Entertainment
Aubrey Plaza's Perfect R-Rated Thriller Is An Unfairly Overlooked Masterpiece
By Robert Scucci
| Updated
Have a crappy first draft and want to make it into a better second, third, fourth, and final one? You might want to check out 2020’s Black Bear because the film shows you the process in real time, and I think I just spoiled the entire thing for you. But did I really?
It’s a movie about a woman named Allison (Aubrey Plaza), who’s staying at a beautiful remote cabin to work on a project, either a novel or a film. I think this part is obvious. We get a look at her morning routine, complete with sitting in a red swimsuit on a dock overlooking a foggy lake. We watch her sit down at a table by the window and start writing, occasionally looking up to take in the scenery before putting pen to paper.
We then get what I believe are two “drafts” in the form of acts, and the whole thing spirals from there. While there’s a lot of discussion about what Black Bear is actually about (just check the IMDb reviews, lots of people are rightfully confused), I think the answer is simple: it’s one of those movies about a writer who’s writing something; something that would come off as extremely pretentious in almost any other context.
Because of how open-ended the whole thing is, I could be way off the mark, but you really just need to sit down with Black Bear and enjoy it for what it truly is, no matter what kind of subtext you’re picking up from it: three actors showing an incredible range and crushing every single scenario.
Part One: The Bear in the Road
Before each act in Black Bear, we see Allison go through what appears to be her writing routine. She sits alone in the wilderness, folds up her towel, walks back to the cabin, and gets to work. In the first act, “The Bear in the Road,” we’re introduced to the other characters we’ll be spending time with: the pregnant and unhappily married couple Gabe (Christopher Abbott) and Blair (Sarah Gadon).
Gabe is a former musician who owns a bed and breakfast that he runs with Blair. Allison is a film director who chose to stay at their bed and breakfast so she could find inspiration for her next project. Gabe is secretly obsessed with Allison’s work, and Blair is a problem drinker even though the baby bump is starting to show.
This act ends almost exactly how you’d expect, with Allison and Gabe growing close, and Blair absolutely losing her mind over it. When things truly heat up in “The Bear in the Road,” the screen goes black, and we once again see Allison sitting alone on the dock in a red swimsuit, folding her towel, walking back to the cabin, and opening her notebook, setting up the second part of the movie.
Part Two: The Bear by the Boat House
The second half of Black Bear introduces the same characters but in a totally different context. Here, Allison is an actress who’s married to Gabe, who’s now the filmmaker, and Blair is another actress in the movie he’s working on. The same jilted lover story plays out, but the roles are reversed, and we’re on an actual movie set.
Allison is the unstable woman whose husband is having an affair, and she’s being manipulated by the crew into delivering a powerhouse performance during the final shoot. Blair and Gabe flirt and stage an affair between scenes, pushing Allison over the edge. The whole thing plays like a behind-the-scenes reel of a more developed version of “The Bear in the Road,” as if the first act we witnessed was the rough draft, and what happens here is the result of further refinement.
You see kernels of the original idea play out in “The Bear by the Boat House,” but it has a distinctly different flavor, which all clicks again when the whole thing eventually transitions back to Allison sitting on the dock in her red swimsuit, folding her towel, heading back to the cabin, and starting to write.
A Deconstruction Of The Creative Process
Most of the time, I try to keep my reviews spoiler free. I like to talk about the vibe, the talent, and the themes a film talks about, but breaking down Black Bear without first laying out its mechanics, which effectively spoils the movie, is impossible.
Or, I’ll ask again, is it?
My read on the film is that we’re watching a writer at work, and their ideas coming to life through the vignettes we get to see. The characters across both acts are the same but different in both subtle and not-so-subtle ways. Each act starts with crappy dialogue that eventually becomes more nuanced and intricate. The same can be said for the acting. Both vignettes feel like working drafts where the writer doesn’t quite yet know what story they’re trying to tell, and they’re working through the first few passages so they can figure it out.
I could be completely off base here, but that’s what Black Bear feels like. It’s a moment in the creative process when the creator is still trying to find their voice on a new project.
That said, I can’t say for certain that my assessment is correct here, and I can absolutely see why this film could be frustrating to some. At face value, it’s disjointed, its characters are all over the place, and aside from their names and the setting they occupy, they’re not really the same people. But that’s the point. We’re watching these characters get sketched out in real time by Allison, and we’re just seeing snippets of personality here.
That’s why the characters transition from one-dimensional to complex, with conflicting motives and alliances without any real rhyme or reason. It’s also a testament to everybody’s performance here, because they basically have to act like bad actors when the script is bad, and then up their game every single time (writer) Allison has a creative epiphany that allows the story to improve.
If there’s any reason to watch Black Bear, it’s for everybody’s range. I’m sure there are dozens of other ways to read this film, but I’m satisfied believing what I choose to believe. Maybe the film is actually about a girl named Allison who has amnesia, who returns to a location where she was traumatized, and she’s trying to remember what happened to her. Maybe the Black Bear is the friends we made along the way. Or maybe, just maybe, we’re watching somebody write a novel, or a play, or a movie, and we’re getting to see what happens when an incomplete story gets a full production to show you how important it is to always work past the first draft.
