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GLP-1s are inescapable online. Heres why thats a problem.

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Kate Gombach recently celebrated four years in recovery from an eating disorder. Such a milestone once felt impossible for the 35-year-old who recalls growing up at the height of “heroin chic,” a time in the early aughts when celebrities like Paris Hilton and Nicole Richie appeared in tabloids looking extremely thin. 

“I didn’t realize that living the way I’m living now was even an option for me,” Gombach tells Mashable. “I thought trying to shrink my body constantly was what I had to do because of the body that I was born in.” 

Since Gombach completed treatment at the Eating Recovery Center, she’d mostly been able to tune out the kind of messaging and advertising that typically triggered her disordered eating. But over the past several months, that became much harder thanks to one of the most popular medications of the 21st century: appetite- and hunger-suppressing GLP-1s. 

Suddenly, Gombach saw bodies shrinking everywhere she looked, particularly amongst celebrities and on social media. Creators who once championed body positivity or neutrality began weight-loss journeys with little explanation or initial disclosure about paid partnerships and sponsored content, Gombach witnessed.


“I didn’t realize that living the way I’m living now was even an option for me.”

– Kate Gombach

Even as Gombach pruned certain accounts from her feed and actively disliked weight-loss advertising on Instagram and TikTok, Gombach still encounters marketing for GLP-1, or semaglutide, drugs there, not to mention on television and the wider internet. 

“It’s not easy, and it’s not fun, but [I’m] trying to push through it, maintain my recovery, and hold on to my beliefs, despite a lot of people around me kind of switching,” Gombach says. 

Fighting to stay in recovery

She’s not alone. Mashable interviewed others in recovery who described the same seismic shift toward thinness and diet culture triggered by GLP-1 drugs. 

In just the first nine months of 2025, the pharmaceutical companies Novo Nordisk and Eli Lilly spent $700 million marketing their GLP-1 medications, Wegovy and Ozempic, and Zepbound and Mounjaro, respectively, according to Reuters.  

This advertising rush has made weight loss content inescapable for many. That might help explain why Americans are flocking to online black markets to purchase Eli Lilly’s “retatrutide,” a drug not yet approved by the Food and Drug Administration that reportedly leads to significant weight loss.  

Meanwhile, influencers pitching wellness optimization strategies, and Make America Healthy Again proponents who promote thinness as virtuousness, have revived diet culture after it fell out of favor in the late 2010s. 

Now former patients like Gombach find themselves fighting to stay in recovery. 

Social media and eating disorders

“Many people feel like they’ve come through on the other side,” said Jessica Scheer, CEO of the National Eating Disorders Association (NEDA). “But it’s a hard thing to protect now.”

Gombach spends several hours a day on social media, where she connects with recovery-focused influencers. Building that network during treatment aided Gombach’s recovery, because her friends had neither experienced an eating disorder or lived in a larger body, like she does. 

Yet experts say social media can also be risky for those in recovery as diet culture and pro-disordered eating are extremely difficult to moderate online. 

Earlier this year, the eating disorder care company Equip surveyed 828 adults about how social media influenced their body image. A number of respondents named GLP-1 ads unprompted as a distinct source of distress. 

A recent survey by NEDA found the same. Clinicians reported having weekly conversations with patients about GLP-1 advertising and increased disordered eating behaviors. 

New research published in JAMA Psychiatry suggests that GLP-1 use may be higher among people with eating disorders compared to the general population. The study authors, who did not look at the role of social media, wrote that these people might use GLP-1 drugs to achieve rapid food restriction and weight loss.

Whether or not they are actually taking the drugs, people with a history of disordered eating may be more at risk online. A 2024 TikTok algorithm study, conducted by researchers at the University of Melbourne, found that users with a history of disordered eating were served more videos featuring “toxic” eating disorder content than those without prior struggles. 

The researchers attributed the increased likelihood of seeing such videos to the platform’s content personalization system, particularly the way TikTok collects and profiles users based on personal data. The platform, they wrote, may see lingering on content as a sign of engagement. 

