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Disney's New Movie Pushes Animal And Human Rights As Equal, While Looking Beautiful

By Chris Sawin
| Published

The main appeal of Hoppers was that it was co-written and directed by Daniel Chong. Chong created We Bare Bears for Cartoon Network, which was the last CN show I really obsessed over after the likes of Adventure Time and Regular Show ended. Interestingly enough, Chong spent six years on the entirety of We Bare Bears (four seasons and 140 episodes), and Hoppers (a single 100-minute film) also took six years to create. The spinoff We Baby Bears is currently airing on Cartoon Network, which Chong executive produces.

The animated sci-fi comedy film is written by Daniel Chong and Jesse Andrews (Elio, Luca). Chong has actually been working for Pixar on and off since 2008, as a storyboard artist on Bolt, Cars 2, and Inside Out, and as part of the senior creative team on Turning Red, Lightyear, Elemental, Inside Out 2, Elio, and the upcoming Toy Story 5 and Incredibles 3.

How Hoppers Sets Up Its Fuzzy Story

Hoppers follows Mabel Tanaka (Piper Curda), who struggles with anger and cares for animals. After attempting to free her school’s classroom animals, she is dropped off at her grandmother’s, where she finds a peaceful glade in the forest. Mabel returns to this relaxing, safe spot whenever overwhelmed.

Today, Mabel is 19. The mayor of Beaverton, Jerry Generazzo (Jon Hamm), intends to demolish the glade to finish building a highway that will shave several minutes off Beaverton drivers’ commutes. All the animals have mysteriously left the glade, prompting Mabel to seek help from her college professor, Dr. Samantha Fairfax (Kathy Najimy).

Mabel discovers that Dr. Fairfax has developed a technology called hopping, which allows a human to transfer their consciousness into a robot animal of their choosing. Mabel forces her way into the body of a robot beaver and seeks counsel with King George (Bobby Moynihan), a fellow beaver and king of the land animals. Mabel’s plan is to bring the animals back to the glade in order to keep Mayor Jerry from building the highway, but things are much more complicated than she realizes.

A Stunning Visual Achievement

Hoppers is so gorgeous to look at. The visuals are similar to those of The Angry Birds Movies (two of the funniest animated films of the 2010s, by the way), where beaver fur looks so fluffy that you want to reach out and pet it, human hair is ridiculously detailed, and grass looks far too realistic for its own good. The idea of the eyes changing depending on whether we can understand them is a lot of fun, even if Brother Bear did it better. The subtle Back to the Future references (Mabel calling Dr. Fairfax “Doc” while being in a panic, the van chase on the skateboard, and the camera placement during that sequence) are certainly appreciated, as well.

The way the film highlights the preciousness of a tranquil space is extraordinary. Having somewhere to escape everyday noise that is both quiet and calm, and that just naturally exists, is a rare, wonderful thing. The more adventurous aspects of the storyline are the most entertaining aspects of Hoppers. When the film starts introducing the king council with the other animal kings, the apex predator, and what happens to Jerry in the second half of the film are some of the film’s most amusing moments. The car sequence where Loaf (Eduardo Franco), Mabel, King George, and Tom Lizard (Tom Law) talk to Jerry via text-to-speech on Jerry’s phone is the funniest and most memorable.

Hoppers Pushes The Idea That Animals Have The Same Rights As Humans

Hoppers is written somewhat awkwardly. The film revolves heavily around doing what’s best for the environment and seeks what’s best for animals since their rights are just as important as human rights. If you feel that way towards animals, you probably won’t have an issue with it, but the concept is thrown into a standstill game of tug-of-war between Mabel and Jerry, two extremely selfish and unlikeable human characters.

There’s an argument about the film’s suitability for children. Hoppers treats a gruesome death as comic relief. I think the sequence is great and unexpected, but some might find it problematic. A Pixar film lacking the usual emotional gut punch and a likable main character is also unusual.