As of this writing, you can stream Black Bear for free on Tubi.
Entertainment
Taylor Swifts wedding details: Everything revealed so far, including Adam Sandler conducting ceremony
Last night, right before the United States celebrates 250 years of independence, its undisputed queen of pop music, Taylor Swift, finally tied the knot to long-term beau, NFL tight end Travis Kelce, in what was surely the most anticipated and hyped up wedding of the century.
And while the world’s most-watched couple have been notoriously tight-lipped about wedding details, and have gone to extraordinary lengths to keep their nuptials private, including forcing their guests to sign “ironclad” non-disclosure agreements and firing workers who took photos of the wedding sets, details are beginning to emerge about last night’s affairs
The fairytale ceremony
Ordinary couples have to pick a wedding venue, and the typical locations are a combination of personal meaning, romance, and spirituality. The list includes religious venues, seaside locations, large barns, and ballrooms. But if you’re the world’s number-one power couple, there’s really only one city and probably only one place that can accommodate both your guest lists while still delivering privacy from the paparazzi and your millions of fans: Madison Square Garden.
The home of the Knicks, played host to the Swift-Kelce wedding, and between the night itself and the two days of setup, the location fee alone is reported to be in excess of $3 million.
And of course, it isn’t enough just to rent the venue; you also have to secure it. Ahead of the affairs, the NYPD listed the street closures necessary to guarantee security for the couple, and it was comparable or even greater than the list released during the NBA Finals:
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And what about the clothing? In a testament to how well security was managed, we still don’t have a photo of Swift in her wedding dress, but her publicist has revealed that both the bride and groom were garbed by Christian Dior Haute Couture, with famed Irish fashion designer Jonathan Anderson personally handling the designs — in close collaboration with the couple, naturally. The footwear for both the bride and groom was custom-made by Christian Louboutin, with even the sneakers selling for more than $1,000, while Cartier supplied her jewelry, according to PEOPLE.
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As for the flowers, another staple of weddings, details are still sparse, but Page Six did manage to snap photos of large peach flower arrangements being carted into the venue.
The food and drink offerings largely still remain a mystery, but we have had some tantalizing glimpses into what was on offer, from luxury cake designer Julie Deffense teasing a video of the Swift wedding cake that “traveled over 1200 miles” before quickly deleting the video off her Instagram to TMZ slyly snapping pictures of the food being wheeled into the Garden, which included everything from lobster to fried chicken, onion rings and even a Krispy Kreme truck.
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Some loyal Swiftians who waited outside the venue were even blessed with leftover desserts by one of the catering companies.
The attendees
Let’s face it: a wedding isn’t the venue, the food, or even the dress. A good wedding begins and ends with the guest list, with the friends and family you choose to celebrate your romance with, and the 1,000-strong list of the Swift-Kelce affair was a mix of A-list celebrities known the world over and friends, family, and even neighbors known only to the couple.
While every guest was no doubt honored to receive the invite, three people in particular were most important to the couple: Austin Swift, Taylor Swift’s brother; Jason Kelce, Travis’s brother, and…Adam Sandler. According to the hosts of Good Morning America, George Stephanopoulos, Robin Roberts, and Michael Strahan, all of whom were in attendance and spent their morning show gabbing about the wedding, the bride and groom eschewed the usual list of groomsmen and bridesmaids in favor of a Man of Honor for Taylor and a Best Man for Travis, and unsurprisingly they both chose their brothers to fill these important roles. But the officiating was done by none other than Adam Sandler, who has reportedly been a friend to the families of both Travis and Taylor over the years, which required the famous actor-comedian to get a one-day license as a marriage officiant in New York.
Celebrity guests included a mix of athletes, entertainers, and models, from Swift’s close friends Gigi Hadid, Selena Gomez, and Zoë Kravitz to A-list actors like Brad Pitt, Bradley Cooper, and Julianne Moore, according to The Independent, who also reported that Beatles legend Paul McCartney delivered one of the night’s many performances.
A few centuries ago, only the weddings of kings and queens elicited such fanfare, but given that Taylor Swift is pop culture royalty, it’s no surprise that her wedding has been the most extravagant and publicized affair of 2026. We wish the happy couple the best of luck as they embark on their three-month honeymoon, the details of which are every bit as under wraps as those of their wedding.
Entertainment
Netflix Streaming Hit Is Every Man's Worst Nightmare
By Jonathan Klotz
| Updated
It’s 12 years old, it’s been off and on different streaming services over the years, and yet, David Fincher’s 2014 hit Gone Girl is again in the Netflix Top Ten. There’s something about the story of a missing wife that tickles the true crime center of the brain. That’s before the first twist, and then the second one, and then a few more on top of that. By the time the credits roll, you’ll be horrified and impressed in equal measure.
Every Man’s Worst Nightmare
Gone Girl starts with the disappearance of Amy (Rosamund Pike). Her husband, Nick (Ben Affleck) is immediately considered the prime suspect. It doesn’t help that there’s signs of a struggle in their kitchen, the small fact that he really was having an affair with one of his students played by Emily Ratajkowski, and the complete breakdown of their relationship has left him feeling, at best, completely numb inside. At worst, he thinks Amy has set him up.
