Entertainment
Darkman Director's New R-Rated, Island Thriller Is In Tune With His Best
By Chris Sawin
| Updated

Send Help is director Sam Raimi’s first feature-length horror film since 2009’s Drag Me To Hell and is the first of Raimi’s films to be R-rated since 2000’s The Gift. Written by Damian Shannon and Mark Swift (Baywatch, Friday the 13th 2009, Freddy vs. Jason), Send Help follows a socially awkward workhorse named Linda Liddle (Rachel McAdams). The company Linda has worked so hard for over the last seven years sees Bradley Preston (Dylan O’Brien), the new CEO, taking over from his late father.
Linda was promised the VP role by Bradley’s father, but Bradley decides to give it to Donovan (Xavier Samuel), his frat brother and golfing partner. Bradley continues to humiliate Linda in the office for her looks, diet, and demeanor. Linda tags along for a big merger mostly because she’s told it’s a last chance to impress Bradley for the VP role, but Donovan and Bradley use it to humiliate her further.

After their plane crashes, Linda and Bradley are the sole survivors. Linda, prepared for such scenarios, adapts quickly, while Bradley, injured and used to being a selfish boss, must change. To survive on the deserted island, they must utilize Linda’s skills and learn to cooperate or tolerate each other.
Send Help Feels Like Drag Me To Hell’s Spiritual Successor
The story of Send Help goes in an expected direction. There’s one side of the island that Linda points out to Bradley later on in the film, which is too treacherous and dangerous and should be avoided at all costs. What lies on that side of the island, as well as what happens during the finale, you can probably guess. But what makes Send Help so entertaining isn’t its writing; it’s the performances of Rachael McAdams and Dylan O’Brien.

Send Help feels like a return to form for Sam Raimi. While the horror elements of Doctor Strange in The Multiverse of Madness were the best parts of the film, Send Help feels like a spiritual successor to Drag Me To Hell and is more in tune with Raimi’s The Evil Dead franchise and even Darkman.
The best parts of Send Help unfold as the film shifts from suspenseful horror to sharp, irreverent comedy, particularly when Linda and Bradley struggle to survive on the island. There’s the setup of how they get there and the last half hour or so where they partake in a brutal war against one another, but the moments in between feature the film at its funniest, nastiest, and most amusing, often juxtaposing its comedic and horror elements.
Sam Raimi Returns To Form
There’s an old Looney Tunes gag where castaways lost at sea or stuck on an island go crazy from hunger and start imagining each other as a hot dog, a hamburger, or a turkey leg. The Chuck Jones-directed short from 1943, “Wackiki Rabbit,” is a great example. Send Help taps into a similar kind of chaotic behavior, especially given the performances’ unhinged nature.

Sam Raimi’s horror films have always blended horror and comedy, and Send Help continues that trend. It’s interesting to witness how Linda looks in the office compared to how she looks after she’s spent more than two weeks on the island. Linda begins the film as very plain-looking, pigeon-toed, and socially inept to a cringeworthy degree. Her hair is stringy, and she never wears makeup. Saying she’s homely at first isn’t fair because it’s more than that. She prioritizes her career during the opening moments of the film, and her physical appearance is the last thing she’s worried about.

On the island, she suddenly has volume in her hair, and she’s forced to wear more revealing clothing so you can see the shape of her body. Her skin now has a slight tan to it, and being on the beach makes it seem like she just stepped off of filming some sort of glamorous commercial. She has replaced working hard in the office with building shelter, finding food, and doing whatever it takes to keep both her and Bradley alive. So it’s not like she’s spending more time on vanity; it’s more like her body responds positively to the changes.

Meanwhile, Bradley’s physical appearance is the reverse of Linda’s. Before the crash, he probably had this Patrick Bateman from American Psycho kind of skin routine. After waking up on the island and still treating Linda like she’s beneath him, his skin begins to dry out and look like a peeling sunburn, particularly on his face.
Dylan O’Brien Is Masterfully Smarmy And Rachel McAdams Is Complex
Dylan O’Brien is masterfully smarmy here. He never shakes the fact that he’s an overinflated mega dick, but he softens slightly over the course of the film. O’Brien’s performance is a comedic powerhouse that only becomes more impressive as his character grows more desperate. The character is obnoxious, but O’Brien’s contorted facial expressions, frustrated behavior, and maniacal laughter make him so much more memorable than the typical asshole boss.

