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How A Movie Destroyed Sci-Fi's Greatest Story By Being Good

By Joshua Tyler
| Published

Some of the best science fiction ever written has never been adapted into a feature film, specifically because it’s so complex and so good that no one in Hollywood is sure it’s filmable. That was true of Dune for decades, and why it took so long for there to be another movie attempt after David Lynch’s version in the 80s fell flat. And it’s why a man once called the Dean of Science Fiction, Robert A. Heinlein, has had so few of his top works adapted. 

In 2013, one of those unfilmable Sci-Fi masterpieces finally got the big-budget movie production fans had craved, but what was supposed to be a franchise starter turned into a disappointing misfire. It should have been a triumph for science fiction, but instead, it sputtered and faded into nothing.

Watch the video version of this article to see Ender’s Game in action.

This is why Ender’s Game failed.

One Of Sci-Fi’s Most Influential Works

When Orson Scott Card’s Ender’s Game hit shelves in 1985, it wasn’t just another sci-fi novel. It became a phenomenon, a winner of both the Hugo and Nebula Awards, one of the most influential works of modern speculative fiction.

The story of Andrew “Ender” Wiggin, a child genius trained to lead humanity’s war against a deadly alien species, wasn’t just about aliens or battle tactics. It explored the complex psychological and moral dilemmas of warfare, the manipulation of youth, and the destructive consequences of sacrifice. Fans of the book could only dream of seeing it brought to life on the big screen.

Meeting The High Expectations Of A Classic

For years, Ender’s Game was considered “unfilmable.” The novel is filled with internal conflict and deeply philosophical themes, much of which takes place in the mind of its young protagonist, Ender. At its core, the story is about how far one should go in the pursuit of victory, particularly when that victory is achieved through manipulation and deceit.

The novel’s focus on the psychological aspects of war, leadership, and morality made it a challenging proposition for Hollywood. As author Orson Scott Card himself put it, the entire story takes place in Ender’s head, which made it difficult to translate into a medium that relies heavily on visual storytelling.

By the early 2000s, the appetite for sci-fi adaptations had grown, and the success of films like The Hunger Games and Divergent meant that Ender’s Game had a chance to find an audience. In 2008, the rights to the novel were purchased by OddLot Entertainment, and production was set in motion.

Gavin Hood, director of Tsotsi, which won an Academy Award for Best Foreign Language Film, was hired to direct. Unfortunately, Gavin Hood was also the director of X-Men Origins: Wolverine, a film regarded as one of the worst superhero movies of all time.

The script was adapted by Hood and a team of writers, with Hood also taking on a significant role as a producer. The film was greenlit with a $110 million budget, and the studio set its sights on creating a new blockbuster franchise.


A Cast That Should Have Worked

The cast of Ender’s Game was stacked with both rising stars and seasoned veterans, including Asa Butterfield (Ender Wiggin), Harrison Ford (Colonel Graff), Viola Davis (Major Anderson), Ben Kingsley (Mazer Rackham), Hailee Steinfeld (Petra Arkanian), and Abigail Breslin (Valentine Wiggin). The casting seemed like a win.

Asa Butterfield, who had already impressed in Hugo (2011), was a solid choice to bring Ender to life. Harrison Ford, a blockbuster icon, was well cast as the hard-nosed military commander Colonel Graff. And Ben Kingsley, who was no stranger to playing complex roles, took on the mysterious Mazer Rackham.

Asa Butterfield as Andrew Wiggin in Ender’s Game

Despite the talent involved, the performances themselves didn’t quite land the way they needed to. Asa Butterfield’s portrayal of Ender was solid, but the character lacked the emotional depth and ruthless intelligence that made Ender so compelling in the novel.

While Butterfield’s portrayal captured Ender’s vulnerability and youth, it didn’t do enough to convey his internal struggle and the cold logic that underpins his decision-making. This lack of depth made Ender a less sympathetic character, and that’s a critical flaw in a film that is supposed to be about the cost of sacrifice.

Harrison Ford as Colonel Graff in Ender’s Game

Harrison Ford’s Colonel Graff was the most well-executed performance in the film. Ford has always been excellent at playing grumpy figures with a hidden moral ambiguity, and his performance as Graff was no exception. Still, Ford’s talent couldn’t fully elevate the film, which was undercut by a script that failed to highlight the complexity of Graff’s role as both mentor and manipulator.


Plot Divergence

Hailee Steinfeld and Asa Butterfield in Ender’s Game

The movie version of Ender’s Game stays reasonably faithful to the basic outline of the novel. Still, the differences in tone, pacing, and emotional content were significant enough to turn off fans of the book and leave casual moviegoers cold.

The basic premise is the same: young Ender Wiggin is recruited into a military academy, where he trains in increasingly difficult simulations that ultimately lead him to command the final battle against the Formic aliens. Along the way, Ender faces harsh mentors, personal isolation, and ethical dilemmas as he rises through the ranks.