No one’s listening to anything Nick says or does in his own defense. What he says is less important than how he says it. His inability to get with the program and be the grieving, distraught husband every major news network wants to interview is more damning than all of the circumstantial evidence the police dig up. It’s everyone’s nightmare to be accused of a crime that isn’t being taken seriously.
It’s also why Gone Girl works as well as it does. Everyone involved in the disappearance of Amy is a horrible person, with the lone exception of Nick’s sister, Margo (Carrie Coon), including Nick and Amy herself. No one’s listening to Nick’s defense, and no one listened to Amy.
Every Woman’s Worst Nightmare
David Fincher was working off very strong source material when putting together one of the darkest, bleakest thrillers about a marriage falling apart. Author Gillian Flynn wrote the screenplay to her own blockbuster 2012 novel herself. It’s a testament to the skill and craft of everyone involved that in an era when adult thrillers were fading, the film pulled in $370 million at the box office.
It’s Rosamund Pike’s best movie, arguably Ben Affleck’s best performance, and in the last 12 years, nothing’s come close. A wave of similar hit thriller novels came to the big screen including The Girl on the Train, but nothing hit the sweet spot of edge of your seat “what is going on here” with wild twists and characters you’ll love to hate. Or love to love. Gone Girl is a rorschach test of a film and you’ll end up seeing what you want to see.
The success that the film has had on streaming isn’t up for debate. On every streaming service it’s been a part of Gone Girl has been a hit. True crime podcasts rising in popularity over the last decade has helped the film remain on the top of the most-watched lists. Those haven’t dipped in popularity as sadly, every year brings fresh material for the legions of podcasters out there to pour over. Gone Girl will always be relevant.
Gone Girl is currently streaming on Netflix.
Entertainment
Stargate SG-1 Showed How Evil Its Villains Were In An Episode Where The Good Guys Lose
By Jonathan Klotz
| Updated
Stargate SG-1 had a lot of work to do in its first season to go beyond the setting of the 1993 film. By the time Episode 11, “Bloodlines,” hit the air on Showtime it was clear to the new and ever-growing fanbase that this was a different type of sci-fi series. Teal’c (Christopher Judge) was already being compared to Star Trek: The Next Generation’s Worf, and the introduction of his family on Chulak didn’t help the comparisons. Once “Bloodlines” came ot an end it was clear that Teal’c would be different and the Goa’uld were going to be the worst villains in any 90s sci-fi series.
Teal’c Would Do Anything For His Family
The episode opens with Teal’c undergoing treatment to remove his Goa’uld symbiote. It fails. By now, his body relies on the parasitic evil alien to function. That’s enough to get him to open up to Stargate Command about his family back home on Chulak. His son, Rya’c, is going to be implanted with a Goa’uld larvae and Teal’c wants to stop it. General Hammond (Don S. Davis) pushes back and stops the team though he folds at the flimsiest pretense to undertake the mission.
Teal’c and the rest of SG-1, O’Neil (Richard Dean Anderson), Jackson (Michael Shanks), and Carter (Amanda Tapping) sneak onto Chulak and while behind enemy lines learn a word that fans of the show will get very used to hearing: Shol’va. Traitor. Teal’c was branded as Shol’va for betraying Aphosis. That brought down his family’s standing, something Drey’auc, his wife (played by future Eureka star Salli Richardson) makes sure to let him know.
The usual full-speed ahead, gung-ho nature of SG-1 hits a snag when it turns out Rya’c is sick and needs a Goa’uld to be implanted in order to survive. After fighting to spare his son this exact fate, Teal’c is the one to implant his son. It’s a tragic moment made all the worse with the knowledge of how the Jaffa have suffered under the Goa’uld for generations. It’s a success and Rya’c lives but at an enormous cost. When “Bloodlines” ends, it’s not clear if this was a victory, or a loss, for SG-1.
Bloodlines Set The Table For The Jaffa Revolution
Teal’c kept his family a secret from Stargate Command because knew his family, deep behind enemy lines, was a weak point for him that could be exploited by the Goa’uld, and how could anyone trust him with his family in danger? What he left out was the presence of Bra’tac (Tony Amendola). At 103 years old, the legendary Jaffa warrior is still a brutal fighter capable of taking down a unit of palace guards without breaking a sweat. Like Teal’c, he’s a former First Prime to Apophis, and also like Teal’c, he becomes a close ally of SG-1.
Future scenes between Bra’tac and Hammond are among the best in the entire series. Bra’tac’s eventual defection is one of the many unintended consequences of the team’s actions during “Bloodlines.” Daniel blowing away a Goa’uld spawning tank, Rya’c and Drey’auc, humans entering Chulak so easily, all of it comes back in later seasons.
Teal’c may be the Worf of Stargate SG-1 but he’s his own, tragic character, trying to carve a new path forward for his warrior people in the face of centuries of tradition and honor. It’s completely different. At least Teal’c doesn’t get his butt kicked by every new threat.
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