Rachel McAdams has an even more complex performance as Linda. The audience sympathizes with Linda right from the start. Linda is a little weird who probably smells like a constant mix of bird feces (she has a pet bird that she talks to constantly and watches Survivor with) and crusty tuna, but she means well, has the best work ethic of anyone in the film, is treated poorly for no reason, and is secretly a badass. McAdams is a shining light of positivity and purpose the majority of the film, but there’s a dark twist to Linda that shatters initial conceptions of her. Even as Linda, as a character, slips up and makes mistakes, McAdams never misses a step with her powerfully mesmerizing performance.
It wouldn’t be a Sam Raimi film without a bunch of gross-out humor. Send Help showers the screen with blood and snot during Linda’s battle with the warthog that somehow isn’t entirely spoiled in the trailers. Later on in the film, whatever wasn’t already covered in blood and snot is doused with projectile vomit, and there are at least two eyeball gags that will leave you wincing and clamoring for more.

Gushing with frenetic humor, two magnificently cutthroat performances, and some well-placed grimy moments of gore, Send Help blows snot, spurts blood, and gauges eyes the only way Sam Raimi knows how.

Send Help releases theatrically nationwide on January 30, 2026.
Entertainment
Erupcja trailer: Charli XCX stars in explosive sapphic romance
Charli XCX is going from pop star to movie star with a string of films, including the queer fantasy 100 Nights of Hero, the mockumentary The Moment, and the sapphic romantic drama Erupcja.
Charli XCX co-wrote the script for Erupcja with director Pete Ohs and co-star Lena Góra. Set in Warsaw, the film focuses on two women, a local florist named Nel (Góra) and a tourist named Bethany (XCX), who has repeatedly crashed her love life. But this time, Bethany’s brought her current boyfriend Rob (Will Madden), who is looking for the perfect moment to propose.
In my review out of the film’s premiere at the Toronto International Film Festival, which is quoted in the above trailer, I cheered: “Shot with the kinetic yet poised cool of the French New Wave, this Polish production feels timeless. Its scenes play out with enough specificity for audiences to hook in, but enough ambiguity that they can feel like a dream. There’s a touch of fairy tale to that. Ohs keeps his characters curious and fluid, refusing to shove them into easy-to-define roles of hero and villain. Instead, Erupcja embraces the feral nature of love, messy and wondrous…. Erupcja is a thundering rumble of drama and romance, leaving its audience excited and rattled.”
Erupcja opens in theaters April 17.
Entertainment
Samsung finally sets a date: Galaxy Unpacked is coming Feb. 25
Our long national nightmare is over. We finally know when Samsung is going to show off the Galaxy S26 lineup.
The Korean tech giant confirmed that the next Galaxy Unpacked livestream will take place on Wednesday, Feb. 25 at 10 a.m. PT (9 a.m. ET). The event is in San Francisco this year, and it’s widely expected that Samsung will show off three new Galaxy S26 phones.
As per usual, you can watch the event on Samsung’s website or Samsung’s YouTube channel.
Mashable Light Speed
Mashable will be at the event and reporting live on all of the announcements, so keep checking back for the latest updates on Galaxy Unpacked.
Hosting the event this late in February is highly unusual for Samsung, which usually launches its next-gen Galaxy phones in January. It’s not really clear why Samsung took as long as it did to put Unpacked together this year, as it doesn’t seem like the S26 lineup is doing anything too wild to shake up the formula, though production delays and the global memory shortage may be factors.
All reports point to the usual lineup (S26, S26 Plus, and S26 Ultra) returning this year, with typical upgrades like a newer processor and bigger batteries.
It also wouldn’t be surprising to see some camera upgrades or new AI features, and we’ve already reported on a ton of S26-related leaks and rumors. We’ll all find out together in a couple of weeks.
Topics
Samsung
Samsung Unpacked
Entertainment
What I Won’t Tell My Friend About Dementia