Mabel uses the animals, particularly the trust of King George, to get what she wants while hiding the fact that she’s actually human. Jerry is using shady tactics to keep the animals away from the glade to build the highway and maintain his “mayor of the people” reputation, which he hopes to celebrate at a political rally originally scheduled for after the highway’s completion. It’s an eco-friendly message in the hands of two individuals you don’t really have any emotional investment in.

Is This Just Avatar In A Pixar Suit?

The film has drawn many comparisons to Avatar, which Hoppers references in the actual film as soon as the hopping technology is introduced. But Hoppers also has a lot in common with The Wild Robot, which is a far superior animated film. Looking past its lack of emotional connection with its audience and its sci-fi body-swap concept, the main comparisons lie in Mabel’s initial introduction as a beaver, when she suddenly understands animal dialogue, and in the forest’s suffering during the film’s resolution.

Hoppers is fun and is probably Pixar’s best film since Turning Red (I’m not an Inside Out fan, but that’s another article), but it’s also being overhyped by its marketing. It’s cute with some beautiful animation and a few chuckle-worthy moments, but it is not “the funniest Pixar film ever.” Tom Lizard, the character who blew up on TikTok after being featured in the Hoppers teaser trailer attached to Elio, is only in the film for a handful of minutes.

Beautiful Animation And A Clunky Story

Hoppers is fantastically animated, with some impressively high comedic moments, but its clunky story and funky exploration of morality keep it from being one of the Pixar greats.

Hoppers is now playing in theaters. Despite its flaws, it’s still recommended viewing.


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Ben & Jerrys Free Cone Day is back for 2026 — everything you need to know

TL;DR: On April 14, visit your nearest Scoop Shop and grab a free cup or cone of your favorite Ben & Jerry’s flavor.


It’s that special time of year when free ice cream becomes the norm. Hot on the heels of Dairy Queen announcing the date of its Free Cone Day, Ben & Jerry’s has done the same.

Ben & Jerry’s celebrates Free Cone Day around the globe every year, sharing the love with free cups and cones of your favorite flavors. There’s no catch. Simply visit your nearest Scoop Shop and grab a scoop for free. Ben & Jerry’s is giving away free ice cream at a host of locations between 12-8 p.m. on April 14. You can check participating locations here.

Ben & Jerry’s is aiming to spread more joy than ever before. They served up 1 million scoops in 2023, but they’re targeting more in 2026. And you can help out with that ambitious target, because unlike a lot of these free giveaways, there’s no limit on the number of times you can score a free cone. Can’t decide what flavor to order? Don’t worry — try them all.

Mark your calendars: Free Cone Day at Ben & Jerry’s takes place on April 14.

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The Best Show On Streaming Has Been Canceled, End Of An Era

By Chris Snellgrove
| Published

The advent of streaming completely changed how we watch television, allowing fans to watch whatever they wanted with the press of a button. This is perfect for avid entertainment lovers always looking for their next fix, but as an aging Millennial, I can’t help but think the prominence of streaming took something special away from the overall experience. Television used to be a communal ritual where we all watched the same things at the same time, excitedly sharing our thoughts on the latest shows with fellow fans; now, everyone is siloed in their own entertaining bubbles, enjoying their favorite programming in the stifling comfort of complete isolation.

However, one streaming show set out to change all that: The Last Drive-In on Shudder featured iconic horror guru Joe Bob Briggs hosting scary movies, offering commentary segments throughout where commercials might have gone way back when. While the Last Drive-In segments are available to stream on demand after a couple of days, they would premiere on Friday nights in a live broadcast that superfans would watch at the same time, all while chattering with each other and with Joe Bob (and his perky co-host, Darcy the Mail Girl) on social media. This made this the best show on streaming, but it’s the end of an era now that Shudder has canceled the show.