The researchers noted several limitations of their study, including that they evaluated videos based on hashtags, an “imperfect” indicator of their content. TikTok declined to comment on the research. 

Positive engagement or eating disorder risk?

Dr. Blair Burnette, a Michigan State University assistant professor and principal investigator of the eating- and body image-focused ARISE Lab, called the findings of the study “extremely disturbing.” She was not involved in the research.

“It was very clear that the people who were struggling were getting delivered more harmful content,” said Burnette, who is overseeing multiple studies on social media’s effect on body image, GLP-1 advertising, and eating disorders. A patient can unintentionally direct more GLP-1 related content to their feed simply by pausing on a video or searching for seemingly unrelated content, she explained. It’s become a greater worry for her as a clinician. 

Equip survey participants also reported that actively seeking body-positive or recovery-focused content led to seeing more about fitness and body transformation, as well as restrictive eating. 

GLP-1 content on social media

Dr. Elizabeth Wassenaar, regional medical director of the Eating Recovery Center, said that social media usage is cropping up more and more in treatment with the rise of GLP-1s. Patients are vulnerable to posts about GLP-1 weight loss, and platforms are responding to it, she said. “The algorithm likely curates content that gets more interaction, and when people are engaged in a mental illness, the content that gets more interaction reinforces that mental illness.”

While their effectiveness is still widely debated, many platforms offer content controls intended to weed out such posts. Still, less obvious content can derail recovery. A favorite creator suddenly posting an image of their thinner body, for example, is not easily flagged by moderation tools or necessarily clocked by users themselves. 

In fact, Scheer explained, eating disorder content readily “shapeshifts” into whatever nutrition and wellness trends are taking over the internet at any given moment. Unhealthy or restrictive food habits can be repackaged as “clean eating.” Compulsive exercise is reformed into “hot girl walks” or daily gym vlogs. GLP-1 influencers are lumped in with wellness advice accounts.


“It’s a great business model.”

– Sharon Maxwell, weight inclusivity advocate

Scheer points to advertising phrases like “take control of your health” or “get back control of your body,” which mirror the mindset of many people experiencing disordered eating habits. 

Co-opting the language of recovery

The diet industry has also co-opted the language of recovery and anti-diet spaces to sell their own products. For example, GLP-1 ads often promise to quiet “food noise,” or incessant rumination on hunger and eating. Food noise happens to be one of the most common indicators or struggles among people with eating disorders, explained Sharon Maxwell, a weight inclusivity advocate, consultant, and content creator

“People with eating disorders are very susceptible,” said Maxwell. “It’s a great business model.”

Maxwell started posting online after they left a restrictive cult upbringing and were diagnosed with an eating disorder. They built a career offering weight inclusive curriculum to large businesses and eating recovery facilities, even collaborating with Meta’s former moderation team on better age-gating of eating disorder content. But in recent years that work has dwindled. 

The human safety teams Maxwell once worked with have been reconfigured or shrunk, they note. In the year since, they say they’ve seen a rise in anti-fat content. And as platforms bank on questionable drug and wellness advertising revenue, Maxwell says creators they used to work alongside have pivoted to sponsored GLP-1 posts.

Eating disorder recovery in the era of GLP-1s

Content about GLP-1s, already hard to moderate, is supercharged by stereotypes about larger bodies and weight loss. GLP-1s are much less criticized because they result in thinner bodies, said Wassenaar. Though researchers are still learning about their long-term effects, GLP-1s have surged in popularity, even as established interventions that have nothing to do with body size, like vitamin K shots for infants and life-saving vaccines, are increasingly rejected. 

For those in recovery, this type of messaging can generate guilt and shame, explained Wassenaar. GLP-1 marketing constantly suggests the need to change one’s physical appearance — and that there are several choices available for doing so. 

