Connect with us

Entertainment

The New Star Wars Movie Just Made History In The Worst Possible Way

By Chris Snellgrove
| Published

the mandalorian season 4

Disney originally intended for The Mandalorian and Grogu to be a crowd-pleasing movie that would bring the fandom together. After all, this was the first Star Wars film since 2019, and one that brings the most popular franchise characters from Disney+ to the big screen. Unfortunately, it didn’t take long before everything started falling apart. The movie got dragged by critics and had a worse opening weekend than Solo, making this the lowest-ever opening for a live-action Star Wars movie. After that poor opening, Disney had just one hope: that The Mandalorian and Grogu would get such positive word-of-mouth that the second weekend would bring in more money than the first weekend.

That’s exactly what happened with Obsession, making it the first horror movie of the millennium to earn more in its second weekend. As for Disney, it looks like the studio should have bought a One Wish Willow and made a wish. Right now, The Mandalorian and Grogu’s box office is set to drop at least 69 percent in its second weekend, which will be the biggest drop in Star Wars history (previously, Solo was the biggest loser with a 65 percent drop). Even worse, this latest movie set in a galaxy far, far away is likely to get blown away at the box office by Backrooms, another tiny horror movie with barely any marketing.

This Is Where The Fun Begins

Why is the second weekend box office for a film so important? Basically, it helps fans and filmmakers alike estimate how much money a movie will make before it leaves theaters. Outliers like Obsession notwithstanding, movies almost always lose money in their second weekend; therefore, it’s not a question of if the box office drops than how much the box office drops. A smaller drop indicates that a movie has legs and will likely make a major profit. A major drop, however, indicates that a movie won’t be nearly as profitable and will likely end up on digital and streaming that much sooner.

Right now, Deadline reports that The Mandalorian and Grogu will have a box office drop of at least 69 percent for its second weekend. That’s especially bleak for the franchise, as Star Wars films were once considered reliable, billion-dollar blockbusters (yes, even The Last Jedi and The Rise of Skywalker). The poor box office performance of Solo: A Star Wars Story forced Disney to pivot and turn multiple intended film projects (like solo movies for Boba Fett and Obi-Wan Kenobi) into Disney+ TV shows. The studio knew things would be bad when Solo’s box office dropped 65 percent in its second weekend. Therefore, Mandalorian and Grogu’s 69 percent drop is absolutely devastating.

They’ve Got A Bad Feeling About This

In a vacuum (including the cold vacuum of space), The Mandalorian and Grogu’s box office failure would be very embarrassing for Disney. However, it’s almost impossible to avoid comparing this sci-fi film’s failure to the inexplicable success of the two major horror films it’s currently sharing a multiplex with. You see, Disney reportedly spent almost $100 million domestically to market its latest Star Wars movie. Meanwhile, Backrooms reportedly had a marketing budget of a little over $10 million, and it’s likely to beat The Mandalorian and Grogu’s box office this weekend. The House of Mouse spent 10x more and may ultimately lose its top spot at the box office to a low-budget horror movie.

Speaking of low budgets, Obsession was made for under a million dollars, and it’s currently earned over $108 million. What’s the secret with these horror films? Obsession director Curry Barker and Backrooms director Kane Parsons both got their start on YouTube, where they achieved a mass following before setting out to make major motion pictures. YouTube taught both filmmakers how to make the most of a limited budget, and they are now utilizing those skills to make horror movie history. As for Star Wars, its producers are spending a small fortune to budget an aggressively disappointing movie to an increasingly shrinking number of fans.

Help Me, Indie Filmmakers: You’re My Only Hope

Grogu

There’s a bitter lesson in all of this for Disney: ever since they took control of the Star Wars franchise, they have been pissing away the goodwill of the most loyal sci-fi audience in movie history. The Sequel Trilogy was a disappointing bust, and the TV shows on Disney+ have been very hit or miss. Plus, producers used their popular platform to absolutely ruin the magic of this franchise. Star Wars no longer feels special; it’s just more crappy streaming content you put on while you’re doing the dishes. After more than a decade of creative mismanagement, Disney has driven away countless fans through one sh*tty movie and even sh*ttier show after another.