The Man, The Myth

Since he is something of a cult figure, you may need a primer on Joe Bob Briggs, especially if you’re a younger horror fiend. Joe Bob (real name, John Bloom) started out as a reporter for The Dallas Herald, and he specialized in a niche no one else cared about: shlocky exploitation films and gruesome horror movies you could only find at the local drive-in theater. To cover these movies, Bloom developed the persona of Joe Bob Briggs, a quippy, quirky redneck whose rants offered great insight into genre films while serving as a parody of the prim and proper reviews from film critics like Siskel and Ebert.

In 1985, Briggs made an unexpected jump from the printed page to the stage with a very successful one-man show, An Evening With Joe Bob Briggs. This raised his profile and proved he could entertain large crowds, and this led to an unexpected opportunity: he guest-hosted Drive-In Theater on The Movie Channel, which led to him getting his own show, the appropriately named Joe Bob’s Drive-In Theater.  There, he hosted shlocky movies (typically horror films), complete with a tongue-in-cheek tally of things like how many dead bodies and naked breasts appeared in the film.

When Joe Bob’s Drive-In Theater ended, he took his unique brand of entertainment, hosting MonsterVision on TNT. There, he once again hosted a variety of films, but he offered more commentary than ever: rather than appearing only at the beginning of the film, Joe Bob would also pop up on commercial breaks, offering further insights into each movie. When MonsterVision ended, though, Joe Bob largely dropped out of public life, popping up two decades later in a farewell performance that ended up reigniting his career.

A New Era

In 2018, Joe Bob Briggs hosted a 24-hour marathon of movies for Shudder, all of which were initially broadcast as part of the horror streamer’s live feed. This was meant to be a final performance for Joe Bob, giving this old cowboy one last time on the saddle before he rode off into the sunset. However, the marathon proved to be insanely popular, with Shudder’s servers crashing due to the high number of fans all rushing to watch this genre legend dish dirt on spooky movies.

In response, Shudder ordered more specials from him before greenlighting The Last Drive-In With Joe Bob Briggs, a regular series. For the next seven years, Joe Bob hosted one of the most popular series on the streaming platform, and his most ardent fans tuned in to each live broadcast, using social media to connect the entire fandom (affectionately nicknamed “The Mutant Family”). Due to the show’s success, it really looked like Joe Bob would be doing this forever, but just a few days ago, he dropped some devastating news on his fans.

An Emotional Rollercoaster of Announcements

Joe Bob Briggs typically hypes up his upcoming shows on Shudder, offering cryptic hints and funny commentary on platforms like Facebook and X. Ahead of the season finale of The Last Drive-In With Joe Bob Briggs, he made a somber-sounding announcement about how important it was for all of the fandom to tune in for this episode. This led to rampant speculation from fans: some thought Joe Bob needed more live views to get his show renewed, and others thought he would be announcing his retirement because, at 73, he’s one of the oldest entertainers in the business and may be dealing with unknown health issues.

When the episode aired, Joe Bob and co-host Darcy the Mail Girl offered fans some good news and some bad news. The good news is that Joe Bob is quite healthy (or, in his words, “spry as f*ck”), but the bad news is that Shudder is canceling The Last Drive-In. The hosts have apparently known this was coming for a while, but they are currently forbidden from saying exactly what went down and why Shudder (which just updated its app in an attempt to gain more subscribers) suddenly decided to kill the only show that countless fans (myself included) subscribe to this streamer to watch. 

An Unknown Future

The silver lining in all of this is that Joe Bob Briggs and Darcy the Mail Girl plan to take their show somewhere else, but they have not yet confirmed where this will be. We likely know where they will not go, and that is Tubi. On X, Joe Bob retweeted a post from Damian Maffei that didn’t explicitly name Tubi but accused “that free streaming app with all the ads” of being a streamer that has been known “to edit movies. Cut things down, and zoom in on scenes.”

Many have pointed out that Tubi doesn’t do this and just streams whatever print of the film they can get, but the implication of the retweet is that Joe Bob doesn’t like the free streaming service and is unlikely to take The Last Drive-In over there. Unfortunately, this brings us no closer to knowing where Joe Bob and Darcy will land and when they’ll start hosting movies again. Until they confirm anything, all fans can do is speculate while mourning the loss of the best show on streaming.