Ender faces down Bonzo Madrid

The most critical difference between the novel and the film is the portrayal of Ender’s ruthlessness. In the book, Ender is a strategist who uses extreme methods to secure victory. He’s emotionally cold, willing to sacrifice anything, including his own humanity, to ensure the survival of the human race. This makes his eventual realization of what he’s done all the more tragic.

The movie softens Ender’s character. His decisions are framed less as calculated acts of cold logic and more as mistakes or accidents. This shift in characterization removed much of the complexity that made the book so powerful.

Abigail Breslin as Valentine in Ender’s Game

The movie also drops a significant subplot from the book: the full exploration of Ender’s relationship with his brother, Peter, and his sister, Valentine. These relationships were central to Ender’s development in the novel, highlighting the emotional cost of his isolation and his struggle with his violent tendencies. In the film, these relationships are barely explored, and while Abigail Breslin does a good job as Valentine, the emotional stakes of Ender’s personal life are significantly downplayed.


Rushing Through The Good Parts

The production values of Ender’s Game were top-notch, with sleek visuals, futuristic sets, and impressive special effects. The movie had a grand look, and its CGI-heavy battle sequences, including the simulation-style training sessions, were visually striking. Maybe it could have felt a little more lived-in, but the movie’s look works well.

The film’s pacing, however, hurt its ability to deliver the emotional depth required for such a complex story. While the book takes its time building Ender’s character, exploring his thoughts, motivations, and moral dilemmas, the movie rushes through key moments.

The time spent on battle simulations and training montages could have been used to explore the emotional and philosophical underpinnings of Ender’s actions. Instead, the audience is left with a series of disconnected, action-heavy scenes that fail to deliver the gut-punch that makes the novel so compelling.


Ender’s Game Fails On Release

Despite the pedigree of the book, the talented cast, and the high production values, Ender’s Game underperformed at the box office. The film grossed around $125 million worldwide, just barely covering its $110 million budget. Given the expectations for a blockbuster franchise, this was a significant disappointment. The film struggled to capture the audience’s attention in a crowded 2013 marketplace.

Critics were divided, with the film sitting at 62% on Rotten Tomatoes and a slightly better 6.6/10 on IMDb. While some praised the visuals and performances, many felt the film failed to capture the complexity and depth of the source material. The softened portrayal of Ender and the lack of emotional engagement were recurring criticisms.


Why Ender’s Game Failed

Over the years, Ender’s Game has gained a small following, particularly among fans of the book. The film’s availability on streaming services has given it new life, but it hasn’t generated the cultural impact its creators hoped for. The desire for a franchise never materialized, and the film remains a curiosity in the world of sci-fi adaptations.

Ender’s Game failed because it didn’t capture the heart of Orson Scott Card’s novel. It lost the story’s soul in its attempt to soften it. The themes of leadership, sacrifice, and the morality of war were there, but they were rushed past. The film missed its chance to resonate with audiences in the way the novel did, and as a result, Ender’s Game is now another example of a great book that just didn’t translate well to the screen.


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Entertainment

Bose introduces the Lifestyle Collection with a new speaker, soundbar, and subwoofer

Table of Contents

On May 5, Bose announced its new Lifestyle Collection, which consists of the Bose Lifestyle Ultra Speaker ($299), the Bose Lifestyle Ultra Soundbar ($1,099), and the Bose Lifestyle Ultra Subwoofer ($899). The line is designed to work together or separately to deliver exceptional sound throughout the home. All three products are packed with proprietary Bose technology to deliver high-quality sound across different environments. They’re available to preorder now, with a May 15 release date.

I was invited to experience the Lifestyle Collection ahead of its release, and I was thoroughly impressed by what I heard and saw. Music on the Lifestyle Ultra Speaker sounded booming and full without muddying vocals, and a clip from Dune literally shook the floors with audio playing from the Lifestyle Ultra Soundbar. The soundbar, speaker, and subwoofer, when paired, created room-filling sound sure to wow anyone who takes their Letterboxd account very seriously. And on top of that, the Lifestyle Collection looks sleek and doesn’t scream “tech product.”

Shop the Bose Lifestyle Collection


Bose Lifestyle Ultra Speaker in driftwood sand


Bose Lifestyle Ultra Soundbar in white


Bose Lifestyle Ultra Subwoofer in black

So, let’s dive into each of these new Bose audio devices.

Bose Lifestyle Ultra Speaker

bose lifestyle ultra speakers

The Bose Lifestyle Ultra Speaker is available in white smoke, driftwood sand, and black.
Credit: Miller Kern / Mashable

The Lifestyle Ultra Speaker is decently compact while still packing huge sound. It features three drivers — two front-facing and one up-firing — that allow the audio to truly fill a space, so you get powerful, clear sound no matter where you are in the room. It also features CleanBass technology, supported by a proprietary QuietPort acoustic opening, that delivers bass that doesn’t sound echoey or blown-out.