The fandom will never completely die out, of course, and loyalists whose walls are lined with action figures will always support new Star Wars films. But there are only so many loyalists left, and the dwindling numbers for The Mandalorian and Grogu prove that there aren’t enough fans to turn these movies into blockbusters like A New Hope, The Empire Strikes Back, or even The Phantom Menace. The only way forward for the franchise is to hire young filmmakers with a distinct creative vision. But that won’t happen because talented directors focused on their own IPs have done what the Star Wars fandom cannot: left their favorite childhood toys firmly in the past.


source

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Entertainment

The Controversial, R-Rated Sci-Fi Thriller That’s Better Than The Book

By Joshua Tyler
| Published

In 2006, the Wachowskis, the minds behind The Matrix, poured the proceeds of their success into a lie. A lie they hoped would reveal the truth.

At first, it seemed to work. People bought tickets, critics liked it, and there was hope that their idea might lead to change on a significant scale. Now, 20 years later, the exact opposite has happened. The dark future their movie predicted is closer than ever. 

This is why V For Vendetta failed.

V For Vendetta Was a Conventional Success

By any conventional measure, V for Vendetta was not a failure; it was a moderate success. It got generally positive reviews, performed solidly at the box office, and more than made its budget back.

But V for Vendetta isn’t a conventional film. So before we determine why it failed, let’s define what V for Vendetta is. 

V’s Truth And His Vendetta

Based on the same-named comic series written in 1982 by Alan Moore and David Lloyd, V for Vendetta tells the tale of a near-future England run by an oppressive government and a man, known only as V (Hugo Weaving), who sets out to destroy it. V is a terrorist, and he achieves his goals by murder, subterfuge, and blowing things up. He bursts onto the scene clad in dark clothes, hidden behind a Guy Fawkes mask, and spouting dialogue so complex and full of high-dollar words that it’s nearly another language. 

While skulking London’s deserted, under-curfew streets, he rescues a waifish girl accosted by Fingermen, the government’s assault-hungry secret police. The girl is Evey (Natalie Portman), and it’s the 5th of November, a day the people of Britain will remember.

V takes Evey under his wing as he embarks upon a strategy of governmental destruction. He’s a terrorist, but he’s not terrorizing the people. Instead, his goal is to awaken and empower them, while striking fear into the heart of England’s totalitarian government. “If you want to see who is responsible, look no further than a mirror,” he tells the country’s citizens. “I understand, you were afraid,” he says by way of forgiving them. 

It’s the people who put Britain’s corrupt, hate-driven government in power, and it’s the people who must stop it. “People should not be afraid of their governments,” pronounces V, “governments should be afraid of their people.”

V for Vendetta is a visually rich, dark, and resonant film; one that uses style to convey substance under the guise of pure entertainment. The Wachowski brothers’ script is a faithful adaptation of its source material, tweaked just enough to update it and properly translate it to the screen.

Is the movie political? Yes, but not necessarily in a way specific to any modern political party. It was, after all, written in 1982. These are the same political paradoxes that have been plaguing man for centuries. If you’re British, you’ll almost certainly find a way to apply it to Keir Starmer or Tony Blair, but that’s only because the film’s themes are universal.

Hugo Weaving is incredible as V, acting underneath a stiff, somewhat silly mask that completely covers his face, his eyes, or anything else he might use to convey the slightest emotion. Yet somehow, V is the film’s most passionate, powerful character. 

Hugo uses his voice and physicality to convey that, to bring an awkward, faceless creation to electrifying life. V calls himself an idea, and with Weaving playing him, he’s a very powerful idea.

But Natalie Portman’s Evey becomes the real heart of the movie. V is an unstoppable force; Evey is a real person, caught up in his deadly rebellion. Her conversations with V, not the movie’s one or two action bits, are the driving force of the Wachowskis’ script. Evey resists V’s crusade against oppression; her mind rebels at what he says out of fear and self-preservation. So will you.