“You could make a choice to be on a medication. You could make a choice to be on a diet. You could choose a lower calorie food, but you’re not, and that’s why you think your body is flawed,” Wassenaar said of the normalization of weight loss interventions. “It’s insidious.”


“I don’t have to lose weight. I don’t have to go down that path.” 

– Kate Gombach, former patient

Maxwell says they’d be lying if they didn’t feel enticed to use GLP-1s for weight loss. 

Gombach similarly wonders about GLP-1s. She says two of her doctors tried to prescribe her a GLP-1 based on her body mass index, despite the fact that she’s in good health. “Would people be nicer to me if I did that?” Gombach asks.

Maxwell and Gombach say GLP-1s aren’t the solution to such thoughts.

“It’s not the medicine itself that sounds appealing to me. It’s the outcome of being in a smaller body,” Maxwell said. “I know what happens if I engage in intentional weight loss, and that is a relapse into anorexia, and I’m not willing to do that.”

Managing social media while in recovery  

Since entering treatment, Gombach finished her masters in clinical mental health counseling and specializes in eating disorder care. That may give her unique insight into coping with ubiquitous weight-loss messaging, but she still uses multiple strategies herself. 

Gombach leans on practices she learned in acceptance and commitment therapy, which focuses on aligning behavior with one’s values. When Gombach sees content that could trigger negative feelings about her body, she affirms that it’s not for her and doesn’t match what she wants for herself. 

She also focuses on “clarity of intention,” or the reality that an influencer, brand, or pharmaceutical company preys on people’s insecurities so that they’ll buy a product and feel better or achieve greater acceptance. 

Then there’s training her algorithm. She immediately unfollows a creator when they announce they’re on a GLP-1 drug. Every few months, she mass unfollows accounts that have begun sharing diet culture content. Gombach also tries to adjust her ad settings, but frequently sees harmful marketing content nonetheless. 

Gombach says she hasn’t considered quitting social media because “it’s still something that ultimately helps me.” 

Time to turn away from social media?

Dr. Erin Parks, co-founder and chief clinical officer of Equip, says even former patients’ best efforts to filter content run headlong into algorithms that don’t distinguish between thinness and health. 

She doesn’t discourage patients from eliminating screen time altogether, because it may be helpful to them. Yet, she does want them to consider whether being on their phone is like attempting not to drink but spending all their time in a bar. 

Parks recommends people in recovery curate their feed with a clinician when possible and stay open to their changing needs. Content they find tolerable one day may trigger disordered eating thoughts the next. That’s why she says it’s important for people to closely monitor their social media use, including their intended time spent versus reality, as well as how they feel before, during, and after scrolling. 

Maxwell has also scaled back their time online because of GLP-1s. They stopped posting about eating disorder recovery years ago, opting to highlight the joys of living in a larger body. “So often in eating disorder recovery we’re obsessed with staying in the disorder, and then we become obsessed with the process of recovery, and that almost replaces the eating disorder,” they explained. “My life isn’t about recovery, recovery allows me to have a life.”

While the rise of GLP-1s has made the desire to escape weight stigma difficult to ignore, Maxwell still envisions a future where social media can support those in recovery and fight weight discrimination. 

“I do have hope,” Maxwell said. “How much? Not as much as a few years ago, but it’s still there, and I’m still holding on. I’ve got a vice grip on it.”

If you are concerned about your eating behavior, visit the National Eating Disorders Association (NEDA) website for more information. You can also text CONNECT to 741741 for immediate support from a trained volunteer at the Crisis Text Line.

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‘Love Island USA’ reveals the final four couples competing for first place

Following a lighthearted week of quality time and family reunions, Love Island USA finally announced the four couples competing for the $100,000 first-place prize.

After Corbin and Parmida were dumped from the villa in Season 8, episode 29, there were six couples left standing: Aniya and Carl, Kayda and Zach, Kenzie and Dylan, Melanie and Sincere, Tierra and KC, and Trinity and Bryce. The next few days were full of fun challenges like The Girls pranking The Boys, The Girls enjoying a fun waterpark-themed getaway from the villa, and the Islanders meeting each other’s family members for the first time.