Two Lifestyle Ultra speakers can be paired for a surround-sound stereo setup. And you can play music to as many Lifestyle speakers as you have directly from your preferred music app — no need to connect via Bluetooth. The Lifestyle Ultra Speaker is compatible with Google Cast, Apple AirPlay, and Spotify Connect, and can be grouped with other compatible smart speakers on your network. Additionally, it features a 3.5mm aux port, which is awesome for connecting a turntable. It’s also the first to market speaker outside of Amazon’s own devices to offer full Alexa+ capabilities.

Price and specs

  • Price: $299 or $349 for driftwood sand color

  • Available speaker configurations: 1.0, 2.0, 7.0.4, 7.1.4

  • Connectivity: WiFi, Bluetooth 5.3, AUX 3.5mm

  • Dimensions: 4.8 inches W x 7.3 inches H x 6.6 inches D

  • Colors: Black, white smoke, driftwood sand (limited edition)

Bose Lifestyle Ultra Soundbar

Bose Lifestyle Ultra Soundbar

The Bose Lifestyle Ultra Soundbar comes in white smoke or black and has a sleek, low profile.
Credit: Miller Kern / Mashable

This marks the first major soundbar redesign from Bose in over a decade. The Lifestyle Ultra Soundbar features a new acoustic architecture with six full-range drivers (four front-facing and two up-firing), a center tweeter, and two Bose proprietary PhaseGuide drivers. It can play Dolby Atmos content and has SpeechClarity technology that ensures dialogue stands out at any volume, with three adjustable dialogue levels. CustomTune uses your phone’s microphone to analyze the acoustics of your room to optimize audio output performance. Like the speaker, the soundbar features CleanBass technology.

While showing off the Lifestyle Ultra Soundbar, a Bose rep toggled on and off the SpeechClarity setting, and I was instantly sold. I sometimes struggle to hear dialogue, but I hate using subtitles, and this technology feels like it was made for me specifically. It pushed the dialogue of a noisy scene without distorting any of the background sound.

The Lifestyle Ultra Soundbar also looks incredibly sleek and sports a tactile dial that allows users to control volume levels without picking up their TV remote or phone.

Price and specs

  • Price: $1,099

  • Available speaker configurations: 5.0.2, 5.1.2, 7.0.4, 7.1.4

  • Connectivity: HDMI Arc and eARC, Wi-Fi, Bluetooth 5.3

  • Dimensions: 43.54 inches W x 2.64 inches H x 4.96 inches D

  • Weight: 14.8 pounds

  • Colors: Black, white smoke

Bose Lifestyle Ultra Subwoofer

When paired with the Bose Lifestyle Ultra Speaker and Bose Lifestyle Ultra Soundbar, the Bose Lifestyle Ultra Subwoofer pushes the collection into full home theater mode by producing deep, controlled bass and reproducing the lowest frequencies for clearer overall audio. It also features the proprietary CleanBass technology, so you’ll get cinematic bass without distortion.

Price and specs

  • Price: $899

  • Available speaker configurations: 5.1.2, 7.1.4

  • Connectivity: WiFi, 3.5mm wired connection

  • Dimensions: 11.63 inches W × 12.88 inches H × 11.63 inches D

  • Weight: 33.7 pounds

  • Colors: Black, white smoke

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Are you ready for an Anthony Bourdain biopic? See the trailer now.

A24 is bringing Anthony Bourdain back to theaters with the coming-of-age drama, Tony.

It’s hard to believe it’s been nearly eight years since the death of Anthony Bourdain. The outspoken American chef made a massive imprint on the world, not only through his love of food but also his work as an author and documentarian. He shared cuisine, curiosity, and culture from all over the world through his rich and riveting docu-series like No Reservations and Parts Unknown.

Beyond that, his life and writing inspired the 2006 TV series Kitchen Confidential, starring Bradley Cooper; the 2015 drama Bone in the Throat; and the 2021 biographical documentary Roadrunner, which sparked controversy for its use of AI. Now, Tony will explore the early days of Bourdain’s career, featuring The Holdovers‘ Dominic Sessa playing the man himself.

Directed by Matt Johnson (Nirvanna: The Band – The Show – The Movie), Tony begins with a 19-year-old Bourdain, spinning out after his ambition to become a writer hits a speed bump. But a job in a kitchen — working under a beguiling Antonio Banderas — will change everything.

Emilia Jones, Dagmara Dominczyk, Rich Sommers, Stavros Halkias, and Leo Woodall co-star in Tony, which will open in theaters this August. But are audiences ready to see someone else play Bourdain this soon after his death?

We’ll see.

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Lisa Kudrow shares very blunt take on Ross and Rachels relationship in Friends

The “We were on a break!” argument between Ross (David Schwimmer) and Rachel (Jennifer Aniston) has to be one of the most famous moments in Friends — but, now, over two decades on, Lisa Kudrow sees it in a different light.

“He was a bad boyfriend,” she tells Jimmy Fallon in the Tonight Show clip above. “She shouldn’t have gotten back with him because he was horrible. To me it’s like, I don’t care if he slept with three other women or no other women. You had a crisis at work so you weren’t available for a few nights and he flipped out, and you’re like, ‘Wow’.”

Take that, Ross.

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