V For Vendetta’s Forbidden Message

Referencing the still unseen film back in the days before it was released, one member of a politically minded film forum was quick to declare: “You can’t make a movie about a terrorist now without endorsing bin Laden.” It’s that mindset that makes V for Vendetta so unsettling. 

Sometimes, it almost feels like you’re watching something forbidden, like you’re seeing something you shouldn’t be allowed to see. It’s shocking that a movie like this ever actually got made. It’s even more unbelievable that a major Hollywood studio made it. Would the Wachowskis have been allowed to make it if they were making it now? I doubt it.

It’s fun to accuse Hollywood of excessive activism. Most of the modern message-pushing they do isn’t bravery; it’s adopting a trend and claiming to be a rebel. Not so with V for Vendetta. It’s a purposefully uncomfortable film, one that will affect different people differently depending on what you bring in with you.

Yes, V for Vendetta is rebellious and risky, subversive and dangerous. But it’s not cynical. V’s naïve take on the world is one that believes in the basic strength and goodness of people as strongly as it believes in the intrinsic corruptness of big government. It’s a viewpoint that almost certainly has no basis in reality, but that’s alright. 

What makes the film great is that you’re not asked to subscribe to its philosophy, only think about it and take note. It’s not a call to rise up against your rulers, but a warning about the way fear can be used to give a person or organization too much power. It’s an old lesson, but one that bears frequent repeating. 

Why V For Vendetta Failed

“By the power of truth, I, while living, have conquered the universe.” – V’s personal motto

V for Vendetta is an idea. An idea’s success or failure must be measured by its impact on the world around it. V for Vendetta had none.

The movie planted a few quotes in the minds of those who saw it. People love repeating that “governments should be afraid of their people” one. But at no point did V for Vendetta cause anything to change.

By any measure, governments have only grown more powerful and less afraid of their people since 2006. In response, people have rushed to hand off even more power to centralized authority figures, citing safety, equity, or some other concern as justification.

Had V for Vendetta flopped and become a cult classic, people would be whispering its words in secret late-night showings. Had it been a box-office juggernaut, it would have cemented its place as a permanent fixture in our culture. It did neither, so it fades away, taking not just its message, but the message of the comic on which it’s based, along with it.

V for Vendetta’s idea has been neutered, and mid-level success was the tool used to do it.


source

Continue Reading

Entertainment

Grab the Magic: The Gathering Foundations Jumpstart Booster Display Box on sale for under $100 at Amazon

TL;DR: Amazon has the Magic: The Gathering Foundations Jumpstart 2025 Booster Box on sale for $99.62, down from its current standard price of $105.59. That gets you 24 ready-to-mix Jumpstart boosters, with every pack including 20 cards, all the lands needed to play, and at least one Rare or Mythic Rare card.


Credit: Magic: The Gathering

$99.92
at Amazon

$105.59
Save $5.67

If you’ve been thinking about getting into Magic: The Gathering without immediately needing to learn every corner of deckbuilding, Jumpstart is still one of the easiest ways to get started with the trading card game, and you can now do so with its biggest box on sale. 

As of June 3, Amazon lists the Magic: The Gathering Foundations Jumpstart 2025 Booster Box for $99.62, with the item shipped and sold by Amazon itself rather than a third-party seller. This is a 90-day low price; Amazon’s typical price for the 24-pack box is $105.59, saving you $5.97 with this sale price. 

On the other hand, you can save even more when shopping outside of Amazon. TCGplayer listings starting at $89 with shipping included, dropping below its $89.09 market price. Slightly higher, Walmart sits at $89.99 via Flipside Gaming.

Magic: The Gathering Foundations Jumpstart Boosters are built around the idea of getting started simply by opening two boosters, shuffling them together, and starting to play — with no drafting, no decklist research, and no digging through your bulk box for lands required. 