Season 8, Episode 33 kicked off with a “mouthwatering” couples’ challenge, in which each islander had to transfer food items in water (like sardines) or condiments (like ketchup) from their mouth into their partner’s mouth. After the challenge, the couples had a few more tough pills (or, in this case, fortune cookies) to swallow at dinner that night: they found out the results of a public vote that decided which four couples were heading to the finale, and which two couples were going home.

One by one, the couples cracked open their fortune cookies, revealing whether they were safe. The final four were revealed to be Aniya and Carl, Trinity and Bryce, Melanie and Sincere, and Kayda and Zach.

Our big Guessing Game is back! Enter now for a chance to win an Apple Watch.

This left two couples dumped from the villa: Kenzie and Dylan, and Tierra and KC.

X users were sad to see them go, especially those who thought that Tierra and KC had a stronger connection than other couples in the villa. KC had just asked Tierra to be his girlfriend in Season 8, episode 31, which made the dumping even more shocking to viewers.

However, viewers were elated that Kenzie didn’t say goodbye without squatting down for one last iconic split.

While the islanders shared an emotional goodbye with Kenzie, Dylan, Tierra, and KC, they took the time to appreciate the genuine friendships they built in the villa – embodying what viewers called “Friendship Island” this season.

What makes the final four couples especially memorable this season is that the four girls are each part of the original group of islanders that we were introduced to in Season 8, episode 1, with X users saying that we have a “core four” finale in our midst. 

Now that the final four couples have been revealed, we’re only a few episodes away from finding out which couple will be crowned the winners of Love Island USA Season 8.

The season finale is scheduled to air on Sunday, July 12, 9:00 p.m. ET / 6:00 p.m. PT on Peacock.


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WWII Spy Thriller On Netflix Based On An Incredible True Story

By Jacob VanGundy
| Published

operation mincemeat

Operation Mincemeat is a spy thriller based on a true British intelligence operation from World War II. While the spy story is fascinating, and there was enough suspense to keep me watching, the movie is bogged down with unnecessary interpersonal drama. The result is an uneven, disappointing movie that doesn’t live up to its premise. 

Based on Ben Macintyre’s book about the historical event, Operation Mincemeat is about a misdirection mission by British intelligence. To hide the Invasion of Sicily, a plot is hatched by British intelligence officers Ewen Montagu and Charles Cholmondeley to plant false information on a corpse and have it wash ashore.

operation mincemeat

To sell the fake soldier’s identity, a detailed backstory was constructed including a fictional fiance using a photo of the office’s secretary Jean Leslie. 

The Period Drama Overshadows The Spy Intrigue

operation mincemeat

Operation Mincemeat brings together a fantastic cast of UK actors, who deliver great performances across the board. Colin Firth, Matthew Macfayden, and Kelly Macdonald play the movie’s three leads, making their characters feel real. The supporting cast also features great actors like Penelope Wilton, Johnny Flynn, Jason Issacs, Mark Gatiss, Paul Ritter, and Simon Russell Beale.

While I found the depiction of spycraft in Operation Mincemeat compelling it was weighed down with superfluous period drama elements. Much of the film’s runtime is dedicated to the love triangle between its three main characters, which adds a layer of unneeded personal drama that actively distracts from the spy mission’s inherent tension.

It’s the sort of tacked-on plotline that feels like it exists to meet period drama expectations, and I was unsurprised to learn it was invented whole cloth for the movie. 

The Spycraft Is More Interesting

Some of the most interesting spy thriller moments of Operation Mincemeat are glossed over to dedicate more time to its boring love triangle. Numerous scenes depict the budding relationship between Ewen and Jean, while the head of Germany’s army intelligence discovering the plot and turning a blind eye to undermine the Nazi regime is given a single truncated scene.

As a fan of spy thrillers, I can’t help but feel like the movie prioritizes the wrong elements of its plot.

