t read the article and only judged it by its title.

This reaction is an example of how sensitive viewers have become since their criticisms of unpopular properties are dismissed by producers and showrunners. Slop eaters will always enthusiastically promote their favorite bad shows, and plenty of entertainment is being served to them by creators who want their easy money. But viewers who are tired of slop are being decried, so studios can continue developing the content they want, not what audiences want.

It’s no wonder people reacted badly to a headline that sounded like it supports this callous view. Most fans are not reviewing these shows in bad faith, as their viewing numbers demonstrate. It’s condescending to be told that if we don’t like something, it’s because of our moral character and not a lack of quality in the product.

By Chris Snellgrove
| Published 1 minute ago

Pop quiz: Who do you think is the most boring character in Star Trek? The franchise is filled with annoying characters like Wesley Crusher and Neelix, but those characters were at least grating in memorable ways. Unfortunately, Voyager had one character whose lines, line deliveries, and plotlines were guaranteed to put you to sleep.

We’re talking about Chakotay, the former Maquis rebel leader who has all the personality of an unsalted cracker the moment he becomes Captain Janeway’s first officer. However, Voyager did their best to correct the problems with this character very early on. For example, the forgotten Season 2 episode “Initiations” was written largely to make Chakotay more interesting to audiences.

The Most Boring Man In Starfleet

Some quick context about the episode: “Initiations” begins with Chakotay (played by Robert Beltran) taking a shuttlecraft out to conduct a ritual honoring his father’s death. But he takes custody of a young Kazon before both are captured by a larger Kazon vessel. There, they are forced to escape in a rollicking adventure that gives these two very different characters plenty of time to discover more about each other’s respective cultures.

Incidentally, exploring Kazon culture was one of the goals of “Initiations” and Season 2 as a whole. But the episode was also written in large part to make Chakotay a more interesting character. As revealed in the sixth issue of Star Trek Monthly (remember magazines, kids?), the producers felt that Voyager had underutilized Chakotay in the first season.

Rebranding Chakotay As An Action Star

Episode writer Ken Biller understood the assignment because he agreed with the producers that Chakotay was a pretty weak sauce character in the rest of Season 1 compared to how he was portrayed in “Caretaker,” the series premiere. Biller told the Official Star Trek Voyager Magazine that Chakotay is “like a real action hero in the pilot” and that “I think we need to give him some action stories,” something he was hoping to do with “Initiations.” That’s why the episode features this first officer getting into multiple fights, escaping captivity, and even offering to let his newfound ally kill him.

Why was it necessary for the writers and producers to make Chakotay a more interesting character? The short answer is that early Voyager, like The Next Generation before it, was hesitant to feature much conflict between characters. Therefore, even though the show’s premise was that Starfleet officers would be forced to work with Maquis terrorists, everyone mostly acted like one big, happy family after the first episode thrust them together.

Facing Off Against The Entire Delta Quadrant

In “Caretaker,” Chakotay is a Maquis leader who tries to help his crew escape the pursuing Voyager. After both ships are transported to the Delta Quadrant, he proves himself in and out of battle, eventually becoming Captain Janeway’s first officer. This was a practical choice because of Chakotay’s skills and Starfleet experience, but it was also a symbolic choice that underscored the need for both crews to work together to survive.

This was a recipe for juicy conflict between these two very different characters, but that never happened; Chakotay quickly became little more than Janeway’s yes man in Season 1. The writers tried to make him more interesting in subsequent seasons, but this led to mixed results because Voyager increasingly relied on the fraudulent Native American consultant Jamake Highwater to craft Chakotay stories. At any rate, Chakotay actor Robert Beltran came to hate how his character was written, and he reportedly began phoning in his performances later in the show due to what he saw as poor scripts.

While Chakotay never became a very interesting character, “Initiations” remains a very solid episode full of action, adventure, and a cameo from Deep Space Nine’s Aaron Eisenberg. In helping to flesh out the Kazon, this episode lives up to the Star Trek mandate to seek out new life and new civilizations. Unfortunately for the fans and Beltran alike, though, Voyager would soon run out of strange new worlds to explore with Chakotay, who soon cemented himself as the most boring character in the entire franchise.

By Robert Scucci
| Published 41 seconds ago

If you’ve ever found yourself watching RoboCop and wondering if there was a crappier version starring Billy Blanks, I’d point you to 1993’s TC 2000. That’s right, the Tae Bo guy leads a dystopian sci-fi action flick in which his partner becomes a ruthless killing machine with only fragmented memories of her past life. Cybersecurity is compromised, government buildings are leveled, and the fate of humanity hangs in the balance. Thankfully, we get enough montages involving flexed muscles and shadowboxing to reassure us that, after all is said and done, everything will be right in the world.

TC 2000, despite its sloppy mixed martial arts messaging, remains an entertaining entry in writer-director T.J. Scott’s filmography, and for his first feature-length project, it certainly has legs. Those legs belong to Billy Blanks, who unflinchingly steps up as the action hero nobody asked for and commits fully to the premise.

Humans Vs. Cyborgs Vs … Picasso?

Set in an underground city in the year 2020, TC 2000 centers on an elite police force designed to protect the wealthy from the remaining surface dwellers, who are always looking for a way into their heavily fortified community. Jason Storm (Billy Blanks) and his partner Zoey Kinsella (Bobbie Phillips) work as Tracker-Communicators, or TCs, whose sole purpose is to keep the riff raff out of the compound. When the community’s force field is breached by common citizens who just want a safe place to rest their heads, Zoey suspects they were given intel from the inside, meaning the city is no longer secure.

Through exchanges between Jason and his superior, The Controller (Ramsay Smith), we learn that, with the help of his muscle man Bigalow (Matthias Hues), he plans to replace TCs with the next iteration of cybernetically infused enforcers known as TC-Xs.

When gang leader Niki Picasso (Jalal Merhi) infiltrates the city with the intention of seizing whatever pre-collapse firepower is hidden within its walls, Zoey is killed and secretly converted into a TC-X by The Controller. He programs her to gain Picasso’s trust through seduction, intending to infiltrate another gang known as the Lifers, who guard a research facility he wants to claim.

Exiled from the force and framed for his partner’s murder, Jason needs a training montage to restore balance and properly confront The Controller. With the help of his mentor, Master Sumai (Bolo Yeung), Jason learns the facility was once owned by Zoey’s father to repair the environment, but has since been converted into a chemical weapons manufacturing plant. Now guarded by Zoey, who has been programmed to assassinate her former partner, breaching the factory seems impossible for anyone but Jason Storm.

A Martial Arts Showcase

While TC 2000 leaves plenty to be desired in terms of on-screen chemistry, special effects, truly menacing villains, and meaningful internal conflict between Jason Storm and his superiors, it more than makes up for its lack of depth with its fight sequences. Billy Blanks tries his hardest to be a leading man and action hero, and the effort is commendable, but he is just not that guy. He can throw hands and roundhouse kick as well as Jean-Claude Van Damme, but he lacks the charisma needed to carry the show alone.

As for the evil forces at play, Picasso may go down as one of the least threatening villains in cinema history. He listens to records and struts around like he is a badass, but if I am being honest, I kept waiting for him to clutch his pearls and yell “curses!” upon defeat. What I anticipated is not too far off from what actually happens in TC 2000.

If you head over to Tubi and fire up TC 2000, you might find yourself drifting during the expository scenes. When the fights ramp up, though, it is worth your time if you love a good old-fashioned cybernetic beatdown. It’s cheesy but it’s charming. It’s sloppy, but it’s fun. It’s best not to take this one too seriously, because it will ruin the experience.