“My dad got diagnosed on Tuesday, and I’m scared.” My friend’s text comes in the middle of the night.
I sit on the toilet at 3 a.m., considering how to welcome her to the most awful club.
My own mother was diagnosed with dementia a few weeks into COVID, shortly after my husband and I had asked her and my dad to move nearby and help with the kids, drowning as we were in online kindergarten. My mom had been a little “off” for years, and then forgetful, then increasingly paranoid. But she’d always been in love with the grandkids and our family. It was both a devastating surprise of a diagnosis, and not.
Now, years into this experience, the texts come regularly when friends’ parents are diagnosed. Every time I pause. What can I say that will help? What can I share of my experience that isn’t just the pain, the pain, the pain? There are so many things I want to tell her, and so many that I feel I can’t.
I lie awake feeling the chasm between myself now and myself the moment of my mom’s diagnosis, trying to find rocks to stand on in this river — something solid I can share with my friend, something that might steady her as the current pulls.
I’ll tell her what came before the diagnosis, because I know my friend’s loss has already started. The months or years before a diagnosis are their own kind of hell, not knowing what is happening. Questioning one’s own mother — wondering if she’s aging or sick or just being difficult — is a loss of its own, even before doctors are involved.
I’ll tell her about my mom showing up when my daughter was born, paranoid that our house had bed bugs despite no evidence, no bites. I took my newborn to the library when she was two days old so my husband and dad could inspect everything. I felt angry, abandoned, confused — I’d just given birth, but she was the one acting crazy. Now I know she wasn’t crazy, she was sick.
I’ll tell my friend that I hope now she is less lonely. My mom’s diagnosis at least gave a name to the pain I had been feeling of losing someone I loved, and it allowed me to talk about it more openly with friends. While there was so much grief in her diagnosis, there was also a clearer way to understand what my family had been moving through.
Along with the diagnosis came endless, impossible decisions. We spent a long time terrified of moving my mom into a care facility. She was the matriarch of our family, deeply in love with my dad and her garden, and it felt dehumanizing to take her away from what she knew. But she was wandering alone into the snow, waking up in the middle of the night to unplug every single appliance in the house, convinced the computer was going to catch fire. My dad wasn’t sleeping. My siblings and I became just as worried about his health as our mom’s.
There was a precise pain I felt the last time my mom was in my house — knowing it would be the last time, knowing she didn’t know that. She was joyful. We’d had Christmas with all the grandkids, and she and my dad had worn train conductor hats as the kids collected hot chocolate from them, Polar Express style. But she was also having bizarre mood swings and flashes of anger — at one point she tried to put out the fire with a large butcher knife.
The move to a care facility was clearly the right call. The experience reminded me of my kids starting daycare. It felt like a HUGE deal beforehand, then once she was there it was clear she was so happy. I slept better knowing my dad could rest and my mom was chatting with her new friend Martha over puzzles, and happy singing in the afternoon sessions. I fell in love with the people who cared for her, just as I had with my kids’ daycare teachers.
I’ll also tell my friend some small things that helped. When my mom had first shown signs of dementia, we encouraged her to complete a StoryWorth book. We now read her stories to her, and they calm her. My daughter reads them in her own bed every night. Sometimes that makes me cry. When she was still home and starting to wander, we put an AirTag in her shoe. We try to take care of the staff of her facility with the same care they give her — stocking the staff lounge with snacks, writing thank you cards, offering genuine gratitude.
Lying in bed in the middle of the night, I hold onto these practical steps like a life raft, because the emotional truth is harder. I’ll tell my friend that nothing anyone says will feel good. Things I hear regularly — “this has been so hard for so long” and “it’s happening so fast” — make me want to throw things even though (or, really, because) they are true.
But I’ll tell her what did help: friends who showed up without words. Junk food waiting at my parents’ house before a tough visit. Fancy shower products after I mentioned crying in the shower. Their presence in the hardest moments made me feel less alone.
Mostly, when I talk to my friend, I will tell her I am so sorry.
But I will not tell her everything. I will not tell her what’s coming, because if I had known how painful this was going to be, I would have welcomed the bed bugs, the fire, the knife.
I will not tell her about emergency calls to my therapist; the reports we get from my father’s daily visits; my mom currently being on her thirteenth month of hospice. I will not tell her I now understand the word agony.
Instead, I might tell her this: My mom was a woman who loved to help. A theater director and school librarian, she loved nothing more than telling people what to do. In some ways, helping friends now feels like honoring her — trying to make sense and meaning of her story.
When I’m talking to my friend, I also know I will have the exact same feeling that I still have when sitting by my mom’s bedside — there is so much more to say, so much left unsaid. I will want to say to my friend, as I want to say to my mom, she is doing great. The love won’t go away, it never could. Everything else may go, but as the current pulls us both forward, I can tell her this: the love remains.
And of course, I will tell my friend the one thing I cannot truthfully tell my mom, as much as I want to — she will survive this. She will. Most days, I remember I will too.
Kathleen Donahoe is a writer and poet living in Seattle. She has previously written for Cup of Jo about how she stopped drinking. She is writing her first novel and warmly invites you to follow her free Substack newsletter, A Little Laugh.
P.S. Rebecca Handler’s beautiful essay on loving her father through his final years of Alzheimer’s, and a parenting realization that really moved me.
(Photo by Darina Belonogova/Stocksy.)