The pacing in Operation Mincemeat also suffers due to its love triangle. What should be a consistently suspenseful movie grinds to a halt halfway through to focus on the romantic subplot and the hostility it creates between Ewen and Charles. With a runtime of 128 minutes, it drags on for too long, drawing attention to its unneeded subplot.

Despite its shortcomings, Operation Mincemeat has a strong story at its core and it tells that story well when its focus isn’t divided. It’s at its best when it depicts the finer details of the operation and the construction of the soldier’s fictional life. With strong acting and directing, it’s well-made even when the writing falls short. 

Fans of period dramas who also enjoy spy stories will likely enjoy Operation Mincemeat, while fans looking for a spy thriller like I was may find it disappointing. It’s a well-made movie bogged down by a single poor creative decision. You can watch the film version of one of history’s most fascinating spy stories for yourself on Netflix.

OPERATION MINCEMEAT SCORE


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Stargate SG-1 Started A Series-Long Tradition And A Fan Favorite Running Joke

By Jonathan Klotz
| Updated

One thing you’ll notice when you’re (re)watching Stargate SG-1, is that Daniel Jackson (Michael Shanks) dies a lot. By the time he dies in Episode 12, “Fire and Water,” his death count is up to three (the movie, and “Nox”), which is a little high for a regular human. Then again, he doesn’t really die in “Fire and Water,” so should that even count? Stargate Command gives him a full funeral with military honors so to my mind, it counts as another notch for “Daniel Jackson is Dead.”

Daniel Jackson Is Dead. Again. For The Third Time.

Richard Dean Anderson And His Team Stargate Hockey Stick

“Fire and Water” opens with SG-1 coming back earlier than expected from their latest mission, looking all sad and dejected as Hammond asks what went wrong, and learns that “Jackson is dead.” Before the opening credits we see the whole military funeral, O’Neill (Richard Dean Anderson) giving a touching eulogy where he admits that Jackson is the heart of the team. Out of anger, O’Neill, likely a little drunk off of Molson’s, takes out the window of a car with a hockey stick (look quick and you’ll note it says “Anderson” on the stick) and angrily demands they movie it. It’s Hammond’s car, prompting a suddenly much calmer O’Neill to tell his boss that he needs to replace that window. 

The SG-1 team slowly realizes that Daniel isn’t dead. Something messed with their minds to make them think he was. Turns out, Daniel’s alive, underwater in the lair of the aquatic merman Nem to help solve the thousand-year old mystery of what happened to his mate, Omoroca. We learn that Omoroca and Nem helped teach the ancient Babylonians until she was murdered by Belus, who of course, was a Goa’uld System Lord. It all goes back to the Goa’uld. 

The Math Ain’t Mathing

Gerard Plunkett As Nem

The merman like Nem is played by Gerard Plunkett, who first appeared on Stargate SG-1 as Councilor Tuplo in “The Broca Divide,” starting the trend of actors playing multiple aliens during the show’s decade-long run. Nem never reappears, nor is he or Omoroca mentioned again, perhaps because someone behind the scenes did the math and realized the pair’s involvement with the ancient Babylonians and also the Goa’uld broke the timeline.

Jackson tells Nem that Omoroca helped inspire the Tau’ri rebellion against the Goa’uld. That took place in 3000 B.C.E. in Egypt, yet Jackson says Nem was on Earth 4,000 years ago working with the Babylonians. That maths out to roughly 2000 B.C.E., or a thousand years after the rebellion. Goa’uld being active on Earth and acting as Gods past that point doesn’t work with the timing of the burial of the Stargate. 

“Fire and Water” is another in the long line of episodes that introduces an advanced species with deep ties to the roots of human civilization that we never see again. Get used to it, even Stargate Atlantis does this years later. It’s also not the last time that Jackson is killed in the line of duty. On its own, it’s a bit of an empty episode that alludes to bigger things, though it does get a little credit for Nem’s planet Oannes not looking like the woods of Vancouver for once. 


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