Mashable Deals

By signing up, you agree to receive recurring automated SMS marketing messages from Mashable Deals at the number provided. Msg and data rates may apply. Up to 2 messages/day. Reply STOP to opt out, HELP for help. Consent is not a condition of purchase. See our Privacy Policy and Terms of Use.

Each of the included 24 Jumpstart boosters contains 20 Magic cards with all the lands already included. Every booster also comes with one anime-inspired card and at least one Rare or Mythic Rare, which is a plus for collectors. 

There are over 46 possible themes, too, including Goblins, Dinosaurs, Ninjas, and other chaotic little pairings that can make each game feel different. 

To get ready for what’s to come in MTG, you can preorder the 30-pack Marvel Super Heroes Play Booster Box for under $140 — a record low price. Right now, though, you can also buy the Magic: The Gathering Aetherdrift Bundle on sale for $40

If you’re also a Pokémon TCG fan, although it is currently not available on Amazon, the newly announced Pitch Black expansion — Booster Packs, ETBs, Display Boxes, and Booster Bundles — is available to preorder at TCGplayer.

Want to learn more about getting the best out of your tech? Sign up for Mashable’s Top Stories and Deals newsletters today.

source

Continue Reading

Entertainment

Samsungs 32-inch Odyssey G5 QHD gaming monitor has dropped to a record low price on Amazon

TL;DR: Amazon has slashed the price of the Samsung 32-inch Odyssey G5 (G50F) QHD gaming monitor to $219.99, $130 off its original $349.99 price; that’s its lowest price with the retailer ever, and it still offers a 1440p gaming display with a 180Hz refresh rate.


$219.99
at Amazon

$349.99
Save $130

With the rise of OLED and 4K gaming monitors, HD and QHD models are getting more affordable than ever — and you can now score $130 off a top-tier 32-inch unit from Samsung.

As of June 3, the Samsung 32-inch Odyssey G5 (G50F) QHD gaming monitor is on sale at Amazon for only $219.99, down 37% from its usual list price, and is sold and shipped by Amazon directly. With that $130 drop, this gaming monitor is now at its lowest Amazon price ever, as confirmed by price-tracking site camelcamelcamel.

For this massively lower price, the G50F offers QHD 2560 x 1440 resolution, similar to standard HD but with 1.7 times the pixel density for a fuller display, without making the more expensive jump to 4K. Whether you’re catching up on RPGs like Crimson Desert or linear action-adventures like 007: First Light, everything will still be sharper and pleasing to the eyes. 

For lovers of fast-paced multiplayer games like Fortnite, the fast IPS panel also brings a 178-degree viewing angle to help keep the picture clear, while the 180Hz refresh rate and 1ms GtG response time keep gameplay both buttery smooth and far more responsive

Mashable Deals

By signing up, you agree to receive recurring automated SMS marketing messages from Mashable Deals at the number provided. Msg and data rates may apply. Up to 2 messages/day. Reply STOP to opt out, HELP for help. Consent is not a condition of purchase. See our Privacy Policy and Terms of Use.

Despite not being 4K, the Odyssey G5’s display still includes HDR10 for brighter highlights and deeper-looking shadows. Plus, the included AMD FreeSync and NVIDIA G-Sync compatibility helps keep any visuals intact by reducing screen tearing as much as possible. 

On the off chance you’re open to diving into 4K, LG’s 32-inch OLED UltraGear monitor has been cut to just under $800 on Amazon, too.

For a model that’s a bit smaller, the 27-inch, 1440p LG OLED UltraGear gaming monitor is now only $500, down nearly half. 

If you’re also a Pokémon TCG fan, although currently not available on Amazon, the newly announced Pitch Black expansion — Booster Packs, ETBs, Display Boxes, and Booster Bundles — is available to preorder at TCGplayer.

Want to learn more about getting the best out of your tech? Sign up for Mashable’s Top Stories and Deals newsletters today.

source

Continue Reading