The Drive-In Will Never Die

The Last Drive-In With Joe Bob Briggs was unlike anything else in the streaming world: it featured eclectic horror classics, insightful commentary, and gonzo humor, all while letting fans share the magic together through live broadcasts. It brought the entire Mutant Family together, allowing us to bond over everything from Joe Bob’s signature rants to the shlockiness of our favorite films. Fortunately, the man himself has confirmed he will be returning and keep gracing us with his unique brand of comedic criticism powered by decades of arcane horror film knowledge.

That announcement fulfills the prophecy of something Joe Bob has been reminding us of at the end of every episode since the new show began. A promise, a mantra, and a fervent hope, all rolled into five little words that the Mutants are clinging to now more than ever: “the drive-in will never die.”


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Beloved Always Sunny Character Announces Long-Awaited Return

By TeeJay Small
| Published

FX’s It’s Always Sunny In Philadelphia is widely considered to be one of the greatest television comedies of all time. Even though the screwball series began with a rag-tag crew of misfit twenty-somethings who could barely light a soundstage, the show has evolved to have some of the most jaw-dropping moments on television. While it’s been a blast watching the gang lie, cheat, steal, and double cross each other for the past 17 seasons, most fans agree that the show’s biggest draw is its growing rogues gallery of bystanders.

These wacky side characters, most of whom appear significantly worse for wear with each passing appearance on the show, include street urchin Rickety Cricket, Ben the soldier, and the bizarre, incestuous family known as the McPoyle clan. Thanks to a post from Guillermo del Toro on X, we now know that one of the most iconic McPoyles is coming back for Always Sunny‘s 18th season. The character, known as Pappy McPoyle, is a family patriarch, proud bird owner, and occasional eyeball snatcher, who last appeared on the show’s 11th season.

The Pap Is Back!

In case you missed it, legendary filmmaker and three-time Oscar winner Guillermo del Toro is the decorated thespian responsible for bringing Pappy McPoyle to life. You might not recognize him under the billowing beard, Gandalf-length white hair, and dirt that covers his entire face. As the story goes, del Toro first raised the possibility of doing a cameo appearance in Always Sunny while he was working with series star and co-creator Charlie Day on the 2013 film Pacific Rim. As they discussed the role, the Oscar-winner became committed to the idea of playing the most depraved and disgusting character the Sunny crew could conjure, and Pappy was born.

To date, Pappy has made his way onto It’s Always Sunny In Philadelphia just twice, though he’s made a big impact on fans even with his limited screen time. He first showed up disheveled and ornery during the events of season 8’s “The Maureen Ponderosa Wedding Massacre,” and later took the witness stand in season 11’s “McPoyle vs. Ponderosa: The Trial of the Century.” According to the show’s lore, the entire McPoyle crew sprang forth from his mighty loins, along with one unnamed McPoyle who attempted to devour him upon birth. Fear not, intrepid viewer: Pappy ate him first.

Over A Decade In The Making

Last time we saw Pappy McPoyle, he was sicking his Pocono swallow on a courtroom full of unsuspecting people, and demanding that the bird snatch the eyeball of everyone’s favorite Harvard-educated lawyer. The interaction concluded with sweeping pandemonium, leaving fans unsure if Pappy was arrested by the court bailiff, or if he slinked off into the night, content to feast upon his freshly-snatched peeper under the cover of darkness. It’s been over 10 years since that episode aired, so we’ll have a lot of catching up to do once Always Sunny‘s 18th season finally arrives.

Guillermo del Toro’s social media post is quite cryptic. It doesn’t provide much direct information, other than an overt confirmation that Pappy McPoyle will return. For now, we’ll just have to wait for new episodes of It’s Always Sunny In Philadelphia to release in order to find out where he’s been, where he’s headed, and what avian horrors await under his hat.


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