By Robert Scucci
| Published 2 seconds ago

1978’s The Odd Job is a comedy of errors about a man who hires a janitor to kill him because he’s too much of a coward to end his own life. It’s a slapstick effort written by Graham Chapman that’s way funnier than its critical reputation suggests, and on one hand, I get it. It’s essentially the same gag repeated over and over again, with mixed results, landing if you’re a fan of the kind of irreverent humor that only somebody from the Monty Python comedy troupe could deliver with a wink and a nod.

Toying with a similar premise is 2014’s The Suicide Theory, which centers on a comparable setup but with wildly different results (namely, it’s not a comedy). In The Suicide Theory, we’re introduced to a contract killer hired by a man who no longer wants to live. The problem is that he’s given suicide the old college try on countless occasions leading up to this point and is convinced he’s invincible. While both films feature the same kind of contractual relationship in which one man wants to be eliminated from his mortal coil, The Suicide Theory is existentially heavy, focusing primarily on fate, free will, and how they’re constantly at odds with each other.

Steven And Percival’s Deadly Dynamic

The Suicide Theory wastes no time setting up its conflict when Steven (Steve Mouzakis) is tracked down by a desperate man named Percival (Leon Cain). Percival already looks worse for wear, with scars all over his face indicating that he wouldn’t be hiring a hitman if he hadn’t already tried to die, and failed miserably, countless times. Not even sure if Steven can successfully kill him, Percival hands over a large sum of cash and tells the killer that he doesn’t want to see it coming, and that since he believes he may be cursed, an attempt can only be made on his life if he looks legitimately happy.

Up to the challenge, but not one to believe Percival’s claims, Steven immediately shoots Percival in the chest three times upon making the arrangement, only for the man to wake up hours later in the hospital with no major injuries. Percival is further upset when he learns that the doctors found a massive tumor near one of the bullet wounds and were able to remove it while they were in there, meaning getting shot actually saved his life.

Fascinated by this project, Steven, who’s lost his passion for contract killing, keeps his promise and continues searching for new ways to execute Percival, none of which work. Steven, who’s been afraid of crossing streets ever since his wife was struck by a car and killed three years prior, can’t always chase Percival down due to his phobia, but has no qualms about hailing a taxi cab to help him cross the street if he needs to.

An Exploration Of Fate And Purpose

As we get to know the two principal players in The Suicide Theory, it becomes evident that they’re not so different. One man is a hardened, cold-hearted killer who’s lost his passion for the game, while the other is so deeply wounded that even multiple suicide attempts can’t put him out of his misery. 

It’s almost as if he’s done something so horrible in life that his cosmic punishment is never being able to end it on his own terms. The two men become friends, if you could call it that, and come to realize they were supposed to meet each other, as if fate had been waiting for them. The reason their paths cross, when finally revealed, is the kind of gut punch that will make you wish you were watching The Odd Job instead, because it’s a brutal way to spend your time.

The Suicide Theory is not an easy watch, but it’s a rewarding one. It’s an exploration of fate and destiny taken to its most morbid conclusion, and it’s not without a dark sense of humor. It’s not “haha” funny by any stretch, but every time Percival wakes up in the hospital wondering how he made it out alive this time, you can’t help but sport a wry smile because he’s trying everything he can to not wake up ever again. Steven’s odyssey is all about finding purpose; he wants to hang up his gun for good, but knows this last job is an important one. But it’s up to you, dear reader, to figure out why.

The Suicide Theory is currently streaming for free on Tubi.

By Jennifer Asencio
| Published 20 seconds ago

Disney has endured in charming memory for decades, but all that shines isn’t always King Brian’s gold. The company has been in the news in recent weeks, and for none of the right reasons. There was the recent shakeup in leadership in addition to being sued by their head of games for discrimination. When you add in the negative press by Snow White star Rachel Zeigler, they have been weighed down more heavily than the chains of Jacob Marley. On March 5^th, 2026, Disney reached a tentative settlement with the courts and regulators on its anti-trust actions.

Replacing Cable By Becoming Cable

After acquiring Hulu and ESPN, Disney began to enforce strict policy terms. Companies like YouTube TV and DIRECTV stream were required to offer more expensive packages for ESPN if they wanted other Disney products, forcing up the cost of streaming services. Leveraging the sports network’s popularity, the Magic Kingdom refused to offer lower-cost packages that didn’t include ESPN, so anyone who wanted Disney content was forced to buy the more expensive sports package. The class action lawsuit, which was filed initially back in 2023, has finally concluded in a settlement in which Disney avoided further litigation by settling rather than admitting fault.

The $50-million-dollar settlement will affect anywhere between 11 and 17 million people. With the higher price floor and contract terms, those companies had to pass the cost on to their customers. Disney has also agreed to immediate relief by giving companies the option to offer fewer or even no Disney-owned networks, like ESPN, in the packages that previously had them.

As more streaming services come up and more silos are created, content becomes even harder for people to reach. The streaming giants that once started to counter the stranglehold that traditional cable companies operated have now taken their place. The public is burdened with higher costs, too many options, and limited content over who has what and for how long. In the future hopefully, this lawsuit will demonstrate to those entertainment giants that they will be held accountable for their actions.

What the next phase in entertainment will be is still being decided. Will people ditch streaming like they ditched the dish, the box, and the cord? If more anti-trust suits like this one turn up while streaming services gobble up every bit of content they can, it may be inevitable.

By Chris Snellgrove
| Published 28 minutes ago

Every now and then, there are movies that bomb at the box office but are still considered absolute masterpieces. One such film is Almost Famous (2000), which impressed every major critic (including Roger Ebert, the original film GOAT) and earned two Golden Globe awards and four Academy Award nominations. The success of the film is as ironic as it is startling: after all, it’s not every day that movies about sex, drugs, and rock and roll bring home the gold.

The secret to this film’s unexpected success is Cameron Crowe, the ambitious director who created what might be the most personal film ever made. The director channeled his own experiences as a Rolling Stone journalist into this movie, including some unforgettable tours with bands like the Allman Brothers. The result is a movie whose nostalgia for a bygone day is impossibly infectious. To see what the hype is about, you don’t need a VIP ticket or backstage pass. All you have to do is stream Almost Famous for free on Tubi!

On The Road Again

The premise of Almost Famous is that a brilliant 15-year-old boy falls in love with rock music, and he ends up interviewing Black Sabbath for Rolling Stone. Impressed by his work, his editor hires him to write a review of Stillwater, the band that was opening for Sabbath. This means hitting the road with the band, where the young writer learns more about these louder-than-life musicians and Penny Lane, the captivating leader of their groupies (though she prefers the term “band-aides”). Along the way, he learns that meeting your heroes can be painful, but not nearly as heartwrenching as falling in love.

The cast of Almost Famous is a veritable “who’s who” of Millennials’ favorite actors, including Zooey Deschanel, Jason Lee, Anna Paquin, and even Jimmy Fallon. There are also some real heavy hitters in the leading roles, including Billy Crudup (otherwise best known for Watchmen) as a tempestuous lead guitarist and Kate Hudson (otherwise best known for How To Lose a Guy in 10 Days) as his adoring groupie. But the biggest revelation of the film is Patrick Fugit (otherwise best known for Gone Girl), making his feature film debut as a young man who’s trying to find himself but keeps getting lost in the music.

More Than A Feeling

Sadly, Almost Famous was a box office bomb when it first premiered. Against a budget of $60 million, the movie earned only $47.4 million. However, it was a critical darling (more on this soon), and the movie soon became a cult hit on home video. While Cameron Crowe never released a follow-up film, he did write the stage musical adaptation of Almost Famous, which premiered in 2018 before later moving to Broadway.

Reviewers took one look at Almost Famous and decided this was one rollicking rockstar of a film. On Rotten Tomatoes, it has a 91 percent, with critics praising the movie for its easygoing story and ensemble performances from actors such as Kate Hudson and young Patrick Fugit. They also commended the film for its warmth. This is director Cameron Crowe’s love letter to a simpler time, and by the end of this film, you’ll agree with the movie’s implicit argument that it was a far better time.

A Celebration Of A Bygone Era

In many ways, the nostalgia factor is the biggest draw of Almost Famous. As a movie made over a quarter of a century ago, it holds special interest to any film buff wanting to step back into the pre-streaming glory days of ambitious blockbuster dramas. At the same time, the movie is a sloppy love letter to the ‘70s and everything that made that decade so groovy. To his credit, Crowe pulls it off, making this era seem like an impossibly vibrant counterpoint to the dreary drudgeries of the modern world.

Personally, I’m an ‘80s kid who never felt any real desire to live in a different time or place. But the sheer passion behind Almost Famous always makes me wish I could have been like the film’s protagonist: a wunderkind music junkie, coming of age as both a writer and a man on the road trip of a lifetime. He is surrounded by both beauty and fame, tempting him to all manner of sins along the way. However, he is both cleansed and tormented by something far more potent than carnal desire: a profound love of music.

Falling For The American Girl

Needless to say, Almost Famous is particularly perfect for anyone who loves music. If you spend all day with your headphones on, it’s because you understand one of this movie’s most elemental lessons: that nothing captures the beauty and the heartbreak of the human condition quite like a great song. In this film, music becomes a kind of divine force: something that can fill men with inspiration or simply drive them crazy. Either way, they sacrifice themselves on the altar of rock and roll so the rest of us heathens have something to believe in.

Above all else, Almost Famous functions as arguably the best coming-of-age story ever filmed. Our young protagonist experiences what most teenage boys can only dream of: the chance to tour the country in the company of rock stars and the women who love them. Along the way, he gets to make a name for himself by writing for one of the biggest publications in the country. But he soon discovers that what he wants and what he needs are two very different animals and that there is no pain quite as keen as growing up too fast.

Like A Rolling Stone 

Too young to be a man and too experienced to be a boy, he finds himself adrift before realizing something profound. Namely, that in writing the story of this up-and-coming band, he is writing his own ticket, crafting a future he is passionate about rather than the one his mother has all planned out. He longs to escape suburban doldrums, transforming himself with a love of writing that will sustain him long after the beer-soaked tour has finally ended. It’s a story of romance, rebellion, and revolution. Honestly, does it get more rock and roll than that?

Almost Famous is offering you a chance to tour with the band, but are you going to take the ride? Even if you don’t have cash, grass, or a$$, this is one occasion when you really can ride for free. All you have to do is snag the remote from your favorite groupie and stream Cameron Crowe’s cinematic masterpiece on Tubi, completely for free!